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Movie Metropolis (309 KP) rated Minions (2015) in Movies
Jun 10, 2019
Bright, smart and hilarious
They’re everywhere! Minions have become a worldwide phenomenon since their unveiling in 2010’s smash-hit Despicable Me and for their return in its sequel.
It was only a matter of time before Universal gave their most successful animated franchise a prequel, and allowing it to focus on the cute yellow creatures was a masterstroke by the people behind the scenes. No matter where you go there is something minion related to buy.
But the question is, does a film based on them truly work? After all, it’s their evil master Gru who is the main focus of the previous features.
Minions follows the history of the loveable race from humble beginnings serving an unlucky Tyrannosaurus right up to the moment they meet their aforementioned boss in a film packed full of colour and imagination.
After a history lesson narrated by the wonderful Geoffrey Rush, we find three plucky minions – Kevin, Stuart and the adorable Bob (accompanied by teddy Tim) as they are about to embark on a mission to find the most evil boss in the world.
Stumbling across the wicked Scarlet Overkill (voiced beautifully by Sandra Bullock) along the way, the trio think they have found everything they ever wanted right here in England.
Seeing London realised in animation as excellent as that in Minions is a joy. The city is a hive of activity with every frame being filled to the brim with tiny details like stained-glass windows, bees, rats, telephone boxes and fluttering flags. It’s just a shame we don’t get to see it more.
Naturally the English stereotypes come out in full force with tea-drinking newsreaders and policemen, but they’re done in such good taste you can’t help but laugh.
This is where Minions excels. Its humour is sublime. The kids will be rolling around in the aisles one moment, with adults finding something equally as hilarious the next – this is how a family film should be. There are pop culture references abound and even some nods to previous US presidents.
Kevin, Bob and Stuart are the perfect trio to spend 90 minutes with. Each of them have rich personalities that feel like they’ve been cleverly crafted to ensure you find a bit of yourself in each – I know, it sounds ridiculous.
Unfortunately, the story runs a little out of puff towards the film’s climax. It delves into unnecessarily silly territory when it really doesn’t need to and it’s a shame that a smart kid’s movie like this feels the need to dumb it all down.
Thankfully, it picks up again in the last 15 minutes and makes for a truly memorable ending.
Overall, Minions is a funny, charming and well-paced film that confirms what we all feared – Britain is obsessed by minions. The animation and humour are both sublime with only an exhausted plot stopping it from achieving greatness.
One thing’s for sure though, that obsession your child has with the pill-shaped creatures, it won’t be going away any time soon. Minions – me ti amo (I love you in Minionese).
https://moviemetropolis.net/2015/06/28/bright-smart-and-hilarious-minions-review/
It was only a matter of time before Universal gave their most successful animated franchise a prequel, and allowing it to focus on the cute yellow creatures was a masterstroke by the people behind the scenes. No matter where you go there is something minion related to buy.
But the question is, does a film based on them truly work? After all, it’s their evil master Gru who is the main focus of the previous features.
Minions follows the history of the loveable race from humble beginnings serving an unlucky Tyrannosaurus right up to the moment they meet their aforementioned boss in a film packed full of colour and imagination.
After a history lesson narrated by the wonderful Geoffrey Rush, we find three plucky minions – Kevin, Stuart and the adorable Bob (accompanied by teddy Tim) as they are about to embark on a mission to find the most evil boss in the world.
Stumbling across the wicked Scarlet Overkill (voiced beautifully by Sandra Bullock) along the way, the trio think they have found everything they ever wanted right here in England.
Seeing London realised in animation as excellent as that in Minions is a joy. The city is a hive of activity with every frame being filled to the brim with tiny details like stained-glass windows, bees, rats, telephone boxes and fluttering flags. It’s just a shame we don’t get to see it more.
Naturally the English stereotypes come out in full force with tea-drinking newsreaders and policemen, but they’re done in such good taste you can’t help but laugh.
This is where Minions excels. Its humour is sublime. The kids will be rolling around in the aisles one moment, with adults finding something equally as hilarious the next – this is how a family film should be. There are pop culture references abound and even some nods to previous US presidents.
Kevin, Bob and Stuart are the perfect trio to spend 90 minutes with. Each of them have rich personalities that feel like they’ve been cleverly crafted to ensure you find a bit of yourself in each – I know, it sounds ridiculous.
Unfortunately, the story runs a little out of puff towards the film’s climax. It delves into unnecessarily silly territory when it really doesn’t need to and it’s a shame that a smart kid’s movie like this feels the need to dumb it all down.
Thankfully, it picks up again in the last 15 minutes and makes for a truly memorable ending.
Overall, Minions is a funny, charming and well-paced film that confirms what we all feared – Britain is obsessed by minions. The animation and humour are both sublime with only an exhausted plot stopping it from achieving greatness.
One thing’s for sure though, that obsession your child has with the pill-shaped creatures, it won’t be going away any time soon. Minions – me ti amo (I love you in Minionese).
https://moviemetropolis.net/2015/06/28/bright-smart-and-hilarious-minions-review/
Movie Metropolis (309 KP) rated The Lego Batman Movie (2017) in Movies
Jun 11, 2019
All Hail the Bricks
LEGO may have just single-handedly saved the DC Universe. Yep, you heard me right; the construction toy has come to the aid of one of the comic-book heavyweights in spectacular fashion.
Of course, this is not the first time the world’s biggest toy company has released a film. 2014’s LEGO Movie catapulted the popular bricks into the minds of more people than ever before, it was an astounding success, and deserved every inch.
Now, they’re back with The LEGO Batman Movie, a film with so many side jokes and movie references, it’s impossible to spot them all the first time around.
There are some big changes brewing in the city of Gotham, but if Batman (Will Arnett) wants to save the city from the Joker’s (Zach Galifianakis) hostile takeover, he may have to drop the lone vigilante shtick, try to work with others and perhaps, learn to lighten up; if that’s humanly possible. Maybe his superhero sidekick Robin (voiced by Michael Cera) and loyal butler Alfred (played by Ralph Fiennes) can show him a thing or two?
After depressing cinema-goers with Batman v Superman: Dawn of Justice and the studio interference that caused Suicide Squad to be a hideous mess (which is referenced in the flick marvellously), DC was in serious trouble – its universe was unravelling before it had even got going. Marvel certainly had nothing to worry about from its biggest rival, but that may have changed after this.
Everything from the voice acting to the ridiculously dry script and exceptional animation makes The LEGO Batman Movie a treat for children and adults. There are references to: get ready… Jurassic Park, Harry Potter, Doctor Who, Gremlins, The Lord of the Rings and every single Batman film to name but a few, all expertly placed within a story that betters any DC film before it.
The cast gels together perfectly. Will Arnett clearly had a ball playing the caped crusader, channelling Ben Affleck and Christian Bale flawlessly. Michael Cera gives his best performance in years and Ralph Fiennes is great as Alfred. Would you believe me if I said Mariah Carey even got in on the action? Well, she does. There are small roles for Channing Tatum, Jonah Hill and Eddie Izzard too.
Elsewhere, the animation is of course, blocky. Beautifully so in fact. It’s always exciting seeing individual locations transformed into LEGO and Gotham is no exception. It’s rendered to an exquisite standard with each and every frame stuffed to the brim with colour and detail. The music is also a highlight throughout with Lorne Balfe’s faithful score juxtaposed with some original songs and classic pop hits.
Overall, The LEGO Batman Movie was always going to be a gamble, but perhaps less of a risk considering the low quality of DC’s current crop of films. With some great animation, a genuinely funny and at times heart-warming story and a cast that works together incredibly well, it’s a cracking addition to the ever-expanding superhero genre.
https://moviemetropolis.net/2017/02/11/all-hail-the-bricks-the-lego-batman-movie-review/
Of course, this is not the first time the world’s biggest toy company has released a film. 2014’s LEGO Movie catapulted the popular bricks into the minds of more people than ever before, it was an astounding success, and deserved every inch.
Now, they’re back with The LEGO Batman Movie, a film with so many side jokes and movie references, it’s impossible to spot them all the first time around.
There are some big changes brewing in the city of Gotham, but if Batman (Will Arnett) wants to save the city from the Joker’s (Zach Galifianakis) hostile takeover, he may have to drop the lone vigilante shtick, try to work with others and perhaps, learn to lighten up; if that’s humanly possible. Maybe his superhero sidekick Robin (voiced by Michael Cera) and loyal butler Alfred (played by Ralph Fiennes) can show him a thing or two?
After depressing cinema-goers with Batman v Superman: Dawn of Justice and the studio interference that caused Suicide Squad to be a hideous mess (which is referenced in the flick marvellously), DC was in serious trouble – its universe was unravelling before it had even got going. Marvel certainly had nothing to worry about from its biggest rival, but that may have changed after this.
Everything from the voice acting to the ridiculously dry script and exceptional animation makes The LEGO Batman Movie a treat for children and adults. There are references to: get ready… Jurassic Park, Harry Potter, Doctor Who, Gremlins, The Lord of the Rings and every single Batman film to name but a few, all expertly placed within a story that betters any DC film before it.
The cast gels together perfectly. Will Arnett clearly had a ball playing the caped crusader, channelling Ben Affleck and Christian Bale flawlessly. Michael Cera gives his best performance in years and Ralph Fiennes is great as Alfred. Would you believe me if I said Mariah Carey even got in on the action? Well, she does. There are small roles for Channing Tatum, Jonah Hill and Eddie Izzard too.
Elsewhere, the animation is of course, blocky. Beautifully so in fact. It’s always exciting seeing individual locations transformed into LEGO and Gotham is no exception. It’s rendered to an exquisite standard with each and every frame stuffed to the brim with colour and detail. The music is also a highlight throughout with Lorne Balfe’s faithful score juxtaposed with some original songs and classic pop hits.
Overall, The LEGO Batman Movie was always going to be a gamble, but perhaps less of a risk considering the low quality of DC’s current crop of films. With some great animation, a genuinely funny and at times heart-warming story and a cast that works together incredibly well, it’s a cracking addition to the ever-expanding superhero genre.
https://moviemetropolis.net/2017/02/11/all-hail-the-bricks-the-lego-batman-movie-review/
Movie Metropolis (309 KP) rated The DUFF (2015) in Movies
Jun 11, 2019
Disappointingly Generic
The school-set comedy genre has been done to death over the last two decades. From body swap comedies like 17 Again that hang on the pulling power of their stars, to films that now have a cult following like 10 Things I Hate About You, each of them has little to offer once the end credits roll.
With the brilliant Mean Girls being one of the only exceptions to the trend, the latest film to tackle the genre is The DUFF, but is Ari Sandel’s directorial debut worthy of a recommendation?
The DUFF follows daily life at a typical American high-school with typical US teens separated into categories depending on their social standing.
Enter Bianca Piper, played by the brilliant Mae Whitman, a vastly intelligent girl who is unaware of her place in the rankings as the DUFF – Designated Ugly Fat Friend – that is until her hunky next door neighbour Wesley (Robbie Amell) informs her of that fact.
What ensues is a selection of mildly amusing scenes interspersed with some touching social commentary about what it means to be normal in an ever-changing world as Bianca tries to come to terms with her place in the school hierarchy.
Despite the obvious focus on looks and beauty, the film does have a deeper message of self-worth and it’s a shame this is rarely touched upon outside of the finale.
Perhaps The DUFF’s strongest suit is in its unique filming style. The use of technology and social media helps distinguish it from its rivals and what it lacks in story is made up for with clever uses of animation and an engaging soundtrack.
Just when you think the film has decided to settle in a rut and remain there for the duration, it throws you off course with a clever cut-scene or use of technology and there are two moments in particular that had the audience in stitches.
Unfortunately, the rest of the film isn’t that funny. The story is predictable and the will-they-won’t-they romantic subplot is massively clichéd and dull because the characters, apart from Bianca, simply don’t register – there is no reason to care for them.
Mae Whitman is a force to be reckoned with as Bianca and is by far the most intriguing member of a disappointingly bland cast. Elsewhere, Ken Jeong (Community, The Hangover) and Allison Janney (Hairspray) pop up as a concerned teacher and Bianca’s mother, but they are both wasted in ultimately thankless roles.
Overall, it’s easy to feel sorry for films like The DUFF. The school-set genre has fizzled out in recent years and hasn’t got its mojo back despite numerous efforts from movies much less accomplished than this one.
Mae Whitman and the use of Family Guy-esque cut-scenes are the main plus points here, but despite its best intentions, it’s hard to give it too much of a recommendation and is probably best reserved for a late-night DVD viewing.
https://moviemetropolis.net/2015/04/12/disappointingly-generic-the-duff-review/
With the brilliant Mean Girls being one of the only exceptions to the trend, the latest film to tackle the genre is The DUFF, but is Ari Sandel’s directorial debut worthy of a recommendation?
The DUFF follows daily life at a typical American high-school with typical US teens separated into categories depending on their social standing.
Enter Bianca Piper, played by the brilliant Mae Whitman, a vastly intelligent girl who is unaware of her place in the rankings as the DUFF – Designated Ugly Fat Friend – that is until her hunky next door neighbour Wesley (Robbie Amell) informs her of that fact.
What ensues is a selection of mildly amusing scenes interspersed with some touching social commentary about what it means to be normal in an ever-changing world as Bianca tries to come to terms with her place in the school hierarchy.
Despite the obvious focus on looks and beauty, the film does have a deeper message of self-worth and it’s a shame this is rarely touched upon outside of the finale.
Perhaps The DUFF’s strongest suit is in its unique filming style. The use of technology and social media helps distinguish it from its rivals and what it lacks in story is made up for with clever uses of animation and an engaging soundtrack.
Just when you think the film has decided to settle in a rut and remain there for the duration, it throws you off course with a clever cut-scene or use of technology and there are two moments in particular that had the audience in stitches.
Unfortunately, the rest of the film isn’t that funny. The story is predictable and the will-they-won’t-they romantic subplot is massively clichéd and dull because the characters, apart from Bianca, simply don’t register – there is no reason to care for them.
Mae Whitman is a force to be reckoned with as Bianca and is by far the most intriguing member of a disappointingly bland cast. Elsewhere, Ken Jeong (Community, The Hangover) and Allison Janney (Hairspray) pop up as a concerned teacher and Bianca’s mother, but they are both wasted in ultimately thankless roles.
Overall, it’s easy to feel sorry for films like The DUFF. The school-set genre has fizzled out in recent years and hasn’t got its mojo back despite numerous efforts from movies much less accomplished than this one.
Mae Whitman and the use of Family Guy-esque cut-scenes are the main plus points here, but despite its best intentions, it’s hard to give it too much of a recommendation and is probably best reserved for a late-night DVD viewing.
https://moviemetropolis.net/2015/04/12/disappointingly-generic-the-duff-review/
Maddi Zoe (6 KP) rated MANIA by Fall Out Boy in Music
Feb 8, 2018
feet-tapping tunes (1 more)
light and dark
Fresh new sound, still Fall Out Boy
Fall Out Boy return with their seventh studio album titled 'Mania', which continues to explore their heavy alternative rock sound.
Mania is very similar in sound to Fall Out Boy's previous album from 2015 'American Beauty/American Psycho'. It's a far cry from where they first began with hits such as 'Sugar We're Goin' Down' and 'Dance, Dance'. Although it was classic rock hits such as 'I Don't Care' that brought them out into the spotlight in the first place. But you can clearly see the evolution of their music through each and every album.
They started to turn to heavier rock in their stand out album, 'Save Rock and Roll' in 2013, and continued to explore this style through to their 2015 album. Mania follows again follows this same successful recipe. But it's still fresh, with Pete Wentz describing it as a 'palette cleanse'.
You can tell that Fall Out Boy are passionate about their music. It's taken two years to get this album to a point where they felt happy with the finished product. Patrick Stump and the band started writing the new album during their 2016 tour, and it was originally scheduled for release in September last year. The release was delayed because they felt it was 'too rushed' and they didn't want to give fans something they felt was 'sub-par'.
The lyrics are, as usual, clever and intricate. It is clear that a lot of thought has gone into writing all of these songs. Some songs do again hint towards religion, such as 'Church' and 'Heaven's Gate'. This is becoming a common theme for the band, yet they maintain their heavy ego pop musicality. Fans of the band may also know it is common for the lyrics to sometimes reference other artists or the music industry in general. Anyone with a keen ear will notice the Britney Spears references in 'Young and Menace'.
Stump's voice. It is outstanding. This new album is no different. It is something that makes Fall Out Boy stand out among other bands. It is so crucial, especially in recent years, and Fall Out Boy continue to distance themselves away from bog-standard guitar solos. More often than not they have a bridge that is different to the rest of the song. This gives them more time to show off Stump's incredible and unique voice.
While the album is heavier than the majority of their music, some tracks such as 'Hold Me Tight or Don't', which are a bit lighter, and hint back to their 'old style'. Yet they continue to remain completely fresh. Whilst tracks such as 'Young and Menace' and 'Stay Frosty Royal Milk Tea' almost have a dubstep/dance vibe to them.
All ten tracks on the new album are completely different from one another other. There is something for everyone. It is combines the 'old' Fall Out Boy which we first fell in love with and the 'newer, even fresher' Fall Out Boy. It is yet again, another outstanding album from the band.
Mania is very similar in sound to Fall Out Boy's previous album from 2015 'American Beauty/American Psycho'. It's a far cry from where they first began with hits such as 'Sugar We're Goin' Down' and 'Dance, Dance'. Although it was classic rock hits such as 'I Don't Care' that brought them out into the spotlight in the first place. But you can clearly see the evolution of their music through each and every album.
They started to turn to heavier rock in their stand out album, 'Save Rock and Roll' in 2013, and continued to explore this style through to their 2015 album. Mania follows again follows this same successful recipe. But it's still fresh, with Pete Wentz describing it as a 'palette cleanse'.
You can tell that Fall Out Boy are passionate about their music. It's taken two years to get this album to a point where they felt happy with the finished product. Patrick Stump and the band started writing the new album during their 2016 tour, and it was originally scheduled for release in September last year. The release was delayed because they felt it was 'too rushed' and they didn't want to give fans something they felt was 'sub-par'.
The lyrics are, as usual, clever and intricate. It is clear that a lot of thought has gone into writing all of these songs. Some songs do again hint towards religion, such as 'Church' and 'Heaven's Gate'. This is becoming a common theme for the band, yet they maintain their heavy ego pop musicality. Fans of the band may also know it is common for the lyrics to sometimes reference other artists or the music industry in general. Anyone with a keen ear will notice the Britney Spears references in 'Young and Menace'.
Stump's voice. It is outstanding. This new album is no different. It is something that makes Fall Out Boy stand out among other bands. It is so crucial, especially in recent years, and Fall Out Boy continue to distance themselves away from bog-standard guitar solos. More often than not they have a bridge that is different to the rest of the song. This gives them more time to show off Stump's incredible and unique voice.
While the album is heavier than the majority of their music, some tracks such as 'Hold Me Tight or Don't', which are a bit lighter, and hint back to their 'old style'. Yet they continue to remain completely fresh. Whilst tracks such as 'Young and Menace' and 'Stay Frosty Royal Milk Tea' almost have a dubstep/dance vibe to them.
All ten tracks on the new album are completely different from one another other. There is something for everyone. It is combines the 'old' Fall Out Boy which we first fell in love with and the 'newer, even fresher' Fall Out Boy. It is yet again, another outstanding album from the band.
Dana (24 KP) rated The Tempest in Books
Mar 23, 2018
I had to read this play for my Shakespeare class in college and it was the first time I had ever read it.
This was an interesting play, and I'm not sure where it will fit on my scale for my favorite Shakespearean plays. While the plot was pretty straightforward, I do not know how I necessarily felt about the characters themselves. This being Shakespeare's final play, I feel like he wanted to pull in some aspects from his previous plays to draw the crowds in one last time.
I definitely see Shakespeare in Prospero. Both men are known for their art, Prospero's being magic and Shakespeare's being his writings, and in the end, both will give up those arts to be with their families. While it cannot be proved, Shakespeare did die fairly soon after his career ended, making yet another connection where possibly his "every third thought would be of the grave" just as Prospero foretold. And of course, Prospero's final soliloquy is said to be Shakespeare's swan song, his final curtain call.
Miranda can be seen as a voice for the audience a lot throughout the play. She is the reason we get the backstory about why Prospero is doing what he is doing, she voices concerns that the audiences may all be thinking. I think this was intentional because in most of the Shakespearean plays, there is at least one character who stands in for the audience.
Ariel, not going to lie, I thought he was a female character, though I found out by reading more, and watching a filmed production of it, that he is often portrayed as a male. I do, however, want to see what a female could do with this character. Especially since he is such a pivotal character to the plot line being in most, if not all, scenes in some way or another. Without Ariel, the story would not have been able to happen.
Caliban is weird. I understand why he hates Prospero and Miranda so much, but that doesn't excuse his actions both in the actual play and before it in the history sections.
I do not quite know what to classify this play as. It is definitely not one of the tragedies (mainly because it doesn't have a character name in the title) but it also isn't really a comedy. Would it be a mystical play? I don't really know. If you do, please, message me or comment on the post, because I am curious.
This play is often referenced in literature and in pop culture, but I never fully understood what they meant, so it was fun to be able to finally get what people were talking about. That being said, I do not think this is one of his most popular plays. Yes, it was his last, but I have not seen it come up as much in my studies as, let's say, Hamlet or Romeo and Juliet.
Overall, I enjoyed the play, but it definitely isn't my favorite. That spot still goes to Macbeth.
This was an interesting play, and I'm not sure where it will fit on my scale for my favorite Shakespearean plays. While the plot was pretty straightforward, I do not know how I necessarily felt about the characters themselves. This being Shakespeare's final play, I feel like he wanted to pull in some aspects from his previous plays to draw the crowds in one last time.
I definitely see Shakespeare in Prospero. Both men are known for their art, Prospero's being magic and Shakespeare's being his writings, and in the end, both will give up those arts to be with their families. While it cannot be proved, Shakespeare did die fairly soon after his career ended, making yet another connection where possibly his "every third thought would be of the grave" just as Prospero foretold. And of course, Prospero's final soliloquy is said to be Shakespeare's swan song, his final curtain call.
Miranda can be seen as a voice for the audience a lot throughout the play. She is the reason we get the backstory about why Prospero is doing what he is doing, she voices concerns that the audiences may all be thinking. I think this was intentional because in most of the Shakespearean plays, there is at least one character who stands in for the audience.
Ariel, not going to lie, I thought he was a female character, though I found out by reading more, and watching a filmed production of it, that he is often portrayed as a male. I do, however, want to see what a female could do with this character. Especially since he is such a pivotal character to the plot line being in most, if not all, scenes in some way or another. Without Ariel, the story would not have been able to happen.
Caliban is weird. I understand why he hates Prospero and Miranda so much, but that doesn't excuse his actions both in the actual play and before it in the history sections.
I do not quite know what to classify this play as. It is definitely not one of the tragedies (mainly because it doesn't have a character name in the title) but it also isn't really a comedy. Would it be a mystical play? I don't really know. If you do, please, message me or comment on the post, because I am curious.
This play is often referenced in literature and in pop culture, but I never fully understood what they meant, so it was fun to be able to finally get what people were talking about. That being said, I do not think this is one of his most popular plays. Yes, it was his last, but I have not seen it come up as much in my studies as, let's say, Hamlet or Romeo and Juliet.
Overall, I enjoyed the play, but it definitely isn't my favorite. That spot still goes to Macbeth.
Phillip McSween (751 KP) rated Big Hero 6 (2014) in Movies
Nov 5, 2018
Phenomenal
Big Hero 6 sits on top for me as probably the best under-the-radar film of all-time. No one talks about it or really brings it up. Anytime I mention its greatness, I get the typical response: “Well, yeah, I guess it was kind of awesome.” Not only is it one of the best under-the-radar films, but it’s the best film I have reviewed so far. Disagree all you want, but hear me out on my argument.
Set in the swanky, futuristic city of San Fransokyo, Big Hero 6 is the story of how young Hiro Hamada develops an unlikely friendship with his brother’s marshmallow-esque robot Baymax and they form an unlikely superhero team.
Acting: 10
Each voice actor does an excellent job capturing the essence of their character. Strong, emotional moments suck you into the film and keep you invested. As in most Disney films, there are no weaknesses from an acting standpoint. Damon Wayans Jr. was my personal favorite playing the role of Wasabi one of Hiro’s friends. He doesn’t dominate the scenes that he stars in, but definitely manages to make the most of his lines.
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
The animations are beautiful and crisp. The opening scene provides a breathtaking view of the city of San Fransokyo. Building lights pop against the night sky. Bay waters glimmer. Attention to detail is exquisite. There is one scene where Hiro and Baymax are falling through an open window in slow-motion. Bushes below rustle while glass flies past them. It only lasts for a couple of seconds, but it’s a testament to the solid work that went into the animation of this film.
The powers the team displayed added to the film’s visual prowess. I loved watching Fred breathe fire in his awful (and also hilarious) superhero costume. Their powers and team-ups made for some stunning battles against a unique villain.
Conflict: 10
I am amazed at the balance of story and action as a film typically has to sacrifice one over the other. Even during their earlier training phases, the action is both consistent and non-stop. It fills the entire landscape of the screen. From battles to car chases to harrowing escapes, Big Hero 6 establishes and maintains a high level of intensity.
Genre: 10
Not only does this film establish itself as one of the best animated films ever done, but it’s also one of the best superhero films ever made. The fact that it excels in both genres just speaks of the film’s overall greatness. I expected to like it, but I never expected to love it. Big Hero 6 is easily in the same class as The Incredibles.
Memorability: 10
Pace: 10
Plot: 10
Resolution: 10
The ending is perfect. Sappy, yet believable. Great wrap-up of a great movie.
Overall: 100
A great family film with solid superhero action and a fun, meaningful story you can get behind. What more do you need? Loved this movie.
Set in the swanky, futuristic city of San Fransokyo, Big Hero 6 is the story of how young Hiro Hamada develops an unlikely friendship with his brother’s marshmallow-esque robot Baymax and they form an unlikely superhero team.
Acting: 10
Each voice actor does an excellent job capturing the essence of their character. Strong, emotional moments suck you into the film and keep you invested. As in most Disney films, there are no weaknesses from an acting standpoint. Damon Wayans Jr. was my personal favorite playing the role of Wasabi one of Hiro’s friends. He doesn’t dominate the scenes that he stars in, but definitely manages to make the most of his lines.
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
The animations are beautiful and crisp. The opening scene provides a breathtaking view of the city of San Fransokyo. Building lights pop against the night sky. Bay waters glimmer. Attention to detail is exquisite. There is one scene where Hiro and Baymax are falling through an open window in slow-motion. Bushes below rustle while glass flies past them. It only lasts for a couple of seconds, but it’s a testament to the solid work that went into the animation of this film.
The powers the team displayed added to the film’s visual prowess. I loved watching Fred breathe fire in his awful (and also hilarious) superhero costume. Their powers and team-ups made for some stunning battles against a unique villain.
Conflict: 10
I am amazed at the balance of story and action as a film typically has to sacrifice one over the other. Even during their earlier training phases, the action is both consistent and non-stop. It fills the entire landscape of the screen. From battles to car chases to harrowing escapes, Big Hero 6 establishes and maintains a high level of intensity.
Genre: 10
Not only does this film establish itself as one of the best animated films ever done, but it’s also one of the best superhero films ever made. The fact that it excels in both genres just speaks of the film’s overall greatness. I expected to like it, but I never expected to love it. Big Hero 6 is easily in the same class as The Incredibles.
Memorability: 10
Pace: 10
Plot: 10
Resolution: 10
The ending is perfect. Sappy, yet believable. Great wrap-up of a great movie.
Overall: 100
A great family film with solid superhero action and a fun, meaningful story you can get behind. What more do you need? Loved this movie.
Hazel (1853 KP) rated Dreaming of Antigone in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review
Dreaming of Antigone</i> is a contemporary tragedy about sixteen-year-old Andria in the aftermath of the death of her twin sister Iris. It has been almost six months since Iris overdosed on heroin, and also the same amount of time since Andria last had an epileptic seizure. Feeling overwhelmed by her mother’s overprotectiveness, Andria is counting down the days until she can reapply for her driving license – freedom. Only fourteen days to go; unless she has another seizure…
Although she is not over her sister’s death, Andria is keeping her emotions in check; but then, Iris’ ex-drug addict boyfriend, Alex, comes back to school. Andria feels hatred toward him and angrily blames him for what happened to her sister. She is beyond frustrated to discover that she has to work alongside Alex in the library after school. However their love of poetry begins to bond them together, causing Andria to question how she really feels. When more tragedy strikes in the form of her stepfather, Andria is glad to have Alex by her side.
<i>Dreaming of Antigone</i> is a mix of high culture and pop culture. It is written for the contemporary teenager who enjoys love stories, yet it also contains a few highbrow topics. Firstly, as referenced in the title, is the Greek play <i>Antigone</i>. Andria is studying this tragedy at school and likens herself and Iris to the key characters, Antigone and Ismene. Secondly is astronomy. Andria is passionate about the stars and educates the reader a little about the names of constellations and the position of the stars and planets in the solar system. Thirdly, as already mentioned, there are lots of poetry citations.
I was a little disappointed that there was not more focus on <i>Antigone</i>, as this is what attracted me to the novel in the first place. Robin Bridges gives a brief overview of the play for the benefit of readers who are unfamiliar with it, however for readers, like myself, who have studied Sophocles’ tragedies, there is not much more to gain from this reference.
Bridges tackles quite a number of difficult subjects in <i>Dreaming of Antigone</i>. There is the obvious issue of drug abuse, which killed Iris. In this case, Iris was a victim of the addiction, however Bridges counters this with Alex, the survivor, thus saying that it is possible to recover from such a dangerous habit. Later on in the story other challenging problems crop up, for example suicide and sexual abuse. Thankfully Bridges deals with these in a mature and gentle manner, so as not to distress the reader. Having said this, some readers may struggle with this triggering content.
Overall, whilst this was not a terrible book, it was not exactly what I was expecting, and therefore a bit of a disappointment. It is for this reason that I am not giving <i>Dreaming of Antigone</i> more than three stars. Other readers with fewer expectations may enjoy this novel a lot more.
Dreaming of Antigone</i> is a contemporary tragedy about sixteen-year-old Andria in the aftermath of the death of her twin sister Iris. It has been almost six months since Iris overdosed on heroin, and also the same amount of time since Andria last had an epileptic seizure. Feeling overwhelmed by her mother’s overprotectiveness, Andria is counting down the days until she can reapply for her driving license – freedom. Only fourteen days to go; unless she has another seizure…
Although she is not over her sister’s death, Andria is keeping her emotions in check; but then, Iris’ ex-drug addict boyfriend, Alex, comes back to school. Andria feels hatred toward him and angrily blames him for what happened to her sister. She is beyond frustrated to discover that she has to work alongside Alex in the library after school. However their love of poetry begins to bond them together, causing Andria to question how she really feels. When more tragedy strikes in the form of her stepfather, Andria is glad to have Alex by her side.
<i>Dreaming of Antigone</i> is a mix of high culture and pop culture. It is written for the contemporary teenager who enjoys love stories, yet it also contains a few highbrow topics. Firstly, as referenced in the title, is the Greek play <i>Antigone</i>. Andria is studying this tragedy at school and likens herself and Iris to the key characters, Antigone and Ismene. Secondly is astronomy. Andria is passionate about the stars and educates the reader a little about the names of constellations and the position of the stars and planets in the solar system. Thirdly, as already mentioned, there are lots of poetry citations.
I was a little disappointed that there was not more focus on <i>Antigone</i>, as this is what attracted me to the novel in the first place. Robin Bridges gives a brief overview of the play for the benefit of readers who are unfamiliar with it, however for readers, like myself, who have studied Sophocles’ tragedies, there is not much more to gain from this reference.
Bridges tackles quite a number of difficult subjects in <i>Dreaming of Antigone</i>. There is the obvious issue of drug abuse, which killed Iris. In this case, Iris was a victim of the addiction, however Bridges counters this with Alex, the survivor, thus saying that it is possible to recover from such a dangerous habit. Later on in the story other challenging problems crop up, for example suicide and sexual abuse. Thankfully Bridges deals with these in a mature and gentle manner, so as not to distress the reader. Having said this, some readers may struggle with this triggering content.
Overall, whilst this was not a terrible book, it was not exactly what I was expecting, and therefore a bit of a disappointment. It is for this reason that I am not giving <i>Dreaming of Antigone</i> more than three stars. Other readers with fewer expectations may enjoy this novel a lot more.
Gareth von Kallenbach (980 KP) rated Monsters vs. Aliens (2009) in Movies
Aug 14, 2019
Ushering in what they hope will be a bold new era in 3D movie making, Dreamworks has set a very high standard with “Monsters Vs Aliens”. By combining science fiction and monster films, pop culture references, a strong cast, and cutting edge 3D technology, the film is likely to score big with audiences of all ages.
The story involves a bride to be named Susan (Reese Witherspoon), who is struck by a meteor shortly before her nuptials to local anchorman Derek (Paul Rudd). Before she can say “I do” Susan has an amazing growth spurt that soon has her towering over the church and eventually captured and subdued by a cadre of soldiers.
Susan is targeted as a monster by the government and awakens in a strange cell with fellow detainees B.O.B. (Seth Rogan), The Missing Link (Will Arnett), Dr. Cockroach PHD (Hugh Laurie), and Insectasaurus. While shocked and horrified to be in the company of monsters, Susan remains focused on getting back to normal and marrying Derek.
At the same time, an alien probe has arrived on earth and after a first contact effort by President Hathaway (Stephen Colbert), goes very wrong, the military soon realizes they are overmatched, requiring drastic efforts to save the planet.Enter General W.R. Monger, (Kiefer Sutherland), who reveals his captive monsters to the President and his staff with the idea that the only way to save the earth is to turn the monsters loose on the alien threat.
With a promise of freedom, the monsters and Susan (now dubbed Ginormica) seek to save San Francisco from the aliens. However, a greater threat is facing the earth from the alien Gallaxhar (Rainn Wilson), who has designs on Earth and the power Susan possesses, and will stop at nothing to get it. What ensues is a funny adventure that thanks to the stunning 3D visuals is one of the more enjoyable family films in years.
The amazing 3D effects truly allow for the audience to become immersed in the film rather than just occasionally entertained with a few simple gimmicks. The film has plenty to offer children, but parents should note that the film is PG rated due to some clever quips designed for older viewers.The nearly two hour film moves at a brisk pace, ensuring the monsters do not outstay their welcome, but it may still be a bit long for very young viewers. There are dimensions of the characters that I hope get expanded upon in future films, but I do understand that with such lavish visuals, action, not so much character development, takes centerstage, and the film certainly delivers adventure in spades.
The animation is first rate, as is the great ensemble cast, all of which combine to make “Monsters Vs Aliens” a fun viewing experience for the entire family, and a grand new direction for animation.While viewers wishing to see the film in 3D can expect to pay a higher ticket price, I strongly recommend the 3D version to truly enjoy the film and the breathtaking achievements in animation..
The story involves a bride to be named Susan (Reese Witherspoon), who is struck by a meteor shortly before her nuptials to local anchorman Derek (Paul Rudd). Before she can say “I do” Susan has an amazing growth spurt that soon has her towering over the church and eventually captured and subdued by a cadre of soldiers.
Susan is targeted as a monster by the government and awakens in a strange cell with fellow detainees B.O.B. (Seth Rogan), The Missing Link (Will Arnett), Dr. Cockroach PHD (Hugh Laurie), and Insectasaurus. While shocked and horrified to be in the company of monsters, Susan remains focused on getting back to normal and marrying Derek.
At the same time, an alien probe has arrived on earth and after a first contact effort by President Hathaway (Stephen Colbert), goes very wrong, the military soon realizes they are overmatched, requiring drastic efforts to save the planet.Enter General W.R. Monger, (Kiefer Sutherland), who reveals his captive monsters to the President and his staff with the idea that the only way to save the earth is to turn the monsters loose on the alien threat.
With a promise of freedom, the monsters and Susan (now dubbed Ginormica) seek to save San Francisco from the aliens. However, a greater threat is facing the earth from the alien Gallaxhar (Rainn Wilson), who has designs on Earth and the power Susan possesses, and will stop at nothing to get it. What ensues is a funny adventure that thanks to the stunning 3D visuals is one of the more enjoyable family films in years.
The amazing 3D effects truly allow for the audience to become immersed in the film rather than just occasionally entertained with a few simple gimmicks. The film has plenty to offer children, but parents should note that the film is PG rated due to some clever quips designed for older viewers.The nearly two hour film moves at a brisk pace, ensuring the monsters do not outstay their welcome, but it may still be a bit long for very young viewers. There are dimensions of the characters that I hope get expanded upon in future films, but I do understand that with such lavish visuals, action, not so much character development, takes centerstage, and the film certainly delivers adventure in spades.
The animation is first rate, as is the great ensemble cast, all of which combine to make “Monsters Vs Aliens” a fun viewing experience for the entire family, and a grand new direction for animation.While viewers wishing to see the film in 3D can expect to pay a higher ticket price, I strongly recommend the 3D version to truly enjoy the film and the breathtaking achievements in animation..
Gareth von Kallenbach (980 KP) rated Scary Movie 4 (2006) in Movies
Aug 14, 2019
Anna Faris returns as Cindy Campbell in the fourth installment of the popular “Scary Movie” franchise and your favorite horror films will never be the same.
Continuing the tradition of lampooning the horror genre that was established in the three previous segments, Scary Movie 4 takes aim at SAW, War of the Worlds, The Grudge and The Village while countless other pop culture shows and events are lambasted.
The film is pretty much a collection of scenes that are designed to mimic other films for comedic results so as such, only a very minimal plot is in place. In this case, the story follows War of the Worlds where a down and out father named Tom Ryan (Craig Bierko), must stay one step ahead of an alien invasion and protect his two estranged children from the devastation unleashed by the invaders.
Without the concerns of a plot to follow, the movie jumps from one locale to another in order to parody the various genre films. One segment has Cindy escaping the aliens by leaving her “Grudge” inspired house to reunite with her friend Brenda (Regina Hall), only to be thrust into an extended parody of The Village while Tom and company continue their parody of War of the Worlds”. While this may seem hectic to some, the film pulls it off very well as there are other subplots to follow such as Leslie Nielsen’s hilarious take as the President who is more concerned over the outcome of a children’s book then the fact that aliens are destroying the country.
Once again directed by David Zucker who took over the franchise after Scary Movie 2, the film uses the same style that made Zucker’s Airplane and Naked Gun series such box office favorites. Jokes ranging from the crude to the absurd fly at record pace inundating the audience with a torrent of jokes. As before, some jokes are truly inspired such as the Shaq and Dr. Phil parody of SAW and others take the crude road such as a sponge bath from hell and a Viagra overdose. While there is nothing that is truly fresh or original to the film, some of the jokes work very well, and make up for the jokes that bomb.
This is not the type of film where there is anything you can say about acting, plot, character development, and chemistry as those aspects are all non-existent as the focus is on parody. In that regard Scary Movie 4 works as despite the fact that much of the film is silly and dumb, it is by and large funny. If you do not mind wading through the jokes that fail to get to the ones that work, you will be rewarded as there are some very good bits in the film.
If you are a fan of the series then you know what you are in for and are likely to get some laughs, but if you are new to the franchise, then you might want to wait for the DVD release.
Continuing the tradition of lampooning the horror genre that was established in the three previous segments, Scary Movie 4 takes aim at SAW, War of the Worlds, The Grudge and The Village while countless other pop culture shows and events are lambasted.
The film is pretty much a collection of scenes that are designed to mimic other films for comedic results so as such, only a very minimal plot is in place. In this case, the story follows War of the Worlds where a down and out father named Tom Ryan (Craig Bierko), must stay one step ahead of an alien invasion and protect his two estranged children from the devastation unleashed by the invaders.
Without the concerns of a plot to follow, the movie jumps from one locale to another in order to parody the various genre films. One segment has Cindy escaping the aliens by leaving her “Grudge” inspired house to reunite with her friend Brenda (Regina Hall), only to be thrust into an extended parody of The Village while Tom and company continue their parody of War of the Worlds”. While this may seem hectic to some, the film pulls it off very well as there are other subplots to follow such as Leslie Nielsen’s hilarious take as the President who is more concerned over the outcome of a children’s book then the fact that aliens are destroying the country.
Once again directed by David Zucker who took over the franchise after Scary Movie 2, the film uses the same style that made Zucker’s Airplane and Naked Gun series such box office favorites. Jokes ranging from the crude to the absurd fly at record pace inundating the audience with a torrent of jokes. As before, some jokes are truly inspired such as the Shaq and Dr. Phil parody of SAW and others take the crude road such as a sponge bath from hell and a Viagra overdose. While there is nothing that is truly fresh or original to the film, some of the jokes work very well, and make up for the jokes that bomb.
This is not the type of film where there is anything you can say about acting, plot, character development, and chemistry as those aspects are all non-existent as the focus is on parody. In that regard Scary Movie 4 works as despite the fact that much of the film is silly and dumb, it is by and large funny. If you do not mind wading through the jokes that fail to get to the ones that work, you will be rewarded as there are some very good bits in the film.
If you are a fan of the series then you know what you are in for and are likely to get some laughs, but if you are new to the franchise, then you might want to wait for the DVD release.
Gareth von Kallenbach (980 KP) rated Vampires Suck (2010) in Movies
Aug 8, 2019
Vampires suck – but does the movie? We open on the San Salvatore Festival with the angsty Becca watching her beau, Edward Sullen, disrobe and expose his sparkly secrets- he’s a vampire! Cue the “True Blood- 40oz” toting, Mono-fang vampire to take Edward out….wait, we have to get the rest of the story! What follows is a parody of the first two movies of the Twilight Saga. Most of the characters analogous to the spoof’s target are introduced in the first 30 minutes; few of them are actually seen again throughout the movie.
Becca (newcomer Jenn Proske) is forced to move to Sporks, Washington, with her deadbeat father and town sheriff, Frank Crane (Diedrich Bader of The Drew Carey Show). Frank’s best friend is the rough-and-tumble paraplegic Native American, Bobby. His contribution to the plot is his hunky teenage son, Jacob White (Chris Riggi of Gossip Girl). The town of Sporks seems to have vampires on the brain and its population is only growing smaller.
Our heroine is introduced to Edward Sullen (Matt Lanter of Disaster Movie) and what follows is the “classic” story of girl-meets-vampire, girl-loses-vampire, girl-gets-threatened-by-vampire-nemesis, etc. Writers/Directors Jason Friedberg and Aaron Seltzer use their formulaic approach to spoof movies by making the plot a cliff-notes version of the Stephanie Meyer’s original material, with ample jokes thrown in-in an attempt to beef up their rendition.
In fact, there are so many visual jokes in the movie that it left me wondering what a sight-impaired person might conclude of the movie. “What are all these people laughing at?” I noticed a few of the dialogue driven jokes weren’t even played off by the actors. They seemed to have been missed by everyone, including the editors. Other jokes are pop-culture references that will get stale with time. They’re integrated well, but definitely dated. The movie is redolent with the classic American comedy tradition of slapstick, which occasionally comes off as funny.
The production value left something to be desired as several scenes were obviously one-takes. I counted several instances where Becca’s kiss left Edward’s mouth with a smudge of his own flesh-tone showing through. But hey- at least single takes have continuity, right? The contacts, no doubt purchased in bulk, gave the characters an occasional Marty Feldman goggly-look. The effect is hilarious, although I’m not always sure if it’s intentional.
The cast has its standouts. Jenn Proske’s Becca comes dangerously close (like copyright-violating close) to the performance of Kristen Stewart’s Bella as the fidgety, twitchy, sullen and hormone-y heroine. And Ken Jeong (The Hangover) as Daro, while not appearing on screen much, definitely makes his comedic presence felt.
All in all, “Vampires Suck” didn’t really suck… it kind of chews, like gum. Gum out of the package is fresh, flavorful, but the longer you chew it, the tougher and more stale it becomes. This movie is fresh, funny, and quirky right now, but it won’t stand the test of time like more accomplished parodies.
Becca (newcomer Jenn Proske) is forced to move to Sporks, Washington, with her deadbeat father and town sheriff, Frank Crane (Diedrich Bader of The Drew Carey Show). Frank’s best friend is the rough-and-tumble paraplegic Native American, Bobby. His contribution to the plot is his hunky teenage son, Jacob White (Chris Riggi of Gossip Girl). The town of Sporks seems to have vampires on the brain and its population is only growing smaller.
Our heroine is introduced to Edward Sullen (Matt Lanter of Disaster Movie) and what follows is the “classic” story of girl-meets-vampire, girl-loses-vampire, girl-gets-threatened-by-vampire-nemesis, etc. Writers/Directors Jason Friedberg and Aaron Seltzer use their formulaic approach to spoof movies by making the plot a cliff-notes version of the Stephanie Meyer’s original material, with ample jokes thrown in-in an attempt to beef up their rendition.
In fact, there are so many visual jokes in the movie that it left me wondering what a sight-impaired person might conclude of the movie. “What are all these people laughing at?” I noticed a few of the dialogue driven jokes weren’t even played off by the actors. They seemed to have been missed by everyone, including the editors. Other jokes are pop-culture references that will get stale with time. They’re integrated well, but definitely dated. The movie is redolent with the classic American comedy tradition of slapstick, which occasionally comes off as funny.
The production value left something to be desired as several scenes were obviously one-takes. I counted several instances where Becca’s kiss left Edward’s mouth with a smudge of his own flesh-tone showing through. But hey- at least single takes have continuity, right? The contacts, no doubt purchased in bulk, gave the characters an occasional Marty Feldman goggly-look. The effect is hilarious, although I’m not always sure if it’s intentional.
The cast has its standouts. Jenn Proske’s Becca comes dangerously close (like copyright-violating close) to the performance of Kristen Stewart’s Bella as the fidgety, twitchy, sullen and hormone-y heroine. And Ken Jeong (The Hangover) as Daro, while not appearing on screen much, definitely makes his comedic presence felt.
All in all, “Vampires Suck” didn’t really suck… it kind of chews, like gum. Gum out of the package is fresh, flavorful, but the longer you chew it, the tougher and more stale it becomes. This movie is fresh, funny, and quirky right now, but it won’t stand the test of time like more accomplished parodies.