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Daniel Boyd (1066 KP) rated Deadpool (2016) in Movies
Jul 21, 2017
Ryan Reynolds (2 more)
Hilarious Throughout
Energetic Score
Even Better Than A Chimichanga
Many thought that this movie would never get made, but I am very glad that it did. The movie serves as a long awaited origin story to Deadpool, that is fairly faithful to the comic book, at least more so than the previous iteration that we got of the character. Ryan Reynolds is fantastic in the Deadpool role, he truly was born to play the merc with a mouth in my opinion. Deadpool here is crass, funny, violent and energetic as well as being pretty faithful to comic book Deadpool, with the only thing missing from this version being the multiple voices in his head, but I am pretty sure that we will see that character trait develop in future Deadpool movies. The plot is pretty simple, we are introduced to Deadpool and shown how he got his powers after being diagnosed with incurable cancer via flashback. From there we basically follow him while he attempts to track down Ajax, or Francis, (the guy that turned him into Deadpool and made him deformed,) so that he can cure his skin and give him back his good looks. The one thing that was always going to either make or break this movie, was the humour. However they capture the meta humour perfectly here, which is an essential component of what makes up this character and is one of the main reasons why so many people love him. The movie is chock full of clever fourth wall breaks and pop culture references. The film was granted an R rating by the studio and the filmmakers take full advantage of that fact, with constant blood splatter and f-bombs being dropped left and right. The hip hop based score adds to the energetic tone of the movie and the action scenes are exciting throughout.
All of this results in setting up a Deadpool universe that is full of potential, we already know that we are getting a sequel, probably featuring Cable and possibly introducing the X force, plus I am very curious whether or not we will get to see Deadpool being integrated into the larger X Men universe, it would be really cool to see him interacting with Hugh Jackman’s Wolverine, since he is the butt of several jokes in the Deadpool movie.
Overall, whether you are a fan of the Deadpool comic or not, as long as you are into crass humour, over the top cartoon violence and R rated superhero movies, then there is no reason why you won’t love this movie. It is also the best Fox superhero movie that we have had and it is the best R rated superhero movie ever produced.
All of this results in setting up a Deadpool universe that is full of potential, we already know that we are getting a sequel, probably featuring Cable and possibly introducing the X force, plus I am very curious whether or not we will get to see Deadpool being integrated into the larger X Men universe, it would be really cool to see him interacting with Hugh Jackman’s Wolverine, since he is the butt of several jokes in the Deadpool movie.
Overall, whether you are a fan of the Deadpool comic or not, as long as you are into crass humour, over the top cartoon violence and R rated superhero movies, then there is no reason why you won’t love this movie. It is also the best Fox superhero movie that we have had and it is the best R rated superhero movie ever produced.
Mark @ Carstairs Considers (2063 KP) rated I'll Be There for You: The One about Friends in Books
Oct 16, 2019
The One Where We Look at the Friends Phenomenon
Over the course of the book, we get a well-researched look at the sitcom Friends and the impact it has had on the US and the world in the 25 years since it premiered. We learn about how the creators met and came up with the show, the path the actors took before they landed on the show, and some of the bumps and growing pains that everyone experienced during the 10 years the show was on the air. There is also talk about the impact the show has had on fashion, trends, and overall pop culture the world over.
Author Kelsey Miller starts out by talking about her own connection to the show, and at various times in the book she talks about how she gained insight into the show (and vice versa) while talking to her real-life friends about it. As I said, the book is well-researched, but that is part of the problem – it has too much research, rehashing stories we can find elsewhere with little new insights from the cast and crew. I did find her commentary on a few episodes and arcs to be interesting. I had already thought of some of her comments myself, and the rest make perfect sense to me. My biggest issue with the book is the way she works modern social issues into a look at a comedy from 25 years ago. Now, I’m not saying that the issues on the show aren’t worth talking about. This is the only part of the book where she did her any original research, reaching out to people to get reactions to the show’s handing of diversity, etc. However, her experts all seem to be of the opinion that it would be nice if the show had done a better job, but that was TV in the day, and it is a funny comedy that wasn’t trying to push an agenda. It is clear she wasn’t happy these people didn’t agree with her more since she obvious thinks these are major issues in the show. She even spends much of the last chapter talking about the lawsuit a writer’s assistant brought for a hostile work environment and speculating how it would have been handled in the current environment. These complaints aside, I found the book very readable, and when I picked it up, I was hooked. I was even choking up as I read about the taping of the final episodes. This would probably appeal most to die hard Friends fans, but most of the material here they probably already know.
Author Kelsey Miller starts out by talking about her own connection to the show, and at various times in the book she talks about how she gained insight into the show (and vice versa) while talking to her real-life friends about it. As I said, the book is well-researched, but that is part of the problem – it has too much research, rehashing stories we can find elsewhere with little new insights from the cast and crew. I did find her commentary on a few episodes and arcs to be interesting. I had already thought of some of her comments myself, and the rest make perfect sense to me. My biggest issue with the book is the way she works modern social issues into a look at a comedy from 25 years ago. Now, I’m not saying that the issues on the show aren’t worth talking about. This is the only part of the book where she did her any original research, reaching out to people to get reactions to the show’s handing of diversity, etc. However, her experts all seem to be of the opinion that it would be nice if the show had done a better job, but that was TV in the day, and it is a funny comedy that wasn’t trying to push an agenda. It is clear she wasn’t happy these people didn’t agree with her more since she obvious thinks these are major issues in the show. She even spends much of the last chapter talking about the lawsuit a writer’s assistant brought for a hostile work environment and speculating how it would have been handled in the current environment. These complaints aside, I found the book very readable, and when I picked it up, I was hooked. I was even choking up as I read about the taping of the final episodes. This would probably appeal most to die hard Friends fans, but most of the material here they probably already know.
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Shirley Manson recommended Walk Across the Rooftops by The Blue Nile in Music (curated)
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THE WORLD’S MOST POPULAR MOBILE WORD GAME IS BACK, beautifully redesigned and now with more ways...
Gareth von Kallenbach (965 KP) rated Hot Rod (2007) in Movies
Aug 14, 2019
Following up their successful sting on Saturday Night Live, the video masterminds behind such hits as “Lazy Sunday, and “Dick in a Box”, the Lonely Island Boys have unleashed a wild comedy that skewers some of the best comedy standards of the last two decades.
In “Hot Rod”, Andy Samberg stars as Rod Kimble, self proclaimed stuntman who believes he is the offspring of a stunt coordinator. Rod never misses a chance to try a new death defying stunt with the help of his stunt crew. There is just one problem, Rod is probably the worst stuntman ever to grace the planet.
Armed with his trusty moped, Rod attempts to jump swimming pools, vans, and even body boards all with failed and side-splitting results.
Rod also is struggling to win the respect of his stepfather Frank, (Ian McShane), and comes to believe he can only do this by winning one of their numerous fight sessions. As is expected, Rod is even worse at fighting as he is at stunts. This is time leads to a real dilema for Rod, when Frank becomes ill and needs an operation which the family is unable to afford.
Rod decides that he must raise the money to save Frank, so he can kick his butt and gain his respect. Towards this end, Rod rent himself out as a stuntman for hire, and some very funny moments ensue as each outing is even more inept than the one that preceded it.
As if Rod did not have enough trouble in his life, he admires the newest member of his stunt team Denise (Isla Fisher), but runs afoul of her jerky boyfriend Jonathan (Will Arnett), which leads to even more mayhem as the film unfolds in an enjoyable but predictable love triangle. While the plot is not likely to set any new standards for originality, the film shines when it is sending up the numerous films from the 80’s such as “Footloose”, and “Rad” with their often over the top sendups.
While there are stretches of the film that seem to be going nowhere, the film cleverly will turn on a dime and go off in new tangents often with hysterical results which is the strength of the film. Many times I found myself watching the film thinking segments were really out there or dumb, only to erupt in laughter when the scenes played out to their conclusions.
The biggest weakness of the film is that like many other films that star Saturday Night Live cast members, some of the jokes hit and some miss, especially when sketch length bits are carried out over 90 minutes.
While the film was designed to pay homage to past films, it works suprisingly well as not only a pop culture satire, but as a physical comedy. With fine supporting work by Sissy Spacek and Jorma Taccone, “Hot Rod” rises above its stupid comedy origins and creates a fresh, if silly offering that will leave you laughing.
In “Hot Rod”, Andy Samberg stars as Rod Kimble, self proclaimed stuntman who believes he is the offspring of a stunt coordinator. Rod never misses a chance to try a new death defying stunt with the help of his stunt crew. There is just one problem, Rod is probably the worst stuntman ever to grace the planet.
Armed with his trusty moped, Rod attempts to jump swimming pools, vans, and even body boards all with failed and side-splitting results.
Rod also is struggling to win the respect of his stepfather Frank, (Ian McShane), and comes to believe he can only do this by winning one of their numerous fight sessions. As is expected, Rod is even worse at fighting as he is at stunts. This is time leads to a real dilema for Rod, when Frank becomes ill and needs an operation which the family is unable to afford.
Rod decides that he must raise the money to save Frank, so he can kick his butt and gain his respect. Towards this end, Rod rent himself out as a stuntman for hire, and some very funny moments ensue as each outing is even more inept than the one that preceded it.
As if Rod did not have enough trouble in his life, he admires the newest member of his stunt team Denise (Isla Fisher), but runs afoul of her jerky boyfriend Jonathan (Will Arnett), which leads to even more mayhem as the film unfolds in an enjoyable but predictable love triangle. While the plot is not likely to set any new standards for originality, the film shines when it is sending up the numerous films from the 80’s such as “Footloose”, and “Rad” with their often over the top sendups.
While there are stretches of the film that seem to be going nowhere, the film cleverly will turn on a dime and go off in new tangents often with hysterical results which is the strength of the film. Many times I found myself watching the film thinking segments were really out there or dumb, only to erupt in laughter when the scenes played out to their conclusions.
The biggest weakness of the film is that like many other films that star Saturday Night Live cast members, some of the jokes hit and some miss, especially when sketch length bits are carried out over 90 minutes.
While the film was designed to pay homage to past films, it works suprisingly well as not only a pop culture satire, but as a physical comedy. With fine supporting work by Sissy Spacek and Jorma Taccone, “Hot Rod” rises above its stupid comedy origins and creates a fresh, if silly offering that will leave you laughing.
Emma @ The Movies (1786 KP) rated Late Night (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Show me Emma Thompson in a trailer and I'll show you a film that's going to the top of my must-see list. Comedy, drama, she can do it all, and as Katherine Newbury she got to do a bit of both.
Katherine is losing her TV show after years of being a late night icon. Where she wants serious and respectable guests, viewers tastes are edging ever closer to internet and pop culture celebs. She needs some fresh and relevant content, but the team is lacking fresh blood and the ideas just aren't coming.
Molly longs for a change of pace from working at the plants and she takes a chance and gets herself an opportunity to interview for the writing team. Pressured by Katherine to get results, Brad hires Molly to start on the entirely male team despite her less than popular when she takes the place of their recently fired colleague.
Mindy Kaling has done a great job on the script for Late Night, it's funny but still manages to transition to more serious moments. The characters all make great connections and Katherine and Molly are particularly fun together once Molly is able to break the tough shell of Katherine. The only slight quibble about it is that a couple of times I felt things didn't need to be there, but those scenes still worked well.
The story may be a new take, but it's a tale as old as time in this sort of comedy. It's predictable but in a way that you love because the chemistry on screen is so good and the outcome is genuinely what you want.
Emma Thompson on screen is a delight, there's even one point where we see her contemplating and she looks like a Jack Vettriano. The woman is a masterpiece. She can play anything (well, apart from a yeti, but that was more to do with the terrible scripting) and the role of Katherine really does come to life in her hands.
Kaling as Molly is a delight to see. Her always upbeat nature and genuine love for what she's doing shines through bringing a beautiful partnership out between her and Katherine.
The supporting cast is full of faces you'll recognise and all of them help this light-hearted comedy becomes something that genuinely made me smile.
Late Night was an unsurprising hit with me, when you have so many great things it's very difficult to create something bad.
What you should do
Have you looked at the news or Twitter today and sighed at just how depressing the world can be? If yes, go and see Late Night for a great mood lifter. If no, go and see Late Night for a great mood lifter.
Movie thing you wish you could take home
That suit Katherine wears right at the end of the movie... amazing.
Katherine is losing her TV show after years of being a late night icon. Where she wants serious and respectable guests, viewers tastes are edging ever closer to internet and pop culture celebs. She needs some fresh and relevant content, but the team is lacking fresh blood and the ideas just aren't coming.
Molly longs for a change of pace from working at the plants and she takes a chance and gets herself an opportunity to interview for the writing team. Pressured by Katherine to get results, Brad hires Molly to start on the entirely male team despite her less than popular when she takes the place of their recently fired colleague.
Mindy Kaling has done a great job on the script for Late Night, it's funny but still manages to transition to more serious moments. The characters all make great connections and Katherine and Molly are particularly fun together once Molly is able to break the tough shell of Katherine. The only slight quibble about it is that a couple of times I felt things didn't need to be there, but those scenes still worked well.
The story may be a new take, but it's a tale as old as time in this sort of comedy. It's predictable but in a way that you love because the chemistry on screen is so good and the outcome is genuinely what you want.
Emma Thompson on screen is a delight, there's even one point where we see her contemplating and she looks like a Jack Vettriano. The woman is a masterpiece. She can play anything (well, apart from a yeti, but that was more to do with the terrible scripting) and the role of Katherine really does come to life in her hands.
Kaling as Molly is a delight to see. Her always upbeat nature and genuine love for what she's doing shines through bringing a beautiful partnership out between her and Katherine.
The supporting cast is full of faces you'll recognise and all of them help this light-hearted comedy becomes something that genuinely made me smile.
Late Night was an unsurprising hit with me, when you have so many great things it's very difficult to create something bad.
What you should do
Have you looked at the news or Twitter today and sighed at just how depressing the world can be? If yes, go and see Late Night for a great mood lifter. If no, go and see Late Night for a great mood lifter.
Movie thing you wish you could take home
That suit Katherine wears right at the end of the movie... amazing.
Becs (244 KP) rated Again, But Better in Books
Jan 2, 2020
Trigger warnings:
a crazy amount of ableist language, cheating, grey area cheating, and sexual assault in the form of an unwanted kiss.
When you read a synopsis, you kind of expect the book to be somewhat similar and Again, but Better followed the synopsis but also, didn’t? I really wanted to like this but it just was not for me. I originally rated this 3.5 stars but I am dropping it down to 2 stars.
Again, but Better follows Shane as she makes a change to her constant everyday life and moves to London for a semester abroad. From zero friends, no social life, and a non existent romance life, Shane hopes that moving abroad will help her make college better than what she’s been experiencing. Because college is supposed to be all fun and games and parties and boys, right?
Well, once Shane gets to London, she soon finds that college there is not all it seems. She is faced with complicated realities of living outside of the bubble she has been living in. Her self-doubt also comes swooping in, helping to tear the new life Shane so desperately was trying to make for herself, fall even more apart. But, finding the right amount of courage and determination, one can conquer anything that is thrown at them. Throw in a little fate and magic, the possibilities become endless.
The writing wasn’t bad at all, but it was the plot and characters that had me feeling off. There was also little details that were repeated quite often, like we get it Europe has different laws than America. You don’t have to keep talking about it. And how some of the characters talked about their relationships. *cough* Pilot *cough* Also, can we talk about the Young Adult feels this gives off? It was classified as New Adult but doesn’t have any of the NA feels.
There was also the ending that really threw me for a loop. I was okay with the first portion of the book, but the twist at the end had me all sorts of confused. Certain parts of the story didn’t connect with other parts and I really had a hard time following along. I was also frustrated with all of the pop culture references. There were SO MANY OMG. Honestly, the book felt like it was built specifically around all of those references and it got boring, FAST.
One thing I enjoyed was the social anxiety rep and the diverse character cast. The main characters were white and straight so that was a bit of a let down, but the minor characters were of different sexualities and race. I feel Again, but Better is a bit of a hit or miss when it comes to reading. So, take my thoughts and do what you so please.
<a href="https://bookingwayreads.wordpress.com">Blog</a>; | <a href="https://https://www.instagram.com/ernest.bookingway/">Bookstagram</a>; | <a href="https://https://twitter.com/bookingwayreads">Twitter</a>;
a crazy amount of ableist language, cheating, grey area cheating, and sexual assault in the form of an unwanted kiss.
When you read a synopsis, you kind of expect the book to be somewhat similar and Again, but Better followed the synopsis but also, didn’t? I really wanted to like this but it just was not for me. I originally rated this 3.5 stars but I am dropping it down to 2 stars.
Again, but Better follows Shane as she makes a change to her constant everyday life and moves to London for a semester abroad. From zero friends, no social life, and a non existent romance life, Shane hopes that moving abroad will help her make college better than what she’s been experiencing. Because college is supposed to be all fun and games and parties and boys, right?
Well, once Shane gets to London, she soon finds that college there is not all it seems. She is faced with complicated realities of living outside of the bubble she has been living in. Her self-doubt also comes swooping in, helping to tear the new life Shane so desperately was trying to make for herself, fall even more apart. But, finding the right amount of courage and determination, one can conquer anything that is thrown at them. Throw in a little fate and magic, the possibilities become endless.
The writing wasn’t bad at all, but it was the plot and characters that had me feeling off. There was also little details that were repeated quite often, like we get it Europe has different laws than America. You don’t have to keep talking about it. And how some of the characters talked about their relationships. *cough* Pilot *cough* Also, can we talk about the Young Adult feels this gives off? It was classified as New Adult but doesn’t have any of the NA feels.
There was also the ending that really threw me for a loop. I was okay with the first portion of the book, but the twist at the end had me all sorts of confused. Certain parts of the story didn’t connect with other parts and I really had a hard time following along. I was also frustrated with all of the pop culture references. There were SO MANY OMG. Honestly, the book felt like it was built specifically around all of those references and it got boring, FAST.
One thing I enjoyed was the social anxiety rep and the diverse character cast. The main characters were white and straight so that was a bit of a let down, but the minor characters were of different sexualities and race. I feel Again, but Better is a bit of a hit or miss when it comes to reading. So, take my thoughts and do what you so please.
<a href="https://bookingwayreads.wordpress.com">Blog</a>; | <a href="https://https://www.instagram.com/ernest.bookingway/">Bookstagram</a>; | <a href="https://https://twitter.com/bookingwayreads">Twitter</a>;
Gareth von Kallenbach (965 KP) rated Dracula Untold (2014) in Movies
Aug 6, 2019
The latest Dracula movie attempts to honor an ancient story while adding some new spice and bringing the usual graphics flair we’ve come to expect from Hollywood, but falls short.
Dracula Untold, as the name implies, is an origin story for the pop culture father-of-all-vampires. Luke Evans bears the mantle of Prince Vlad Tepes of the Dracula Clan. (Not Count, but Prince.) What about the King, you ask? Well, they didn’t cover this, but there is no King.
Luke Evans is one of my favorite actors in Hollywood right now, and he does this role justice. The rest of the cast contributed solid performances as well, as best they could with sub par script, and poor direction. Charles Dance was a particular pleasure to witness.
This film is Gary Shore’s directorial debut, and it’s easy to see the marks of a neophyte director. Had it been in the hands of someone more experienced, it would have been a juggernaut of a Fall film. Even so, he did pretty well enough, all things considered. According to his work history, Shore was an electrician until 1998, then disappeared until 2014. This is his second film so far this year.
Dracula Untold opens with the story of Vlad the Impaler, as told by his son. Vlad was shipped off to the Turks to become a trained and conditioned weapon. He earned his title by impaling an entire village for the Turkish army. Vlad was a deadly force on the battlefield, but they eventually allowed him to go home, where he could start a family and rule Transylvania. It is painfully obvious that the usual blood-thirsty character was meant to become a hero for this new tale.
The Turks return to take more boys, like they did him, but he refuses. This draws the Turks’ ire, and they demand retribution for the insult and insubordination. Desperate, he seeks out a monster in the mountains who was the REAL first vampire — a man who made a deal with a demon.
Vlad is granted temporary powers, paying a heavy price in the process. After this, the story really ramps up.
This film left me feeling as if something was missing. I attribute this to missing explanations, plot holes (like the lack of King), and several other missteps. Normally, I can look past plot holes. A strong enough movie will keep me from noticing them until I’m rethinking it later. In this case, they were too distracting. The music was unimpressive and not at all memorable. The one liners were forced and distracting, instead of powerful and emotional.
This movie is worth seeing if you’re a fan of vampires in general or Dracula in particular. That said, I wouldn’t advise high expectations. Great aspects were abundant, but there were just as many failings. If you feel compelled to see it, wait until you can see it at home, and save the money.
Dracula Untold, as the name implies, is an origin story for the pop culture father-of-all-vampires. Luke Evans bears the mantle of Prince Vlad Tepes of the Dracula Clan. (Not Count, but Prince.) What about the King, you ask? Well, they didn’t cover this, but there is no King.
Luke Evans is one of my favorite actors in Hollywood right now, and he does this role justice. The rest of the cast contributed solid performances as well, as best they could with sub par script, and poor direction. Charles Dance was a particular pleasure to witness.
This film is Gary Shore’s directorial debut, and it’s easy to see the marks of a neophyte director. Had it been in the hands of someone more experienced, it would have been a juggernaut of a Fall film. Even so, he did pretty well enough, all things considered. According to his work history, Shore was an electrician until 1998, then disappeared until 2014. This is his second film so far this year.
Dracula Untold opens with the story of Vlad the Impaler, as told by his son. Vlad was shipped off to the Turks to become a trained and conditioned weapon. He earned his title by impaling an entire village for the Turkish army. Vlad was a deadly force on the battlefield, but they eventually allowed him to go home, where he could start a family and rule Transylvania. It is painfully obvious that the usual blood-thirsty character was meant to become a hero for this new tale.
The Turks return to take more boys, like they did him, but he refuses. This draws the Turks’ ire, and they demand retribution for the insult and insubordination. Desperate, he seeks out a monster in the mountains who was the REAL first vampire — a man who made a deal with a demon.
Vlad is granted temporary powers, paying a heavy price in the process. After this, the story really ramps up.
This film left me feeling as if something was missing. I attribute this to missing explanations, plot holes (like the lack of King), and several other missteps. Normally, I can look past plot holes. A strong enough movie will keep me from noticing them until I’m rethinking it later. In this case, they were too distracting. The music was unimpressive and not at all memorable. The one liners were forced and distracting, instead of powerful and emotional.
This movie is worth seeing if you’re a fan of vampires in general or Dracula in particular. That said, I wouldn’t advise high expectations. Great aspects were abundant, but there were just as many failings. If you feel compelled to see it, wait until you can see it at home, and save the money.
Sarah (7798 KP) rated The Muppets - Season 1 in TV
Oct 9, 2020
Intelligently funny
The Muppets is a 2015 mockumentary style series that aired for only one season, and is currently available on Disney+ . It follows the personal and professional lives of the Muppets behind the scenes of Miss Piggy's late night talk show.
The Muppets are an institution. There won’t be many people that don’t know of the Muppets, and most will have grown up with them in some form whether it be the original tv show, the earlier films or the most recent film reincarnations with Jason Segel. For me, my fondest memories of the Muppets come from the films (The Muppet Christmas Carol is by far the best Christmas film) and from the Muppet Vision 3D show in Disney World, so I had no preconceptions over what this show would be. And it’s an absolute hoot.
This is a wonderfully funny and smart show, and the mockumentary style similar to The Office and Parks and Recereation works very well. It manages to bring clever adult humour without reducing itself to crudeness. It’s whip smart, witty and full of relevant pop culture references that are often laugh out loud funny. There are so many instances in these 16 episodes where I couldn’t stop laughing, although a particularly highlight involved Bobo the bear and The Revenant. And not only is this funny, it’s also full of heart. It features some fairly meaningful and important topics and for the most part it deals with these well with an appropriate amount of humour.
The great thing about this show is that it isn’t just the Kermit and Piggy show. All of the other Muppets are featured in equal measure and for me personally I loved this as some of my favourite moments were with the likes of Rizzo, Pepe and Chip the IT guy. I also now have a new found love for Uncle Deadly, I never realised how brilliant a character he was before! This show also brings in some fantastic guest stars, from the likes of Reese Witherspoon and Joseph Gordon-Levitt to Liam Hemsworth, Ru Paul and Josh Groban, all of whom have no problem in sending themselves up and being the butt of the jokes.
It’s a shame then that this show falters two thirds of the way through due to the storyline and relationship between Kermit and Piggy. I’ve never been a fan of Piggy as I find her very irksome, but she’s bearable in small doses. However the show seems to do a complete u-turn on their storyline midway through and suffers because of it, as it becomes dull and predictable and nothing we haven’t seen before for Kermit and Piggy. The rest of the show and characters are still hilarious, but Kermit and Piggy really bring down the tone.
If you’re an adult and a fan of the Muppets and are looking for some adult, intelligent laugh out loud humour, you can’t really go wrong with this. Just try not to concentrate on the storyline too much.
The Muppets are an institution. There won’t be many people that don’t know of the Muppets, and most will have grown up with them in some form whether it be the original tv show, the earlier films or the most recent film reincarnations with Jason Segel. For me, my fondest memories of the Muppets come from the films (The Muppet Christmas Carol is by far the best Christmas film) and from the Muppet Vision 3D show in Disney World, so I had no preconceptions over what this show would be. And it’s an absolute hoot.
This is a wonderfully funny and smart show, and the mockumentary style similar to The Office and Parks and Recereation works very well. It manages to bring clever adult humour without reducing itself to crudeness. It’s whip smart, witty and full of relevant pop culture references that are often laugh out loud funny. There are so many instances in these 16 episodes where I couldn’t stop laughing, although a particularly highlight involved Bobo the bear and The Revenant. And not only is this funny, it’s also full of heart. It features some fairly meaningful and important topics and for the most part it deals with these well with an appropriate amount of humour.
The great thing about this show is that it isn’t just the Kermit and Piggy show. All of the other Muppets are featured in equal measure and for me personally I loved this as some of my favourite moments were with the likes of Rizzo, Pepe and Chip the IT guy. I also now have a new found love for Uncle Deadly, I never realised how brilliant a character he was before! This show also brings in some fantastic guest stars, from the likes of Reese Witherspoon and Joseph Gordon-Levitt to Liam Hemsworth, Ru Paul and Josh Groban, all of whom have no problem in sending themselves up and being the butt of the jokes.
It’s a shame then that this show falters two thirds of the way through due to the storyline and relationship between Kermit and Piggy. I’ve never been a fan of Piggy as I find her very irksome, but she’s bearable in small doses. However the show seems to do a complete u-turn on their storyline midway through and suffers because of it, as it becomes dull and predictable and nothing we haven’t seen before for Kermit and Piggy. The rest of the show and characters are still hilarious, but Kermit and Piggy really bring down the tone.
If you’re an adult and a fan of the Muppets and are looking for some adult, intelligent laugh out loud humour, you can’t really go wrong with this. Just try not to concentrate on the storyline too much.