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In Search of the Essence of Place
Petr Kral and Christopher Moncrieff
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A moving and reflective memoir, In Search of the Essence of Place is a Remembrance of Things Past...
Oliver!: A Dickensian Musical
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When the show was first produced in 1960, at a time when transatlantic musical theatre was dominated...
The Matter of High Words: Naturalism, Normativity, and the Postwar Sage
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In a world of matter, how can we express what matters? When the explanations of the natural sciences...
Progressive Business: An Intellectual History of the Role of Business in American Society
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Today, an increasing number of researchers, citizens, politicians, civil organizations, activists,...
TravelersWife4Life (31 KP) rated Healing Thru Service: The Warrior's Guidebook to Overcoming Trauma in Books
Feb 23, 2021
Healing Thru Service by Sgt Q is a book filled with words, thoughts, and tools to help equip anyone who has suffered through trauma and come out the other side with Post Traumatic Stress Disorder (PTSD). In all honesty, I think this book and the information in it can help people even if they do not have PTSD.
“Never be content with where you are…. This is a battle; therefore, the rules of war apply: If you aren’t taking ground, you are losing it.”
Sgt Q tells his story, his struggles and his triumphs intermingled with honest debriefings of life with PTSD. I loved getting to know Sgt Q and his story through this book. It helped me better understand what some of my family members live with on a daily basis. He explained the different stages or categories of PTSD in easy to understand ways and I enjoyed his “Tactical Applications” at the ends of the chapters and his biblical integration. Sgt Q dug deep into discovering your identity and who you are as a person outside of the military and I believe Sgt Q explained our need for identity in a very engaging and special way.
“No longer a Soldier, you are now a Warrior.”
From a US Marine’s daughter, this book was one I wish my dad had access to years ago and hope it will help him even now. I really enjoyed Sgt Q’s book and ministry and I am looking forward to passing this book along to more people who need the healing words inside. I highly recommend this book to anyone with PTSD, depression, or pursuing what defines you in life. 5 out of 5 stars. Thank you for your service Sgt Q, and thank you for helping Warriors have a family again.
Sincerely,
The Travelers Wife
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
“Never be content with where you are…. This is a battle; therefore, the rules of war apply: If you aren’t taking ground, you are losing it.”
Sgt Q tells his story, his struggles and his triumphs intermingled with honest debriefings of life with PTSD. I loved getting to know Sgt Q and his story through this book. It helped me better understand what some of my family members live with on a daily basis. He explained the different stages or categories of PTSD in easy to understand ways and I enjoyed his “Tactical Applications” at the ends of the chapters and his biblical integration. Sgt Q dug deep into discovering your identity and who you are as a person outside of the military and I believe Sgt Q explained our need for identity in a very engaging and special way.
“No longer a Soldier, you are now a Warrior.”
From a US Marine’s daughter, this book was one I wish my dad had access to years ago and hope it will help him even now. I really enjoyed Sgt Q’s book and ministry and I am looking forward to passing this book along to more people who need the healing words inside. I highly recommend this book to anyone with PTSD, depression, or pursuing what defines you in life. 5 out of 5 stars. Thank you for your service Sgt Q, and thank you for helping Warriors have a family again.
Sincerely,
The Travelers Wife
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
Movie Metropolis (309 KP) rated American Assassin (2017) in Movies
Jun 10, 2019
Great, another terrorism thriller
Just what the world needs, another ill-timed terrorism-based thriller – you can almost hear the groans can’t you? It seems the movie-going public just can’t get enough of these accounts of urban terrorism.
Last year’s diabolical London Has Fallen inexplicably took over $200million at the box office and the better-received Unlocked also performed well commercially. All of this in spite of the constant threat posed by terrorism across the globe.
Now, there’s a new kid on the block. American Assassin. But does this film based on the novel of the same name do enough to be different?
When Cold War veteran Stan Hurley (Michael Keaton) takes CIA black ops recruit Mitch Rapp (Dylan O’Brien) under his wing, they receive an assignment to investigate a wave of random attacks on both military and civilian targets. After discovering a pattern of violence, Hurley and Rapp join forces with a lethal Turkish agent to stop a mysterious operative who wants to start a global war.
Michael Cuesta’s film is propped up by a nicely shot opening in which Dylan O’Brien’s Mitch comes up against Islamic terrorists while on holiday with his fiancé. Naturally, she’s brutally murdered and it becomes Mitch’s life-ambition to hunt down terrorist cells across the world.
Yes, you heard me right. That’s the plot. Ridiculous in every way and frankly, a little boring, American Assassin is a poor excuse for a film riddled with dreadful dialogue, phoned-in performances and uninspiring camerawork.
What makes it worse is that Maze Runner rising star Dylan O’Brien thought it would be a good idea to helm such a vehicle. He performs well but feels at odds with the film’s dark tone and is in serious danger of doing a post-Abduction Taylor Lautner and tanking his promising career. Michael Keaton’s bizarre effort here is the polar opposite of his genuinely menacing turn in Spider-Man: Homecoming only two months ago.
The rest of the cast might as well be made of cardboard they’re that uninteresting and while globe-trotting should evoke some visual joy, the scenery feels flat, hampered by a dull colour palette and the fact it’s been done to death already.
As American Assassin steamrolls to a 70s-esque Bond finale, we’re subjected to some torturous CGI, though Cuesta does well to ramp up the tension a little, but it’s the subject matter once again that proves a sticking point.
In a world where our fears of urban terrorism are greater than ever, should we be classing films like this as ‘entertainment’? Take the opening sequence for example, as nicely choreographed as it is, the parallels to the dreadful Tunisian beach attack of 2015 linger in the back of my mind and I find it all very much in poor taste.
Overall, American Assassin is yet another addition to the already overstuffed terrorism thriller genre that adds absolutely nothing new. The performances are dull, the story is flat and the cinematography is uninspired. Poor Dylan O’Brien left the Maze for this?
https://moviemetropolis.net/2017/09/15/american-assassin-review/
Last year’s diabolical London Has Fallen inexplicably took over $200million at the box office and the better-received Unlocked also performed well commercially. All of this in spite of the constant threat posed by terrorism across the globe.
Now, there’s a new kid on the block. American Assassin. But does this film based on the novel of the same name do enough to be different?
When Cold War veteran Stan Hurley (Michael Keaton) takes CIA black ops recruit Mitch Rapp (Dylan O’Brien) under his wing, they receive an assignment to investigate a wave of random attacks on both military and civilian targets. After discovering a pattern of violence, Hurley and Rapp join forces with a lethal Turkish agent to stop a mysterious operative who wants to start a global war.
Michael Cuesta’s film is propped up by a nicely shot opening in which Dylan O’Brien’s Mitch comes up against Islamic terrorists while on holiday with his fiancé. Naturally, she’s brutally murdered and it becomes Mitch’s life-ambition to hunt down terrorist cells across the world.
Yes, you heard me right. That’s the plot. Ridiculous in every way and frankly, a little boring, American Assassin is a poor excuse for a film riddled with dreadful dialogue, phoned-in performances and uninspiring camerawork.
What makes it worse is that Maze Runner rising star Dylan O’Brien thought it would be a good idea to helm such a vehicle. He performs well but feels at odds with the film’s dark tone and is in serious danger of doing a post-Abduction Taylor Lautner and tanking his promising career. Michael Keaton’s bizarre effort here is the polar opposite of his genuinely menacing turn in Spider-Man: Homecoming only two months ago.
The rest of the cast might as well be made of cardboard they’re that uninteresting and while globe-trotting should evoke some visual joy, the scenery feels flat, hampered by a dull colour palette and the fact it’s been done to death already.
As American Assassin steamrolls to a 70s-esque Bond finale, we’re subjected to some torturous CGI, though Cuesta does well to ramp up the tension a little, but it’s the subject matter once again that proves a sticking point.
In a world where our fears of urban terrorism are greater than ever, should we be classing films like this as ‘entertainment’? Take the opening sequence for example, as nicely choreographed as it is, the parallels to the dreadful Tunisian beach attack of 2015 linger in the back of my mind and I find it all very much in poor taste.
Overall, American Assassin is yet another addition to the already overstuffed terrorism thriller genre that adds absolutely nothing new. The performances are dull, the story is flat and the cinematography is uninspired. Poor Dylan O’Brien left the Maze for this?
https://moviemetropolis.net/2017/09/15/american-assassin-review/
Sam (74 KP) rated Elizabeth is Missing in Books
Mar 27, 2019
From the start, it’s quite obvious that Elizabeth isn’t actually missing, and Maud is just struggling to understand and remember what has actually happened to Elizabeth. The title leads you to think that the whole book is about Elizabeth, but really the novel focuses a lot on Maud’s childhood in post-war England.
Even though Maud is confused over what is happening in the present, she has a good memory for the past, and especially the events surrounding her sister, Sukey, going missing.
I really loved Maud and it was horrible to see how confused she was. It was even worse to watch all the people who couldn’t understand what was happening, including the police who just laughed every time she went to report Elizabeth as missing.
In Maud’s past, there was a mad old woman who everyone ignored and Maud was scared of. Scarily, I think this old woman foreshadows Maud’s life. People looked at the mad old woman in the same way that people looked at Maud as she became more and more confused, and it is quite sad to see that attitudes haven’t changed at all from the 1940s.
The plot isn’t linear, and it jumps around a lot to follow Maud’s confusion, but I really liked this. I was actually getting inside the mind of Maud, and really seeing how her brain worked, even when she was really confused.
At the end, you get to see that every little thing Maud has said has meant something. Everyone around her has discounted everything she has to say because of her dementia, but you realise that even though she was confused, she knew what she was talking about. She didn’t always get the right words out for what she wanted to say, but she still managed to solve a mystery that everyone other than Maud had forgotten about.
I loved this book. It’s really amazing and is one of the most interesting books I’ve ever read. I’m over the moon that the BBC have bought the rights to it, and I really hope they go through and make an adaptation, because it will be groundbreaking.
Even though Maud is confused over what is happening in the present, she has a good memory for the past, and especially the events surrounding her sister, Sukey, going missing.
I really loved Maud and it was horrible to see how confused she was. It was even worse to watch all the people who couldn’t understand what was happening, including the police who just laughed every time she went to report Elizabeth as missing.
In Maud’s past, there was a mad old woman who everyone ignored and Maud was scared of. Scarily, I think this old woman foreshadows Maud’s life. People looked at the mad old woman in the same way that people looked at Maud as she became more and more confused, and it is quite sad to see that attitudes haven’t changed at all from the 1940s.
The plot isn’t linear, and it jumps around a lot to follow Maud’s confusion, but I really liked this. I was actually getting inside the mind of Maud, and really seeing how her brain worked, even when she was really confused.
At the end, you get to see that every little thing Maud has said has meant something. Everyone around her has discounted everything she has to say because of her dementia, but you realise that even though she was confused, she knew what she was talking about. She didn’t always get the right words out for what she wanted to say, but she still managed to solve a mystery that everyone other than Maud had forgotten about.
I loved this book. It’s really amazing and is one of the most interesting books I’ve ever read. I’m over the moon that the BBC have bought the rights to it, and I really hope they go through and make an adaptation, because it will be groundbreaking.
Paul Kellett (118 KP) created a post in Solo Gamers
May 9, 2019
Gareth von Kallenbach (980 KP) rated Jonah Hex (2010) in Movies
Aug 8, 2019
DC is at it again spinning comic book heroes, or better yet anti-heroes, into film adaptations. Moreover, the company is maintaining their one-of-a-kind knack for providing lead characters with bad vocals. In this case the raspy voice belongs to the traumatized lead character, a Bounty Hunter named Jonah Hex (Josh Brolin), who has a story to tell, in brutal and confusing detail.
The film mixes the lore of the Old West, vaguely historical aspects of post-Civil War America, and weapons from a very steampunk-the-Industrial-Revolution. The resulting environment is more explosive than the dynamite that is apparently everywhere.
Filled with ideas that trail off into the dust, it quickly becomes clear that this film was finished in a rush. There are too many characters that lack compelling, if any, back-story. The tale that remains is disjointed and drags. All the buzz about the leading lady, Lilah (Megan Fox), was over minimal participation in the film. Sure she looks nice, and wears a steampunky outfit while performing a few quick stunts, but the resulting character (and poor acting) is not worth the media hype.
The few well-played and interesting characters, aside from the brash but tends-to-grow-on-you Jonah, all have bit parts. Among the best performances are Hex’s best friend, Jeb Turnbull (Jeffery Dean Morgan), one of President Grant’s cohorts, Lieutenant Grass (Will Arnett), and the store owner and gun-runner, Smith (Lance Riddick). Most surprising is that the frequent scenes with screen veteran John Malkovich, as lead bad guy Quentin Turnbull, result in a drab uninterested character that completely fails to engage the audience. It is almost a shockingly poor performance for Malkovich.
But hey, the melding of comic book history with actual film shots in the beginning was some of the best work out there for explaining a complex and multi-media adapted back-story. Additionally, the bold uses of color, costume, sets and scenery made the film visually interesting to watch. But with a budget as big as this film had it is hard to accept there wasn’t a better story to tell.
The film mixes the lore of the Old West, vaguely historical aspects of post-Civil War America, and weapons from a very steampunk-the-Industrial-Revolution. The resulting environment is more explosive than the dynamite that is apparently everywhere.
Filled with ideas that trail off into the dust, it quickly becomes clear that this film was finished in a rush. There are too many characters that lack compelling, if any, back-story. The tale that remains is disjointed and drags. All the buzz about the leading lady, Lilah (Megan Fox), was over minimal participation in the film. Sure she looks nice, and wears a steampunky outfit while performing a few quick stunts, but the resulting character (and poor acting) is not worth the media hype.
The few well-played and interesting characters, aside from the brash but tends-to-grow-on-you Jonah, all have bit parts. Among the best performances are Hex’s best friend, Jeb Turnbull (Jeffery Dean Morgan), one of President Grant’s cohorts, Lieutenant Grass (Will Arnett), and the store owner and gun-runner, Smith (Lance Riddick). Most surprising is that the frequent scenes with screen veteran John Malkovich, as lead bad guy Quentin Turnbull, result in a drab uninterested character that completely fails to engage the audience. It is almost a shockingly poor performance for Malkovich.
But hey, the melding of comic book history with actual film shots in the beginning was some of the best work out there for explaining a complex and multi-media adapted back-story. Additionally, the bold uses of color, costume, sets and scenery made the film visually interesting to watch. But with a budget as big as this film had it is hard to accept there wasn’t a better story to tell.