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Person of Interest
8.5
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TV Show
A mysterious reclusive billionaire computer programmer named Harold Finch (Michael Emerson),...
AI Vigilante Crime Drama Artificial Intelligence Sci-Fi
CSI: Crime Scene Investigation - Season 10
6.0
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TV Season
Riley Adams leaves the CSI team in turmoil, as Catherine's leadership skills are called into...
Phil Leader (619 KP) rated Aaru in Books
Nov 8, 2019
Rose is only 16 but her life is over. She has terminal cancer but a mysterious strangers offers her and her family the option of taking part in a trial. When she dies they assume the trail failed and mourn her passing, her sister being hit particularly hard. Then the message comes... Rose lives on.
This books takes one fascinating idea - what if people's personalities and memories could be copied at the point of death and then recreated inside a computer? - and looks at it from a lot of different angles. It is certainly thought provoking, and occasionally disturbing.
The first half of the book deals with Rose's death, the grief of her family and then the emotional trauma, denial and final acceptance that in some ways she is still alive. It also follows Rose's journey as she discovers her new virtual world and its other inhabitants.
The second half is darker and moves into thriller territory as Rose's new paradise shows that it may not be perfect and both her and her sister are exposed to danger. Some of the themes here - obsession, violence, sexual abuse, suicide - are made all the worse by their premeditated nature.
This book will make you think about a potential life after death but it doesn't flinch from showing the emotional, physical and moral implications that might arise both for those saved and those they leave behind.
This books takes one fascinating idea - what if people's personalities and memories could be copied at the point of death and then recreated inside a computer? - and looks at it from a lot of different angles. It is certainly thought provoking, and occasionally disturbing.
The first half of the book deals with Rose's death, the grief of her family and then the emotional trauma, denial and final acceptance that in some ways she is still alive. It also follows Rose's journey as she discovers her new virtual world and its other inhabitants.
The second half is darker and moves into thriller territory as Rose's new paradise shows that it may not be perfect and both her and her sister are exposed to danger. Some of the themes here - obsession, violence, sexual abuse, suicide - are made all the worse by their premeditated nature.
This book will make you think about a potential life after death but it doesn't flinch from showing the emotional, physical and moral implications that might arise both for those saved and those they leave behind.
Humber Boy B: Shocking. Page-Turning. Intelligent. Psychological Thriller Series with Cate Austin
10.0
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Book
FROM THE AUTHOR OF THE INTERNATIONAL BESTSELLER THE WOMAN BEFORE ME 'Superbly written...The plot...
MelanieTheresa (997 KP) rated Connections In Death (In Death #48) in Books
Mar 11, 2019
I've said it before and I'll say it again: the In Death series is hands down my favorite series from any author in any genre. Terrific, well-written characters in a not-so-distant future NYC; the series manages to be both familiar and fresh, even after 48 installments. That's saying something.
The very first line of the very first chapter made me laugh out loud, and is so perfectly Eve Dallas:
"The legalized torture of socializing lined right up to premeditated murder when you added the requirement of fancy shoes."
Beginning with a cocktail party during which Eve and Roarke and other recurring characters are socializing and being generally hilarious, this installment was in my opinion a bit more "fun" than the previous installment. That's not to say that there aren't plenty of serious moments, of course, but I found a bit more levity throughout. For example, Eve's complete bewilderment when Roarke shows her the progress on the farm in Nebraska which he purchased on a bet between the two of them. This may have been one of my favorite moments.
The case Eve is working is gang-related, and much easier to navigate than the convoluted case at the center of #47. Crack's new girlfriend, Rochelle - who is also Roarke's top pick to run An Didean - loses her recovered addict/gangbanger brother in a gang hit, and we go from there. It was nice seeing Crack in a different light, as well, and I enjoy him with Rochelle.
Overall, a worthy installment. Can't wait for #49!
The very first line of the very first chapter made me laugh out loud, and is so perfectly Eve Dallas:
"The legalized torture of socializing lined right up to premeditated murder when you added the requirement of fancy shoes."
Beginning with a cocktail party during which Eve and Roarke and other recurring characters are socializing and being generally hilarious, this installment was in my opinion a bit more "fun" than the previous installment. That's not to say that there aren't plenty of serious moments, of course, but I found a bit more levity throughout. For example, Eve's complete bewilderment when Roarke shows her the progress on the farm in Nebraska which he purchased on a bet between the two of them. This may have been one of my favorite moments.
The case Eve is working is gang-related, and much easier to navigate than the convoluted case at the center of #47. Crack's new girlfriend, Rochelle - who is also Roarke's top pick to run An Didean - loses her recovered addict/gangbanger brother in a gang hit, and we go from there. It was nice seeing Crack in a different light, as well, and I enjoy him with Rochelle.
Overall, a worthy installment. Can't wait for #49!
The Murder of Lord Shaftesbury: The True Story of the Passionate Love Affair That Ended in High Society's Most Shocking Murder
Book
The scandalous debauchery of the playboy tenth Earl of Shaftesbury sent seismic shock waves through...
Crimes of the Century: Women Killers
Book
Murder is a terrifying factor of everyday life, but when the perpetrator is a woman, it somehow...
The Month That Changed the World: July 1914 and WWI
Book
On 28 June 1914 the Austrian Archduke Franz Ferdinand was assassinated in the Balkans. Five fateful...
Hazel (1853 KP) rated Jane Steele in Books
May 24, 2017
Classic Retelling
This eBook was provided by the author in exchange for an honest review
“Reader, I murdered him.” Jane Steele is a gothic retelling of the renowned Jane Eyre written by the celebrated Charlotte Bronte. Crime writer, Lyndsay Faye, creates an entirely new story, whilst appropriating the skeletal structure of the original classic. However, Jane Steele is nothing like the Miss Eyre everyone is familiar with. She is far more headstrong and independent, and also a murderer.
Before readers are discouraged to hear that their beloved Jane is portrayed as a criminal, the murders that occur are more of a homicidal or self-defense nature, as opposed to premeditated serial killing. In fact the first death, occurring when she is a nine year old orphan, is not her fault at all, however it prompts Jane’s wealthy aunt to pack her off to boarding school, and thus the similarities with Jane Eyre commence.
Written in an autobiographical manner, Jane describes her years at the virulent school, where she and the other girls experience abuse at the hands of the ignoble schoolmaster. As readers will recall, Eyre’s life improves in her later school years, however Jane Steele’s education comes to a premature end, resulting in her fending for herself in 19th century London.
As the blurb indicates, Jane returns to the house she grew up in after the death of her aunt, affecting to be a governess for the current owner’s ward. Mr. Charles Thornfield, a bachelor, is Jane Steele’s version of Rochester, minus the wife in the attic. The contents of the cellar, on the other hand, are a different matter…
From a romantic point of view, all happens in a similar manner to Jane Eyre, however this is where the comparisons end. With concealed crimes and secrets, as well as an unsolved murder, the story becomes the thriller it initially proposed to be. The incisive Jane Steele takes matters into her own hands – figuratively and literally – as she determines to resolve the unanswered questions.
Although not written with the intent to be comical, the stark contrasts between original and retelling create humorous scenarios. The nature of the main character in comparison with the time frame, a period where women had very little rights, makes the narrative far more exciting and amusing than the earlier novel – although not necessarily better.
Lyndsay Faye maintains the atmosphere of the 1800s with her affinity for eloquent turns of phrase and choice of words. She is a prolific author full of wonderful ideas; her ability to create a new story out of a well-known classic is a formidable skill. What is admirable is they way in which Faye has made Jane Steele a novel in its own right, and not merely a rip-off of Bronte’s work.
The skillful composition and wording will likely be loved by all, its only downfall being the reaction of hardcore Jane Eyre fans. Those who wish for the classics to be left alone and not pulled apart by contemporary authors or film directors may adopt a negative attitude towards to publication of Jane Steele. On the other hand, many will absolutely love this gothic retelling, appreciate the similarities and enjoy the new twist to the storyline. Personally, I am with the latter group.
“Reader, I murdered him.” Jane Steele is a gothic retelling of the renowned Jane Eyre written by the celebrated Charlotte Bronte. Crime writer, Lyndsay Faye, creates an entirely new story, whilst appropriating the skeletal structure of the original classic. However, Jane Steele is nothing like the Miss Eyre everyone is familiar with. She is far more headstrong and independent, and also a murderer.
Before readers are discouraged to hear that their beloved Jane is portrayed as a criminal, the murders that occur are more of a homicidal or self-defense nature, as opposed to premeditated serial killing. In fact the first death, occurring when she is a nine year old orphan, is not her fault at all, however it prompts Jane’s wealthy aunt to pack her off to boarding school, and thus the similarities with Jane Eyre commence.
Written in an autobiographical manner, Jane describes her years at the virulent school, where she and the other girls experience abuse at the hands of the ignoble schoolmaster. As readers will recall, Eyre’s life improves in her later school years, however Jane Steele’s education comes to a premature end, resulting in her fending for herself in 19th century London.
As the blurb indicates, Jane returns to the house she grew up in after the death of her aunt, affecting to be a governess for the current owner’s ward. Mr. Charles Thornfield, a bachelor, is Jane Steele’s version of Rochester, minus the wife in the attic. The contents of the cellar, on the other hand, are a different matter…
From a romantic point of view, all happens in a similar manner to Jane Eyre, however this is where the comparisons end. With concealed crimes and secrets, as well as an unsolved murder, the story becomes the thriller it initially proposed to be. The incisive Jane Steele takes matters into her own hands – figuratively and literally – as she determines to resolve the unanswered questions.
Although not written with the intent to be comical, the stark contrasts between original and retelling create humorous scenarios. The nature of the main character in comparison with the time frame, a period where women had very little rights, makes the narrative far more exciting and amusing than the earlier novel – although not necessarily better.
Lyndsay Faye maintains the atmosphere of the 1800s with her affinity for eloquent turns of phrase and choice of words. She is a prolific author full of wonderful ideas; her ability to create a new story out of a well-known classic is a formidable skill. What is admirable is they way in which Faye has made Jane Steele a novel in its own right, and not merely a rip-off of Bronte’s work.
The skillful composition and wording will likely be loved by all, its only downfall being the reaction of hardcore Jane Eyre fans. Those who wish for the classics to be left alone and not pulled apart by contemporary authors or film directors may adopt a negative attitude towards to publication of Jane Steele. On the other hand, many will absolutely love this gothic retelling, appreciate the similarities and enjoy the new twist to the storyline. Personally, I am with the latter group.
Hazel (1853 KP) rated Thirteen Reasons Why in Books
May 23, 2017
Trigger Warning
This eBook was provided by the publisher via NetGalley in exchange for an honest review
Recently filmed as a thirteen-part Netflix drama executively produced by Selena Gomez, Thirteen Reasons Why was the first novel by the award-winning author, Jay Asher. It is the type of book readers will either love or hate, but it should definitely come with a warning. This story is NOT an accurate representation of depression and suicide.
Yes, suicide. A teenaged girl has committed suicide, shocking everyone who knew her. No one could understand why, but thirteen people are going to find out. Clay Jensen is the ninth person to receive a box of thirteen audiotapes from Hannah Baker. However, Hannah died two weeks ago. As she premeditated taking her life, Hannah recorded thirteen stories involving people from her school that caused her to snowball into deep depression and despair. Desperate to find out why his name features in Hannah’s story, Clay begins listening to the tapes in order, putting together the events that led to Hannah’s death.
What follows is a heart-breaking story showing the impact individuals have on other people’s lives, often without realising it. In some cases, the characters only played a minor role in Hannah’s life, whereas others caused significant damage. The saddest thing is, Clay could have helped Hannah, but she had pushed him away.
At times, Hannah seemed like the horrible person, calling all these people out on petty little things, but these things, along with the more horrible ones, all built up to create a life that did not feel worth living. It is eye opening how much a small action, comment or rumour can so drastically alter someone’s future.
Bearing in mind that depression affects everyone differently and has numerous causes, some readers may feel disgusted at Hannah’s extreme action, but this is the fault of the author. Jay Asher fails to completely describe the emotional torment that Hannah felt, and only someone who may have been through a similar situation, or worse, will fully be able to understand the impact everything has had on her mental health.
As Hannah beleaguers her listeners, the thirteen people start to feel like the victims rather than the “attackers”, which is most probably not what the author was intending. Now, these people will have to live their lives believing they caused a girl to commit suicide when really they were only 1/13th of the reason. Although, before criticising this novel, keep in mind it is a work of fiction.
What is most painful about Thirteen Reasons Why, is not Hannah’s plight, but the reaction Clay has to hearing Hannah’s story. Unlike the other people Hannah accuses, Clay is not one of her antagonists; all Hannah wants to do is to say sorry.
It is up to the reader to judge whether Thirteen Reasons Why is worthy of praise or not. Those without an understanding of depression may dislike it on account of misunderstanding Hannah’s reasons, whereas others may feel insulted that she killed herself over things that could have been eased had she told someone. Personally, I understand where Hannah is coming from, and although I would not go to the extremes Hannah did, I do not think she was selfish or stupid or any other insult that may befall her.
The reason I give this book a good rating lies in the quality of writing. Asher seamlessly alternates between two narratives – Hannah’s story and Clay’s reaction and reflection. Although the author may not have clearly expressed Hannah’s emotions, he successful emphasises the grief and despair Clay feels listening to the cassettes. My main concern is that Thirteen Reasons Why will only be short lived. Audiotapes were already obsolete when the book was published, but soon will there be any new readers who know what a tape is?
Recently filmed as a thirteen-part Netflix drama executively produced by Selena Gomez, Thirteen Reasons Why was the first novel by the award-winning author, Jay Asher. It is the type of book readers will either love or hate, but it should definitely come with a warning. This story is NOT an accurate representation of depression and suicide.
Yes, suicide. A teenaged girl has committed suicide, shocking everyone who knew her. No one could understand why, but thirteen people are going to find out. Clay Jensen is the ninth person to receive a box of thirteen audiotapes from Hannah Baker. However, Hannah died two weeks ago. As she premeditated taking her life, Hannah recorded thirteen stories involving people from her school that caused her to snowball into deep depression and despair. Desperate to find out why his name features in Hannah’s story, Clay begins listening to the tapes in order, putting together the events that led to Hannah’s death.
What follows is a heart-breaking story showing the impact individuals have on other people’s lives, often without realising it. In some cases, the characters only played a minor role in Hannah’s life, whereas others caused significant damage. The saddest thing is, Clay could have helped Hannah, but she had pushed him away.
At times, Hannah seemed like the horrible person, calling all these people out on petty little things, but these things, along with the more horrible ones, all built up to create a life that did not feel worth living. It is eye opening how much a small action, comment or rumour can so drastically alter someone’s future.
Bearing in mind that depression affects everyone differently and has numerous causes, some readers may feel disgusted at Hannah’s extreme action, but this is the fault of the author. Jay Asher fails to completely describe the emotional torment that Hannah felt, and only someone who may have been through a similar situation, or worse, will fully be able to understand the impact everything has had on her mental health.
As Hannah beleaguers her listeners, the thirteen people start to feel like the victims rather than the “attackers”, which is most probably not what the author was intending. Now, these people will have to live their lives believing they caused a girl to commit suicide when really they were only 1/13th of the reason. Although, before criticising this novel, keep in mind it is a work of fiction.
What is most painful about Thirteen Reasons Why, is not Hannah’s plight, but the reaction Clay has to hearing Hannah’s story. Unlike the other people Hannah accuses, Clay is not one of her antagonists; all Hannah wants to do is to say sorry.
It is up to the reader to judge whether Thirteen Reasons Why is worthy of praise or not. Those without an understanding of depression may dislike it on account of misunderstanding Hannah’s reasons, whereas others may feel insulted that she killed herself over things that could have been eased had she told someone. Personally, I understand where Hannah is coming from, and although I would not go to the extremes Hannah did, I do not think she was selfish or stupid or any other insult that may befall her.
The reason I give this book a good rating lies in the quality of writing. Asher seamlessly alternates between two narratives – Hannah’s story and Clay’s reaction and reflection. Although the author may not have clearly expressed Hannah’s emotions, he successful emphasises the grief and despair Clay feels listening to the cassettes. My main concern is that Thirteen Reasons Why will only be short lived. Audiotapes were already obsolete when the book was published, but soon will there be any new readers who know what a tape is?