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BankofMarquis (1832 KP) rated The Many Saints of Newark (2021) in Movies
Oct 12, 2021
The "non-Sopranos" part of this film worked much better
The new Sopranos prequel film THE MANY SAINTS OF NEWARK is a review-proof film. Most people fall into 1 of 2 camps.
The first, fans of the 1999-2007 landmark HBO series that some (including myself) call one of the best TV series of all time. The folks that fall into this camp will be checking this film out no matter what.
The second are folks that either never saw the series or have only a passing knowledge of it - these folks are (more than likely) gonna take a pass at this film.
And both camps would be right and wrong for THE MANY SAINTS OF NEWARK is a middle-of-the-road film that will be satisfying for SOPRANOS fans, but the part of this film that really, really works well has nothing to do with the series.
Written by Sopranos creator David Chase, TMSON is set in the late 1960’s-early 1970’s and tells the tale of a young Tony Soprano and his introduction to the North Jersey mafia and the charismatic mob boss who he is drawn to.
The first 15 minutes of this film were written specifically for SOPRANOS fans for it is here that you are introduced to younger versions of many of your favorite characters. From Tony to Uncle Junior to Livia (Tony’s Mom) to Pauly Walnuts, Silvio and “Big Pussy” they are all there - along with a few others you don’t know (and it is not a spoiler to say, there is a reason that they never made it to the TV series). You are also introduced to Tony’s Father Johnny Soprano, Mob Boss “Hollywood” Dick Moltisanti and the center of this film, the son of the Boss “Uncle” Dickie Moltisanti (father of future TV Series character Christopher).
It’s an enjoyable enough introduction, but it is nothing new. The characters sit around, talk, act tough and eat. Something that we’ve seen in countless mob movies before. Chase and Director Alan Taylor (THOR: THE DARK WORLD) appear somewhat bored with this part of the film - almost as if they are saying “here they all are, enjoy this for we have a more interesting story to tell”. This first 15 minutes of the film seem to go on forever.
And then the movie - and Chase’s ideas and Taylor’s Direction - kick in.
And this is where TMSON begins to escalate as the story splits into 2 parts - the first following Dickie (Alessandro Nivola) and the 2nd following one of his “runners” (Leslie Odom, Jr.) who is destined to become a powerful boss of the “Black Mafia”.
It’s a smart juxtaposition of story, but unfortunately for SOPRANO’s fans, the first story (following Dickie) and including most of the Soprano’s characters is the less interesting of the 2 stories. It is the journey of Leslie Odom, Jr.’s character that makes for a more compelling story. It is as if Chase had an interesting idea for a mob film but knew he would not be able to get it made unless he tied it somewhat to a Sopranos story.
Leslie Odom Jr. is magnetic as Harold McBrayer, the former numbers runner for Dickie that has an awaking through the Black Power movement of the late ‘60’s and becomes a formidable mob boss in his own right. This half of the movie/story is intriguing and interesting for you never know in what direction it is going to land. This “B” story is free to be whatever it wants/needs to be and this freedom elevates it.
The same cannot be said for the “A” story - the journey of Dickie Moltisanti. Alessandro Nivola is charming enough as this sadistic, sociopathic mobster, but he is saddled with too much TV show baggage to become a character on his own. Specifically his mentorship and (ultimate) disassociation with the young Tony Soprano (played by Michael Gandolfini, the son of the late James Gandolfini who played Tony in the TV series). I felt like these characters were burdened with the weight of the TV show and the need to pay homage to what will be coming in their lives via the TV show and to shoehorn in each character along the way.
Consequently some great actors like Vera Farmiga (Tony’s mother Livia), Jon Bernthal (Tony’s father), and Corey Stoll (as Uncle Junior) are all filming extended cameos. They do a good (enough) job bringing the essence of the characters from the TV Series to this film, but they just don’t have enough to do. I would love for these 3 to spin-off on their own.
The same can be said for Billy Magnussen (Pauly), John Magaro (Silvio) and Samson Moeakiola (Big Pussy). They all do a nice job bringing the younger versions of these characters to life (especailly Magaro) but they just don’t have enough to do.
And then there is Ray Liotta’s over-the-top performance as Mob Boss “Hollywood” Dick Moltisanti. Ove-the-top doesn’t even begin to describe the performance he is giving. I will give him credit, though, he does tone it down about 1/2 way through the film, but…geez…the first part…wow.
Ultimately, the failure of the “A” story to captivate dooms this movie to mediocre status. I would have loved for Chase to really sink his teeth into the “B” story - and to let Leslie Odom Jr. really fly as a character and and actor.
But that would have defeated the purpose of making a Sopranos prequel - a prequel that, perhaps, shouldn’t have been made in the first place.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
The first, fans of the 1999-2007 landmark HBO series that some (including myself) call one of the best TV series of all time. The folks that fall into this camp will be checking this film out no matter what.
The second are folks that either never saw the series or have only a passing knowledge of it - these folks are (more than likely) gonna take a pass at this film.
And both camps would be right and wrong for THE MANY SAINTS OF NEWARK is a middle-of-the-road film that will be satisfying for SOPRANOS fans, but the part of this film that really, really works well has nothing to do with the series.
Written by Sopranos creator David Chase, TMSON is set in the late 1960’s-early 1970’s and tells the tale of a young Tony Soprano and his introduction to the North Jersey mafia and the charismatic mob boss who he is drawn to.
The first 15 minutes of this film were written specifically for SOPRANOS fans for it is here that you are introduced to younger versions of many of your favorite characters. From Tony to Uncle Junior to Livia (Tony’s Mom) to Pauly Walnuts, Silvio and “Big Pussy” they are all there - along with a few others you don’t know (and it is not a spoiler to say, there is a reason that they never made it to the TV series). You are also introduced to Tony’s Father Johnny Soprano, Mob Boss “Hollywood” Dick Moltisanti and the center of this film, the son of the Boss “Uncle” Dickie Moltisanti (father of future TV Series character Christopher).
It’s an enjoyable enough introduction, but it is nothing new. The characters sit around, talk, act tough and eat. Something that we’ve seen in countless mob movies before. Chase and Director Alan Taylor (THOR: THE DARK WORLD) appear somewhat bored with this part of the film - almost as if they are saying “here they all are, enjoy this for we have a more interesting story to tell”. This first 15 minutes of the film seem to go on forever.
And then the movie - and Chase’s ideas and Taylor’s Direction - kick in.
And this is where TMSON begins to escalate as the story splits into 2 parts - the first following Dickie (Alessandro Nivola) and the 2nd following one of his “runners” (Leslie Odom, Jr.) who is destined to become a powerful boss of the “Black Mafia”.
It’s a smart juxtaposition of story, but unfortunately for SOPRANO’s fans, the first story (following Dickie) and including most of the Soprano’s characters is the less interesting of the 2 stories. It is the journey of Leslie Odom, Jr.’s character that makes for a more compelling story. It is as if Chase had an interesting idea for a mob film but knew he would not be able to get it made unless he tied it somewhat to a Sopranos story.
Leslie Odom Jr. is magnetic as Harold McBrayer, the former numbers runner for Dickie that has an awaking through the Black Power movement of the late ‘60’s and becomes a formidable mob boss in his own right. This half of the movie/story is intriguing and interesting for you never know in what direction it is going to land. This “B” story is free to be whatever it wants/needs to be and this freedom elevates it.
The same cannot be said for the “A” story - the journey of Dickie Moltisanti. Alessandro Nivola is charming enough as this sadistic, sociopathic mobster, but he is saddled with too much TV show baggage to become a character on his own. Specifically his mentorship and (ultimate) disassociation with the young Tony Soprano (played by Michael Gandolfini, the son of the late James Gandolfini who played Tony in the TV series). I felt like these characters were burdened with the weight of the TV show and the need to pay homage to what will be coming in their lives via the TV show and to shoehorn in each character along the way.
Consequently some great actors like Vera Farmiga (Tony’s mother Livia), Jon Bernthal (Tony’s father), and Corey Stoll (as Uncle Junior) are all filming extended cameos. They do a good (enough) job bringing the essence of the characters from the TV Series to this film, but they just don’t have enough to do. I would love for these 3 to spin-off on their own.
The same can be said for Billy Magnussen (Pauly), John Magaro (Silvio) and Samson Moeakiola (Big Pussy). They all do a nice job bringing the younger versions of these characters to life (especailly Magaro) but they just don’t have enough to do.
And then there is Ray Liotta’s over-the-top performance as Mob Boss “Hollywood” Dick Moltisanti. Ove-the-top doesn’t even begin to describe the performance he is giving. I will give him credit, though, he does tone it down about 1/2 way through the film, but…geez…the first part…wow.
Ultimately, the failure of the “A” story to captivate dooms this movie to mediocre status. I would have loved for Chase to really sink his teeth into the “B” story - and to let Leslie Odom Jr. really fly as a character and and actor.
But that would have defeated the purpose of making a Sopranos prequel - a prequel that, perhaps, shouldn’t have been made in the first place.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Rachel King (13 KP) rated Last Breath (The Morganville Vampires, #11) in Books
Feb 11, 2019
I always crack open the next Morganville book knowing that I will love it before I read a single word. Rachel Caine is a writer I can depend on. In this book, she takes the concept that she used in the previous book of sharing the P.O.V. with another character and multiplies it. In other words, while Claire still gets the most narration, the reader also gets to read a bit of narration by Amelie, Shane, Michael, and Eve. Shane's thought process is familiar from the previous book, and Eve's reminds me of her diary entries from the early books in the series. Michael's are interesting because I got to see some of the darkness that he struggles with on a daily basis, while trying to hide it from the other members of the Glass House. I enjoy Amelie's P.O.V. the most because she obviously has the most secrets and history to reveal. Caine could easily make Amelie the main character of a prequel series about the founding of Morganville (how I wish!).
Claire is in top form as usual, as she has the unique -- and unexplained -- ability to see Magnus before anyone else, or before Magnus even wants to be seen. Magnus is quite the horror-movie creature, the draug, whom even the local vamps fear. Reading the detailed descriptions of what he can do with water gives me goosebumps. As for how Magnus retaliates against Claire, I simply refused to believe that Claire's state was permanent -- she is simply too essential to the series. Now I am wondering, though, how the series would fare if Claire went vamp -- but that's all up to Rachel Caine.
The one thing I really disliked, of course, was how the book ended -- the first cliff-hanger of the series. There was just way too big of a loose end hanging to leave me feeling satisfied. The rest of the book was still fabulous, though, and I can't wait for Black Dawn to hit the shelves.
Claire is in top form as usual, as she has the unique -- and unexplained -- ability to see Magnus before anyone else, or before Magnus even wants to be seen. Magnus is quite the horror-movie creature, the draug, whom even the local vamps fear. Reading the detailed descriptions of what he can do with water gives me goosebumps. As for how Magnus retaliates against Claire, I simply refused to believe that Claire's state was permanent -- she is simply too essential to the series. Now I am wondering, though, how the series would fare if Claire went vamp -- but that's all up to Rachel Caine.
The one thing I really disliked, of course, was how the book ended -- the first cliff-hanger of the series. There was just way too big of a loose end hanging to leave me feeling satisfied. The rest of the book was still fabulous, though, and I can't wait for Black Dawn to hit the shelves.
Cori June (3033 KP) rated Gold Unicorn in Books
Dec 3, 2018
This is going to be lengthy and a little roundabout up here I go...
When I first read this book I was in middle school ~12or so. I loved it and tried as hard as I could to find the prequel. The pet peeve was my favorite character (I -for some quark of the universe- find all of Thanith Lee’s series the second books before the first ones). It scared me and made me think. This was not my normal image of what a unicorn was and a female lead was quite new to me, especially one that saves herself. When I was 15 I read it again as I had found the third book. It had changed. I found Tanaquil self-centered and for all her travels short sighted. The relationship between the sisters was weird and not yet having read the first book I found Tanaquil being unfair toward her mom. I also found the interaction between her and the men interesting. I finally found the first book in my twenties so I reread the series. It had changed again. I realized how badly things could have turned out how lucky she was and yes still scared of some of the parts but was for different reasons. The interaction between the men and women were annoying anyone who wasn’t a main character was frivolous and silly. And having read the first book seeing Tanaquil not as self centered. I was also amazed that it was labeled a kids book. Now in my thirties, it has changed again. Mostly because of what is going on in the world. The best intentions of Tanaquil’s half sister which always unnerved me, I understand better. I as an adult realized this was the first (or one of the first) books I had ever read in which there is no clear cut villain. It is well written and worthy of being read over and over and I will lend it to my friends, nephews, and cousins to read.
When I first read this book I was in middle school ~12or so. I loved it and tried as hard as I could to find the prequel. The pet peeve was my favorite character (I -for some quark of the universe- find all of Thanith Lee’s series the second books before the first ones). It scared me and made me think. This was not my normal image of what a unicorn was and a female lead was quite new to me, especially one that saves herself. When I was 15 I read it again as I had found the third book. It had changed. I found Tanaquil self-centered and for all her travels short sighted. The relationship between the sisters was weird and not yet having read the first book I found Tanaquil being unfair toward her mom. I also found the interaction between her and the men interesting. I finally found the first book in my twenties so I reread the series. It had changed again. I realized how badly things could have turned out how lucky she was and yes still scared of some of the parts but was for different reasons. The interaction between the men and women were annoying anyone who wasn’t a main character was frivolous and silly. And having read the first book seeing Tanaquil not as self centered. I was also amazed that it was labeled a kids book. Now in my thirties, it has changed again. Mostly because of what is going on in the world. The best intentions of Tanaquil’s half sister which always unnerved me, I understand better. I as an adult realized this was the first (or one of the first) books I had ever read in which there is no clear cut villain. It is well written and worthy of being read over and over and I will lend it to my friends, nephews, and cousins to read.
I read Giles Kristian's Raven: Blood Eye series of books a few year back.
They were enjoyable, I felt, but not the greatest such novels I'd ever read (I enjoyed the first one the most)
I also, relatively recently, read the first in his 'Rise of Sigurd' prequel novels and felt that one, at times, to be a bit of a chore to get through.
As such, I'd never really gone out of my way to look for any other book by Giles Kristian
However, being the optimist that I (sometimes) am, with loads of adverts extolling its virtue on a popular social-media networking site and with a intriguing premise, I thought I would give this one a go.
And I'm glad I did: it's in (I felt) a completely different league that any of his previous.
This is, effectively, a semi-historical re-telling of the Arthurian myth unique, however, in that it is told from the point of view of Lancelot himself: one third of, perhaps, the most well known love-triangle in the English language but of whom has always been given short shrift, dropping in and out of the Arthurian myth.
This, however, turns that on it's head, with Arthur only appearing roughly about half-way through this book, and with Lancelot having previous history with Guinevere before she is even Arthur's wife. This work follows him right from his boyhood, through his rescue and upbringing by Lady Nimue (Arthurian myth name drop? Check), his first meetings with Merlin (another check) and with Arthur (major check), the reimagined Excalibur (check) and the Lady of the Lake ("listen, just 'cos some watery tart threw a sword at you …"), Mordred (yet another check), his love affair with Guinevere, his exile and even Mordred's betrayal of Arthur.
I have to say, I really enjoyed this: a strong contender for the best book I've read so far this year.
They were enjoyable, I felt, but not the greatest such novels I'd ever read (I enjoyed the first one the most)
I also, relatively recently, read the first in his 'Rise of Sigurd' prequel novels and felt that one, at times, to be a bit of a chore to get through.
As such, I'd never really gone out of my way to look for any other book by Giles Kristian
However, being the optimist that I (sometimes) am, with loads of adverts extolling its virtue on a popular social-media networking site and with a intriguing premise, I thought I would give this one a go.
And I'm glad I did: it's in (I felt) a completely different league that any of his previous.
This is, effectively, a semi-historical re-telling of the Arthurian myth unique, however, in that it is told from the point of view of Lancelot himself: one third of, perhaps, the most well known love-triangle in the English language but of whom has always been given short shrift, dropping in and out of the Arthurian myth.
This, however, turns that on it's head, with Arthur only appearing roughly about half-way through this book, and with Lancelot having previous history with Guinevere before she is even Arthur's wife. This work follows him right from his boyhood, through his rescue and upbringing by Lady Nimue (Arthurian myth name drop? Check), his first meetings with Merlin (another check) and with Arthur (major check), the reimagined Excalibur (check) and the Lady of the Lake ("listen, just 'cos some watery tart threw a sword at you …"), Mordred (yet another check), his love affair with Guinevere, his exile and even Mordred's betrayal of Arthur.
I have to say, I really enjoyed this: a strong contender for the best book I've read so far this year.
Whatchareadin (174 KP) rated Before We Were Wicked in Books
Jun 21, 2019
Ken Swift is a young college kid, just trying to pay his way through school and life without having enormous debt. His job isn't exactly on the legal side, but it helps him to survive and once he's done with school, this job will be done too. When he is working one night at Club Fetish, reminding the owner that he still owes for his thriving club, he meets Jimi Lee. Jimi Lee is a beautiful Ethiopian woman who he can't keep his eyes off of. She feels the connection too and before long they are at his apartment dancing in other ways. Even though Ken is forbidden fruit in the eyes of Jimi's strick Ethiopian family, she can't stay away from him and soon enough, she'll be joined to him forever.
Thank you to NetGalley & Dutton Books for the opportunity to read and review this book.
This is Book 2 in the Ken Swift series by Eric Jerome Dickey, but it's a prequel to Book 1, so I think it's fine to read this one before. It's been a while since I've read an EJD book, but I was looking forward to this one. I will soon be reading the first book because I'm very curious to know what is going to happen next.
I learned a lot about Ethiopian culture in this book and talking with those in my community, I can see that what I read is accurate. I also learned about colorism within the black community. This is something I wasn't expecting. I was taught to love all people regardless of the color of their skin.
There were several times in this book where I wanted to jump in and smack Jimi Lee. She was really an evil woman. While Ken's job wasn't the most upstanding, he himself was a very good man and in my opinion he didn't deserve to be treated the way he was treated by Jimi Lee.
I look forward to reading book 1 and any other books in this series.
Thank you to NetGalley & Dutton Books for the opportunity to read and review this book.
This is Book 2 in the Ken Swift series by Eric Jerome Dickey, but it's a prequel to Book 1, so I think it's fine to read this one before. It's been a while since I've read an EJD book, but I was looking forward to this one. I will soon be reading the first book because I'm very curious to know what is going to happen next.
I learned a lot about Ethiopian culture in this book and talking with those in my community, I can see that what I read is accurate. I also learned about colorism within the black community. This is something I wasn't expecting. I was taught to love all people regardless of the color of their skin.
There were several times in this book where I wanted to jump in and smack Jimi Lee. She was really an evil woman. While Ken's job wasn't the most upstanding, he himself was a very good man and in my opinion he didn't deserve to be treated the way he was treated by Jimi Lee.
I look forward to reading book 1 and any other books in this series.
Gareth von Kallenbach (980 KP) rated Robin Hood (2010) in Movies
Aug 8, 2019
If you think you know the tale of Robin Hood in its entirety, think again. A prequel to the traditional story, “Robin Hood” provides the long awaited history of the most classic of well-intentioned thieves and his band of men…who are merry.
Starring Russell Crowe as the lead of Robin Longstride, we see a character that is slightly different than Crowe’s most historic role (in “Gladiator”). But stealing the show is Cate Blanchett as the powerful and strong, yet subtle, Maid Marion Loxley. Other sure-to-be favorites include the beekeeping Friar Tuck played by “The Full Monty’s” Mark Addy and Kevin Durand as the hammer wielding (not so) Little John.
I have to admit, I was reluctant to see this film. Did I really want to watch Russell Crowe lead a small group against wildly impossible odds, again? After having seen “Robin Hood”, the answer is “Yes!” Sure, there is another team of rag-tag characters to battle on behalf of good, but this time they are likeable takes on the merry men of my childhood, with a more historic and adult perspective. The result is simply amusing.
And “Robin Hood” exceeds expectations in the simple details with accurate costumes, well-understood historic locations, and a number of short but sweet fight sequences. The film was so detailed I already plan to be Internet searching away through my next viewing to see how the historic places exposed throughout the film look today. Film students will surely rejoice.
Had I not known the original story to the finest detail, “Robin Hood” might have been a believable tale. The film’s major conflicts all stem from realistic challenges such as food shortages and burdensome taxation. Is it possible that “Robin Hood” will strike a chord of relevance to current economic concerns? Maybe not, but it will be a fun time at the movies.
Starring Russell Crowe as the lead of Robin Longstride, we see a character that is slightly different than Crowe’s most historic role (in “Gladiator”). But stealing the show is Cate Blanchett as the powerful and strong, yet subtle, Maid Marion Loxley. Other sure-to-be favorites include the beekeeping Friar Tuck played by “The Full Monty’s” Mark Addy and Kevin Durand as the hammer wielding (not so) Little John.
I have to admit, I was reluctant to see this film. Did I really want to watch Russell Crowe lead a small group against wildly impossible odds, again? After having seen “Robin Hood”, the answer is “Yes!” Sure, there is another team of rag-tag characters to battle on behalf of good, but this time they are likeable takes on the merry men of my childhood, with a more historic and adult perspective. The result is simply amusing.
And “Robin Hood” exceeds expectations in the simple details with accurate costumes, well-understood historic locations, and a number of short but sweet fight sequences. The film was so detailed I already plan to be Internet searching away through my next viewing to see how the historic places exposed throughout the film look today. Film students will surely rejoice.
Had I not known the original story to the finest detail, “Robin Hood” might have been a believable tale. The film’s major conflicts all stem from realistic challenges such as food shortages and burdensome taxation. Is it possible that “Robin Hood” will strike a chord of relevance to current economic concerns? Maybe not, but it will be a fun time at the movies.
Amy Norman (1048 KP) rated The Boy on the Bridge in Books
Jul 6, 2020
Before reading this I had watched 'The Girl with All the Gifts', so I had a good grasp of the 'world/universe' this was set in.
I would not recommend reading 'The Boy on the Bridge' without having first read, or watched 'The Girl with All the Gifts', as I felt this book relies on you having some knowledge of the current situation.
I believe watching 'The Girl with All the Gifts' gave an added depth, that helped me with visualising the surrounding world.
However, counterintuitively, I believe the author does like to drop his readers blind into completely new situations, where nothing can be assumed as normal, adding to twists/discoveries, and assumes you are intelligent enough to catch up.
This book is also a prequel of sorts, so some may find reading them in reverse order a better experience, the choice is yours!
The book follows a small science expedition, with a miltary escort, through a few narrators.
The characters perspectives are distinctly different, it is a joy to revel in just how different, and well written, they are.
The story itself unfolds with high impact stakes slowly building, and culminating in a fast paced battle for survival, as you would expect from any post apocalyptic zombie story, but perhaps not in the way you would think.
I absolutely raced through this book, it kept me gripped the whole time but it isn't full of action, and deals with the genre, in what I believe, is a fairly fresh way.
I would like to see more books in this setting, but perhaps centered around other parts of the world, and how they have dealt with the situation.
I would highly recommend the series, as they are well written and gratifying in that sense. I enjoyed the variance of characters, and the science was not overwhelming or detracting.
I look forward to reading some of M. R. Carey's books in other genres.
I would not recommend reading 'The Boy on the Bridge' without having first read, or watched 'The Girl with All the Gifts', as I felt this book relies on you having some knowledge of the current situation.
I believe watching 'The Girl with All the Gifts' gave an added depth, that helped me with visualising the surrounding world.
However, counterintuitively, I believe the author does like to drop his readers blind into completely new situations, where nothing can be assumed as normal, adding to twists/discoveries, and assumes you are intelligent enough to catch up.
This book is also a prequel of sorts, so some may find reading them in reverse order a better experience, the choice is yours!
The book follows a small science expedition, with a miltary escort, through a few narrators.
The characters perspectives are distinctly different, it is a joy to revel in just how different, and well written, they are.
The story itself unfolds with high impact stakes slowly building, and culminating in a fast paced battle for survival, as you would expect from any post apocalyptic zombie story, but perhaps not in the way you would think.
I absolutely raced through this book, it kept me gripped the whole time but it isn't full of action, and deals with the genre, in what I believe, is a fairly fresh way.
I would like to see more books in this setting, but perhaps centered around other parts of the world, and how they have dealt with the situation.
I would highly recommend the series, as they are well written and gratifying in that sense. I enjoyed the variance of characters, and the science was not overwhelming or detracting.
I look forward to reading some of M. R. Carey's books in other genres.
Jesters_folly (230 KP) rated Ju-on: Origins in TV
Jul 15, 2020
Contains spoilers, click to show
Ju-on: Origins is the prequel to the original Ju-on The Grudge on Netflix.
The story mostly follows two story lines:
The first is of paranormal author, Yasuo Odajima and T.V. Hostess Haruka Honjo and follows Yasuo as he tires to find the cursed house to write about.
The second is Kiyomi Kawai who is taken to the house by two of her new classmates.
The series shows how curse of the house affects the two main characters but is also interspersed with snippets of the lives of other people who have lived in the house and flashbacks from the memories of other characters and, at times this can make the show a bit hard to follow.
Ju-on: Origins has an 'Amityville' vibe to it but more so, as in the original films the cures is not restricted to the house, meaning that, even if you get out you may not be safe.
The series is very atmospheric but , although there are ghosts it does focus more on the people who have lived in the house which makes this very grim in parts.
There was something familiar about some of the scenes in Ju-on: Origins, at least part of this is due to the original film, the scene where Kiyomi and her friends first go the house is slightly reminiscent of the school girl sequence in the first film although it does go in a different direction.
Now for some warnings. As i said Ju-on: Origins has some grim sequences. It's a Netflix series and, almost as soon as it went on (At least here in the UK) there were complaints about the auto start trailer which skirts around one of the main scenes which involves rape.
As well as rape there are murders (It makes 'American Horror Story; Haunted House' look tame) violence towards women, children, men (although i don't recall any animal abuse), sex and implied, possible incest so you have been warned
The story mostly follows two story lines:
The first is of paranormal author, Yasuo Odajima and T.V. Hostess Haruka Honjo and follows Yasuo as he tires to find the cursed house to write about.
The second is Kiyomi Kawai who is taken to the house by two of her new classmates.
The series shows how curse of the house affects the two main characters but is also interspersed with snippets of the lives of other people who have lived in the house and flashbacks from the memories of other characters and, at times this can make the show a bit hard to follow.
Ju-on: Origins has an 'Amityville' vibe to it but more so, as in the original films the cures is not restricted to the house, meaning that, even if you get out you may not be safe.
The series is very atmospheric but , although there are ghosts it does focus more on the people who have lived in the house which makes this very grim in parts.
There was something familiar about some of the scenes in Ju-on: Origins, at least part of this is due to the original film, the scene where Kiyomi and her friends first go the house is slightly reminiscent of the school girl sequence in the first film although it does go in a different direction.
Now for some warnings. As i said Ju-on: Origins has some grim sequences. It's a Netflix series and, almost as soon as it went on (At least here in the UK) there were complaints about the auto start trailer which skirts around one of the main scenes which involves rape.
As well as rape there are murders (It makes 'American Horror Story; Haunted House' look tame) violence towards women, children, men (although i don't recall any animal abuse), sex and implied, possible incest so you have been warned
Kristy H (1252 KP) rated Concrete Rose in Books
Jan 28, 2021
A striking prequel to The Hate You Give
Maverick Carter feels the weight of the world on his shoulders. With his father in prison, he has to help his mother financially while still attending high school. To do so, he's secretly dealing drugs with some of his friends, and he's a member of the King Lords gang, same as his father, for protection. But when Mav finds out he's becoming a father too, everything changes. His son, Seven, alters his view on the world. He wants to stop dealing, to get a real job, maybe even leave the gang. And when a murder rocks his community, Maverick is forced to grow up quickly and figure out exactly what his future holds.
"When it comes to the streets, there’s rules. They ain’t written down, and you won’t find them in a book."
CONCRETE ROSE takes place around seventeen years before Thomas' hit THE HATE YOU GIVE, and it's absolutely riveting. Talk about the book you didn't know you needed, but once you read it, you'll never forget it. Thomas perfectly captures teen Maverick's voice and his early life, including all the pressures that come with being a young black man in his community.
Thomas deftly shows how institutionalized racism has affected Maverick's entire world--his father in prison, the gang life that surrounds him, the standards and judgements forced upon him. Maverick wants to go straight, but the pressures he faces--having to support his family as a kid, other family members who want him in a gang--are nearly overwhelming.
This book touches on friendship, family, belonging, and so much more. It's spellbinding and so well-done. The fact that it has ties to THUG is even better, giving insight into more of that world. Overall, it's incredibly engrossing and insightful. Honestly, I was sad it didn't cover more time up to THUG. 4.5 stars.
"When it comes to the streets, there’s rules. They ain’t written down, and you won’t find them in a book."
CONCRETE ROSE takes place around seventeen years before Thomas' hit THE HATE YOU GIVE, and it's absolutely riveting. Talk about the book you didn't know you needed, but once you read it, you'll never forget it. Thomas perfectly captures teen Maverick's voice and his early life, including all the pressures that come with being a young black man in his community.
Thomas deftly shows how institutionalized racism has affected Maverick's entire world--his father in prison, the gang life that surrounds him, the standards and judgements forced upon him. Maverick wants to go straight, but the pressures he faces--having to support his family as a kid, other family members who want him in a gang--are nearly overwhelming.
This book touches on friendship, family, belonging, and so much more. It's spellbinding and so well-done. The fact that it has ties to THUG is even better, giving insight into more of that world. Overall, it's incredibly engrossing and insightful. Honestly, I was sad it didn't cover more time up to THUG. 4.5 stars.
LeftSideCut (3776 KP) rated Cube Zero (2004) in Movies
Jan 19, 2021
Somewhere between the competent tightness of Cube and the rancid excrement of Cube 2: Hypercube, lies the average but relatively entertaining Cube Zero. Cube.
I was honestly expecting some flaming garbage at this point, but this prequel to the series improves on Cube 2 in every way. Its characters are either more compelling or more schlocky, the design of the rooms and traps are much better and less bland, the godawful CGI has been switched out for a mostly practical effort, and it's gory again! Like the first one, the gore is fairly seldom, but it's pretty grim when it hits. The opening kill (again, like the first movie) is a doozy.
It doesn't just ape the first film however, as Cube Zero actually attempts to do something different with the narrative. Whilst a chunk of the plot follows a group of people once again stuck in the trap filled maze, trying to figure out how to leave, the other half takes place outside of the Cube, more specifically, in a place where engineers work, and monitor the test subjects progress. It holds back on telling us too much, which is a wise move, and changes up what has already become a stale formula. However, this is also a big negative as it's just a bit boring.... When the film kept cutting back to the people inside the Cube, I found myself engaged way more, before swiftly being back to watching some dude playing chess... It just drags.
The last third is a bit more interesting, and kind of links back to the first film (I think? The last scene was really confusing) and overall, doesn't over complicate things to the point of extreme boredom like the second film.
Overall, Cube Zero is a perfectly watchable bit of fluff. Its never going to set anyone's world on fire but it's serviceable in what it does, and is entertaining enough to warrant one last dip into this series before an inevitable remake surfaces at somepoint.
I was honestly expecting some flaming garbage at this point, but this prequel to the series improves on Cube 2 in every way. Its characters are either more compelling or more schlocky, the design of the rooms and traps are much better and less bland, the godawful CGI has been switched out for a mostly practical effort, and it's gory again! Like the first one, the gore is fairly seldom, but it's pretty grim when it hits. The opening kill (again, like the first movie) is a doozy.
It doesn't just ape the first film however, as Cube Zero actually attempts to do something different with the narrative. Whilst a chunk of the plot follows a group of people once again stuck in the trap filled maze, trying to figure out how to leave, the other half takes place outside of the Cube, more specifically, in a place where engineers work, and monitor the test subjects progress. It holds back on telling us too much, which is a wise move, and changes up what has already become a stale formula. However, this is also a big negative as it's just a bit boring.... When the film kept cutting back to the people inside the Cube, I found myself engaged way more, before swiftly being back to watching some dude playing chess... It just drags.
The last third is a bit more interesting, and kind of links back to the first film (I think? The last scene was really confusing) and overall, doesn't over complicate things to the point of extreme boredom like the second film.
Overall, Cube Zero is a perfectly watchable bit of fluff. Its never going to set anyone's world on fire but it's serviceable in what it does, and is entertaining enough to warrant one last dip into this series before an inevitable remake surfaces at somepoint.