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Gareth von Kallenbach (980 KP) rated Encanto (2021) in Movies
Nov 15, 2021
In a magical area of Columbia surrounded by mountains; exists a magical town watched over by the Madrigal family. The family lives in a magical home that is the center point for the community and is loved by the community.
In the new Disney film “Encanto”; audiences are told the story of how the family patriarch founded the community with a magical candle and how upon reaching a certain age; all members of her family receive a “gift” from the magical house which gives them an ability to help the community. From being able to heal with cooking to talking to the animals and super strength; the family Madrigal is the beloved pillar of the community.
To every rule there is an exception and young Mirabel (Stephanie Beatriz); is the only member of her family not to receive a gift of powers. As such she is seen as a pariah from the family and believes she is more tolerated than loved especially compared to her siblings who are endowed with amazing abilities.
Things change when a new member of the family goes through the gifting ceremony; the first one since Mirabel was denied, and receives an amazing gift and basks in the love of the town and family. Mirabel has a vision of the house cracking and falling into ruin. She tries to warn her family but they see the house in its usual pristine condition and blame Mirabel for being jealous for not having a gift and wanting to take attention away from those who do.
Mirabel believes in what she saw and learns that members of her family may know more than they admit and that they hold the key to saving the day. This leads to a quest to find the absent Uncle Bruno (John Leguizamo); who has been absent as many believe his gift of prophecy only leads to bad things coming to fruition and has gone into hiding as a result.
Mirabel is soon forced to look deep inside herself and find her strength to overcome her own insecurities and save her family and community.
The film has great animation and is awash in color as it brings the magical community to life. The music is lively and is what you would expect from Lin- Manuel Miranda as it brings joy and energy to the film that is in keeping with the Disney tradition of amazing music in their animated films.
The biggest issue that I had with the film is that while fun and entertaining; the story never took the next step forward and at times dragged. This is not to say that “Encanto” is a bad film as it is lively, colorful, and fun; however it does not reach the heights of Disney classics like “Frozen” “Moana” and other classics. Think of it this way; “Lilo & Stitch” is a fine animated film but few would hold it in the same regard as “The Lion King”, “Beauty and the Beast”, and “The Little Mermaid”.
In the end “Encanto” offers a fun experience for the family and fans to enjoy and shows how even when they do not hit the top of the mountain; Disney is still the Gold Standard in animation.
4 stars out of 5
In the new Disney film “Encanto”; audiences are told the story of how the family patriarch founded the community with a magical candle and how upon reaching a certain age; all members of her family receive a “gift” from the magical house which gives them an ability to help the community. From being able to heal with cooking to talking to the animals and super strength; the family Madrigal is the beloved pillar of the community.
To every rule there is an exception and young Mirabel (Stephanie Beatriz); is the only member of her family not to receive a gift of powers. As such she is seen as a pariah from the family and believes she is more tolerated than loved especially compared to her siblings who are endowed with amazing abilities.
Things change when a new member of the family goes through the gifting ceremony; the first one since Mirabel was denied, and receives an amazing gift and basks in the love of the town and family. Mirabel has a vision of the house cracking and falling into ruin. She tries to warn her family but they see the house in its usual pristine condition and blame Mirabel for being jealous for not having a gift and wanting to take attention away from those who do.
Mirabel believes in what she saw and learns that members of her family may know more than they admit and that they hold the key to saving the day. This leads to a quest to find the absent Uncle Bruno (John Leguizamo); who has been absent as many believe his gift of prophecy only leads to bad things coming to fruition and has gone into hiding as a result.
Mirabel is soon forced to look deep inside herself and find her strength to overcome her own insecurities and save her family and community.
The film has great animation and is awash in color as it brings the magical community to life. The music is lively and is what you would expect from Lin- Manuel Miranda as it brings joy and energy to the film that is in keeping with the Disney tradition of amazing music in their animated films.
The biggest issue that I had with the film is that while fun and entertaining; the story never took the next step forward and at times dragged. This is not to say that “Encanto” is a bad film as it is lively, colorful, and fun; however it does not reach the heights of Disney classics like “Frozen” “Moana” and other classics. Think of it this way; “Lilo & Stitch” is a fine animated film but few would hold it in the same regard as “The Lion King”, “Beauty and the Beast”, and “The Little Mermaid”.
In the end “Encanto” offers a fun experience for the family and fans to enjoy and shows how even when they do not hit the top of the mountain; Disney is still the Gold Standard in animation.
4 stars out of 5
Gareth von Kallenbach (980 KP) rated Oz the Great and Powerful (2013) in Movies
Aug 7, 2019
Taking on a movie as beloved as “The Wizard of Oz” is a daunting task. The iconic Judy Garland film is considered a classic and many of the songs from the film have remained part of our culture since it was released in 1939. Despite several book sequels, the attempts to continue the series have had little success as there have been animated films as well as an urban remake, “The Wiz”, which also failed to reach the success of the original. Director Sam Raimi opted to do an original prequel story that tells of how the fabled Wizard of Oz came to be.
Oz (James Franco), is a small-time magician toiling away in small circus in Kansas in 1905. Life on the road has allowed him to be a womanizer and an egomaniac who dreams of greatness. When his actions catch up with him, Oz is forced to flee and takes refuge from an angry mob in a hot air balloon. An unexpected storm funnel grabs the balloon, and whisks Oz to a dazzling and colorful world filled with all manner of strange creatures and wonders.
Upon his arrival, Oz is greeted by Theodora (Mila Kunis), who believes that Oz is the great wizard that legend has said will arrive to save the land and rule the people in a kind and just way. It is revealed that the land is under siege from a wicked witch, and a prophecy indicates a great wizard will arrive with the same name as the land, and will save the day.
Naturally Oz does not believe this but is more than willing to charm Theodora and her sister Evanora (Rachel Weisz), and plot to get his hands on the abundant gold that will come with his appointment as the great wizard. Oz learns that in order to take the throne, he has to defeat another witch (Michelle Williams), and sets off on a journey to the Dark Forest with his flying monkey companion Finley (Zach Braff). Along the journey, Oz learns first hand of the horrors the witch has unleashed on the unsuspecting and learns that his selfish behavior has serious consequences not just for himself, but for innocent people as well. This leads to some serious soul-searching and a confrontation that will force Oz to become the man that many believe he is, less they all perish.
The film has some great visuals as Raimi wisely shot the movie in 3D and mixed CGI with some very impressive sets. It is clear that much of the film is shot against a CGI backdrop but the visual wonder of the film is something to behold. The biggest issues I had with the film were that it was slow-paced and did drag in several parts. Franco does his best to play up the seedier side of Oz, but makes some very odd facial expressions throughout the film that seem very forced and out of place for the film and the situations he finds himself in. Kunis and Weisz make excellent witches and their backstory is a very interesting and an integral part of Dorothy’s adventures in the original film. Williams does well with her role but never seems to develop the needed chemistry with Franco. I was also surprised that the film was very light on musical numbers as there was only a hint of one that was quickly halted by Franco. “Oz: The Great and Powerful” is a visually enjoyable film that sets the stage well for the original film and Raimi is to be praised for taking on such sacred material and providing a new chapter for the modern generation. While it is not likely to be considered a classic like the original film, it is still a worthy chapter in the series which will provide good nostalgic entertainment for fans new and old alike.
Oz (James Franco), is a small-time magician toiling away in small circus in Kansas in 1905. Life on the road has allowed him to be a womanizer and an egomaniac who dreams of greatness. When his actions catch up with him, Oz is forced to flee and takes refuge from an angry mob in a hot air balloon. An unexpected storm funnel grabs the balloon, and whisks Oz to a dazzling and colorful world filled with all manner of strange creatures and wonders.
Upon his arrival, Oz is greeted by Theodora (Mila Kunis), who believes that Oz is the great wizard that legend has said will arrive to save the land and rule the people in a kind and just way. It is revealed that the land is under siege from a wicked witch, and a prophecy indicates a great wizard will arrive with the same name as the land, and will save the day.
Naturally Oz does not believe this but is more than willing to charm Theodora and her sister Evanora (Rachel Weisz), and plot to get his hands on the abundant gold that will come with his appointment as the great wizard. Oz learns that in order to take the throne, he has to defeat another witch (Michelle Williams), and sets off on a journey to the Dark Forest with his flying monkey companion Finley (Zach Braff). Along the journey, Oz learns first hand of the horrors the witch has unleashed on the unsuspecting and learns that his selfish behavior has serious consequences not just for himself, but for innocent people as well. This leads to some serious soul-searching and a confrontation that will force Oz to become the man that many believe he is, less they all perish.
The film has some great visuals as Raimi wisely shot the movie in 3D and mixed CGI with some very impressive sets. It is clear that much of the film is shot against a CGI backdrop but the visual wonder of the film is something to behold. The biggest issues I had with the film were that it was slow-paced and did drag in several parts. Franco does his best to play up the seedier side of Oz, but makes some very odd facial expressions throughout the film that seem very forced and out of place for the film and the situations he finds himself in. Kunis and Weisz make excellent witches and their backstory is a very interesting and an integral part of Dorothy’s adventures in the original film. Williams does well with her role but never seems to develop the needed chemistry with Franco. I was also surprised that the film was very light on musical numbers as there was only a hint of one that was quickly halted by Franco. “Oz: The Great and Powerful” is a visually enjoyable film that sets the stage well for the original film and Raimi is to be praised for taking on such sacred material and providing a new chapter for the modern generation. While it is not likely to be considered a classic like the original film, it is still a worthy chapter in the series which will provide good nostalgic entertainment for fans new and old alike.
Hadley (567 KP) rated Chosen Ones in Books
Jul 21, 2021
Writing (3 more)
Inconsistencies
Constantly stopping the story
Stereo-typical character
What usually draws readers into a hero versus villain story is to see the hero's fight to victory. The struggle, the refusal to back down - - - we usually put ourselves into this character and root for them to win at any cost. But the Chosen Ones starts us off after our heroes are victorious in the battle against the villain. The heroes are trying to cope with every day life after achieving the most important thing they would ever accomplish, but memories of the war against the Dark One keep them from returning to that normal life.
Sloane is our main character - - - one of the five heroes that was picked by a prophecy years ago to take down the Dark One. One of the effects of battling the villain for her is she now endures PTSD-induced nightmares. We meet her in the midst of one of these nightmares, where she nearly stabs her boyfriend, Matt (also one of the five heroes), with a kitchen knife. And this isn't the first time this has happened: it happens enough that Sloane was put on medication to help with her PTSD, as well as going to therapy.
But with the ten year anniversary of the Dark One's defeat looming ahead, life seems to be getting even harder for the heroes. All the heroes want is to move on and forget the war had ever happened - - - but then something happens that causes them to relive the Dark One's fight all over again.
The heroes end up on a magic-using world called Genetrix where a man going by the name the Resurrectionist is causing the same destruction as the Dark One did on their world. Disoriented and curious, the heroes have no choice but to believe the two main magic users who brought them there, Aelia and Nero. The two seem to be the ones in charge of finding the chosen one to take down the Resurrectionist. But soon after the heroes agree to take down this world's Dark One, they begin to believe that Aelia and Nero are hiding information from them.
The heroes decide to focus on learning to use magic, so they can defend themselves on this world. With the help of siphons, the heroes are able to begin practicing magic for their fight with the Resurrectionist. . . but for Sloane, she is unable to get her siphon to work, instead, she contains an ability that came from a cursed object from their world, a cursed object that wants her back.
This book contains a lot of the problems that went on during 2020, possibly too many of them. Unlike most books released last year, Chosen Ones didn't do a well enough job of hiding reality in plain sight. Chosen Ones also made the mistake of cutting up the story with intermissions of newspaper articles and government reports. Divergent author Veronica Roth disrupted the flow of the story by doing such that it felt like the story continuously came to a stand still.
Chosen Ones also plays up the Young Adult genre tropes. The relationship between Sloane and Mox happens so quickly that it isn't believable to the reader, and the result is awkward to the point of embarrassing. Also, the friendship between the heroes is very flat, so much so that when conflict arises, I was left believing that no one cared if the other one died.
But it was the idea of the story that hooked me as a reader - - - movies, television shows, and other novels normally focus on the heroes during the great fight with the villain, allowing readers to live the war and pick the fighter they want to win. In this novel, the connection with the heroes is severely lacking, especially when the only character development happens to Sloane. Very reminiscent of Mira Grant's 'Feed,' I couldn't bring myself to like the main character. Sloane tries too hard to be a strong and independent woman, she comes off as a teenager trapped in an adult woman's body, even Ines, one of the other female heroes, is a more well-put together character than Sloane is. This is the trope that is killing lead female characters in the Young Adult genre, but I suppose it's better than having the stereo-typical ditzy female lead characters most adult novels have.
Although the synopsis caused me to buy this book, I was really disappointed with the path in which Roth took it down. The biggest issue was how much of 2020's problems were shoved into one book because it took away from what this story could have been. The heroes are blatantly fighting Donald Trump aka the Dark One, and this subject has been done to-death so much that I couldn't get fully immersed into the story. They also fight against people who can do magic, including people who are apparently Wiccans - - - but Roth labels them as 'evil. ' Having known actually Wiccans in my life, I know that they believe in harming none. Roth's stereo-typing of anyone who is not her heroes shows a shallowness that is becoming more prevalent, unfortunately, in female writers.
Chosen Ones could have been so much more than what it was because it just ends up being another empty story that takes on today's problems just to sell a book. With inconsistencies and bad writing throughout, I can't recommend this book to anyone, but if you love YA tropes, then you'll love this one.
Sloane is our main character - - - one of the five heroes that was picked by a prophecy years ago to take down the Dark One. One of the effects of battling the villain for her is she now endures PTSD-induced nightmares. We meet her in the midst of one of these nightmares, where she nearly stabs her boyfriend, Matt (also one of the five heroes), with a kitchen knife. And this isn't the first time this has happened: it happens enough that Sloane was put on medication to help with her PTSD, as well as going to therapy.
But with the ten year anniversary of the Dark One's defeat looming ahead, life seems to be getting even harder for the heroes. All the heroes want is to move on and forget the war had ever happened - - - but then something happens that causes them to relive the Dark One's fight all over again.
The heroes end up on a magic-using world called Genetrix where a man going by the name the Resurrectionist is causing the same destruction as the Dark One did on their world. Disoriented and curious, the heroes have no choice but to believe the two main magic users who brought them there, Aelia and Nero. The two seem to be the ones in charge of finding the chosen one to take down the Resurrectionist. But soon after the heroes agree to take down this world's Dark One, they begin to believe that Aelia and Nero are hiding information from them.
The heroes decide to focus on learning to use magic, so they can defend themselves on this world. With the help of siphons, the heroes are able to begin practicing magic for their fight with the Resurrectionist. . . but for Sloane, she is unable to get her siphon to work, instead, she contains an ability that came from a cursed object from their world, a cursed object that wants her back.
This book contains a lot of the problems that went on during 2020, possibly too many of them. Unlike most books released last year, Chosen Ones didn't do a well enough job of hiding reality in plain sight. Chosen Ones also made the mistake of cutting up the story with intermissions of newspaper articles and government reports. Divergent author Veronica Roth disrupted the flow of the story by doing such that it felt like the story continuously came to a stand still.
Chosen Ones also plays up the Young Adult genre tropes. The relationship between Sloane and Mox happens so quickly that it isn't believable to the reader, and the result is awkward to the point of embarrassing. Also, the friendship between the heroes is very flat, so much so that when conflict arises, I was left believing that no one cared if the other one died.
But it was the idea of the story that hooked me as a reader - - - movies, television shows, and other novels normally focus on the heroes during the great fight with the villain, allowing readers to live the war and pick the fighter they want to win. In this novel, the connection with the heroes is severely lacking, especially when the only character development happens to Sloane. Very reminiscent of Mira Grant's 'Feed,' I couldn't bring myself to like the main character. Sloane tries too hard to be a strong and independent woman, she comes off as a teenager trapped in an adult woman's body, even Ines, one of the other female heroes, is a more well-put together character than Sloane is. This is the trope that is killing lead female characters in the Young Adult genre, but I suppose it's better than having the stereo-typical ditzy female lead characters most adult novels have.
Although the synopsis caused me to buy this book, I was really disappointed with the path in which Roth took it down. The biggest issue was how much of 2020's problems were shoved into one book because it took away from what this story could have been. The heroes are blatantly fighting Donald Trump aka the Dark One, and this subject has been done to-death so much that I couldn't get fully immersed into the story. They also fight against people who can do magic, including people who are apparently Wiccans - - - but Roth labels them as 'evil. ' Having known actually Wiccans in my life, I know that they believe in harming none. Roth's stereo-typing of anyone who is not her heroes shows a shallowness that is becoming more prevalent, unfortunately, in female writers.
Chosen Ones could have been so much more than what it was because it just ends up being another empty story that takes on today's problems just to sell a book. With inconsistencies and bad writing throughout, I can't recommend this book to anyone, but if you love YA tropes, then you'll love this one.
Chris Sawin (602 KP) rated Clash of the Titans (2010) in Movies
Jun 22, 2019 (Updated Jun 23, 2019)
Clash of the Titans tells the story of men turning their backs on the gods. The gods grow weaker as men refuse to pay worship to them and neither side will budge. That's where Perseus (Sam Worthington) comes in. Perseus is a demigod, half man and half god. Zeus (Liam Neeson) is his father, but Perseus was raised as a fisherman. As the gods grow desperate, they turn to Zeus' brother who was banished to the underworld, Hades (Ralph Fiennes) to hopefully scare them into realizing "the order of things." When Hades onslaught kills Perseus' family, Perseus vows revenge against him and will do everything within his power to destroy the god of the underworld. Perseus' journey will not be easy as several ungodly beasts stand in the way of him reaching his goal as he struggles with accepting sanctuary as a god or continuing on this journey as a man.
Clash of the Titans was highly anticipated on my end for quite some time. The trailers were pretty fantastic and everything seemed to point to the film being epic. Directed by Louis Leterrier (Unleashed, The Incredible Hulk) and starring Sam Worthington (Avatar, Terminator: Salvation), Liam Neeson (Taken, Batman Begins), and Ralph Fiennes (In Bruges, The Hurt Locker), this film had a solid cast and a director with some pretty great films under his belt. It had all the elements to make a fantastic film and yet it somehow managed to fail.
The film felt like a watered down version of what a film based on the God of War video game could potentially be. All the same gods are there, the Medusa character is in there, there's a character battling against the gods, the similarities are pretty obvious. The only thing that is different is that the main character is named Perseus instead of Kratos. On one hand, it may not be a bad thing comparing the film to God of War. If they do decide to make a God of War film down the road though, it seems like it'll be way too similar to this film unless they go full-blown, balls out rated R with it. That's the route they should go anyway, but Clash of the Titans basically feels like a censored version of God of War.
Certain other things about the film really bugged me. The main one being that the two main female characters Io (Gemma Arterton) and Andromeda (Alexa Davalos) cried at EVERYTHING. Every time they spoke it was like they started getting teary eyed. "Oh Perseus, I can't follow you into Medusa's lair since I'm not a big strong man like you are. *sob*" Just made me want to slap them and go, "GET A GRIP, LADY! SHEESH!" The biggest pet peeve of mine lies in the finale of the film. Everything regarding Hades and the kraken are dealt with so quickly. The film makes a huge deal about both of them only to have everything wrapped up in less than five minutes when the time finally comes. It just wound up feeling very rushed and anticlimactic. Also, what was the deal with the prophecy the witches gave Perseus? Was the explanation of getting around that because Perseus was half god? That's pretty weak. Instead, we're going to go with this ending that's completely open-ended and leaves massive room for a potential sequel. Lame.
Despite all of the things I found wrong with the film, there were some high points. The CG seemed very all or nothing to me. At times, the effects were fantastic. The giant scorpions scene and the kraken being the best examples. Pegasus is also a great example. The winged horses looked fairly genuine, but they looked kind of odd when they flew. Other times though, it seemed way too obvious that the characters were standing in front of a green screen and fighting with creatures that weren't actually there. There's a scene near the beginning where we first see Perseus as an adult where his father is talking to him and a thunderstorm is beginning to brew. The sky was obviously CG. There were just several moments like that that brought me out of the film.
Ralph Fiennes as Hades was easily the high point for me as far as acting goes. Fiennes was most impressive in David Cronenberg's Spider and has been on my radar for actors to keep an eye on ever since. He doesn't disappoint here. His smarminess as Hades spoke volumes. The ferry scene is also pretty amazing, at least until Perseus and Io begin their Medusa training. Ugh.
A few humorous points, the South Park fan in me chimed in when Io told Perseus "You're more than half man half god." I thought she was going to follow up with, "You're actually half man, half bear, half pig. Or maybe you're actually half bear half man-pig." Still laughing about that one. The scene where Perseus emerges from Medusa's lair and Io is waiting for him, she's wearing this really weird outfit. I heard the guy next to me say, "What the...is she wearing a mop?!" and it made me laugh out loud. Best part of the whole film though, at the end, when everything had been resolved somebody yelled at the top of their lungs, "I AM A GOD!!!!!!" After a brief silence, everyone in the theater started laughing. Kinda sad that the most entertaining part of the film wasn't actually a part of the film itself.
Clash of the Titans was one of the most anticipated blockbusters of the year, but fell short and wound up being one of the most disappointing. With mediocre special effects, a sloppy finale, and female characters that will get on your last nerve, the action film fails to live up to expectations. At the end of the day, Clash of the Titans is basically just a glorified Xena: Warrior Princess.
Clash of the Titans was highly anticipated on my end for quite some time. The trailers were pretty fantastic and everything seemed to point to the film being epic. Directed by Louis Leterrier (Unleashed, The Incredible Hulk) and starring Sam Worthington (Avatar, Terminator: Salvation), Liam Neeson (Taken, Batman Begins), and Ralph Fiennes (In Bruges, The Hurt Locker), this film had a solid cast and a director with some pretty great films under his belt. It had all the elements to make a fantastic film and yet it somehow managed to fail.
The film felt like a watered down version of what a film based on the God of War video game could potentially be. All the same gods are there, the Medusa character is in there, there's a character battling against the gods, the similarities are pretty obvious. The only thing that is different is that the main character is named Perseus instead of Kratos. On one hand, it may not be a bad thing comparing the film to God of War. If they do decide to make a God of War film down the road though, it seems like it'll be way too similar to this film unless they go full-blown, balls out rated R with it. That's the route they should go anyway, but Clash of the Titans basically feels like a censored version of God of War.
Certain other things about the film really bugged me. The main one being that the two main female characters Io (Gemma Arterton) and Andromeda (Alexa Davalos) cried at EVERYTHING. Every time they spoke it was like they started getting teary eyed. "Oh Perseus, I can't follow you into Medusa's lair since I'm not a big strong man like you are. *sob*" Just made me want to slap them and go, "GET A GRIP, LADY! SHEESH!" The biggest pet peeve of mine lies in the finale of the film. Everything regarding Hades and the kraken are dealt with so quickly. The film makes a huge deal about both of them only to have everything wrapped up in less than five minutes when the time finally comes. It just wound up feeling very rushed and anticlimactic. Also, what was the deal with the prophecy the witches gave Perseus? Was the explanation of getting around that because Perseus was half god? That's pretty weak. Instead, we're going to go with this ending that's completely open-ended and leaves massive room for a potential sequel. Lame.
Despite all of the things I found wrong with the film, there were some high points. The CG seemed very all or nothing to me. At times, the effects were fantastic. The giant scorpions scene and the kraken being the best examples. Pegasus is also a great example. The winged horses looked fairly genuine, but they looked kind of odd when they flew. Other times though, it seemed way too obvious that the characters were standing in front of a green screen and fighting with creatures that weren't actually there. There's a scene near the beginning where we first see Perseus as an adult where his father is talking to him and a thunderstorm is beginning to brew. The sky was obviously CG. There were just several moments like that that brought me out of the film.
Ralph Fiennes as Hades was easily the high point for me as far as acting goes. Fiennes was most impressive in David Cronenberg's Spider and has been on my radar for actors to keep an eye on ever since. He doesn't disappoint here. His smarminess as Hades spoke volumes. The ferry scene is also pretty amazing, at least until Perseus and Io begin their Medusa training. Ugh.
A few humorous points, the South Park fan in me chimed in when Io told Perseus "You're more than half man half god." I thought she was going to follow up with, "You're actually half man, half bear, half pig. Or maybe you're actually half bear half man-pig." Still laughing about that one. The scene where Perseus emerges from Medusa's lair and Io is waiting for him, she's wearing this really weird outfit. I heard the guy next to me say, "What the...is she wearing a mop?!" and it made me laugh out loud. Best part of the whole film though, at the end, when everything had been resolved somebody yelled at the top of their lungs, "I AM A GOD!!!!!!" After a brief silence, everyone in the theater started laughing. Kinda sad that the most entertaining part of the film wasn't actually a part of the film itself.
Clash of the Titans was one of the most anticipated blockbusters of the year, but fell short and wound up being one of the most disappointing. With mediocre special effects, a sloppy finale, and female characters that will get on your last nerve, the action film fails to live up to expectations. At the end of the day, Clash of the Titans is basically just a glorified Xena: Warrior Princess.
Kirk Bage (1775 KP) rated Star Wars: Episode IX - The Rise of Skywalker (2019) in Movies
Mar 3, 2020
It took me over a month to get around to seeing this last night at the cinema. Not because I didn’t want to see the end of the new trilogy and say goodbye to it in style, but because I feared it just wouldn’t be very good. Put simply, it isn’t very good. Some parts, in fact, are downright awful. But it isn’t terrible either. I can’t say I hated it – I had fun; I enjoyed it for what it was, and some small moments in isolation were very well done indeed. However…
The first thing that struck me was the pace and editing style, which seemed at last to fully embrace a Disney theme park ethos of let’s get to it and keep it moving. No notion of setting mood and re-establishing character, but rather a sense of we have a lot to fit in here so let’s get it out of the way as quickly as possible. It didn’t feel to me like it was allowed to sit at any point and just be brooding, or meaningful in any way. Which may work for the short attention spans of your average 9 year old, but for older fans who have literally waited 42 years to see an ending, it felt rushed, trivial and far too flippant.
The spectacle was very much there still. The landscape of alien worlds, creatures, droids and other necessary weirdness is all there in spades! It just feels like you would need to go back and press the pause button to see it all. And before we know what is happening (or why), Palpatine is back in business and everyone is looking for some lame GPS green triangle thingy. Forget almost everything in the story that has led to this point, this is an adventure that exists in a vacuum of space, and you either shrug and go with it, or get very annoyed. I chose the shrug.
Before we really settle into what is going on, we start to see the power of The Force flowing through Rey in ways it has never done before… she can heal, she virtually flies, and she can even teleport objects to a different physical place at will. She has become more like Neo from The Matrix than anything Skywalker. More like a Marvel superhero than anything grounded in an ancient mysticism that acts subtly at moments of great need. What that does is immediately lower the stakes, because if anything is possible, and therefore probable, there is no threat of failure. And if this movie lacks anything essential it is threat.
That said, the reanimation of Emperor Palpatine was nicely creepy, at least in a visual and vocal sense. And the journey of the excellent Adam Driver as Ben Solo / Kylo Ren remained the most interesting and satisfying thing about the whole reboot. I found myself just wanting to focus on him more and more, and felt frustrated when, typically, his key progression moments were over too soon or given away too cheaply from a dramatic context.
I have mixed feelings also about the level of mirroring and call-backs to moments from previous films. Some really worked, but many fell flat. It began to feel like a greatest hits checklist, which, of course, was a criticism of JJ Abrams’ directing style in The Force Awakens, too. He has been so much more concerned with giving fans sugary little treats, as opposed to cooking up a satisfying meal that nourishes in it’s own right – indicative of a 21st century audience that often demands its pudding before it has finished its greens.
Look, I enjoy a nostalgia trip as much as the next uber-geek, but I do also like my fantasy sci-fi to be based on an idea of weight and gravitas. Eschew that aspect and the climax is going to fall a little flat… which, I think it did. Our empathy for Rey, and in fact all of the new gang, is simply not as strong as it should have been. Daisy Ridley does a decent job, and I don’t blame her at all – I have no problem with any of the supporting cast either, but what a shame too many of them almost fade away into mere scene dressing by the end.
Very telling then, that my favourite bit by far was a 15 minute giggling fit brought on by that one, already infamous detail, when tiny weirdo Babu Frik completely misses the mood of the room and screeches his “Hey Heeeeeey!” Only to pop up again later with an equally hilarious repeat. Probably the funniest moment in any Star Wars film, bar none. Worth the ticket price alone, and I am still having regular flashbacks that leave me in fits of laughter!
So, that’s it is it? Over and done with? Well, they certainly wrapped it up in a bow, coming full circle in fairly satisfying style. With just a cheeky hint that the roots of a continuation at some point are buried within shallow reach. No doubt, amateur writers everywhere have already had a pop at what happens next. The Force is balanced, the prophecy fulfilled, but it wouldn’t take much to tip the galaxy back into turmoil, as soon as Disney fancies another few billion in ticket sales.
Personally, I don’t want to be cynical about a franchise that has been a part of me since I was 3 years old, and been such a good friend. However, I am perfectly fine with having it remain as a source for backstories and origin tales. The main saga is over, so let’s leave it alone. Episodes IV – VI will always remain the best; they won’t go anywhere. So any shortcomings can be easily solved… just watch The Empire Strikes Back again, not worrying about anything else, but revelling in just how perfect it is, and how lucky we are that it is there for us.
The first thing that struck me was the pace and editing style, which seemed at last to fully embrace a Disney theme park ethos of let’s get to it and keep it moving. No notion of setting mood and re-establishing character, but rather a sense of we have a lot to fit in here so let’s get it out of the way as quickly as possible. It didn’t feel to me like it was allowed to sit at any point and just be brooding, or meaningful in any way. Which may work for the short attention spans of your average 9 year old, but for older fans who have literally waited 42 years to see an ending, it felt rushed, trivial and far too flippant.
The spectacle was very much there still. The landscape of alien worlds, creatures, droids and other necessary weirdness is all there in spades! It just feels like you would need to go back and press the pause button to see it all. And before we know what is happening (or why), Palpatine is back in business and everyone is looking for some lame GPS green triangle thingy. Forget almost everything in the story that has led to this point, this is an adventure that exists in a vacuum of space, and you either shrug and go with it, or get very annoyed. I chose the shrug.
Before we really settle into what is going on, we start to see the power of The Force flowing through Rey in ways it has never done before… she can heal, she virtually flies, and she can even teleport objects to a different physical place at will. She has become more like Neo from The Matrix than anything Skywalker. More like a Marvel superhero than anything grounded in an ancient mysticism that acts subtly at moments of great need. What that does is immediately lower the stakes, because if anything is possible, and therefore probable, there is no threat of failure. And if this movie lacks anything essential it is threat.
That said, the reanimation of Emperor Palpatine was nicely creepy, at least in a visual and vocal sense. And the journey of the excellent Adam Driver as Ben Solo / Kylo Ren remained the most interesting and satisfying thing about the whole reboot. I found myself just wanting to focus on him more and more, and felt frustrated when, typically, his key progression moments were over too soon or given away too cheaply from a dramatic context.
I have mixed feelings also about the level of mirroring and call-backs to moments from previous films. Some really worked, but many fell flat. It began to feel like a greatest hits checklist, which, of course, was a criticism of JJ Abrams’ directing style in The Force Awakens, too. He has been so much more concerned with giving fans sugary little treats, as opposed to cooking up a satisfying meal that nourishes in it’s own right – indicative of a 21st century audience that often demands its pudding before it has finished its greens.
Look, I enjoy a nostalgia trip as much as the next uber-geek, but I do also like my fantasy sci-fi to be based on an idea of weight and gravitas. Eschew that aspect and the climax is going to fall a little flat… which, I think it did. Our empathy for Rey, and in fact all of the new gang, is simply not as strong as it should have been. Daisy Ridley does a decent job, and I don’t blame her at all – I have no problem with any of the supporting cast either, but what a shame too many of them almost fade away into mere scene dressing by the end.
Very telling then, that my favourite bit by far was a 15 minute giggling fit brought on by that one, already infamous detail, when tiny weirdo Babu Frik completely misses the mood of the room and screeches his “Hey Heeeeeey!” Only to pop up again later with an equally hilarious repeat. Probably the funniest moment in any Star Wars film, bar none. Worth the ticket price alone, and I am still having regular flashbacks that leave me in fits of laughter!
So, that’s it is it? Over and done with? Well, they certainly wrapped it up in a bow, coming full circle in fairly satisfying style. With just a cheeky hint that the roots of a continuation at some point are buried within shallow reach. No doubt, amateur writers everywhere have already had a pop at what happens next. The Force is balanced, the prophecy fulfilled, but it wouldn’t take much to tip the galaxy back into turmoil, as soon as Disney fancies another few billion in ticket sales.
Personally, I don’t want to be cynical about a franchise that has been a part of me since I was 3 years old, and been such a good friend. However, I am perfectly fine with having it remain as a source for backstories and origin tales. The main saga is over, so let’s leave it alone. Episodes IV – VI will always remain the best; they won’t go anywhere. So any shortcomings can be easily solved… just watch The Empire Strikes Back again, not worrying about anything else, but revelling in just how perfect it is, and how lucky we are that it is there for us.
Ivana A. | Diary of Difference (1171 KP) rated The Bane Chronicles in Books
Aug 3, 2020
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The Bane Chronicles is a collection of short stories, all featuring the famous Warlock - Magnus Bane. Throughout the ages, we get to see him develop to the character that we know. We read more about the moments that made Magnus who he is today.
I really enjoyed diving into this book, and I am glad I read it. Some stories I loved, some not so much, but I overall loved this book and will treasure it forever. It is written by Cassandra Clare, Sarah Rees Brennan and Maureen Johnson. <a href="https://diaryofdifference.com/2018/10/22/city-of-bones-the-mortal-instruments-1-by-cassandra-clare-book-review/">Read my review of City of Bones,</a> in case you are interested what I think about the first book of the Shadowhunter universe.
<b><i>1. What Really Happened in Peru by Cassandra Clare and Sarah Rees Brennan - ★★★★ </i></b>
A perfect introduction of the Magnus we all love reading about. We witness a couple of adventures Magnus has in Peru. We meet Ragnor and Catarina and witness a few of Magnus’s love interests. I loved how the characters were written and the stories made me giggle. Especially the scene of how the town reacts to Magnus’ lack of talent to play an instrument.
<b><i>2. The Runaway Queen by Cassandra Clare and Maureen Johnson - ★★★★</i></b>
Set in Paris. Hot air balloon ride. Magnus decides to assist to get the Queen Marie Antoinette to escape Paris. He also has a quite interesting encounter with a bunch of vampires. Fast-faced and beautifully written. I love that it captured a certain period of history, and really focused to get the facts accurate for those times.
<b><i>3. Vampires, Scones and Edmund Herondale by Cassandra Clare and Sarah Rees Brennan - ★★★★★</i></b>
Set in London. In this short story, Magnus realises how unfair the Shadowhunter laws are. And how the Nephilim have to obey them. When Edmund Herondale falls in love with a mundane, the Shadowhunters don’t care at all. He is stripped from his runes. For me, it was very emotional to watch Magnus fall in love, but sacrifice a few years of his happiness so Camille can give love to a werewolf, who will age and then eventually die. Also, the necklace he makes for her means so much and I can’t even cope! I loved the cryptic future prophecy in the end - I think it brought some emotion to the story.
<b><i>4. The Midnight Heir by Cassandra Clare and Sarah Rees Brennan - ★★★★</i></b>
Very action-driven story, that didn’t leave me too impressed. I liked the fact that some important characters are featured, but it feels like the writing of the characters was poor. Set in London again, Magnus tries to help the Herondales. He also gets to meet Tatiana Blackthorn again. Magnus learns the hard way that even though he wants to help Shadowhunters, sometimes there’s nothing he can do.
<b><i>5. The Rise of Hotel Dumort by Cassandra Clare and Maureen Johnson - ★★★★★</i></b>
Hotel Dumort in New York is quite a well-known place in the Shadowhunter universe. Warned by a vampire that danger is lurking, Magnus finds himself into another adventure. He helps the Shadowhunters again. And he also meets with a very old warlock, who opens up a portal to Hell. Magnus is called to go, possibly speaking to his father, before he finds the strength in him to close the portal. He helps a human forget and therefore prevents him from committing suicide. He also finds art that Camille is somehow involved with what happened. It kept me glued to my sofa in anticipation.
<b><i>6. Saving Raphael Santiago by Cassandra Clare and Sarah Rees Brennan - ★★★★★</i></b>
Raphael is one of my dearest characters, I have to admit. He was turned into what he despised the most. He never would have chosen blood and immortality. The fact that Magnus is there to help him save himself is so powerful. I really enjoyed this short story! Very emotional!
<b><i>7. The Fall of the Hotel Dumort by Cassandra Clare and Maureen Johnson - ★★★★</i></b>
This is probably the most emotional story of them all. It also might be the most important one for Magnus’s character development. His relationship with Camille is brought back and he has to do something very scary and brave to be finally able to move on.
<b><i>8. What to Buy the Shadowhunter Who Has Everything (And Who You’re Not Officially Dating Anyway) by Cassandra Clare and Sarah Rees Brennan - ★★★★</i></b>
Definitely the cutest story so far! Magnus and Alec are dating. It’s also Alec’s birthday and Magnus is thinking of a gift. Isabelle’s visit was also quite emotional to me. To see how much she cares for Alex and would be there for him. Also, the birthday gift that Magnus chooses in the end is too precious!
<b><i>9. The Last Stand of the New York Institute by Cassandra Clare, Sarah Rees Brennan and Maureen Johnson - ★★★★★</i></b>
A powerful story with a lot of Easter Eggs. We are reminded of the Circle and of a couple of fights. The Shadowhunters will help out the Downworlders against other Shadowhunters. We witness Valentine’s cruelty in a new light. And we read about Magnus meeting Jocelyn and Clary.
<b><i>10. The Course of True Love (And First Dates) by Cassandra Clare - ★★★★★</i></b>
A story written only by Cassandra Clare. This story will probably be the most popular one, as it features Alec and Magnus on their first date. The writing is good and I really enjoyed how real the date was. It had all those awkward moments that I’ve experienced. Moments that help you get to know the person better than a few rehearsed questions. This short story shows how much Cassandra Clare knows her characters and cares for them, and it is very eminent to see the difference, compared to the rest of this book.
<b><i>11. The Voicemail of Magnus Bane by Cassandra Clare, Sarah Rees Brennan and Maureen Johnson - ★★★★</i></b>
In this short story, we read a couple of interesting voicemails. They are all sent to Magnus, by different people, when he and Alec break up. It is emotional and humorous at the same time, as you see people react in different ways. Isabelle’s voicemails are pure passion and I love it.
<b><i>The Bane Chronicles is a book I will cherish, for it introduced me to a side of Magnus I never knew. The Bane Chronicles is worth reading, especially if you are a fan of the Shadowhunter universe. I would recommend The Bane Chronicles to everyone that loves fantasy and magic.</i></b>
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<img src="https://diaryofdifference.com/wp-content/uploads/2020/07/Book-Review-Banner-66.png"/>;
The Bane Chronicles is a collection of short stories, all featuring the famous Warlock - Magnus Bane. Throughout the ages, we get to see him develop to the character that we know. We read more about the moments that made Magnus who he is today.
I really enjoyed diving into this book, and I am glad I read it. Some stories I loved, some not so much, but I overall loved this book and will treasure it forever. It is written by Cassandra Clare, Sarah Rees Brennan and Maureen Johnson. <a href="https://diaryofdifference.com/2018/10/22/city-of-bones-the-mortal-instruments-1-by-cassandra-clare-book-review/">Read my review of City of Bones,</a> in case you are interested what I think about the first book of the Shadowhunter universe.
<b><i>1. What Really Happened in Peru by Cassandra Clare and Sarah Rees Brennan - ★★★★ </i></b>
A perfect introduction of the Magnus we all love reading about. We witness a couple of adventures Magnus has in Peru. We meet Ragnor and Catarina and witness a few of Magnus’s love interests. I loved how the characters were written and the stories made me giggle. Especially the scene of how the town reacts to Magnus’ lack of talent to play an instrument.
<b><i>2. The Runaway Queen by Cassandra Clare and Maureen Johnson - ★★★★</i></b>
Set in Paris. Hot air balloon ride. Magnus decides to assist to get the Queen Marie Antoinette to escape Paris. He also has a quite interesting encounter with a bunch of vampires. Fast-faced and beautifully written. I love that it captured a certain period of history, and really focused to get the facts accurate for those times.
<b><i>3. Vampires, Scones and Edmund Herondale by Cassandra Clare and Sarah Rees Brennan - ★★★★★</i></b>
Set in London. In this short story, Magnus realises how unfair the Shadowhunter laws are. And how the Nephilim have to obey them. When Edmund Herondale falls in love with a mundane, the Shadowhunters don’t care at all. He is stripped from his runes. For me, it was very emotional to watch Magnus fall in love, but sacrifice a few years of his happiness so Camille can give love to a werewolf, who will age and then eventually die. Also, the necklace he makes for her means so much and I can’t even cope! I loved the cryptic future prophecy in the end - I think it brought some emotion to the story.
<b><i>4. The Midnight Heir by Cassandra Clare and Sarah Rees Brennan - ★★★★</i></b>
Very action-driven story, that didn’t leave me too impressed. I liked the fact that some important characters are featured, but it feels like the writing of the characters was poor. Set in London again, Magnus tries to help the Herondales. He also gets to meet Tatiana Blackthorn again. Magnus learns the hard way that even though he wants to help Shadowhunters, sometimes there’s nothing he can do.
<b><i>5. The Rise of Hotel Dumort by Cassandra Clare and Maureen Johnson - ★★★★★</i></b>
Hotel Dumort in New York is quite a well-known place in the Shadowhunter universe. Warned by a vampire that danger is lurking, Magnus finds himself into another adventure. He helps the Shadowhunters again. And he also meets with a very old warlock, who opens up a portal to Hell. Magnus is called to go, possibly speaking to his father, before he finds the strength in him to close the portal. He helps a human forget and therefore prevents him from committing suicide. He also finds art that Camille is somehow involved with what happened. It kept me glued to my sofa in anticipation.
<b><i>6. Saving Raphael Santiago by Cassandra Clare and Sarah Rees Brennan - ★★★★★</i></b>
Raphael is one of my dearest characters, I have to admit. He was turned into what he despised the most. He never would have chosen blood and immortality. The fact that Magnus is there to help him save himself is so powerful. I really enjoyed this short story! Very emotional!
<b><i>7. The Fall of the Hotel Dumort by Cassandra Clare and Maureen Johnson - ★★★★</i></b>
This is probably the most emotional story of them all. It also might be the most important one for Magnus’s character development. His relationship with Camille is brought back and he has to do something very scary and brave to be finally able to move on.
<b><i>8. What to Buy the Shadowhunter Who Has Everything (And Who You’re Not Officially Dating Anyway) by Cassandra Clare and Sarah Rees Brennan - ★★★★</i></b>
Definitely the cutest story so far! Magnus and Alec are dating. It’s also Alec’s birthday and Magnus is thinking of a gift. Isabelle’s visit was also quite emotional to me. To see how much she cares for Alex and would be there for him. Also, the birthday gift that Magnus chooses in the end is too precious!
<b><i>9. The Last Stand of the New York Institute by Cassandra Clare, Sarah Rees Brennan and Maureen Johnson - ★★★★★</i></b>
A powerful story with a lot of Easter Eggs. We are reminded of the Circle and of a couple of fights. The Shadowhunters will help out the Downworlders against other Shadowhunters. We witness Valentine’s cruelty in a new light. And we read about Magnus meeting Jocelyn and Clary.
<b><i>10. The Course of True Love (And First Dates) by Cassandra Clare - ★★★★★</i></b>
A story written only by Cassandra Clare. This story will probably be the most popular one, as it features Alec and Magnus on their first date. The writing is good and I really enjoyed how real the date was. It had all those awkward moments that I’ve experienced. Moments that help you get to know the person better than a few rehearsed questions. This short story shows how much Cassandra Clare knows her characters and cares for them, and it is very eminent to see the difference, compared to the rest of this book.
<b><i>11. The Voicemail of Magnus Bane by Cassandra Clare, Sarah Rees Brennan and Maureen Johnson - ★★★★</i></b>
In this short story, we read a couple of interesting voicemails. They are all sent to Magnus, by different people, when he and Alec break up. It is emotional and humorous at the same time, as you see people react in different ways. Isabelle’s voicemails are pure passion and I love it.
<b><i>The Bane Chronicles is a book I will cherish, for it introduced me to a side of Magnus I never knew. The Bane Chronicles is worth reading, especially if you are a fan of the Shadowhunter universe. I would recommend The Bane Chronicles to everyone that loves fantasy and magic.</i></b>
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The Bandersnatch (199 KP) rated The Hunger Games in Books
Nov 7, 2019
The Hunger Games is a trilogy of YA dystopian novels written by American author Suzanne Collins. The story is set in an unspecified future, in a dystopian, post-apocalyptic nation of Panem located in North America. The country consists of the Wealthy Capital surrounded by the twelve (Originally thirteen) poorer districts, each one in various states of poverty. The story follows Katniss Everdeen as she takes her sisters place in the annual Hunger Games. The games are a televised event created as punishment for a past rebellion. Over the course of the books Katniss and the rest of Panem are plunged into Civil War thanks to Katniss inadvertently fuelling a hidden rebel fraction led by President Alma Coin of (the previously thought to be destroyed) District 13. After going through hell, loosing friends and the sister she tried to protect Katniss is eventually tried for killing Coin at the execution of Ex-President Snow and sent back to District 12. Katniss eventually marries fellow tribute Peeta Mellark (whom she was tied to during the games as the pair of star-crossed lovers) and eventually have two children a boy and a girl. Author Suzanne Collins stated that the inspiration for the story came to her after channel surfing through TV channels, having seen a reality show on one channel then saw footage of the Iraq invasion. The two began to blur in an unsettling way and the idea started to form. The Greek myth of Theseus also served as a basis for the story, with Collins saying that Katniss could be called a future Theseus and The Hunger Games being an interpretation of the old gladiatorial games.
The Hunger Games the titular book was released on September 14th 2008 under the publishing house Scholastic Press. The book had an initial print run of 50,00 copies eventually being bumped up twice to 200,000 copies. By February 2010 the book had sold 800,000 copies and rights to the novel have been sold in 38 territories. In November 2008 The Hunger Games was placed on the New York Times best seller list where it would remain for 100 weeks (just over three months). By the time the books film adaption released in march 2012 the book had been on USA Today's best seller list for 135 weeks (Four months) and sold over 17.5 million copies. The book received several awards and honours such as Publishers Weekley's “Best book of the year 2008”, the New York Times “Notable children's book 2008” and was the 2009 young adult fiction category winner of the Golden Duck award. The book also received the California Young Reader medal in 2011.
Catching Fire, the second book was published on September 1st 2009 under Scholastic. As the sequel to the Hunger Games book it continues the story of Katniss Everdeen and the post-apocalyptic nation of Panem as rebellion begins. The book received mixed reviews but was placed on Time Magazines Top 100 fiction list of 2009. Catching fire had an initial print of 350,00 copies but was (Like its predecessor) had grown to 750,00 by February 2010. The book has sold over 10 million copies.
Mocking-jay the third and final book in the Hunger Games Trilogy and was published August 24th 2010 by Scholastic. The book had a 1.2 million copy print that was bumped up from 750,000 copies and in its first week sold over 450,00 copies. Reviews were favourable with the book and notes that it thoroughly explores the themes of the other books.
I really love the books and regularly read them. Whenever I do read them I tend to read all three of them in the space of a week. To be fair whilst I had heard of them before the first movie release I didn't start reading them until I'd seen the first movie. I did read Catching Fire and Mockingjay before their movie equivalents hit the screens. Whilst The Hunger Games was a brilliant opener and Mockingjay was a brilliant ender, I agree with a few reviewers that Catching fire had a delayed start and it took a bit of time to get into the action of the story at large.
Suzanne Collins was born in Hartford Connecticut on the 10th of August 1962 as the youngest fourth child to Jane Bradley Collins and Lt. Col. Michael Jon Collins a decorated U. S. Air Force officer. As a daughter of a military man she was constantly moving with her family and spent her childhood in the eastern united states. Collins went to the Alabama school of fine arts in Birmingham 1980 as a theatre arts Major. Collins went on to complete a Bachelor of arts from Indiana University in 1985 and telecommunications and in 1989 Collins earned her M. F. A. in dramatic writing from NYU Tisch school of arts. Collins began her career in 1991 as a writer for children's television shows and won a nomination in animation for co-writing the critically acclaimed Christmas special Santa, Baby!. Collins after meeting James Proimos whilst working on a children's show felt the urge to write children's books and spent the early 2000's writing five books of the Underland Chronicles; Gregor the Overlander, Gregor and the Prophecy of Bane, Gregor and the curse of the Warmbloods, Gregor and the Marks of Secret and Gregor and the Code of Claw. The influence for those books came from Alice in Wonderland. During the late 2000's she ends up writing the Hunger Games trilogy which went onto a famous movie trilogy. As the result of the hunger games trilogy popularity Collins was named one of Times Magazine's most Influential people of 2010. On June 17th 2019 Collins announced she was writing a prequel to the Hunger Games and is scheduled to be released on 19th May 2020, the book is to focus on the failed rebellion 64 years before the Hunger Games trilogy.
I highly respect the Author Suzanne Collins for both her work as a writer of Children's media and for her creativity in creating both the Hunger Games and the Underland Chronicles. Her creativity has been awarded with her books popularity and being announced amongst Time Magazine's 2010's most influential people and Amazons best selling Kindle author in 2012.
In March 2009 Lions Gate Entertainment entered into a co-production agreement with Nina Jacobson's Production company Color Force for the Hunger Games. Novel writer Suzanne Collins adapted the book in collaboration with screenwriter Billy Ray and Director Gary Ross. Actors Jennifer Lawrence, Josh Hutchinson and Liam Hemsworth were hired for the roles of Katniss, Peeta and Gale respectively. Lawrence was four years older than Katniss was in the books but Collins said she would rather the actress be older than the character since it demanded a certain maturity and power. Collins also liked Lawrence stating she was the “only one who truly captured the character I wrote in the book”. The Hunger Games Movie was released on march 23rd 2012. The Hunger Games: Catching Fire was released on November 22nd 2013 with Francis Lawrence being hired as Director and actors Phillip Seymour Hoffman, Jena Malone and Sam Claflin being hired as Plutarch Heavensbee, Johanna Mason and Finneck Odair respectively. The Hunger Games: Mockingjay was split into 2 and Part 1 was released on November 21st 2014 and part 2 on November 20th 2015 Francis Lawrence remained Director for the final movies with Actor Julianne Moore joining the cast as President Alma Coin.
I loved the movies point blank and whilst it has its flaws like most movies often do I think its redeeming quality has been it faithfulness in sticking to the books as closely as possible and the actors representation of Suzanne Collins characters such as Jennifer Lawrence as Katniss, Donald Sunderland and President Snow, Stanley Tucci as Ceaser Flickerman, Woody Harrelson as Haymich Abernathy and Elizabeth Banks as Effie Trinkett. Whilst all the actors were very good and were chosen well for their characters. These actors in particular I feel did exceptionally well in bringing their characters to life especially Elizabeth Banks, Stanley Tucci and Woody Harrelson but then I am a very big fan of theirs so I may be a little biased.
The Hunger Games the titular book was released on September 14th 2008 under the publishing house Scholastic Press. The book had an initial print run of 50,00 copies eventually being bumped up twice to 200,000 copies. By February 2010 the book had sold 800,000 copies and rights to the novel have been sold in 38 territories. In November 2008 The Hunger Games was placed on the New York Times best seller list where it would remain for 100 weeks (just over three months). By the time the books film adaption released in march 2012 the book had been on USA Today's best seller list for 135 weeks (Four months) and sold over 17.5 million copies. The book received several awards and honours such as Publishers Weekley's “Best book of the year 2008”, the New York Times “Notable children's book 2008” and was the 2009 young adult fiction category winner of the Golden Duck award. The book also received the California Young Reader medal in 2011.
Catching Fire, the second book was published on September 1st 2009 under Scholastic. As the sequel to the Hunger Games book it continues the story of Katniss Everdeen and the post-apocalyptic nation of Panem as rebellion begins. The book received mixed reviews but was placed on Time Magazines Top 100 fiction list of 2009. Catching fire had an initial print of 350,00 copies but was (Like its predecessor) had grown to 750,00 by February 2010. The book has sold over 10 million copies.
Mocking-jay the third and final book in the Hunger Games Trilogy and was published August 24th 2010 by Scholastic. The book had a 1.2 million copy print that was bumped up from 750,000 copies and in its first week sold over 450,00 copies. Reviews were favourable with the book and notes that it thoroughly explores the themes of the other books.
I really love the books and regularly read them. Whenever I do read them I tend to read all three of them in the space of a week. To be fair whilst I had heard of them before the first movie release I didn't start reading them until I'd seen the first movie. I did read Catching Fire and Mockingjay before their movie equivalents hit the screens. Whilst The Hunger Games was a brilliant opener and Mockingjay was a brilliant ender, I agree with a few reviewers that Catching fire had a delayed start and it took a bit of time to get into the action of the story at large.
Suzanne Collins was born in Hartford Connecticut on the 10th of August 1962 as the youngest fourth child to Jane Bradley Collins and Lt. Col. Michael Jon Collins a decorated U. S. Air Force officer. As a daughter of a military man she was constantly moving with her family and spent her childhood in the eastern united states. Collins went to the Alabama school of fine arts in Birmingham 1980 as a theatre arts Major. Collins went on to complete a Bachelor of arts from Indiana University in 1985 and telecommunications and in 1989 Collins earned her M. F. A. in dramatic writing from NYU Tisch school of arts. Collins began her career in 1991 as a writer for children's television shows and won a nomination in animation for co-writing the critically acclaimed Christmas special Santa, Baby!. Collins after meeting James Proimos whilst working on a children's show felt the urge to write children's books and spent the early 2000's writing five books of the Underland Chronicles; Gregor the Overlander, Gregor and the Prophecy of Bane, Gregor and the curse of the Warmbloods, Gregor and the Marks of Secret and Gregor and the Code of Claw. The influence for those books came from Alice in Wonderland. During the late 2000's she ends up writing the Hunger Games trilogy which went onto a famous movie trilogy. As the result of the hunger games trilogy popularity Collins was named one of Times Magazine's most Influential people of 2010. On June 17th 2019 Collins announced she was writing a prequel to the Hunger Games and is scheduled to be released on 19th May 2020, the book is to focus on the failed rebellion 64 years before the Hunger Games trilogy.
I highly respect the Author Suzanne Collins for both her work as a writer of Children's media and for her creativity in creating both the Hunger Games and the Underland Chronicles. Her creativity has been awarded with her books popularity and being announced amongst Time Magazine's 2010's most influential people and Amazons best selling Kindle author in 2012.
In March 2009 Lions Gate Entertainment entered into a co-production agreement with Nina Jacobson's Production company Color Force for the Hunger Games. Novel writer Suzanne Collins adapted the book in collaboration with screenwriter Billy Ray and Director Gary Ross. Actors Jennifer Lawrence, Josh Hutchinson and Liam Hemsworth were hired for the roles of Katniss, Peeta and Gale respectively. Lawrence was four years older than Katniss was in the books but Collins said she would rather the actress be older than the character since it demanded a certain maturity and power. Collins also liked Lawrence stating she was the “only one who truly captured the character I wrote in the book”. The Hunger Games Movie was released on march 23rd 2012. The Hunger Games: Catching Fire was released on November 22nd 2013 with Francis Lawrence being hired as Director and actors Phillip Seymour Hoffman, Jena Malone and Sam Claflin being hired as Plutarch Heavensbee, Johanna Mason and Finneck Odair respectively. The Hunger Games: Mockingjay was split into 2 and Part 1 was released on November 21st 2014 and part 2 on November 20th 2015 Francis Lawrence remained Director for the final movies with Actor Julianne Moore joining the cast as President Alma Coin.
I loved the movies point blank and whilst it has its flaws like most movies often do I think its redeeming quality has been it faithfulness in sticking to the books as closely as possible and the actors representation of Suzanne Collins characters such as Jennifer Lawrence as Katniss, Donald Sunderland and President Snow, Stanley Tucci as Ceaser Flickerman, Woody Harrelson as Haymich Abernathy and Elizabeth Banks as Effie Trinkett. Whilst all the actors were very good and were chosen well for their characters. These actors in particular I feel did exceptionally well in bringing their characters to life especially Elizabeth Banks, Stanley Tucci and Woody Harrelson but then I am a very big fan of theirs so I may be a little biased.