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Vertigo (1958)
Vertigo (1958)
1958 | Drama, Mystery
A quiet masterpiece
This was Hitchcock's more subtle films, although it was a flop at the time, I think it's still a quiet masterpiece. It's claustrophobic watching James Stewart follow around an enigmatic woman, becoming obsessed with an image of her, only to realise he's chasing an illusion. The twist at the end is pretty brilliant leaving the viewer slightly spellbound by what happened. While it may not be as harrowing as Psycho, it's still a treat to watch.
  
TR
The Russian Bride (2001)
2001 | Drama, Mystery
4
6.0 (2 Ratings)
Movie Rating
Ugh
This movie was weak. The cinematography/effects was the only good part and that was just "ok". The acting was terrible and the storyline didn't seem to know what it wanted to be-a psycho killer movie or a ghost story. I almost stopped watching it halfway through but figured I should at least finish it. I regret that decision. This one is considered a horror movie but there's nothing "horror" about it. NOT worth a watch!
  
They Shoot Horses, Don't They? (1969)
They Shoot Horses, Don't They? (1969)
1969 | Drama
(0 Ratings)
Movie Favorite

"Once again, we see sex and death wed like chocolate and peanut butter. Jane Fonda looks like the angel of bitter, angry suicide girls before such girls were ever born. Bruce Dern plays the psycho hillbilly we loved him playing in ‘The Big Valley’ on television. Gig Young claws his way to the bottom of the bottom-feeders, winning the Oscar just before his own real-life suicide. Here’s my favorite “date movie” of all time."

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James Schamus recommended Close-Up (1990) in Movies (curated)

 
Close-Up (1990)
Close-Up (1990)
1990 | Biography, Crime, Drama
(0 Ratings)
Movie Favorite

"Close-up and Blow Out make a great double feature, mainly because their titles sound so cool together but also because you can’t find two better examples of wickedly smart and politically alive “self-referential” cinema that couldn’t be less doctrinaire. Also, because including Brian De Palma proves I’m not a total snob and allows me to plug one of the funniest and most intelligent books of film theory of the past decade, Chris Dumas’s Un-American Psycho."

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James Schamus recommended Blow Out (1981) in Movies (curated)

 
Blow Out (1981)
Blow Out (1981)
1981 | Mystery

"Close-up and Blow Out make a great double feature, mainly because their titles sound so cool together but also because you can’t find two better examples of wickedly smart and politically alive “self-referential” cinema that couldn’t be less doctrinaire. Also, because including Brian De Palma proves I’m not a total snob and allows me to plug one of the funniest and most intelligent books of film theory of the past decade, Chris Dumas’s Un-American Psycho."

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<b>Psycho</b>
How can I read and review the book Psycho without comparing it to its movie adaptation? Yeah, not possible. For starters, the biggest difference has to be Norman Bates' physical description, which is balding and dumpy in the book. A far cry from Anthony Perkins. For most of the book I admit to not being able to visualize Norman in a different light than Perkins, who I feel was genius casting. I mean, who in that day and age would ever see that next-door-boy-look as a threat? Other than that, I have to say that the movie is pretty darned true to the book; some minor things but nothing necessary was kept out. I enjoyed Bloch's writing, it's just smooth and easy to read, keeping to a nice clip. The next to last chapter has a bit of an infodump explaining Norman's behavior, but it's short and really didn't bother me. Probably one of the best handled infodumps I've come across. So, I'd definitely recommend reading the book if you enjoy the movie, it adds a little here and there to the film.
<i>4 stars</i>

<b>Psycho II</b>
How do I put this succinctly...? What a total piece of crap.

I thought it started out pretty well, for say about the first 25 or 30 pages, minus Norman's rape of a nun's corpse (which didn't seem in his character IMHO), but then it started going downhill and ended up in a deep, deep well. Bloch's characters and plot are cliche, boring, obnoxious, two-dimensional or a combination of all of the above. The denouement is ridiculous, although not totally unforseen, and it just seemed like Bloch wasn't even interested in writing a proper sequel with Norman Bates and was more interested in showing Hollywood as amoral and vapid. Whatever. I'm glad this is over. I have better things to do with my time, like clean the litter boxes.
<i>1.5 stars</i>

I will eventually get to <b>Psycho House</b> but I need a recovery period so this is going back to the library. I highly doubt that it'll be worse than P2.
  
Psycho Goreman (2020)
Psycho Goreman (2020)
2020 | Comedy, Horror, Sci-Fi
I fully understand why Psycho Goreman may not be for everyone, but dammit if it wasn't right up my street.
This film is so ridiculous. From it's sudden bursts of hyper violence to kids playing ball games backed by the sounds of completely over the top guitar solos, to it's abundance of offbeat humour, PG is obviously trying to be exactly the kind of film that it is, but it stops short of feeling overly try-hard.
The young cast are pretty great, heck, all of the cast are pretty great. The commitment to practical effects is admirable, no matter how cheap it looks on occasion. The alien characters look like creatures out of Power Rangers, but it honestly just adds to the experience.

I'm not sure if anything written can truly explain what to expect from this. If you like these kind of 80s throwback B-movies like I do, then you'll surely get a kick out of Psycho Goreman. It's a blast from start to finish.