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    Parents Grossesse

    Parents Grossesse

    Medical and Health & Fitness

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    App

    Félicitations, vous êtes enceinte. L’application personnalisée « Ma grossesse avec Parents »...

    Trees

    Trees

    Sarah Johnson

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    Book

    The fifth volume in the reader series, 'Themes in Environmental History'. Comprising essays selected...

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Awix (3310 KP) rated Straight On Till Morning (1972) in Movies

Mar 8, 2021  
Straight On Till Morning (1972)
Straight On Till Morning (1972)
1972 | Drama, Horror
4
5.5 (2 Ratings)
Movie Rating
Rather atypical Hammer psycho-horror is much stronger on dour naturalism than the usual gothic fantasy. A slightly unstable young woman moves to present-day London in search of her dreams and winds up moving in with a handsome serial killer (late-period Hammer star Shane Briant, in his first film for the company). Things eventually get a bit fraught.

It would be nice to think the change in style was the result of a decision by Hammer to experiment, but the fact the film was clearly made on a punishingly low budget suggests otherwise: the reason it's largely a two-hander, mostly taking place in a single flat, is presumably simply to keep production costs down. The atmosphere throughout is dingy and a bit grim; appalling early-70s fashion doesn't help much. There's a conceit about Peter Pan which is never really resolved (hence the title); the film's most distinctive feature is the editing, which is jarring, almost subliminal, and gets rather annoying very quickly. Good performances from the leads, I suppose, but this doesn't make up for the fact the story is implausible, uninvolving, and doesn't really go anywhere.
  
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Awix (3310 KP) rated Re-Animator (1985) in Movies

Oct 31, 2020 (Updated Oct 31, 2020)  
Re-Animator (1985)
Re-Animator (1985)
1985 | Comedy, Horror, Sci-Fi
8
7.6 (27 Ratings)
Movie Rating Watch
Schlocky horror picture show. Mad-scientist-in-training Herbert West is partially successful in raising the dead (which is to say he's successful in resurrecting various body parts, not always connected tin the original manner). One of the better-known H. P. Lovecraft adaptations, though the short story in question is hardly Lovecraft's best work (and the writer would probably have hated this movie too).

Not actually that scary, but contains jaw-dropping quantities of gore, all the more startling because the film is clearly being pitched as a knockabout black comedy as well as an exploitation movie. Starts off relatively restrained, but by the climax I was regularly thinking 'I can't believe they got away with that'. Nicely pitched performance from Jeffrey Combs, interesting turns from people who end up having to play either deranged zombies or severed heads in trays. (Slightly distracting soundtrack, mainly because it brazenly rips off the score from Psycho.) Any film which features a main character wrestling with a hostile lower intestine has got something to offer the world; movies like this are the reason we have the term 'splatstick'.
  
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Bruce Robinson recommended All the President's Men (1976) in Movies (curated)

 
All the President's Men (1976)
All the President's Men (1976)
1976 | Classics, Drama, History
8.8 (13 Ratings)
Movie Favorite Watch

"All the President’s Men, because of my hero, William Goldman, who wrote that film. Here we’re sitting in the dark watching a movie and we all know what the denouement is — we all know how this film’s going to end up; they’re going to bust Nixon’s ass — and yet we’re on the edge of our seats all the way through that movie. Of course, it’s Pakula’s fantastic direction and these fabulous actors at the height of their career — Hoffman and Redford — but primarily it’s William Goldman, who managed to write a film where we all know what’s gonna happen, and yet we’re compelled to watch this process. Imagine if, in Psycho, the title sequence was Perkins putting on his wig and robe, so we all know it’s him — that’s the problem Goldman had to deal with. We all knew it was Nixon. And yet he managed to pull it off. Blew me away, that film. The performances, and the writing… who was that actor who played the editor? Jason Robards. He tells them to go after it. I wish the press would behave like that today, you know: “Go after these f–kwits, and nail them.”"

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