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Lucy Buglass (45 KP) rated The Outsider (2018) in Movies
Jun 20, 2019
The concept of ‘The Outsider’ is a very interesting one, and partially why I was so drawn to the film in the first place. The film follows a former American GI by the name of Nick Lowell who joins the Yakuza, and that synopsis alone was enough to grab my attention. The second reason was the fact it starred Jared Leto, as I believe he’s a very good actor based on his performances in ‘Requiem for a Dream’, ‘Dallas Buyers Club’ and ‘American Psycho’.
Coming into this film, I had incredibly high hopes and was expecting an afternoon of thrilling scenes and engaging characters. As it was so easily accessible on Netflix, I also had no excuse to pass up the opportunity to get it watched. Unfortunately for me, I was left mostly disappointed by what ‘The Outsider’ delivered.
Running at 2 hours, it seems to drag on for much longer than that because the pacing of the film is poor. To be clear, I have no issue with films that have long runtimes provided they can make it work (‘The Wolf of Wall Street’, for example, runs at 3 hours yet seems to fly by), but this film has tedious scenes that simply didn’t do enough to hold my interest. They could’ve easily cut out half an hour’s worth of footage and still made the film work, in my opinion. It seems strange that a film about the Yakuza could be so boring, but sadly it was.
Jared Leto’s character, Nick, doesn’t have a clear backstory and because of this he’s a very uninteresting character. When we’re first introduced to him, I liked the fact he was such an enigma and assumed we’d learn more about him, but we never really do save for a few chunks of information scattered randomly throughout the narrative. As a Leto fan, I was disappointed that he didn’t really bring anything special to the role and literally any other actor could’ve taken his place and still delivered the same story.
The characters that Nick encounters throughout the film aren’t particularly noteworthy either, as they seem to exist to just berate Nick and frown at him, and not much happens beyond that. It seems very lazy that a film like ‘The Outsider’ has so many characters that are sloppily written, with no backstories to keep the audience interested.
‘The Outsider’ did have some redeeming features, though not enough for me to say I particularly enjoyed watching the film. There are a few gory, intense moments that hold your attention and make you squirm, but much less than I expected from a supposed crime film, especially one that focuses on such a notorious criminal organisation. Cinematically, it’s a decent film to look at based on the camerawork and colour grading throughout, but the absence of any decent story makes it fall flat.
Martin Zandvliet’s cinematic portrayal of the Japanese Yakuza is mediocre at best, and not what I expected based on the marketing I’d seen prior to watching the film. I wanted a violent, sexy, engaging crime film and got absolutely none of that.
https://jumpcutonline.co.uk/the-outsider/
Coming into this film, I had incredibly high hopes and was expecting an afternoon of thrilling scenes and engaging characters. As it was so easily accessible on Netflix, I also had no excuse to pass up the opportunity to get it watched. Unfortunately for me, I was left mostly disappointed by what ‘The Outsider’ delivered.
Running at 2 hours, it seems to drag on for much longer than that because the pacing of the film is poor. To be clear, I have no issue with films that have long runtimes provided they can make it work (‘The Wolf of Wall Street’, for example, runs at 3 hours yet seems to fly by), but this film has tedious scenes that simply didn’t do enough to hold my interest. They could’ve easily cut out half an hour’s worth of footage and still made the film work, in my opinion. It seems strange that a film about the Yakuza could be so boring, but sadly it was.
Jared Leto’s character, Nick, doesn’t have a clear backstory and because of this he’s a very uninteresting character. When we’re first introduced to him, I liked the fact he was such an enigma and assumed we’d learn more about him, but we never really do save for a few chunks of information scattered randomly throughout the narrative. As a Leto fan, I was disappointed that he didn’t really bring anything special to the role and literally any other actor could’ve taken his place and still delivered the same story.
The characters that Nick encounters throughout the film aren’t particularly noteworthy either, as they seem to exist to just berate Nick and frown at him, and not much happens beyond that. It seems very lazy that a film like ‘The Outsider’ has so many characters that are sloppily written, with no backstories to keep the audience interested.
‘The Outsider’ did have some redeeming features, though not enough for me to say I particularly enjoyed watching the film. There are a few gory, intense moments that hold your attention and make you squirm, but much less than I expected from a supposed crime film, especially one that focuses on such a notorious criminal organisation. Cinematically, it’s a decent film to look at based on the camerawork and colour grading throughout, but the absence of any decent story makes it fall flat.
Martin Zandvliet’s cinematic portrayal of the Japanese Yakuza is mediocre at best, and not what I expected based on the marketing I’d seen prior to watching the film. I wanted a violent, sexy, engaging crime film and got absolutely none of that.
https://jumpcutonline.co.uk/the-outsider/
Darren (1599 KP) rated A United Kingdom (2017) in Movies
Jun 20, 2019
Story: A Untied Kingdom starts in 1947 England where Prince Seretse Khama (Oyelowo) of Bechuanaland (known today as Botswana) is in England studying law, he meets file clerk Ruth Williams (Pike) and the two fall in love.
With tension between Bechuanaland and South Africa high the idea of the soon to be King marrying a white woman would be unheard off. The British government doesn’t want him to become king and Seretse own family don’t want him to become king if he stays with Ruth. With the racial divide still going strong, Seretse pushed for equality over anything else, so he can unite his kingdom when he becomes king.
Thoughts on A United Kingdom
Characters – Seretse Khama is the prince of Bechuanaland he has been studying law in England to prepare for his time as king, he falls in love a white woman in Ruth Williams which throws tensions from his family, government in the air and to prove his love is more important than his traditions and bring the equality between the races together. Ruth Williams is an English clerk whose family has been working to teach Christianity to Africans, she meets and falls in love with Seretse and goes against everyone else’s desires and marries him. Rufus Lancaster is the British liaison in Bechuanaland who leads the opposition from the land, which only shows us just how the English were over controlling.
Performances – David Oyelowo is wonderful in the leading role, showing us once again that he can lead any movie he wants too. Rosamund Pike shines to showing everyone that she can handle to calm roles after the psycho ones in Gone Girl. The rest of the cast are wonderful even if the British characters are as stuck up as you would imagine them to be.
Story – The story follows the lives of King Seretse who marries an English white woman which puts the balance between the racial tension in his home land and British rule. We learn a lot from this movie, because we see how the country was being controlled from outside forces that only saw them as a piece of land. There is a lot to take in and the history lesson about this union that created a chance in the land.
Biopic/Romance – What King Seretse and his wife Ruth achieved for Botswana was incredible and this shows us how their love drove them to achieve this change.
Settings – The settings show us the high society British look at an African country that was following its own traditions to become the independent from this style of rule.
Scene of the Movie – Speech to the ‘tribe’ as the British called them.
That Moment That Annoyed Me – Knowing the English were this shallow.
Final Thoughts – This is a good look at how the world was once ruled by people who believe they are in the right to control countries affairs and how their union would change everything.
Overall: History is always worth learning.
https://moviesreview101.com/2019/05/21/abc-film-challenge-biopics-u-a-united-kingdom-2016/
With tension between Bechuanaland and South Africa high the idea of the soon to be King marrying a white woman would be unheard off. The British government doesn’t want him to become king and Seretse own family don’t want him to become king if he stays with Ruth. With the racial divide still going strong, Seretse pushed for equality over anything else, so he can unite his kingdom when he becomes king.
Thoughts on A United Kingdom
Characters – Seretse Khama is the prince of Bechuanaland he has been studying law in England to prepare for his time as king, he falls in love a white woman in Ruth Williams which throws tensions from his family, government in the air and to prove his love is more important than his traditions and bring the equality between the races together. Ruth Williams is an English clerk whose family has been working to teach Christianity to Africans, she meets and falls in love with Seretse and goes against everyone else’s desires and marries him. Rufus Lancaster is the British liaison in Bechuanaland who leads the opposition from the land, which only shows us just how the English were over controlling.
Performances – David Oyelowo is wonderful in the leading role, showing us once again that he can lead any movie he wants too. Rosamund Pike shines to showing everyone that she can handle to calm roles after the psycho ones in Gone Girl. The rest of the cast are wonderful even if the British characters are as stuck up as you would imagine them to be.
Story – The story follows the lives of King Seretse who marries an English white woman which puts the balance between the racial tension in his home land and British rule. We learn a lot from this movie, because we see how the country was being controlled from outside forces that only saw them as a piece of land. There is a lot to take in and the history lesson about this union that created a chance in the land.
Biopic/Romance – What King Seretse and his wife Ruth achieved for Botswana was incredible and this shows us how their love drove them to achieve this change.
Settings – The settings show us the high society British look at an African country that was following its own traditions to become the independent from this style of rule.
Scene of the Movie – Speech to the ‘tribe’ as the British called them.
That Moment That Annoyed Me – Knowing the English were this shallow.
Final Thoughts – This is a good look at how the world was once ruled by people who believe they are in the right to control countries affairs and how their union would change everything.
Overall: History is always worth learning.
https://moviesreview101.com/2019/05/21/abc-film-challenge-biopics-u-a-united-kingdom-2016/
Gareth von Kallenbach (980 KP) rated Frayed (2007) in Movies
Aug 14, 2019
Many aspiring filmmakers spend years looking for their big break, a chance to show their talents to the world and to be given an opportunity to make a living doing the work that they love.
Sadly in such a competitive field, many struggle to be given that shot, and never get a chance to see their dreams reach fruition. Thanks to Screamfest, (www.screamfest.com) independent horror film makers are given their chance to submit their works to be included in an annual competition.
The competition screens films for fans and judges, and awards prizes to the top films of the competition. This is ideal for filmmakers as not only do they get publicity and an audience for their work, but a chance at a distribution deal and future work.
This year a local Washington State based company (lock It Entertainment) called has seen the culmination of years of work realized as their film “Frayed” has been accepted into the competition and stands out as one of the most promising films of the competition.
The film is set in a small town in Washington State where a small boy named Kurt brutally kills his mother and is confined to a mental institution. It is learned that Kurt is trapped in his mind and that he may not ever be able to return to normalcy.
The film then moves to the present day where Kurt is scheduled to be transferred to a facility that is better suited to his condition, as he has grown beyond any help. His father, the local Sheriff, Pat Baker, (Tony Doupe’), is struggling with the decision as he knows that it is the right thing to do, but finds it hard to sign his son away to the care of another institution.
At home, Sheriff Baker returns to find his daughter Sara (Alena Dashiell), on her way to a camping trip and his new wife Jolene (Kellee Bradley) frustrated over the boundaries that Sara and her friends have.
As if his day could not get any worse, Sheriff Baker learns that Kurt has escaped during his move, and is leaving a trail of carnage in his wake.
Torn between his loyalty to his son and his duty to protect the community, Sheriff Baker mounts a manhunt to capture Kurt unaware that a security officer from the hospital named Gary (Aaron Blakely), is in hot pursuit of Kurt and is witness to his deadly brutality firsthand.
What follows is a tension filled race against time where all of the central characters are caught up in an intertwining web of terror.
The film is surprisingly effective as at first I thought I was in for a “Halloween” style film of the psycho killer on the loose. Instead the film cleverly mixes the slasher film genre with ample amounts of drama and psychological drama.
Norb Caoili and Rob Portmann who co-wrote, co-directed, and co-produced the film along with Executive Producer and co-writer KurtSvennungsen, have made an entertaining film that packs plenty of horror staples along with some effective twists and turns that makes “Frayed” a surprisingly original and effective thriller.
Sadly in such a competitive field, many struggle to be given that shot, and never get a chance to see their dreams reach fruition. Thanks to Screamfest, (www.screamfest.com) independent horror film makers are given their chance to submit their works to be included in an annual competition.
The competition screens films for fans and judges, and awards prizes to the top films of the competition. This is ideal for filmmakers as not only do they get publicity and an audience for their work, but a chance at a distribution deal and future work.
This year a local Washington State based company (lock It Entertainment) called has seen the culmination of years of work realized as their film “Frayed” has been accepted into the competition and stands out as one of the most promising films of the competition.
The film is set in a small town in Washington State where a small boy named Kurt brutally kills his mother and is confined to a mental institution. It is learned that Kurt is trapped in his mind and that he may not ever be able to return to normalcy.
The film then moves to the present day where Kurt is scheduled to be transferred to a facility that is better suited to his condition, as he has grown beyond any help. His father, the local Sheriff, Pat Baker, (Tony Doupe’), is struggling with the decision as he knows that it is the right thing to do, but finds it hard to sign his son away to the care of another institution.
At home, Sheriff Baker returns to find his daughter Sara (Alena Dashiell), on her way to a camping trip and his new wife Jolene (Kellee Bradley) frustrated over the boundaries that Sara and her friends have.
As if his day could not get any worse, Sheriff Baker learns that Kurt has escaped during his move, and is leaving a trail of carnage in his wake.
Torn between his loyalty to his son and his duty to protect the community, Sheriff Baker mounts a manhunt to capture Kurt unaware that a security officer from the hospital named Gary (Aaron Blakely), is in hot pursuit of Kurt and is witness to his deadly brutality firsthand.
What follows is a tension filled race against time where all of the central characters are caught up in an intertwining web of terror.
The film is surprisingly effective as at first I thought I was in for a “Halloween” style film of the psycho killer on the loose. Instead the film cleverly mixes the slasher film genre with ample amounts of drama and psychological drama.
Norb Caoili and Rob Portmann who co-wrote, co-directed, and co-produced the film along with Executive Producer and co-writer KurtSvennungsen, have made an entertaining film that packs plenty of horror staples along with some effective twists and turns that makes “Frayed” a surprisingly original and effective thriller.
Andy K (10823 KP) rated Vertigo (1958) in Movies
Oct 20, 2019
An ex cop is asked to surveil the wife of a friend who seems to be exhibiting erratic behavior. Unfortunately, Scottie had to retire from active duty after an incident of vertigo caused the death of another officer. He takes the job and wanders with the woman as she visits an art gallery and cemetery among others. She inexplicably one day decides to hurl her body into San Francisco Bay and luckily he is there to retrieve her.
Once revived, Madeleine is no worse for wear, but does not remember the incident or the circumstances of her rescue at the hands of Scottie. They form a quick friendship that turns quickly into lust and a deepening feeling of obsession for Scottie. One day, they take a trip to Mission San Juan Bautista based on a nightmare vision described by Madeleine. She climbs the bell tower, but Scottie is unable to follow restrained by his vertigo and, unfortunately, has to just watch as she plunges to her death.
Afterwards, an investigation reveals Madeleine had been exhibiting irrational behavior which was the cause of her husband's concern in hiring Scottie, so her death is ruled a suicide. Scottie is distraught over the loss and takes consolation in his friend, Midge. On the mend, Scottie frequents locations Madeleine had visited previously hoping this would offer consolation to his grief. He meets a familiar, yet strange woman there.
Vertigo is usually not only considered Hitchcock's best film, but also on many critic lists as the greatest film of all time alongside Citizen Kane and Casablanca.
The movie does have a lot to admire including its complicated, intriguing screenplay which had smart discussions with its characters with lots of exposition given at various points challenging the audience to keep up. The film's situations are interesting and the plot keeps going at a vicious pace through the twists to the end.
I learned recently Hitchcock diva Vera Miles was initially cast for the role of Madeleine, but had to withdraw as she became pregnant before filming so Kim Novak replaced her. Due to several unforeseen delays, Miles had given birth and could've been available; however Hitchcock forged ahead with Novak anyways.
The harrowing initial scene where Scottie chases a random perpetrator across blackened rooftops only to stumble and discover his title affliction really sets the tone for the film both with the cinematography which is stunning and the blistering score at full pace.
Picking an absolute favorite Hitchcock movie has always been difficult for me. Vertigo would probably rank 3rd behind Psycho and The Birds, but still all masterpieces. I love the fact as in other Hitchcock classics, you think you know where the story is going, but he always keeps you guessing.
A magnificent performance by Jimmy Stewart as well. Well deserved of the praise he has gotten over the years for it. He is intense, charming and morose throughout the film which makes him electrifying to watch. His work with Hitchcock including Rope and Rear Window is among his best work.
A masterpiece.
Once revived, Madeleine is no worse for wear, but does not remember the incident or the circumstances of her rescue at the hands of Scottie. They form a quick friendship that turns quickly into lust and a deepening feeling of obsession for Scottie. One day, they take a trip to Mission San Juan Bautista based on a nightmare vision described by Madeleine. She climbs the bell tower, but Scottie is unable to follow restrained by his vertigo and, unfortunately, has to just watch as she plunges to her death.
Afterwards, an investigation reveals Madeleine had been exhibiting irrational behavior which was the cause of her husband's concern in hiring Scottie, so her death is ruled a suicide. Scottie is distraught over the loss and takes consolation in his friend, Midge. On the mend, Scottie frequents locations Madeleine had visited previously hoping this would offer consolation to his grief. He meets a familiar, yet strange woman there.
Vertigo is usually not only considered Hitchcock's best film, but also on many critic lists as the greatest film of all time alongside Citizen Kane and Casablanca.
The movie does have a lot to admire including its complicated, intriguing screenplay which had smart discussions with its characters with lots of exposition given at various points challenging the audience to keep up. The film's situations are interesting and the plot keeps going at a vicious pace through the twists to the end.
I learned recently Hitchcock diva Vera Miles was initially cast for the role of Madeleine, but had to withdraw as she became pregnant before filming so Kim Novak replaced her. Due to several unforeseen delays, Miles had given birth and could've been available; however Hitchcock forged ahead with Novak anyways.
The harrowing initial scene where Scottie chases a random perpetrator across blackened rooftops only to stumble and discover his title affliction really sets the tone for the film both with the cinematography which is stunning and the blistering score at full pace.
Picking an absolute favorite Hitchcock movie has always been difficult for me. Vertigo would probably rank 3rd behind Psycho and The Birds, but still all masterpieces. I love the fact as in other Hitchcock classics, you think you know where the story is going, but he always keeps you guessing.
A magnificent performance by Jimmy Stewart as well. Well deserved of the praise he has gotten over the years for it. He is intense, charming and morose throughout the film which makes him electrifying to watch. His work with Hitchcock including Rope and Rear Window is among his best work.
A masterpiece.
Darren (1599 KP) rated The Invisible Man (1933) in Movies
Mar 2, 2020
Verdict: Classic
Story: The Invisible Man starts as the heavily bandaged man Dr Jack Griffin (Rains) stumbles through a snow storm to a tavern demanding a room to try and fix the problem he faces, the fact he is now invisible, which strikes fear into the tavern and town.
Dr Cranley (Travers) and Dr Kemp (Harrigan) are trying to figure out what happened to Jack, even though he has started to become insane with the side effects of becoming invisible, showing just how dangerous he has become.
Thoughts on The Invisible Man
Characters – Dr Jack Griffin has become invisible after performing an experiment on himself, he covers himself up not to scare people, making himself look like an injured man, as he tries to find a cure, only it makes him act crazier become a psycho that is willing to kill to escape. Flora is the partner of Jack’s who is trying to make sure he is safe, getting worried believing he will still having good in him. Dr Kemp is one of the scientists that gets caught up in the middle of trying to help Jack and being scared of what he could be, unlike Dr Cranley that knows more of the secrets of the substance he has been using.
Performances – Claude Rains is haunting and disturbing in the leading role, he shows how easily he can snap and how desperate he has been to fix himself. Elsewhere the cast are strong, most reacting to the action more than anything else.
Story – The story follows a man that has become invisible and is desperately trying to recover from his experiment, which has caused him to get more aggressive towards people in life, causing the locals to go in search for him to get stop him. This is an interesting story that shows how people will come together to solve a problem and will be left in fear of the unexplained. While the story might show a villainous figure, it would have been nice to see the science behind what caused what happened, only this might have been difficult to achieve for the time this was made. This is a story that does show hunting for what can’t be seen is interesting to see.
Horror/Sci-Fi – The horror comes from the shock value of seeing Jack without the bandages for the first time and just what he could get up to without being seen, while the sci-fi side of the film does show us just how the unexplained could become terrifying.
Settings – The film does use the settings to show how Jack can go into hiding, or where he could go for answers.
Special Effects – The effects are amazing for the time, when we see the unbandaging sequence it is truly shocking to see.
Scene of the Movie – Jack shows us beneath the bandages.
That Moment That Annoyed Me – We don’t learn enough of the science.
Final Thoughts – This is a true classic of cinema, bringing us one of the first horror icons in the genre in the 1930s and is a film you need to check out.
Overall: Horror Classic.
Story: The Invisible Man starts as the heavily bandaged man Dr Jack Griffin (Rains) stumbles through a snow storm to a tavern demanding a room to try and fix the problem he faces, the fact he is now invisible, which strikes fear into the tavern and town.
Dr Cranley (Travers) and Dr Kemp (Harrigan) are trying to figure out what happened to Jack, even though he has started to become insane with the side effects of becoming invisible, showing just how dangerous he has become.
Thoughts on The Invisible Man
Characters – Dr Jack Griffin has become invisible after performing an experiment on himself, he covers himself up not to scare people, making himself look like an injured man, as he tries to find a cure, only it makes him act crazier become a psycho that is willing to kill to escape. Flora is the partner of Jack’s who is trying to make sure he is safe, getting worried believing he will still having good in him. Dr Kemp is one of the scientists that gets caught up in the middle of trying to help Jack and being scared of what he could be, unlike Dr Cranley that knows more of the secrets of the substance he has been using.
Performances – Claude Rains is haunting and disturbing in the leading role, he shows how easily he can snap and how desperate he has been to fix himself. Elsewhere the cast are strong, most reacting to the action more than anything else.
Story – The story follows a man that has become invisible and is desperately trying to recover from his experiment, which has caused him to get more aggressive towards people in life, causing the locals to go in search for him to get stop him. This is an interesting story that shows how people will come together to solve a problem and will be left in fear of the unexplained. While the story might show a villainous figure, it would have been nice to see the science behind what caused what happened, only this might have been difficult to achieve for the time this was made. This is a story that does show hunting for what can’t be seen is interesting to see.
Horror/Sci-Fi – The horror comes from the shock value of seeing Jack without the bandages for the first time and just what he could get up to without being seen, while the sci-fi side of the film does show us just how the unexplained could become terrifying.
Settings – The film does use the settings to show how Jack can go into hiding, or where he could go for answers.
Special Effects – The effects are amazing for the time, when we see the unbandaging sequence it is truly shocking to see.
Scene of the Movie – Jack shows us beneath the bandages.
That Moment That Annoyed Me – We don’t learn enough of the science.
Final Thoughts – This is a true classic of cinema, bringing us one of the first horror icons in the genre in the 1930s and is a film you need to check out.
Overall: Horror Classic.
Gareth von Kallenbach (980 KP) rated Identity Thief (2013) in Movies
Aug 7, 2019
Life for Sandy Patterson (Jason Bateman), is a comfortable middle class existence. He is a father of two daughters and is expecting a third child soon with his loving wife Trish (Amanda Peet). While they have financial concerns with the pending arrival of their new baby, Sandy is hoping for a bonus and promotion at his job working for a financial service company. Things take a turn for the worse for Sandy when not only does he get neither a bonus nor promotion, but he learns that his supervisors are authorizing themselves large bonus checks which he is in charge of issuing.
Sandy and his friend Daniel (John Cho), decide that enough is enough and decide to start their own company with Sandy as V.P. Although a risky move, this could be the answer to his financial needs and Sandy jumps aboard without a second thought. Enter Diana (Melissa McCarthy), a professional identity thief who packs her Florida home with all manner of items obtained via her knack for creating credit cards belonging to other people.
Sandy thanks to his unisex name, has become the latest target for Diana and in no time, finds that his credit cards are maxed out, and worst yet, he is wanted by the police. This does not sit well for his new position as a V.P. with credit issues and warrants will scare off investors. Sandy learns that the timeline for clearing his name can be extensive, so he hatches a plan after receiving a spa confirmation call from Florida. Sandy with the knowledge of the police plans to travel to Florida and bring the person who has stolen his identity to Denver to clear his name. He hopes that a promise of no prosecution will trick her into the trip and clearing his good name.
Since the film is a comedy, things naturally do not go as planned as Denise is crafty and will resort to anything from throat punches to vehicular assault to stay one step ahead of the law. Denise has run afoul of a criminal element for issuing them credit cards that she has already maxed out and they dispatch two killers to take her and anyone she is with out. As if this is not bad enough, a psycho skip tracer (Robert Patrick) is also in hot pursuit and set on capturing the large reward on Denise. What follows is a mixture of the buddy comedy formula and road trip film which more than once reminded me of the recent “Due Date”. “Identity Thief” has a great premise and cast to it, but it is saddled by long stretches that drag on. The film takes a while to get started and never seems to find a pace that works for it.
McCarthy has some great lines and moments and Bateman does a solid job as the straight main foil. The problem is, the laughs are to few and far between to justify the nearly two hour run time. This is a shame as with about 30 minutes trimmed this could have been a very tight and witty comedy but instead under director Seth Gordon best efforts, the film never reaches its potential.
Sandy and his friend Daniel (John Cho), decide that enough is enough and decide to start their own company with Sandy as V.P. Although a risky move, this could be the answer to his financial needs and Sandy jumps aboard without a second thought. Enter Diana (Melissa McCarthy), a professional identity thief who packs her Florida home with all manner of items obtained via her knack for creating credit cards belonging to other people.
Sandy thanks to his unisex name, has become the latest target for Diana and in no time, finds that his credit cards are maxed out, and worst yet, he is wanted by the police. This does not sit well for his new position as a V.P. with credit issues and warrants will scare off investors. Sandy learns that the timeline for clearing his name can be extensive, so he hatches a plan after receiving a spa confirmation call from Florida. Sandy with the knowledge of the police plans to travel to Florida and bring the person who has stolen his identity to Denver to clear his name. He hopes that a promise of no prosecution will trick her into the trip and clearing his good name.
Since the film is a comedy, things naturally do not go as planned as Denise is crafty and will resort to anything from throat punches to vehicular assault to stay one step ahead of the law. Denise has run afoul of a criminal element for issuing them credit cards that she has already maxed out and they dispatch two killers to take her and anyone she is with out. As if this is not bad enough, a psycho skip tracer (Robert Patrick) is also in hot pursuit and set on capturing the large reward on Denise. What follows is a mixture of the buddy comedy formula and road trip film which more than once reminded me of the recent “Due Date”. “Identity Thief” has a great premise and cast to it, but it is saddled by long stretches that drag on. The film takes a while to get started and never seems to find a pace that works for it.
McCarthy has some great lines and moments and Bateman does a solid job as the straight main foil. The problem is, the laughs are to few and far between to justify the nearly two hour run time. This is a shame as with about 30 minutes trimmed this could have been a very tight and witty comedy but instead under director Seth Gordon best efforts, the film never reaches its potential.
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I don’t always read poetry, but I won "It's Getting Harder and Harder To Tell the Two of You Apart" by Casey Renee Kiser and Johnny Scarlotti through a giveaway on LibraryThing.
And if you are already familiar with my “reading rules”, you know I try and read every single book I have ever received, because it’s only fair. And sometimes, the most unexpected books and the ones we don’t actively search for tend to surprise us the most. That happened with this book as well!
"It's Getting Harder and Harder To Tell the Two of You Apart" is written by two authors - two amazing writers of poetry, who have a very similar style of horror and suspense, but also very distinctive differences in their writing style too. The book is split in two parts, and we get the chance to explore both worlds.
<b>Part 1 - Casey Renee Kiser</b>
The first part of the book was written by Casey Renee Kiser, and my favorite poem was “I am not a ghost yet”. It is morbid and powerful, and I loved the way the feelings and scenes were amplified in a morbid sense. I love the brutality of the writing.
<b><i>“Everything was beautiful the day you died”,
You said as you touched my cold hand. </i></b>
<b>Part 2 - Johnny Scarlotti</b>
I could instantly see the difference in the poems between the two poets, but at the same time, also admire how similar their styles and themes are. I find Johnny’s writing very creepy, much creepier than Casey’s. Especially when the mood suddenly changes and the random “haha’s” and “woahh’s” in the poems appear.
<b><i>Now I’m dashing through the park clipping
Children’s kite strings
Ha ha, that’s what you get, you little freaks!</i></b>
It felt like I was reading the secret diary of the Joker. Either him, or Pennywise. It was so fucked up, but it read as the new normal, which is what a psycho would think and feel. It was creepy, it was wrong, but at the same time it satisfied my curiosity. I think that may be the same curiosity that makes me watch true crime shows, crime confessions and old interview with Ted Bundy. And I really enjoyed it.
If I could change anything about my experience with this book, I would have read this for Halloween. I think it would have been the perfect experience, next to a lot of red candles and dim lighting, alongside some quiet creepy music.
I would recommend "It's Getting Harder and Harder To Tell the Two of You Apart" to all fans of horror poetry - it is dark and twisty, brutally honest and creepy, and it will pull you over to the dark side, even for a day.
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I don’t always read poetry, but I won "It's Getting Harder and Harder To Tell the Two of You Apart" by Casey Renee Kiser and Johnny Scarlotti through a giveaway on LibraryThing.
And if you are already familiar with my “reading rules”, you know I try and read every single book I have ever received, because it’s only fair. And sometimes, the most unexpected books and the ones we don’t actively search for tend to surprise us the most. That happened with this book as well!
"It's Getting Harder and Harder To Tell the Two of You Apart" is written by two authors - two amazing writers of poetry, who have a very similar style of horror and suspense, but also very distinctive differences in their writing style too. The book is split in two parts, and we get the chance to explore both worlds.
<b>Part 1 - Casey Renee Kiser</b>
The first part of the book was written by Casey Renee Kiser, and my favorite poem was “I am not a ghost yet”. It is morbid and powerful, and I loved the way the feelings and scenes were amplified in a morbid sense. I love the brutality of the writing.
<b><i>“Everything was beautiful the day you died”,
You said as you touched my cold hand. </i></b>
<b>Part 2 - Johnny Scarlotti</b>
I could instantly see the difference in the poems between the two poets, but at the same time, also admire how similar their styles and themes are. I find Johnny’s writing very creepy, much creepier than Casey’s. Especially when the mood suddenly changes and the random “haha’s” and “woahh’s” in the poems appear.
<b><i>Now I’m dashing through the park clipping
Children’s kite strings
Ha ha, that’s what you get, you little freaks!</i></b>
It felt like I was reading the secret diary of the Joker. Either him, or Pennywise. It was so fucked up, but it read as the new normal, which is what a psycho would think and feel. It was creepy, it was wrong, but at the same time it satisfied my curiosity. I think that may be the same curiosity that makes me watch true crime shows, crime confessions and old interview with Ted Bundy. And I really enjoyed it.
If I could change anything about my experience with this book, I would have read this for Halloween. I think it would have been the perfect experience, next to a lot of red candles and dim lighting, alongside some quiet creepy music.
I would recommend "It's Getting Harder and Harder To Tell the Two of You Apart" to all fans of horror poetry - it is dark and twisty, brutally honest and creepy, and it will pull you over to the dark side, even for a day.
Andy K (10823 KP) rated Dial M for Murder (1954) in Movies
Sep 15, 2019
An unsavory proposition
When ranking Hitchcock's elite films, Dial M For Murder doesn't usually get mentioned in the top 5 including Psycho, Rear Window, Vertigo North By Northwest and maybe The Birds, but it should be. I went through a Hitchcock phase myself a few years back (I would think most serious film fans would at some point). Although, I still have several to go, most still hold up as suspense/thriller classics definitely including this film.
Ex tennis pro Tony Wendice, now married to beautiful and wealthy Margot, has discovered her secret, she's been seeing another man. Months earlier he discovered a love letter from her lover in her handbag and secretly blackmailed for with this information.
Tony decides to invite an old college acquaintance, currently an unsavory character over to their home to explain his plot for this man killing his wife. He would then stand to inherit her fortunes as he is the beneficiary of her will. The man agrees so the plot is set.
The next evening, Tony is out with friends (to ensure his alibi) and phones Margot late in the evening so she rises to answer with the perpetrator waiting for her. After he slips a stocking around her neck to strangle her, a struggle ensues. Instead of her murder, Margot manages to stab the assailant in the back with a pair of nearby scissors. The man falls to the ground in pain driving the scissors deeper within finishing the job for him instead.
The ensuing police investigation initially feels the facts just don't add up since there was no break in and the man did not have a key on him, but he did have the love letter Tony planted on him before the police initially arrived. Fingers eventually point toward Margot as the killer since the facts seem to lead that way.
The 3rd act is brilliant in the way the eventual plot is discovered and how the police ensure Tony incriminates himself as the true antagonist.
Hitchcock's use of camera framing and movement to reveal certain scene elements only when he wants you to see them is one of my favorite elements of his films. He obviously chose source materials which suited his natural abilities to tell sinister or suspenseful stories and this one works just as well as some of his more famous classics.
Ray Milland is charming and diabolical as Tony, never letting on to his beautiful wife (the gorgeous Princess Grace Kelly) the dastardly scheme he has cooked up for her demise or his initial deeds of blackmail. The reveal at the beginning of the murder plot takes the audience on maybe a typical Hitchcock suspense route, but you never know where or when the twists are going to come, but you are willing to go along for the ride.
Your emotions turn from shock having seen the murder to disgust when Margot is eventually blamed for it and then finally to delight when Tony performs just as the police want him to in the end.
Ex tennis pro Tony Wendice, now married to beautiful and wealthy Margot, has discovered her secret, she's been seeing another man. Months earlier he discovered a love letter from her lover in her handbag and secretly blackmailed for with this information.
Tony decides to invite an old college acquaintance, currently an unsavory character over to their home to explain his plot for this man killing his wife. He would then stand to inherit her fortunes as he is the beneficiary of her will. The man agrees so the plot is set.
The next evening, Tony is out with friends (to ensure his alibi) and phones Margot late in the evening so she rises to answer with the perpetrator waiting for her. After he slips a stocking around her neck to strangle her, a struggle ensues. Instead of her murder, Margot manages to stab the assailant in the back with a pair of nearby scissors. The man falls to the ground in pain driving the scissors deeper within finishing the job for him instead.
The ensuing police investigation initially feels the facts just don't add up since there was no break in and the man did not have a key on him, but he did have the love letter Tony planted on him before the police initially arrived. Fingers eventually point toward Margot as the killer since the facts seem to lead that way.
The 3rd act is brilliant in the way the eventual plot is discovered and how the police ensure Tony incriminates himself as the true antagonist.
Hitchcock's use of camera framing and movement to reveal certain scene elements only when he wants you to see them is one of my favorite elements of his films. He obviously chose source materials which suited his natural abilities to tell sinister or suspenseful stories and this one works just as well as some of his more famous classics.
Ray Milland is charming and diabolical as Tony, never letting on to his beautiful wife (the gorgeous Princess Grace Kelly) the dastardly scheme he has cooked up for her demise or his initial deeds of blackmail. The reveal at the beginning of the murder plot takes the audience on maybe a typical Hitchcock suspense route, but you never know where or when the twists are going to come, but you are willing to go along for the ride.
Your emotions turn from shock having seen the murder to disgust when Margot is eventually blamed for it and then finally to delight when Tony performs just as the police want him to in the end.