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Behind Her Eyes
Behind Her Eyes
Sarah Pinborough | 2017 | Fiction & Poetry
10
8.9 (18 Ratings)
Book Rating
I received an ARC of Sarah Pinborough’s new novel, Behind Her Eyes, from FlatIron Books to spread anticipation for the upcoming release. My thoughts on this book, in a nutshell? Absolute, addictive, insanity. Considering the only other Pinborough book I’ve read involved giant spiders that use humans as breeding vessels, triggering a horrific arachnid apocalypse, I didn’t really know what to expect from this one. It was billed as a psychological thriller, which is pretty generic these days; everything is a Gone Girl wannabe. But this thriller is seriously like no other thriller I’ve ever read, with twists that you wouldn’t see coming if you were Professor X.

The novel is told from multiple viewpoints, which has the danger of becoming confusing, but each character’s voice is so clear that it’s not hard to keep them straight. The plot at first doesn’t seem that interesting, you think it’s the standard love triangle, a married man attracted to his secretary, yawn. But there are clever twists from the very beginning and you’re constantly left questioning who you can trust, whose version of events to believe. In fact, it’s really hard to discuss this book at all without giving anything away.

Which makes it very difficult to explain the one thing I didn’t like. This is an entirely personal opinion, I’m definitely not trying to discourage you from reading this book, it was amazing. Having said that, ambiguity always makes me uncomfortable, especially in endings, which I prefer straight-forward, just, and (ideally) happy. But I’ve spent an unhealthy amount of time watching rom-coms, and couldn’t sleep after any Mentalist episode involving Red John. So make of that what you will.
  
The Breakdown
The Breakdown
B.A. Paris | 2017 | Fiction & Poetry
8
8.0 (16 Ratings)
Book Rating
Stick with it, takes a while to like the protagonist
After reading the brilliant 'Behind Closed Doors', I was wondering how BA Paris would be able to excel expectations - and she has thankfully managed to avoid the usual psychological thriller pitfalls once again.

There was a massive red herring which provides a brilliant twist and opportunity for the ultimate revenge. Feeling claustrophobic throughout, due to the main character's apparent early onset dementia, it sets an unnerving tone from the outset. At this point I did worry it would end up with the same gaps in information such as in The Girl on the Train. However, Paris manages to steer clear of becoming another wannabe Gone Girl, and totally holds her own.

For about 75 per cent of the time, you will find the protagonist's almost neurotic personality quite annoying until the last quarter of the book where you will end up completely empathising with her. Another fantastic dark tale from BA Paris.
  
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Awix (3310 KP) rated Beast (2017) in Movies

May 18, 2018  
Beast (2017)
Beast (2017)
2017 | Thriller
8
6.8 (5 Ratings)
Movie Rating
Impressive debut film from Michael Pearce with an outstanding performance from Jessie Buckley at its centre. The setting is Jersey, but this is more like Cracker than Bergerac: a young woman trapped in a smothering relationship with her controlling mother starts a relationship with a drifter almost as an act of rebellion, but having committed to this what is she supposed to do when she learns he is a suspect in a string of local murders?

The thriller element is really kind of an afterthought, and the manner in which the did-he-or-didn't-do-it plotline is resolved would be unlikely to satisfy anyone if it were the sole focus of the film. But the film is built around characterisation and atmosphere much more than genre conventions, and is very strong here: as it continues it shades more into psychological horror than anything else, with a genuinely intense and impossible-to-predict denouement. An accomplished film in every department.
  
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Tammykayla (20 KP) rated Split (2016) in Movies

Feb 16, 2019  
Split (2016)
Split (2016)
2016 | Horror, Thriller
Split
Contains spoilers, click to show
Split is a psychological thriller based on a guy with dissociative personality disorder, with 23 personalities. Kevin the original personality is taken over by Mr Dennis, a twisted personality steals three teenage girls and locks them up in his basement. The girls are then visited my his multiple personalities, these include; Patricia a woman whose in it with Mr Dennis, Hedwig a nine year old boy and many more. The girls try and make several attempts to escape but are caught and kept separated.

In the mean time several of the personalities are aware of what Mr Dennis and Patricia are doing and attempt to email their psyciatrist/ therapist, who has been working with them for year, for help. However Mr Dennis always the one who attends these meetings and lies about his intentions.

The race to escape is on when it is revealed that there is a 24th personality called Mr Beast; with inhuman strength and cannibalistic tendencies.

Will the girls escape alive??
  
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Kristy H (1252 KP) rated Pretty Baby in Books

Feb 8, 2018  
PB
Pretty Baby
8
9.2 (5 Ratings)
Book Rating
Heidi lives a busy life, trying to keep up with a busy job in public service, her role as a mom to her distant 12-year-old daughter Zoe, and juggling marriage to her husband Chris, a corporate lawyer. One day on the way to work, Heidi spots a young teen holding a baby-- the two are waiting for the train in the pouring rain. Heidi is haunted by the image and when she spots them again, she reaches out and makes contact with the teen, Willow. Eventually, Heidi's life becomes embroiled with that of Willow's and the baby, Ruby.

This book certainly lives up to its psychological thriller billing. It's a page-turner, even as it gets slightly more bizarre as the plot thickens. It captivated my attention and has enough twists and turns to keep you guessing. The plot is definitely a little "out there," and I'd probably rate it as 3.5 stars overall, but still a fun and intriguing read.
  
The Good Liar (2019)
The Good Liar (2019)
2019 | Drama
Roaringly bonkers British movie probably thinks that it's a dark and convoluted psychological thriller but is undone by a couple of overcooked lead performances and a frankly ludicrous script. Career con man Roy Courtnay (McKellen) sets his sights on rich widow Betty (Mirren). But as his activities draw near to their climax, could it be that the old rogue is suffering from pangs of conscience? Can he bring himself to go through with it?

Sounds fairly ordinary, but this does not take into account quite how nutty the various twists in the tale turn out to be, nor the sheer relish with which the stars attack their roles: to say that McKellen, in particular, carves himself off a thick slice of ham is probably to understate things considerably. Still, very easy to watch (though it has an unexpectedly hard and vicious edge to it in places), and a lot of fun, provided you don't take it too seriously.