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ClareR (5789 KP) rated The Twyford Code in Books
Feb 24, 2022
The Twyford Code is written in the form of a transcribed voice recording from a mobile phone. It was a bit of a ‘Marmite’ book on The Pigeonhole (where I read it), and I came firmly down in the ‘love’ camp. It was such an original idea.
Steve a former criminal, has recorded messages to the adult son he has only met a couple of times. His son has decided that he doesn’t want to see him, but Steve has something important that he wants to share with him. He repeatedly says that he hopes his son will get to listen to what he has to say. But as the book goes on, it looks increasingly less likely. Danger is around him at every turn.
Steve has joined the hunt for hidden treasure, and he believes the clues are hidden in a series of children’s books by Edith Twyford.
Ok, so apparently the clues can be found in this book, but I’m afraid my brain just doesn’t seem to work like that. So, I’m here to say that I read this, enjoyed it immensely, and was just happy to sit back, read the book, and let the story unfold. If you like puzzle solving, you might enjoy that aspect to it. But it’s not imperative!
I thought it was fascinating. The writing style took a couple of pages to get used to, and often the words were written phonetically. Steve’s Remedial English teachers name was written as ‘missiles’ instead of Miss Isles, for example. There are lots of spellings that follow this pattern, because the recordings have apparently gone through a computer programme that changes the spoken word into text. I did wonder if Steve’s own writing would have been much different, as we learn that he only really learnt to read and write whilst in prison.
I don’t want to say too much and spoil the book, but I will say that this had me hooked. I enjoyed each and every stave on The Pigeonhole. This book deserves the hype!
Many thanks to The Pigeonhole and to Janice Hallett and her publisher.
Steve a former criminal, has recorded messages to the adult son he has only met a couple of times. His son has decided that he doesn’t want to see him, but Steve has something important that he wants to share with him. He repeatedly says that he hopes his son will get to listen to what he has to say. But as the book goes on, it looks increasingly less likely. Danger is around him at every turn.
Steve has joined the hunt for hidden treasure, and he believes the clues are hidden in a series of children’s books by Edith Twyford.
Ok, so apparently the clues can be found in this book, but I’m afraid my brain just doesn’t seem to work like that. So, I’m here to say that I read this, enjoyed it immensely, and was just happy to sit back, read the book, and let the story unfold. If you like puzzle solving, you might enjoy that aspect to it. But it’s not imperative!
I thought it was fascinating. The writing style took a couple of pages to get used to, and often the words were written phonetically. Steve’s Remedial English teachers name was written as ‘missiles’ instead of Miss Isles, for example. There are lots of spellings that follow this pattern, because the recordings have apparently gone through a computer programme that changes the spoken word into text. I did wonder if Steve’s own writing would have been much different, as we learn that he only really learnt to read and write whilst in prison.
I don’t want to say too much and spoil the book, but I will say that this had me hooked. I enjoyed each and every stave on The Pigeonhole. This book deserves the hype!
Many thanks to The Pigeonhole and to Janice Hallett and her publisher.
Amy Christmas (171 KP) rated Half a King (Shattered Sea #1) in Books
Nov 27, 2017
The writing style is fluent and easy to follow (2 more)
Introduction to the world is smooth and not overwhelming
Never slow
Blew me away
Contains spoilers, click to show
I picked this book as well as the two sequels up from a charity shop for £2 on a bit of a whim, despite knowing I'd be lucky to get around to reading them in the next 3 years. A year on and boy am I glad I got to reading the first one sooner than anticipated.
Yarvi is our protagonist, a cripple that his father cast aside in favour of his 10 fingered brother, although Yarvi hated that he was ignored it allowed him to follow his own path and train to become a minister, an advisor to powerful people though he never gets a chance to pass the test. His plans dashed by his father and brothers deaths as he's forced to take the throne his father ruled from. During their funeral Yarvi swears to avenge them.
And he tries, even with his crippled hand but in such kingdoms we soon learn that betrayal is rife along with greed. Betrayed by one close to him Yarvi's reign ends abruptly on the battlefield.
After being made a slave he embarks on a journey that finds him rowing around the shattered sea and marching through snow. He manipulates small scale politics and finds himself on the sharp end of a few too many swords but with friends who seem fickle at first there to help him. However it seems that one of the group like Yarvi kept his true identity a secret and their is more to his uncles betrayal than meets the eye, because their are always more puppet masters.
And with a bittersweet ending the case is closed and the mystery solved, atleast one piece of it.
This book has a lot of death and makes you mourn those you thought you detested and hate those you thought you'd love. It's a fast paced action packed fantasy with a world of rich an wonderful colours and twists that are yelled at you from chapter one yet you still don't expect.
A very satisfying read because when you thought the betrayal was solved Abercrombie still held on to one final piece of the puzzle making for a bittersweet ending that really shows how far Yarvi has come, for better or for worse.
Yarvi is our protagonist, a cripple that his father cast aside in favour of his 10 fingered brother, although Yarvi hated that he was ignored it allowed him to follow his own path and train to become a minister, an advisor to powerful people though he never gets a chance to pass the test. His plans dashed by his father and brothers deaths as he's forced to take the throne his father ruled from. During their funeral Yarvi swears to avenge them.
And he tries, even with his crippled hand but in such kingdoms we soon learn that betrayal is rife along with greed. Betrayed by one close to him Yarvi's reign ends abruptly on the battlefield.
After being made a slave he embarks on a journey that finds him rowing around the shattered sea and marching through snow. He manipulates small scale politics and finds himself on the sharp end of a few too many swords but with friends who seem fickle at first there to help him. However it seems that one of the group like Yarvi kept his true identity a secret and their is more to his uncles betrayal than meets the eye, because their are always more puppet masters.
And with a bittersweet ending the case is closed and the mystery solved, atleast one piece of it.
This book has a lot of death and makes you mourn those you thought you detested and hate those you thought you'd love. It's a fast paced action packed fantasy with a world of rich an wonderful colours and twists that are yelled at you from chapter one yet you still don't expect.
A very satisfying read because when you thought the betrayal was solved Abercrombie still held on to one final piece of the puzzle making for a bittersweet ending that really shows how far Yarvi has come, for better or for worse.
Cyn Armistead (14 KP) rated Indulgence in Death (In Death, #31) in Books
Mar 1, 2018
I quite enjoyed this one. There was less gratuitous bitching between Roarke and Eve - perhaps they're learning to work together as a couple better, as most people do if they're going to make it in the long run. That's good to see depicted realistically, for a change.
The plot itself was a bit of a puzzle, and has been adequately described in the book description. I honestly can't say much more without spoilers.
One of the things I really enjoy about this series is that Eve is shown to be growing as an individual, and not just in her relationship with Roarke. She has relaxed in her interactions with her partner, Peabody. She thinks about how the current murder spree might affect her friends, and reaches out to warn some of her friends not to take any private appointments until the case is over. The Eve we met in the earliest books wouldn't have done that - for one thing, she had very few connections to other people. When she realizes that one of her friends is still grieving deeply for a loved one who was murdered in an earlier novel, she invites him over for a gathering of friends the following weekend - despite the fact that she really doesn't like socializing at all (and follows through by making that weekend happen and inviting the rest of their circle of friends).
As usual, I enjoyed the depiction of a society that has largely gotten past the need to worry about criminalizing what goes on between consenting adults or the genders of adults persons engaged in a relationship. It's still a bit silly about permitting some drugs while criminalizing others - there's no explanation of why are alcohol, tobacco, caffeine, and "boosters" and "focus" permissible while "whore," "rabbit," "zeus," "zoner," and others are illegal - but I suppose that's one of those areas where Robb/Roberts and I just don't see eye to eye.
I can't think of many authors who can take a series to 31 volumes and keep me interested. I'm not going to claim that these books are deathless prose, but they're fun, and they keep me interested. I haven't been driven to pick up anything she's published as Nora Roberts, but I'll keep reading this series for a while yet, and I might even go back someday and read this series over again from the beginning.
The plot itself was a bit of a puzzle, and has been adequately described in the book description. I honestly can't say much more without spoilers.
One of the things I really enjoy about this series is that Eve is shown to be growing as an individual, and not just in her relationship with Roarke. She has relaxed in her interactions with her partner, Peabody. She thinks about how the current murder spree might affect her friends, and reaches out to warn some of her friends not to take any private appointments until the case is over. The Eve we met in the earliest books wouldn't have done that - for one thing, she had very few connections to other people. When she realizes that one of her friends is still grieving deeply for a loved one who was murdered in an earlier novel, she invites him over for a gathering of friends the following weekend - despite the fact that she really doesn't like socializing at all (and follows through by making that weekend happen and inviting the rest of their circle of friends).
As usual, I enjoyed the depiction of a society that has largely gotten past the need to worry about criminalizing what goes on between consenting adults or the genders of adults persons engaged in a relationship. It's still a bit silly about permitting some drugs while criminalizing others - there's no explanation of why are alcohol, tobacco, caffeine, and "boosters" and "focus" permissible while "whore," "rabbit," "zeus," "zoner," and others are illegal - but I suppose that's one of those areas where Robb/Roberts and I just don't see eye to eye.
I can't think of many authors who can take a series to 31 volumes and keep me interested. I'm not going to claim that these books are deathless prose, but they're fun, and they keep me interested. I haven't been driven to pick up anything she's published as Nora Roberts, but I'll keep reading this series for a while yet, and I might even go back someday and read this series over again from the beginning.
Neon's Nerd Nexus (360 KP) rated Knives Out (2019) in Movies
Nov 28, 2019
Donut Hole
Knives out is a classic old fashioned murder mystery given a breath of fresh modern day life to make it one of this years biggest delights. Knives out from the get go clearly and proudly wears a history of films/tv shows that it ows its existence to on both of its arms from Murder she wrote to Hetty Wainthropp a dash of Clue and many other murder mystery stories/tales too. Sets are fascinating with every nook and crany intricately stuffed full of the very things that inspired it almost as if its proud to display and pay great tribute to this sadly almost forgotton genre. As a film its comparable mostly to murder on the orient express mixed but its quirkiness, intelligence and charm help it soar way above that movie. Daniel Craig plays an almost Poirot character and its fascinating to watch his mind tick over and piece the puzzle together gradly along side the viewer. Its a slow burner but not a second of it drags as we follow the gradual and methodical webb spun infront of us. Pieces of clues are scattered everywhere tucked away in subtle background objects, woven into dialog and even hinted at in character names keeping your brain constantly engaged/stimulated and your eyes and ears paying attention. Its all so intricate, gradually layered, unpredictable and intelligent not even once using cheap methoods or reasoning to come to a conclusion. Subbtle themes underline the entire film too pulling the film into the present and making it higly relevant to today's goings on. Characters are deceitful, betray each other/lie constantly and the film depicts how these traits can be just as bad as murder but almost never face the same consequences. Symbolisum and metaphors are also everywhere along with great use of shadow showing inocence and and sinister intent (echoing back to classic film noir movies). Knives out certainly indeed left me smiling and challenged as well as thought provoked and rewarded. A clever, intriguing and facinating movie with a message that in a world plagued with racism, polotical lies, selfishness, deceit, distrust and the internent being used instead of knowledge nothing is more powerful than the wisdom of the old and the kind heart and inocence of a good heart.
JT (287 KP) rated Escape Room (2019) in Movies
Mar 10, 2020
Escape rooms are all the rage at the moment. The premise is simple, a group of people are trapped inside a confined space full of clues and puzzles in order to find a way out – so it was only a matter of time before the horror genre got hold of it.
There have been a few incantations of this new age idea already; Escape Room (2017) & No Escape Room, but this one is probably the best of a bad bunch.
Six strangers each receive a cryptic puzzle box, which once opened invites them to compete for a $10,000 prize – if they can get through a series of deviously constructed rooms. The group comes from all walks of life, a gifted maths student, an Iraq War vet a blue collar trucker to name a few, each with a seemingly interconnected past.
After a frantic flash-forward where we see someone coming unstuck in one of the rooms, we are introduced to each of the characters one by one. There isn’t enough time to go into massive details, so it feels like we only scratch the surface as to what makes them tick.
Meeting in a plush reception area the game begins – although none of them realise it at first. The room starts to get hot and they soon discover that they are about to get burnt alive – unless they can work out the clues to escape.
The group quickly realise that they will have to work together in order to survive.
Aside from getting burnt alive they also face a winter themed room where the ice cracks beneath them, an upside down bar where the floor drops away and a hallucinogenic trip fest which is extremely freaky to watch.
During proceedings, in which there is a lot of infighting and panic, you half expect Billy the Puppet to come peddling out on his tricycle and explain the next part of the game. There are definite similarities to Saw, people are in a race against time before they ultimately meet a grizzly end, but because many people have experienced this style of entertainment before the reality is unnerving.
While the gore doesn’t reach Saw levels it provides enough tension, but it then starts to tail off a little towards the end. The conclusion is far too predictable although there is just enough intrigue to see what they will conjure up next.
There have been a few incantations of this new age idea already; Escape Room (2017) & No Escape Room, but this one is probably the best of a bad bunch.
Six strangers each receive a cryptic puzzle box, which once opened invites them to compete for a $10,000 prize – if they can get through a series of deviously constructed rooms. The group comes from all walks of life, a gifted maths student, an Iraq War vet a blue collar trucker to name a few, each with a seemingly interconnected past.
After a frantic flash-forward where we see someone coming unstuck in one of the rooms, we are introduced to each of the characters one by one. There isn’t enough time to go into massive details, so it feels like we only scratch the surface as to what makes them tick.
Meeting in a plush reception area the game begins – although none of them realise it at first. The room starts to get hot and they soon discover that they are about to get burnt alive – unless they can work out the clues to escape.
The group quickly realise that they will have to work together in order to survive.
Aside from getting burnt alive they also face a winter themed room where the ice cracks beneath them, an upside down bar where the floor drops away and a hallucinogenic trip fest which is extremely freaky to watch.
During proceedings, in which there is a lot of infighting and panic, you half expect Billy the Puppet to come peddling out on his tricycle and explain the next part of the game. There are definite similarities to Saw, people are in a race against time before they ultimately meet a grizzly end, but because many people have experienced this style of entertainment before the reality is unnerving.
While the gore doesn’t reach Saw levels it provides enough tension, but it then starts to tail off a little towards the end. The conclusion is far too predictable although there is just enough intrigue to see what they will conjure up next.
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