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Indulgence in Death (In Death, #31)
J.D. Robb | 2010 | Fiction & Poetry
8
7.0 (2 Ratings)
Book Rating
I quite enjoyed this one. There was less gratuitous bitching between Roarke and Eve - perhaps they're learning to work together as a couple better, as most people do if they're going to make it in the long run. That's good to see depicted realistically, for a change.

The plot itself was a bit of a puzzle, and has been adequately described in the book description. I honestly can't say much more without spoilers.

One of the things I really enjoy about this series is that Eve is shown to be growing as an individual, and not just in her relationship with Roarke. She has relaxed in her interactions with her partner, Peabody. She thinks about how the current murder spree might affect her friends, and reaches out to warn some of her friends not to take any private appointments until the case is over. The Eve we met in the earliest books wouldn't have done that - for one thing, she had very few connections to other people. When she realizes that one of her friends is still grieving deeply for a loved one who was murdered in an earlier novel, she invites him over for a gathering of friends the following weekend - despite the fact that she really doesn't like socializing at all (and follows through by making that weekend happen and inviting the rest of their circle of friends).

As usual, I enjoyed the depiction of a society that has largely gotten past the need to worry about criminalizing what goes on between consenting adults or the genders of adults persons engaged in a relationship. It's still a bit silly about permitting some drugs while criminalizing others - there's no explanation of why are alcohol, tobacco, caffeine, and "boosters" and "focus" permissible while "whore," "rabbit," "zeus," "zoner," and others are illegal - but I suppose that's one of those areas where Robb/Roberts and I just don't see eye to eye.

I can't think of many authors who can take a series to 31 volumes and keep me interested. I'm not going to claim that these books are deathless prose, but they're fun, and they keep me interested. I haven't been driven to pick up anything she's published as Nora Roberts, but I'll keep reading this series for a while yet, and I might even go back someday and read this series over again from the beginning.
  
Knives Out (2019)
Knives Out (2019)
2019 | Comedy, Crime, Drama
Donut Hole
Knives out is a classic old fashioned murder mystery given a breath of fresh modern day life to make it one of this years biggest delights. Knives out from the get go clearly and proudly wears a history of films/tv shows that it ows its existence to on both of its arms from Murder she wrote to Hetty Wainthropp a dash of Clue and many other murder mystery stories/tales too. Sets are fascinating with every nook and crany intricately stuffed full of the very things that inspired it almost as if its proud to display and pay great tribute to this sadly almost forgotton genre. As a film its comparable mostly to murder on the orient express mixed but its quirkiness, intelligence and charm help it soar way above that movie. Daniel Craig plays an almost Poirot character and its fascinating to watch his mind tick over and piece the puzzle together gradly along side the viewer. Its a slow burner but not a second of it drags as we follow the gradual and methodical webb spun infront of us. Pieces of clues are scattered everywhere tucked away in subtle background objects, woven into dialog and even hinted at in character names keeping your brain constantly engaged/stimulated and your eyes and ears paying attention. Its all so intricate, gradually layered, unpredictable and intelligent not even once using cheap methoods or reasoning to come to a conclusion. Subbtle themes underline the entire film too pulling the film into the present and making it higly relevant to today's goings on. Characters are deceitful, betray each other/lie constantly and the film depicts how these traits can be just as bad as murder but almost never face the same consequences. Symbolisum and metaphors are also everywhere along with great use of shadow showing inocence and and sinister intent (echoing back to classic film noir movies). Knives out certainly indeed left me smiling and challenged as well as thought provoked and rewarded. A clever, intriguing and facinating movie with a message that in a world plagued with racism, polotical lies, selfishness, deceit, distrust and the internent being used instead of knowledge nothing is more powerful than the wisdom of the old and the kind heart and inocence of a good heart.
  
40x40

JT (287 KP) rated Escape Room (2019) in Movies

Mar 10, 2020  
Escape Room (2019)
Escape Room (2019)
2019 | Action, Horror, Thriller
Escape rooms are all the rage at the moment. The premise is simple, a group of people are trapped inside a confined space full of clues and puzzles in order to find a way out – so it was only a matter of time before the horror genre got hold of it.

There have been a few incantations of this new age idea already; Escape Room (2017) & No Escape Room, but this one is probably the best of a bad bunch.

Six strangers each receive a cryptic puzzle box, which once opened invites them to compete for a $10,000 prize – if they can get through a series of deviously constructed rooms. The group comes from all walks of life, a gifted maths student, an Iraq War vet a blue collar trucker to name a few, each with a seemingly interconnected past.

After a frantic flash-forward where we see someone coming unstuck in one of the rooms, we are introduced to each of the characters one by one. There isn’t enough time to go into massive details, so it feels like we only scratch the surface as to what makes them tick.

Meeting in a plush reception area the game begins – although none of them realise it at first. The room starts to get hot and they soon discover that they are about to get burnt alive – unless they can work out the clues to escape.

The group quickly realise that they will have to work together in order to survive.

Aside from getting burnt alive they also face a winter themed room where the ice cracks beneath them, an upside down bar where the floor drops away and a hallucinogenic trip fest which is extremely freaky to watch.

During proceedings, in which there is a lot of infighting and panic, you half expect Billy the Puppet to come peddling out on his tricycle and explain the next part of the game. There are definite similarities to Saw, people are in a race against time before they ultimately meet a grizzly end, but because many people have experienced this style of entertainment before the reality is unnerving.

While the gore doesn’t reach Saw levels it provides enough tension, but it then starts to tail off a little towards the end. The conclusion is far too predictable although there is just enough intrigue to see what they will conjure up next.
  
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