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The Queen of Hearts' Tale
This eBook was provided by the publisher via NetGalley in exchange for an honest review
Before she was the Queen of Hearts she was just a girl who wanted to fall in love. When Marissa Meyer finished writing The Lunar Chronicles, a series of books loosely based on fairytales, everyone wondered what she would do next. Continuing along the lines of using famous stories, Meyer has devoted an entire novel to Lewis Carroll’s Alice’s Adventures in Wonderland. With thousands of references to the original tale, and a couple of other works too, Heartless is perfect for fans of Carroll’s salient characters.
Unlike most retellings, Meyer has focused on events prior to Alice’s accidental discovery of Wonderland. The resulting novel is essentially a theory as to how the characters turned out the way they did in the original story published in 1865. Drawing attention to the predestined Queen of Hearts, a young woman named Catherine, readers discover a reason for her development into an infamous villain.
Lady Catherine Pinkerton is completely unlike the character she is fated to be. She is a kind, thoughtful girl whose greatest wish is to open her own bakery. Unfortunately, this dream is just that, a dream. With the asinine King of Hearts resolved to marry her, there is little Cath can do to avoid her royal future. At first it may appear odd that Cath is so against marrying the ruler of Hearts, but she soon makes it clear she would much rather marry for love. So, when the court joker, Jest – a similar character to the legendary Hatter – catches her eye, Catherine becomes determined to control her own future.
Heartless is a humourous, yet romantic, young adult novel, full of both well-known and new characters. Set in a world with morals similar to the Victorian era, it works extremely well as a prequel to Alice’s Adventures in Wonderland. Catherine is an admirable, feministic character who readers will struggle to believe will become such a notorious Queen. What could possibly happen to vastly alter her personality? Similarly, what is it that makes the Hatter go mad, and who is Jest? Being a character unique to this novel, there is a foreboding sense that this joker, and his poetry reciting raven – cue Edgar Allan Poe references – suffer a horrible demise.
Unlike Marissa Meyer’s previous books where the fairytales were not so obvious, the storyline in Heartless perfectly joins up with Lewis Carroll’s imagination. With references to mock turtles, the Jabberwock and other minor characters, there is so much to discover in Meyer’s interpretation of Wonderland – it even clears up a couple of scenarios from the original tale that may have bamboozled readers initially.
Admittedly, Heartless takes a little while to get going, but once it has, it is difficult to put down. Fans of Marissa Meyer may be disappointed that she did not stick to her futuristic storytelling, however all Alice enthusiasts will fall in love with this book – and probably with Jest as well. Overall, Heartless is a delightful book that reignites our inner childish imagination.
Before she was the Queen of Hearts she was just a girl who wanted to fall in love. When Marissa Meyer finished writing The Lunar Chronicles, a series of books loosely based on fairytales, everyone wondered what she would do next. Continuing along the lines of using famous stories, Meyer has devoted an entire novel to Lewis Carroll’s Alice’s Adventures in Wonderland. With thousands of references to the original tale, and a couple of other works too, Heartless is perfect for fans of Carroll’s salient characters.
Unlike most retellings, Meyer has focused on events prior to Alice’s accidental discovery of Wonderland. The resulting novel is essentially a theory as to how the characters turned out the way they did in the original story published in 1865. Drawing attention to the predestined Queen of Hearts, a young woman named Catherine, readers discover a reason for her development into an infamous villain.
Lady Catherine Pinkerton is completely unlike the character she is fated to be. She is a kind, thoughtful girl whose greatest wish is to open her own bakery. Unfortunately, this dream is just that, a dream. With the asinine King of Hearts resolved to marry her, there is little Cath can do to avoid her royal future. At first it may appear odd that Cath is so against marrying the ruler of Hearts, but she soon makes it clear she would much rather marry for love. So, when the court joker, Jest – a similar character to the legendary Hatter – catches her eye, Catherine becomes determined to control her own future.
Heartless is a humourous, yet romantic, young adult novel, full of both well-known and new characters. Set in a world with morals similar to the Victorian era, it works extremely well as a prequel to Alice’s Adventures in Wonderland. Catherine is an admirable, feministic character who readers will struggle to believe will become such a notorious Queen. What could possibly happen to vastly alter her personality? Similarly, what is it that makes the Hatter go mad, and who is Jest? Being a character unique to this novel, there is a foreboding sense that this joker, and his poetry reciting raven – cue Edgar Allan Poe references – suffer a horrible demise.
Unlike Marissa Meyer’s previous books where the fairytales were not so obvious, the storyline in Heartless perfectly joins up with Lewis Carroll’s imagination. With references to mock turtles, the Jabberwock and other minor characters, there is so much to discover in Meyer’s interpretation of Wonderland – it even clears up a couple of scenarios from the original tale that may have bamboozled readers initially.
Admittedly, Heartless takes a little while to get going, but once it has, it is difficult to put down. Fans of Marissa Meyer may be disappointed that she did not stick to her futuristic storytelling, however all Alice enthusiasts will fall in love with this book – and probably with Jest as well. Overall, Heartless is a delightful book that reignites our inner childish imagination.
Lucy Buglass (45 KP) rated Mary Queen of Scots (2018) in Movies
Jun 20, 2019
A tale of two queens
I’ve never really considered myself a massive fan of period dramas, so I tend to approach them with more caution than I would a different genre. After being pleasantly surprised by Yorgos Lanthimos’ The Favourite, I suddenly became more excited about Mary Queen of Scots. Whilst I believe the former is a much stronger film, I still had a good time with this one.
The performances given by both Saoirse Ronan and Margot Robbie are just stunning. Between them, they carry the entire film and transport you to another time and place. They’re captivating and powerful, particularly Ronan as Mary. I loved her character and felt invested in her. Despite knowing how it was all going to end I still rooted for her throughout, and wanted her to succeed. Her character is driven, passionate and tenacious, traits that Ronan truly brings to life on screen.
Aesthetically, Mary Queen of Scots is a wonderful film that is picturesque even during the darker scenes. Both leading ladies pull off the roles and the costumes effortlessly. I’ve never been so impressed by hairstyling in particular, so I would love this film to win the Academy Award for Best Makeup and Hairstyling this year. The styles were so intricate and beautiful, bringing out the personalities of those who wore them.
It is also refreshing to know the film was directed by a woman, considering the narrative focuses on two of history’s most powerful and intriguing queens. This was actually Josie Rourke’s directorial debut, and what a fantastic one it was. I loved the way she portrayed all the ugliness of life in this era, just as much as the regalness. There is one scene where Mary is shown on her period, and this really struck me. I liked how it was normalised, no one made a big deal out of it, it was just a part of her life like every other woman. I’m glad Rourke chose to include this.
As many people have pointed out, this film is certainly not historically accurate so if you’re the kind of person who needs that you’d leave feeling disappointed. For me, I saw it as an interesting case study of both women that’s a work of fiction. That’s alright in my books and I don’t have a problem with artistic licence. It was an entertaining period piece that was beautiful to look at. Sometimes that’s enough. Nobody was trying to suggest this was a documentary, it’s a film.
Overall Mary Queen of Scots is entertaining and very well acted, but the narrative does feel a little too slow and drawn out in places. It’s definitely not the strongest period piece I’ve seen, but that doesn’t necessarily make it a bad film. It is worth seeing on the big screen due to the beautiful Scottish scenery and the intense conflict between Protestant and Catholic. It’s bold, dramatic and worth losing yourself in, even if you’d only do it once.
https://lucygoestohollywood.com/2019/01/23/a-tale-of-two-queens-my-review-of-mary-queen-of-scots/
The performances given by both Saoirse Ronan and Margot Robbie are just stunning. Between them, they carry the entire film and transport you to another time and place. They’re captivating and powerful, particularly Ronan as Mary. I loved her character and felt invested in her. Despite knowing how it was all going to end I still rooted for her throughout, and wanted her to succeed. Her character is driven, passionate and tenacious, traits that Ronan truly brings to life on screen.
Aesthetically, Mary Queen of Scots is a wonderful film that is picturesque even during the darker scenes. Both leading ladies pull off the roles and the costumes effortlessly. I’ve never been so impressed by hairstyling in particular, so I would love this film to win the Academy Award for Best Makeup and Hairstyling this year. The styles were so intricate and beautiful, bringing out the personalities of those who wore them.
It is also refreshing to know the film was directed by a woman, considering the narrative focuses on two of history’s most powerful and intriguing queens. This was actually Josie Rourke’s directorial debut, and what a fantastic one it was. I loved the way she portrayed all the ugliness of life in this era, just as much as the regalness. There is one scene where Mary is shown on her period, and this really struck me. I liked how it was normalised, no one made a big deal out of it, it was just a part of her life like every other woman. I’m glad Rourke chose to include this.
As many people have pointed out, this film is certainly not historically accurate so if you’re the kind of person who needs that you’d leave feeling disappointed. For me, I saw it as an interesting case study of both women that’s a work of fiction. That’s alright in my books and I don’t have a problem with artistic licence. It was an entertaining period piece that was beautiful to look at. Sometimes that’s enough. Nobody was trying to suggest this was a documentary, it’s a film.
Overall Mary Queen of Scots is entertaining and very well acted, but the narrative does feel a little too slow and drawn out in places. It’s definitely not the strongest period piece I’ve seen, but that doesn’t necessarily make it a bad film. It is worth seeing on the big screen due to the beautiful Scottish scenery and the intense conflict between Protestant and Catholic. It’s bold, dramatic and worth losing yourself in, even if you’d only do it once.
https://lucygoestohollywood.com/2019/01/23/a-tale-of-two-queens-my-review-of-mary-queen-of-scots/
Lottie disney bookworm (1056 KP) rated Six Tudor Queens: Katharine Parr, The Sixth Wife in Books
Mar 23, 2021
I have been reading Alison Weir books since I was a teenager so imagine how much I fangirled when I was given the opportunity to read an advanced copy of her final book in the Tudor Queens series!
To Netgalley and Headline, thank you, thank you, thank you!
It is my opinion that Katharine Parr is often the most overlooked of Henry VIII's wives: indeed most novels focus only on her life after becoming Queen. That is why this novel from Alison Weir was simply brilliant.
Weir introduces us to Katharine Parr as a girl, constantly surrounded by family and, after losing her father at a young age, being brought up by her uncle, aunt and her mother who was an attendant to Queen Katharine of Aragon.
The reader instantly falls in love with Katharine, an intelligent, caring child who is acutely aware of her eventual duty to her family but desperately wishes to remain in her carefree days with her siblings.
As we know, Tudor girls married young and Weir explores each of Katharine's four marriages in great detail: combining historical fact and storytelling in the way that only she can.
It struck me that, in three of Katharine's four marriages, she was used as a pawn, marrying for rank, power and connections as was the norm at the time.
However, in every one of these marriages Katharine was able to find love; even when marrying an old overweight Henry, already famous for disposing of numerous wives.
The writing during each of these marriages is rarely emotional: Katharine is a very rational and practical character, only showing real passion for religion. She is even super calm when she believes she is being investigated as a heretic!
It isn't until Katharine's fourth and final marriage that she marries for herself and for love. The passionate relationship between Katharine and Tom Seymour seeps into the writing at this point: introducing jealousy and anger where there has previously been merely a stoic resolve.
The fact that this novel spans the lifespan of Henry's marriages is fitting and really allows Weir to paint a picture of Tudor society throughout the religious reforms and upheavals associated with its monarch.
No one who has read Alison Weir's books before will be surprised that this is yet another success. Together with Philippa Gregory, Weir is a Queen of historical fiction and this novel is only the latest jewel in her crown.
To Netgalley and Headline, thank you, thank you, thank you!
It is my opinion that Katharine Parr is often the most overlooked of Henry VIII's wives: indeed most novels focus only on her life after becoming Queen. That is why this novel from Alison Weir was simply brilliant.
Weir introduces us to Katharine Parr as a girl, constantly surrounded by family and, after losing her father at a young age, being brought up by her uncle, aunt and her mother who was an attendant to Queen Katharine of Aragon.
The reader instantly falls in love with Katharine, an intelligent, caring child who is acutely aware of her eventual duty to her family but desperately wishes to remain in her carefree days with her siblings.
As we know, Tudor girls married young and Weir explores each of Katharine's four marriages in great detail: combining historical fact and storytelling in the way that only she can.
It struck me that, in three of Katharine's four marriages, she was used as a pawn, marrying for rank, power and connections as was the norm at the time.
However, in every one of these marriages Katharine was able to find love; even when marrying an old overweight Henry, already famous for disposing of numerous wives.
The writing during each of these marriages is rarely emotional: Katharine is a very rational and practical character, only showing real passion for religion. She is even super calm when she believes she is being investigated as a heretic!
It isn't until Katharine's fourth and final marriage that she marries for herself and for love. The passionate relationship between Katharine and Tom Seymour seeps into the writing at this point: introducing jealousy and anger where there has previously been merely a stoic resolve.
The fact that this novel spans the lifespan of Henry's marriages is fitting and really allows Weir to paint a picture of Tudor society throughout the religious reforms and upheavals associated with its monarch.
No one who has read Alison Weir's books before will be surprised that this is yet another success. Together with Philippa Gregory, Weir is a Queen of historical fiction and this novel is only the latest jewel in her crown.
Phillip McSween (751 KP) rated Queen & Slim (2019) in Movies
Oct 29, 2020
Extremely Entertaining
In the first ten minutes, you have a good idea of how Queen & Slim is going to end. Two black people on a first date end up killing a cop during a traffic stop. In spite the dread of knowing where things are heading, the movie is so powerfully done that it gave me a bit of a chill as the credits were rolling.
Acting: 10
Daniel Kaluuya puts on yet another powerful performance, this time playing the role of the male love interest Slim. I love the way he chose to play this role as a man that doesn’t have it all together trying to figure things out on the fly. His counterpart Jodi Turner-Smith playing Queen is so on point as well carrying the strong emotional defensiveness of the lawyer that she is. Their chemistry drives this movie to heights I wasn’t expecting.
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
The movie is beautifully shot with a number of strong sequences and setpieces that keep things interesting. Director Melina Matsoukas is a master of capturing emotional moments with well-timed closeups and long pauses. She pushes the emotions out of the viewers with tender scenes and scenes that get your blood boiling.
Conflict: 10
Entertainment Value: 10
Memorability: 9
This movie sticks, it sticks with you. It’s hard to walk away from it and not feel some way or the other. It will challenge you emotionally and mentally. It’s not perfect as it does stick to a pretty linear script, but it’s extremely memorable nonethless.
Pace: 10
Because of the constant danger the two main characters are under, the movie moves quick even when they’re just sitting around awaiting their next piece of the plan. It’s heartpounding like knowing a car crash is coming, but you’re forced to watch it anyway. There is no standing still. They’re always on the run so the pace remains uptempo.
Plot: 8
Resolution: 10
Overall: 97
Yes Queen & Slim is pretty linear, but it works for the building of the relationship within the story. And yes you see the ending coming but there’s a true power that comes from it that makes it worth it. The conflict is great, but the dialogue solidifies it for me as a classic. See this movie.
Acting: 10
Daniel Kaluuya puts on yet another powerful performance, this time playing the role of the male love interest Slim. I love the way he chose to play this role as a man that doesn’t have it all together trying to figure things out on the fly. His counterpart Jodi Turner-Smith playing Queen is so on point as well carrying the strong emotional defensiveness of the lawyer that she is. Their chemistry drives this movie to heights I wasn’t expecting.
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
The movie is beautifully shot with a number of strong sequences and setpieces that keep things interesting. Director Melina Matsoukas is a master of capturing emotional moments with well-timed closeups and long pauses. She pushes the emotions out of the viewers with tender scenes and scenes that get your blood boiling.
Conflict: 10
Entertainment Value: 10
Memorability: 9
This movie sticks, it sticks with you. It’s hard to walk away from it and not feel some way or the other. It will challenge you emotionally and mentally. It’s not perfect as it does stick to a pretty linear script, but it’s extremely memorable nonethless.
Pace: 10
Because of the constant danger the two main characters are under, the movie moves quick even when they’re just sitting around awaiting their next piece of the plan. It’s heartpounding like knowing a car crash is coming, but you’re forced to watch it anyway. There is no standing still. They’re always on the run so the pace remains uptempo.
Plot: 8
Resolution: 10
Overall: 97
Yes Queen & Slim is pretty linear, but it works for the building of the relationship within the story. And yes you see the ending coming but there’s a true power that comes from it that makes it worth it. The conflict is great, but the dialogue solidifies it for me as a classic. See this movie.
TriPeaks Solitaire Mobile
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TriPeaks Solitaire Mobile is a very fun and popular card game. You start with a board of cards that...
Merissa (13197 KP) rated Queen Wolf (Triad Mates #1) in Books
Oct 15, 2018
Queen Wolf (Triad Mates #1) by Erin M. Leaf
Queen Wolf is the first book in the Triad Mates series, and we start off with a boom! Quite specifically, the boom that follows something being set alight. Avery has decided to burn her ex's old porn magazines, and takes great delight in doing so. Although part of a pack, Avery doesn't feel like she belongs, for a number of reasons. However, times are a-changing for the pack, and that has a major impact on Avery and her life too.
I love Erin M. Leaf's books, and always look forward to reading them. This book was no different. We have wolves, we have a triad, and we have sneaky stuff going on that is causing trouble for them all. What could be better?
First books in a new series can always be tricky. It's hard getting the world building just right without info-dumping on the poor reader. However, this is set in 'our' world, which means the author has been able to concentrate on the pack and how it works, including the problems it now finds itself with.
I loved the world building in this book, and that, coupled with strong characters and no editing or grammatical errors, means I thoroughly enjoyed this story and can't wait for the next book in the series. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
I love Erin M. Leaf's books, and always look forward to reading them. This book was no different. We have wolves, we have a triad, and we have sneaky stuff going on that is causing trouble for them all. What could be better?
First books in a new series can always be tricky. It's hard getting the world building just right without info-dumping on the poor reader. However, this is set in 'our' world, which means the author has been able to concentrate on the pack and how it works, including the problems it now finds itself with.
I loved the world building in this book, and that, coupled with strong characters and no editing or grammatical errors, means I thoroughly enjoyed this story and can't wait for the next book in the series. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Lee (2222 KP) rated Mary Queen of Scots (2018) in Movies
Jan 20, 2019
Mary (Saoirse Ronan), having lived in France where she was recently widowed, returns home to Scotland to claim her rightful place as queen. But she is not exactly welcomed with open arms in the world of men and when she also decides to set her sights on becoming successor to the crown of England, a power struggle ensues. Both at home, and with her cousin Queen Elizabeth I (Margot Robbie).
There's not very much that I enjoyed about this movie to be honest. An important and intriguing period in history, involving two extremely interesting and strong women, this should have been so much better. It tries to cover so much ground in its two hour runtime, barely focusing on any particular element for very long. Vast numbers of characters are introduced, none of which are given enough time for you to feel any kind of interest or emotional investment in and at times it drastically shifts between varying tones with confusing editing.
What the movie does manage to portray is that all the men are complete bastards. Scheming, plotting and murdering, all for their own gains. It's sad that, aside from the murdering (I hope), not much has changed in modern politics.
Both female leads, especially Saoirse, are actually very good in this, despite everything, and probably the best scene in the movie is when they meet alone towards the end (something which didn't actually happen in real life!). Sadly though, I was fidgeting in my seat up until that point just waiting for it to end.
There's not very much that I enjoyed about this movie to be honest. An important and intriguing period in history, involving two extremely interesting and strong women, this should have been so much better. It tries to cover so much ground in its two hour runtime, barely focusing on any particular element for very long. Vast numbers of characters are introduced, none of which are given enough time for you to feel any kind of interest or emotional investment in and at times it drastically shifts between varying tones with confusing editing.
What the movie does manage to portray is that all the men are complete bastards. Scheming, plotting and murdering, all for their own gains. It's sad that, aside from the murdering (I hope), not much has changed in modern politics.
Both female leads, especially Saoirse, are actually very good in this, despite everything, and probably the best scene in the movie is when they meet alone towards the end (something which didn't actually happen in real life!). Sadly though, I was fidgeting in my seat up until that point just waiting for it to end.
Deborah (162 KP) rated Devil's Consort in Books
Dec 21, 2018
This is the third book by Anne O'Brien I have read recently, and I have found her to be a very readable author - far better that the dull Gregory, if you want my opinion! All three of the novels I have read have been written in the first person, which is a narrative technique that I don't generally care for as it often feels too contrived and limits the point of view (see Philippa Gregory!). However, O'Brien, for me, has managed to pull this off and the first person narrative works for her and gives you a real empathy with her protagonists.
This was a good read and a good piece of historical Fiction, with perhaps a bit more emphasis on the Fiction element, as a few incidents I'm not convinced actually happened, or have been embroidered in the retelling. This deals with Eleanor's earlier life, from just before she becomes Queen of France to just after she becomes Queen of England. There could be a whole other book to be written on her life after the end of this book!
O'Brien made Eleanor come alive for me as a person, even if, as I have already said, I did have some reservations on historical accuracy. I think that if an historical novelist gives you a real feel for a person and makes you want to know more, then they have certainly done their job. There are some good biographies on Eleanor out there, so hopefully readers of this novel will feel inspired to seek them out.
This was a good read and a good piece of historical Fiction, with perhaps a bit more emphasis on the Fiction element, as a few incidents I'm not convinced actually happened, or have been embroidered in the retelling. This deals with Eleanor's earlier life, from just before she becomes Queen of France to just after she becomes Queen of England. There could be a whole other book to be written on her life after the end of this book!
O'Brien made Eleanor come alive for me as a person, even if, as I have already said, I did have some reservations on historical accuracy. I think that if an historical novelist gives you a real feel for a person and makes you want to know more, then they have certainly done their job. There are some good biographies on Eleanor out there, so hopefully readers of this novel will feel inspired to seek them out.
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