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Project Dogway
9.0
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**This is a SHORT 10K word story** Canines are on the “catwalk” at this Laguna Beach dog...
ClareR (5726 KP) rated Young Queens: Three Renaissance Women and the Price of Power in Books
May 31, 2023
It’s not often that I read a non-fiction history book - I’m more of a historical fiction reader - and I’m really glad that I picked this up.
This book is about the lives of Catherine de’ Medici (married to the French Henry II), Elisabeth of Spain and Mary, Queen of Scots and how their lives wove together.
There are some really interesting facts here (Mary was nearly 6 feet tall - now THIS is the kind of fact I live for!). But it was the personal side that really interested me. Catherine loved her children fiercely even though she had little time with them. She wanted to know every detail of their lives. Her letters to Elisabeth when she went to Spain were filled with family gossip and instructions. Just the kind of stuff that any mother would send their daughter, and Elisabeth appeared to want to always make her mother proud.
Mary and Elisabeth were like sisters, so when Mary needed Elizabeth’s and Spain’s support when the Scottish Lords turned against her, it must have hurt her greatly when they refused to help.
What I liked most was having the opportunity to dip my toes in to the history of France and Spain. It sounded as tumultuous as our own.
I do think that I’m going to have to follow up on Cathrine de’ Medici, though. Now she sounds fascinating!
I’m so glad that I read this - thanks to The Pigeonhole!
This book is about the lives of Catherine de’ Medici (married to the French Henry II), Elisabeth of Spain and Mary, Queen of Scots and how their lives wove together.
There are some really interesting facts here (Mary was nearly 6 feet tall - now THIS is the kind of fact I live for!). But it was the personal side that really interested me. Catherine loved her children fiercely even though she had little time with them. She wanted to know every detail of their lives. Her letters to Elisabeth when she went to Spain were filled with family gossip and instructions. Just the kind of stuff that any mother would send their daughter, and Elisabeth appeared to want to always make her mother proud.
Mary and Elisabeth were like sisters, so when Mary needed Elizabeth’s and Spain’s support when the Scottish Lords turned against her, it must have hurt her greatly when they refused to help.
What I liked most was having the opportunity to dip my toes in to the history of France and Spain. It sounded as tumultuous as our own.
I do think that I’m going to have to follow up on Cathrine de’ Medici, though. Now she sounds fascinating!
I’m so glad that I read this - thanks to The Pigeonhole!
Arthur (The Arthurian Tales #3)
8.0
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Years have passed since the clash of shieldwalls echoed across the land. The Saxons are now the...
A Midnight Puzzle
8.0
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In heroine Tempest Raj, modern-day queen of the locked room mystery Gigi Pandian has created a...
Darren (1599 KP) rated Alice Through the Looking Glass (2016) in Movies
Jun 20, 2019
Story: Alice Through the Looking Glass starts as Alice (Wasikowska) returns from one of her voyages around the world only to find her dreams of seeing the world have been taken from her. Escaping the real world Wonderland calls Alice back with Queen Mirana (Hathaway) and the rest of the characters need Alice to bring the Hatter (Depp) back to his senses after he falls through memories of his loss.
Alice must travel back through time to save the Hatter’ family and bring him back to his colourful ways. Alice finds herself having to go to Time (Cohen) himself to find a way to save the Hatter where she finds herself coming across an old foe Iracebeth (Carter) who wants to use time to control the kingdoms regaining her crown.
Alice Through the Looking Glass does what Oz the Great and Powerful and Wicked have done to The Wizard of Oz by making us want to sympathise with the villainous characters by showing us how they got driven into evil ways because of the bad decisions by the good one. The travel through time works because it does explain certain moments from the story like why Hatter and co have been waiting so long for the tea party. In the end this just tries slightly too much to not bring any new villainous threat to the world to show Alice the important lesson in the real life she is living.
Actor Review
Johnny Depp: Hatter Tarrant Hightopp has gone into a deep depression when he learns to remember the fate of his family, Alice is trying to go through his past to stop this event so we get to meet Hatter as he was younger and struggling to decide whether to follow in his father’s footsteps. Johnny continues his streak of quirky roles but does get over shadowed by Mia.
Mia Wasikowska: Alice is now an adventurer who travels the world only to return home and find her future gone and being forced to give up her dreams. When she returns to Wonderland she must battle the forces of time to save her old friend Hatter and learn to accept her own changes in her life. Mia is good in this role but it is strange seeing an older version of Alice.
Helena Bonham Carter: Iracebeth is the evil queen who lost her crown in the first film, she wants to use time to change the past keeping her power over the kingdoms, but this time we learn about what drove her to be the way she is. Helena continues her blatant rip off performance from Queenie in Blackadder.
Anne Hathaway: Mirana is the good queen of the kingdom who asks Alice to help the Hatter only for us to learn about her younger ways. Anne is very basic in this supporting performance where she doesn’t get much to work with.
Support Cast: Alice Through the Looking Glass has a big supporting cast with Sacha Baron Cohen shining as Time itself chasing Alice down through time.
Director Review: James Bobin – James gives us a solid sequel but seems to mix Oz the Great and Powerful with time travel.
Adventure: Alice Through the Looking Glass does put Alice on an adventure she could only dream of through time itself.
Family: Alice Through the Looking Glass does feel slightly too dark for the youngest members of family to enjoy.
Fantasy: Alice Through the Looking Glass builds on the fantasy world created on the first outing looking deeper into the backstory of the characters involved.
Settings: Alice Through the Looking Glass brings us back to the Wonderland location with the inclusion of the time warehouse location.
Special Effects: Alice Through the Looking Glass is a film you can almost feel the green screen behind the actors.
Suggestion: Alice Through the Looking Glass is only one to try really I don’t think it is one that is that special. (Try It)
Best Part: Time is a good character.
Worst Part: Just feels like a copy of Oz the Great and the Powerful with time travel.
Believability: No
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Budget: $170 Million
Runtime: 1 Hour 53 Minutes
Tagline: This spring, it’s time for a little madness.
Overall: Simple sequel that offers nothing new to the overall Wonderland world.
https://moviesreview101.com/2016/06/23/alice-through-the-looking-glass-2016/
Alice must travel back through time to save the Hatter’ family and bring him back to his colourful ways. Alice finds herself having to go to Time (Cohen) himself to find a way to save the Hatter where she finds herself coming across an old foe Iracebeth (Carter) who wants to use time to control the kingdoms regaining her crown.
Alice Through the Looking Glass does what Oz the Great and Powerful and Wicked have done to The Wizard of Oz by making us want to sympathise with the villainous characters by showing us how they got driven into evil ways because of the bad decisions by the good one. The travel through time works because it does explain certain moments from the story like why Hatter and co have been waiting so long for the tea party. In the end this just tries slightly too much to not bring any new villainous threat to the world to show Alice the important lesson in the real life she is living.
Actor Review
Johnny Depp: Hatter Tarrant Hightopp has gone into a deep depression when he learns to remember the fate of his family, Alice is trying to go through his past to stop this event so we get to meet Hatter as he was younger and struggling to decide whether to follow in his father’s footsteps. Johnny continues his streak of quirky roles but does get over shadowed by Mia.
Mia Wasikowska: Alice is now an adventurer who travels the world only to return home and find her future gone and being forced to give up her dreams. When she returns to Wonderland she must battle the forces of time to save her old friend Hatter and learn to accept her own changes in her life. Mia is good in this role but it is strange seeing an older version of Alice.
Helena Bonham Carter: Iracebeth is the evil queen who lost her crown in the first film, she wants to use time to change the past keeping her power over the kingdoms, but this time we learn about what drove her to be the way she is. Helena continues her blatant rip off performance from Queenie in Blackadder.
Anne Hathaway: Mirana is the good queen of the kingdom who asks Alice to help the Hatter only for us to learn about her younger ways. Anne is very basic in this supporting performance where she doesn’t get much to work with.
Support Cast: Alice Through the Looking Glass has a big supporting cast with Sacha Baron Cohen shining as Time itself chasing Alice down through time.
Director Review: James Bobin – James gives us a solid sequel but seems to mix Oz the Great and Powerful with time travel.
Adventure: Alice Through the Looking Glass does put Alice on an adventure she could only dream of through time itself.
Family: Alice Through the Looking Glass does feel slightly too dark for the youngest members of family to enjoy.
Fantasy: Alice Through the Looking Glass builds on the fantasy world created on the first outing looking deeper into the backstory of the characters involved.
Settings: Alice Through the Looking Glass brings us back to the Wonderland location with the inclusion of the time warehouse location.
Special Effects: Alice Through the Looking Glass is a film you can almost feel the green screen behind the actors.
Suggestion: Alice Through the Looking Glass is only one to try really I don’t think it is one that is that special. (Try It)
Best Part: Time is a good character.
Worst Part: Just feels like a copy of Oz the Great and the Powerful with time travel.
Believability: No
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Budget: $170 Million
Runtime: 1 Hour 53 Minutes
Tagline: This spring, it’s time for a little madness.
Overall: Simple sequel that offers nothing new to the overall Wonderland world.
https://moviesreview101.com/2016/06/23/alice-through-the-looking-glass-2016/
Purple Phoenix Games (2266 KP) rated Treasure Hunter in Tabletop Games
Jun 28, 2019
Indiana Jones. Lara Croft. Benjamin Franklin Gates. These were all great treasure hunters. All of them had to overcome incredible riddles, curses, traps, and death-craving dark places to claim their loot. In Treasure Hunter you will be searching for your treasures using mules, scarecrows, and locals in a frozen tundra, a jungle, and a volcano. So, like, exactly the same as Indy and Tomb Raider and the dude from National Treasure.
Obviously I am making light of the theme of this card drafting, set collection, hand management game from Queen Games, but it’s just so fun to imagine yourself as a genuine treasure hunter. DO YOU HAVE WHAT IT TAKES??
DISCLAIMER: There are several expansions to this game, but we are not reviewing them at this time. Should we review them in the future we will either update this review or post a link to the new material here. -T
To setup the game, shuffle the cards and the treasure tiles and place them in their respective resting spots. Place a treasure tile on the MIN and MAX sections of each terrain type on the main board. Assign three goblin tiles to their spots on the cave sections of the main board to be dealt with after your adventure round. Each player receives 15 starting gold to begin their adventure. Deal each player nine cards and you are ready to begin!
To start the game, look at the hand of cards that were dealt, choose one and pass the rest to the leftmost neighbor. This should be familiar if you have ever played any other card drafting game (like Sushi Go!, 7 Wonders, etc). Once you have your complete hand of nine cards you drafted, the hunt may begin. During you draft phase you will have already assessed the main board and decided how you would like your draft to go – do want the maximum red treasure? The minimum blue treasure? All the dogs?? Each terrain type will be scored in order from top down, so whomever has amassed the minimum number of blue values will receive the tile on the MIN section of the tundra, while they who gathered the most value in blue cards will receive the MAX tile. There are cards that can affect your values using a +/- mechanic so that you can hopefully come in the victor on your chosen field.
Once the main treasure hunt is complete and everyone has their treasure tiles, you must figuratively store your treasures in the cave. Predictably, goblins will visit your cave to try to steal your goods, so I hope you had drafted some guard dogs in the first phase of the game to protect your shinies. If not, you will be parting with some of your gold (which are ultimately VPs)! At the end of five rounds following this structure, and reversing draft direction, you flip over the main board to reveal the scoreboard where you can record your earnings (findings?) and determine victory for the greatest Treasure Hunter!
Components: this game comes with a good amount of components – just the way I like it. The main board, treasure tiles, money chits, and goblin tiles are all thick cardboard that are of great Queen Games quality. The cards are great quality too. I really like the double-sided game board that also serves as score board. Another great component collection from Queen Games!
Ok, so I really like this game a lot. I received this game from my wife, who has an uncanny ability to choose games for me that are not on my wish list, but that end up being simply wonderful (see Azul, Saboteur). I really enjoy card drafting games, and when you can go into a draft with a strategy that just is completely obliterated by someone else’s draft is unpredictable fun! So many times I have played this and just KNEW that my 2 of Red was going to win me the MIN tile. But then my opponent busts out a 3 of Red with a -2 card and snags it away from me. It can be frustrating, but it’s also just a testament to really good drafting and counter-strategy. Using the guard dogs to scare off goblins is cool, and the goblin tiles provide you with VPs too. I know it’s kinda kooky and silly, but I really enjoy this one. Richard Garfield has another hit on his hands for me, and I’m not the only one who recognizes it. Purple Phoenix Games gives this one a sneaky 14 / 18.
Obviously I am making light of the theme of this card drafting, set collection, hand management game from Queen Games, but it’s just so fun to imagine yourself as a genuine treasure hunter. DO YOU HAVE WHAT IT TAKES??
DISCLAIMER: There are several expansions to this game, but we are not reviewing them at this time. Should we review them in the future we will either update this review or post a link to the new material here. -T
To setup the game, shuffle the cards and the treasure tiles and place them in their respective resting spots. Place a treasure tile on the MIN and MAX sections of each terrain type on the main board. Assign three goblin tiles to their spots on the cave sections of the main board to be dealt with after your adventure round. Each player receives 15 starting gold to begin their adventure. Deal each player nine cards and you are ready to begin!
To start the game, look at the hand of cards that were dealt, choose one and pass the rest to the leftmost neighbor. This should be familiar if you have ever played any other card drafting game (like Sushi Go!, 7 Wonders, etc). Once you have your complete hand of nine cards you drafted, the hunt may begin. During you draft phase you will have already assessed the main board and decided how you would like your draft to go – do want the maximum red treasure? The minimum blue treasure? All the dogs?? Each terrain type will be scored in order from top down, so whomever has amassed the minimum number of blue values will receive the tile on the MIN section of the tundra, while they who gathered the most value in blue cards will receive the MAX tile. There are cards that can affect your values using a +/- mechanic so that you can hopefully come in the victor on your chosen field.
Once the main treasure hunt is complete and everyone has their treasure tiles, you must figuratively store your treasures in the cave. Predictably, goblins will visit your cave to try to steal your goods, so I hope you had drafted some guard dogs in the first phase of the game to protect your shinies. If not, you will be parting with some of your gold (which are ultimately VPs)! At the end of five rounds following this structure, and reversing draft direction, you flip over the main board to reveal the scoreboard where you can record your earnings (findings?) and determine victory for the greatest Treasure Hunter!
Components: this game comes with a good amount of components – just the way I like it. The main board, treasure tiles, money chits, and goblin tiles are all thick cardboard that are of great Queen Games quality. The cards are great quality too. I really like the double-sided game board that also serves as score board. Another great component collection from Queen Games!
Ok, so I really like this game a lot. I received this game from my wife, who has an uncanny ability to choose games for me that are not on my wish list, but that end up being simply wonderful (see Azul, Saboteur). I really enjoy card drafting games, and when you can go into a draft with a strategy that just is completely obliterated by someone else’s draft is unpredictable fun! So many times I have played this and just KNEW that my 2 of Red was going to win me the MIN tile. But then my opponent busts out a 3 of Red with a -2 card and snags it away from me. It can be frustrating, but it’s also just a testament to really good drafting and counter-strategy. Using the guard dogs to scare off goblins is cool, and the goblin tiles provide you with VPs too. I know it’s kinda kooky and silly, but I really enjoy this one. Richard Garfield has another hit on his hands for me, and I’m not the only one who recognizes it. Purple Phoenix Games gives this one a sneaky 14 / 18.
Lottie disney bookworm (1056 KP) rated Mirror, Mirror in Books
Aug 16, 2019
Review by Disney Bookworm
Contains spoilers, click to show
If I’m honest I initially thought the tagline to this Snow White twisted tale novel was a massive plot spoiler but, when you are 300 pages into a book and no-one has eaten a poisoned apple, it may be the ideal opportunity to admit you were wrong. This book is not that simple!
Mirror, Mirror explores the traditional Grimm fairy tale of Snow White through the eyes of the two main characters: the Evil Queen and Snow White herself. The reader is completely under the control of these two women: finding themselves with no choice but to witness the familiar story from their perspective.
Jen Calonita’s novel is also heavily built on story telling through flashbacks. In my opinion, this is a genius idea as it provides an undeniable depth to her characters. Let’s be honest, everyone knows the story of Snow White but not everyone knows the story before Snow White and it is here where the twisted tale evolves.
Through these flashbacks we meet Katherine and Ingrid: two sisters whom have lost their mother and are being raised by their neglectful, sometimes violent, father. As a result of their upbringing, Ingrid, the elder sister, has adopted a motherly role towards her younger sister Katherine and strives to protect the innocent girl at all times. They leave home, finding work on a farm where Katherine finds her passion within the apple orchard, cultivating a new variety of apple which will later attract the attention of the King.
Ingrid however, always wants more than what she has. Older and more aware of the hardship life can bring, Ingrid is not as sweet and innocent as her sister: people do not dote on Ingrid as they do Katherine and eventually Ingrid finds that she cannot settle for a simple life- instead opting for a job in a small shop known for its association with dark magic and the home of a certain mirror.
You may have guessed by now that Ingrid is, in fact, the Evil Queen and her sister Katherine is Snow White’s mother! I know what you are thinking, I have just described how protective Ingrid was of the future Queen: surely she wouldn’t “off” her own sister and try to collect her niece’s heart in a box?
This is where the complexity of Ingrid’s character really shines through and where, (if hats suited me) I will take my hat off to Jen Calonita. Mirror Mirror takes you on a journey with Ingrid. You experience her love for her sister first-hand as well as her frustration with her sheltered life but later you also witness her lust for power and how easily Ingrid’s choices lead her down the wrong path.
I also believe that Ingrid is truly scarred by her past. She sneers upon her sister’s kindness and villainises Katherine for letting a man, and later her baby, come between them. Ingrid views herself as wiser and more intelligent than her little sister: believing that she would certainly rule the Kingdom more efficiently and not stopping until this becomes a reality.
Despite being a formidable woman, Ingrid is not devoid of vulnerabilities and, as the story progresses, the readers will witness Ingrid’s ghosts and note how one in particular never leaves her until the very end.
Of course, Ingrid’s enabler is the magic mirror. Calonita paints a picture of a mirror identical to the one we remember from the Disney 1938 classic animated film with a haunting mask dominating and manipulating The Evil Queen with every chance it gets.
The mirror creates an obsession and dependence within Ingrid that is chillingly portrayed. It is undoubtedly the real villain of the story: demanding blood from the start and weakening Ingrid until she cleaves to its will. However, we all know who is standing between the mirror and its plans for domination and undisputed power: the princess Snow White.
In the past, I have made no secret of the fact that Snow is my least favourite Disney princess. Her voice in the film grated on me and I just genuinely found her irritating. Thankfully Calonita’s Snow White is more akin to the ‘Once Upon A Time’ interpretation and so much easier to form a relationship with as a reader.
While fulfilling our expectations of being kind, innocent and prone to falling in love with conveniently handsome Princes: Mirror Mirror’s Snow White is bolder than we are used to and, as her story progresses, becomes more confident in herself as the heir to the kingdom. Her priorities are more political in nature, with a strong focus on rebuilding her kingdom and her bravery shines through almost from the very beginning. Snow does encounter challenges and dark thoughts as any person does but earns her Disney princess badge by helping true love to save the day!
Similarly, the seven dwarves are not as one-dimensional as the classic movie. They assist the Princess of course and shelter her in the forest but they also seem more street-wise (or should that be forest-wise?), squirreling away diamonds for bartering and mustering armies for Snow’s cause. There isn’t too much focus on the seven men in Mirror Mirror but I don’t think that the book is necessarily missing this. I think the characters are so well-known that too much character development would stray away from the main plot.
Mirror, Mirror is a modern adaptation of the familiar fairytale: centring itself around two very strong women in their own right but polar opposites in terms of their characters and choices in life.
The novel makes several nods to the iconic images formed in 1938 by Walt Disney such as the apple, the glass coffin and, of course, the seven dwarves. However, the recurring theme of choosing your own story and the complex backgrounds to her characters cause Jen Calonita’s novel to stand out on its own.
It may not have been the traditional “happy ever after” but this adaptation of Snow White was, in my opinion, the “fairest of them all”.
Written by The Disney Bookworm:
https://disneybookworm.home.blog
Mirror, Mirror explores the traditional Grimm fairy tale of Snow White through the eyes of the two main characters: the Evil Queen and Snow White herself. The reader is completely under the control of these two women: finding themselves with no choice but to witness the familiar story from their perspective.
Jen Calonita’s novel is also heavily built on story telling through flashbacks. In my opinion, this is a genius idea as it provides an undeniable depth to her characters. Let’s be honest, everyone knows the story of Snow White but not everyone knows the story before Snow White and it is here where the twisted tale evolves.
Through these flashbacks we meet Katherine and Ingrid: two sisters whom have lost their mother and are being raised by their neglectful, sometimes violent, father. As a result of their upbringing, Ingrid, the elder sister, has adopted a motherly role towards her younger sister Katherine and strives to protect the innocent girl at all times. They leave home, finding work on a farm where Katherine finds her passion within the apple orchard, cultivating a new variety of apple which will later attract the attention of the King.
Ingrid however, always wants more than what she has. Older and more aware of the hardship life can bring, Ingrid is not as sweet and innocent as her sister: people do not dote on Ingrid as they do Katherine and eventually Ingrid finds that she cannot settle for a simple life- instead opting for a job in a small shop known for its association with dark magic and the home of a certain mirror.
You may have guessed by now that Ingrid is, in fact, the Evil Queen and her sister Katherine is Snow White’s mother! I know what you are thinking, I have just described how protective Ingrid was of the future Queen: surely she wouldn’t “off” her own sister and try to collect her niece’s heart in a box?
This is where the complexity of Ingrid’s character really shines through and where, (if hats suited me) I will take my hat off to Jen Calonita. Mirror Mirror takes you on a journey with Ingrid. You experience her love for her sister first-hand as well as her frustration with her sheltered life but later you also witness her lust for power and how easily Ingrid’s choices lead her down the wrong path.
I also believe that Ingrid is truly scarred by her past. She sneers upon her sister’s kindness and villainises Katherine for letting a man, and later her baby, come between them. Ingrid views herself as wiser and more intelligent than her little sister: believing that she would certainly rule the Kingdom more efficiently and not stopping until this becomes a reality.
Despite being a formidable woman, Ingrid is not devoid of vulnerabilities and, as the story progresses, the readers will witness Ingrid’s ghosts and note how one in particular never leaves her until the very end.
Of course, Ingrid’s enabler is the magic mirror. Calonita paints a picture of a mirror identical to the one we remember from the Disney 1938 classic animated film with a haunting mask dominating and manipulating The Evil Queen with every chance it gets.
The mirror creates an obsession and dependence within Ingrid that is chillingly portrayed. It is undoubtedly the real villain of the story: demanding blood from the start and weakening Ingrid until she cleaves to its will. However, we all know who is standing between the mirror and its plans for domination and undisputed power: the princess Snow White.
In the past, I have made no secret of the fact that Snow is my least favourite Disney princess. Her voice in the film grated on me and I just genuinely found her irritating. Thankfully Calonita’s Snow White is more akin to the ‘Once Upon A Time’ interpretation and so much easier to form a relationship with as a reader.
While fulfilling our expectations of being kind, innocent and prone to falling in love with conveniently handsome Princes: Mirror Mirror’s Snow White is bolder than we are used to and, as her story progresses, becomes more confident in herself as the heir to the kingdom. Her priorities are more political in nature, with a strong focus on rebuilding her kingdom and her bravery shines through almost from the very beginning. Snow does encounter challenges and dark thoughts as any person does but earns her Disney princess badge by helping true love to save the day!
Similarly, the seven dwarves are not as one-dimensional as the classic movie. They assist the Princess of course and shelter her in the forest but they also seem more street-wise (or should that be forest-wise?), squirreling away diamonds for bartering and mustering armies for Snow’s cause. There isn’t too much focus on the seven men in Mirror Mirror but I don’t think that the book is necessarily missing this. I think the characters are so well-known that too much character development would stray away from the main plot.
Mirror, Mirror is a modern adaptation of the familiar fairytale: centring itself around two very strong women in their own right but polar opposites in terms of their characters and choices in life.
The novel makes several nods to the iconic images formed in 1938 by Walt Disney such as the apple, the glass coffin and, of course, the seven dwarves. However, the recurring theme of choosing your own story and the complex backgrounds to her characters cause Jen Calonita’s novel to stand out on its own.
It may not have been the traditional “happy ever after” but this adaptation of Snow White was, in my opinion, the “fairest of them all”.
Written by The Disney Bookworm:
https://disneybookworm.home.blog
Eilidh G Clark (177 KP) rated Dirt Road in Books
May 13, 2017
Kelman is an expert in understanding people
Kelman’s new novel Dirt Road is story that takes both characters and reader on a journey right from the outset, but the journey is more than it seems. The novel begins in the West coast of Scotland where we learn that Murdo - a sixteen-year-old boy - and his father Tom are mourning the death of their mother/wife and sister/daughter. Searching for solace, they embark on a journey to Alabama, U.S.A to spend time with Uncle John and Aunt Maureen. For Murdo, family is just a happy memory, a moment in time captured in a photograph, ‘The family was four and not just him and Dad’, whilst for Tom, family is the bond that holds them together. Throughout the journey, Tom strives to guide his son and keep him on ‘the right path’, yet Murdo, as we will learn, has a path of his own to find. Stifled by the fathers influence, the boy has a tendency to stray, thus when they reach Allentown Mississippi, Murdo stumbles upon a family of musicians led by Zydeco performer Queen Monzee-ay. Murdo is as drawn to music as his father is to family, the boy himself is an accomplished accordion player, and when he is offered an opportunity to play a set with Queen Monzee-ay in two weeks’ time, we watch as the road between father and son diverges and choice and risk becomes the key plot in the story.
While this may appear a simple story line, Kelman’s exploration into the fragmented relationship between father and son gives the reader an honest analysis of family and grief. The third person narrator, with bursts of free indirect discourse from Murdo, allows the reader both an internal and external insight into the constraints of family. This parallel leaves the reader feeling uncomfortable, yet with a conflicting heart. This is Kelman’s unique writing style at its best.
Dirt Road is more than a novel of grief and family relationships though; it is a novel of risk, of following new paths with uncertainties, about leaving behind the familiarities and safety of the past and following the heart. It is about deep connections; for Murdo this is through music and the feeling of freedom that he associates with music, whilst for the other characters it is about cultural connections and Scottish ancestry. Kelman’s clever use of parallels shows the reader the intensity of human connections whilst suggesting that change and progression is possible. This great novel will linger in your thoughts for weeks after you put it down, and it brings to mind a poem by Robert Frost, The Road Not Taken
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
For the full poem visit (https://www.poetryfoundation.org).
Dirt Road by James Kelman
Canongate Books (14 July 2016)
While this may appear a simple story line, Kelman’s exploration into the fragmented relationship between father and son gives the reader an honest analysis of family and grief. The third person narrator, with bursts of free indirect discourse from Murdo, allows the reader both an internal and external insight into the constraints of family. This parallel leaves the reader feeling uncomfortable, yet with a conflicting heart. This is Kelman’s unique writing style at its best.
Dirt Road is more than a novel of grief and family relationships though; it is a novel of risk, of following new paths with uncertainties, about leaving behind the familiarities and safety of the past and following the heart. It is about deep connections; for Murdo this is through music and the feeling of freedom that he associates with music, whilst for the other characters it is about cultural connections and Scottish ancestry. Kelman’s clever use of parallels shows the reader the intensity of human connections whilst suggesting that change and progression is possible. This great novel will linger in your thoughts for weeks after you put it down, and it brings to mind a poem by Robert Frost, The Road Not Taken
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
For the full poem visit (https://www.poetryfoundation.org).
Dirt Road by James Kelman
Canongate Books (14 July 2016)
Movie Metropolis (309 KP) rated The Huntsman: Winter's War (2016) in Movies
Jun 11, 2019
Hemsworth and Chastain Disappoint
Snow White & the Huntsman was a film that garnered much more attention than it deserved, purely because of the goings on behind the scenes between Twilight starlet, Kristen Stewart and director Rupert Sanders. The film itself was a hollow take on the classic fairy-tale that lacked the magic and sparkle of Disney’s wonderful animation.
It’s fair to say then that it never really deserved any kind of follow up, despite a charismatic performance from the wonderful Charlize Theron. Nevertheless, Universal Studios approved another film soon after its release. But is The Huntsman: Winter’s War better than what came before it?
Taking place before and directly alongside the events of its predecessor, Winter’s War follows Emily Blunt’s Ice Queen, Freya, as she struggles to come to terms with the death of her baby. She becomes so consumed by rage and guilt that she banishes herself to an ice castle, much like Elsa from Frozen, training an army of kidnapped children to pass her time.
Chris Hemsworth and Jessica Chastain star as two of these warriors, taken from their families at a young age and taught how to fight and how to block out any feelings of love – as per the Queen’s orders. Naturally, this becomes increasingly difficult and provides the film with its romantic subplot.
Unfortunately, the usually excellent Hemsworth and former Oscar-winner Chastain have next-to-no chemistry and their truly dreadful Celtic accents stop the film dead in its tracks. It’s a shame that Winter’s War relies so heavily on these two when Emily Blunt and a sorely underused Charlize Theron are much, much better.
So much better in fact that the screen comes alive whenever they are on screen, whether that is together or flying solo. Blunt suffers slightly due to the nature of her role, after all, she is known to be a bubbly and happy-go-lucky person, but her Ice Queen is mesmerising and heart-breaking to watch nonetheless.
Theron steals the show yet again, despite her lack of screen time and as she did in its predecessor, lifts Winter’s War well above its average plot and dialogue. Elsewhere, British favourite Sheridan Smith is a pleasant comedic break as a foul-mouthed dwarf.
The cinematography is on the whole very good, with pleasant landscapes, reminiscent of Harry Potter dotted alongside CGI castles, polar bears and goblins. The use of practical effects by first-time director Cedric Nicolas-Troyan is also a pleasure to see in this day and age.
Alas, the plot and dialogue of Winter’s War leaves much to be desired and the lack of screen time for Blunt and Theron hampers what could have been an interesting and unique backstory for this particular duo of films.
Overall, The Huntsman: Winter’s War is an average film hampered further by its two leading stars. Fortunately, the inclusion of Blunt and Theron manages to lift it slightly above the standard of its predecessor, but not by enough for it to warrant another follow up. However, the signposts throughout the 115 minute running time confess a sequel is more than likely.
https://moviemetropolis.net/2016/04/07/hemsworth-and-chastain-disappoint-the-huntsman-review/
It’s fair to say then that it never really deserved any kind of follow up, despite a charismatic performance from the wonderful Charlize Theron. Nevertheless, Universal Studios approved another film soon after its release. But is The Huntsman: Winter’s War better than what came before it?
Taking place before and directly alongside the events of its predecessor, Winter’s War follows Emily Blunt’s Ice Queen, Freya, as she struggles to come to terms with the death of her baby. She becomes so consumed by rage and guilt that she banishes herself to an ice castle, much like Elsa from Frozen, training an army of kidnapped children to pass her time.
Chris Hemsworth and Jessica Chastain star as two of these warriors, taken from their families at a young age and taught how to fight and how to block out any feelings of love – as per the Queen’s orders. Naturally, this becomes increasingly difficult and provides the film with its romantic subplot.
Unfortunately, the usually excellent Hemsworth and former Oscar-winner Chastain have next-to-no chemistry and their truly dreadful Celtic accents stop the film dead in its tracks. It’s a shame that Winter’s War relies so heavily on these two when Emily Blunt and a sorely underused Charlize Theron are much, much better.
So much better in fact that the screen comes alive whenever they are on screen, whether that is together or flying solo. Blunt suffers slightly due to the nature of her role, after all, she is known to be a bubbly and happy-go-lucky person, but her Ice Queen is mesmerising and heart-breaking to watch nonetheless.
Theron steals the show yet again, despite her lack of screen time and as she did in its predecessor, lifts Winter’s War well above its average plot and dialogue. Elsewhere, British favourite Sheridan Smith is a pleasant comedic break as a foul-mouthed dwarf.
The cinematography is on the whole very good, with pleasant landscapes, reminiscent of Harry Potter dotted alongside CGI castles, polar bears and goblins. The use of practical effects by first-time director Cedric Nicolas-Troyan is also a pleasure to see in this day and age.
Alas, the plot and dialogue of Winter’s War leaves much to be desired and the lack of screen time for Blunt and Theron hampers what could have been an interesting and unique backstory for this particular duo of films.
Overall, The Huntsman: Winter’s War is an average film hampered further by its two leading stars. Fortunately, the inclusion of Blunt and Theron manages to lift it slightly above the standard of its predecessor, but not by enough for it to warrant another follow up. However, the signposts throughout the 115 minute running time confess a sequel is more than likely.
https://moviemetropolis.net/2016/04/07/hemsworth-and-chastain-disappoint-the-huntsman-review/
Hazel (1853 KP) rated The Crown (The Selection, #5) in Books
Dec 17, 2018
3.5 stars
<i>This ebook was provided by the publisher via NetGalley in exchange for an honest review </i>
So here it is, the latest (final?) book of <i>The Selection</i> series by popular young adult author Kiera Cass. <i>The Crown</i> continues from the exact place that the previous book, <i>The Heir</i>, left off, with Queen America having suffered a heart attack, and Eadlyn’s twin brother running off to France after secretly marrying. Regardless of the personal troubles, the royal family must keep on running the country of Illéa, however this means that great responsibilities are now resting on teenage Eadlyn’s shoulders.
Readers will already know that the wife, or in this instance husband, of the heir of the throne is chosen through a selection process. Thirty-five suitors were randomly selected from thousands of applicants to try and win the princess’ heart. The boys have been narrowed down to six, but Eadlyn has more pressing issues to worry about. Naturally she is concerned about her mother’s health and sad about being separated from her twin, but the biggest thing on her mind is being named regent whilst her father stays by his wife’s bedside. Eadlyn must temporarily rule like a queen, which is easier said than done.
There is less focus on the selection process in <i>The Crown</i> than there was in the first three novels – where America was eventually selected to become Prince Maxon’s bride. Primarily this is because Eadlyn’s heart is not in it. She does not love any of the elite – the top contestants – and it is only for public appearances that she continues with the game. What Kiera Cass emphasizes in this novel is that being a princess is not all parties and money and power. Instead it is hard work, physically and emotionally exhausting, and almost impossible to be your own person. Initially Eadlyn was viewed as a cold-hearted, spoilt child, but her new responsibilities open her eyes to the ways of the world, revealing her better nature to the people of Illéa.
Unfortunately it needs to be said that <i>The Crown</i> does not quite live up to the rest of the books in the series. The idea of a selection process feels old and over done, and Eadlyn’s personality does not quite work for a romance novel. The conclusion of the book appeared to happen a bit too suddenly, and also rather conveniently. What should have resulted in protest or at least disappointment for a few of the characters became something that was easily accepted instead. Not entirely realistic.
On the other hand, the ending is what most readers will have wished for, myself included, so must not complain too much. It is great to be reunited with the lovely characters, particularly the thoughtful and kind selected suitors, and Eadlyn’s sweet younger brothers. They are the types of people you would feel blessed to know in real life. All in all, <i>The Crown</i> is likely to put a smile on your face.
<i>This ebook was provided by the publisher via NetGalley in exchange for an honest review </i>
So here it is, the latest (final?) book of <i>The Selection</i> series by popular young adult author Kiera Cass. <i>The Crown</i> continues from the exact place that the previous book, <i>The Heir</i>, left off, with Queen America having suffered a heart attack, and Eadlyn’s twin brother running off to France after secretly marrying. Regardless of the personal troubles, the royal family must keep on running the country of Illéa, however this means that great responsibilities are now resting on teenage Eadlyn’s shoulders.
Readers will already know that the wife, or in this instance husband, of the heir of the throne is chosen through a selection process. Thirty-five suitors were randomly selected from thousands of applicants to try and win the princess’ heart. The boys have been narrowed down to six, but Eadlyn has more pressing issues to worry about. Naturally she is concerned about her mother’s health and sad about being separated from her twin, but the biggest thing on her mind is being named regent whilst her father stays by his wife’s bedside. Eadlyn must temporarily rule like a queen, which is easier said than done.
There is less focus on the selection process in <i>The Crown</i> than there was in the first three novels – where America was eventually selected to become Prince Maxon’s bride. Primarily this is because Eadlyn’s heart is not in it. She does not love any of the elite – the top contestants – and it is only for public appearances that she continues with the game. What Kiera Cass emphasizes in this novel is that being a princess is not all parties and money and power. Instead it is hard work, physically and emotionally exhausting, and almost impossible to be your own person. Initially Eadlyn was viewed as a cold-hearted, spoilt child, but her new responsibilities open her eyes to the ways of the world, revealing her better nature to the people of Illéa.
Unfortunately it needs to be said that <i>The Crown</i> does not quite live up to the rest of the books in the series. The idea of a selection process feels old and over done, and Eadlyn’s personality does not quite work for a romance novel. The conclusion of the book appeared to happen a bit too suddenly, and also rather conveniently. What should have resulted in protest or at least disappointment for a few of the characters became something that was easily accepted instead. Not entirely realistic.
On the other hand, the ending is what most readers will have wished for, myself included, so must not complain too much. It is great to be reunited with the lovely characters, particularly the thoughtful and kind selected suitors, and Eadlyn’s sweet younger brothers. They are the types of people you would feel blessed to know in real life. All in all, <i>The Crown</i> is likely to put a smile on your face.