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Ready or Not (2019)
Ready or Not (2019)
2019 | Comedy, Horror, Mystery
Original story (1 more)
Solid tension
The ending might not be appreciated (0 more)
White wedding goes full bloodshed
Grace (Samara Weaving) is about to marry the man of her dreams, Alex Le Domas (Mark O’Brien). But her new in-laws, as it turns out, are going to be a real nightmare.

After a long sweeping shot through a gothic house 30-years earlier which sets up the back story to what is going to unfold, Grace is tasked with drawing a card from a mysterious mechanical box.

The premise is simple, whatever game is on the card she has to play in order to be accepted into the family – a tradition which must be accepted.

Innocently believing that it is just a harmless game of Hide-and-Seek Grace sets off to hide. The family, however, arming themselves with a variety of antique weaponry, must kill poor Grace before sunrise or they will all perish.

The family is an eclectic mix of batshit crazed parents, eccentric grandparents, troublesome daughters and drunken sons. When merged they come across as a psychopath’s answer to the Keystone Cops, all flair but no clue whatsoever.

Ready or Not manages to balance horror and comedy nicely. It is gory when it needs to be with several grotesque and humorous scenes that will leave viewers squirming in their seats.

The remainder of the film is a tense game of cat and mouse with Grace now realising what the real motives of the family are. She must hold her nerve to see out the night and make it to morning.

The setting is perfect for this type of caper and the gothic mansion provides plenty of twists and turns; from secret doors and passages to outhouses filled with decaying corpses.

Grace turns from the bride in white to the bride in blood as she battles the family – the tension rarely lets up for a second. Ready or Not gets just about everything spot on and it never suffers from horror cliches or boredom.

Weaving gives a good account of herself as a modern-day scream queen turned badass, running around in a torn wedding dress and trainers dispelling the myth ‘till death do us part‘.
  
Wrath of the Titans (2012)
Wrath of the Titans (2012)
2012 | Action, Sci-Fi
8
6.2 (14 Ratings)
Movie Rating
Sequels often struggle to live up to the expectations set by their predecessors. Wrath of the Titans delivers. Sam Worthington, Liam Neeson, and Ralph Fiennes reprise their roles as Perseus, Zeus, and Hades in this continuation of the Clash of the Titans remake from 2010. They’re joined this time by Rosamund Pike, who portrays the strong, female love interest as the beautiful Queen Andromeda.

Perseus has settled down to become a fisherman with his son. His wife has been written out of the story — either by design or because the actress was not available. She seems to be dead for no particular reason. Perseus has chosen to live life as a mortal, despite his father, Zeus (Neeson), offering him a seat of power on Olympus. Early in the movie, Zeus comes to his son and asks for help, telling him something big is coming. Only Perseus, a demi-god, would have the strength to ensure humanity’s survival.

The rest of the story involves Perseus’s journey to save the world from the reawakening of Chronos. Mythology geeks and fantasy buffs will appreciate the severity of this situation.

While the makers of this film certainly didn’t reinvent the wheel, or even attempt to one-up their previous film, they surely succeeded in making an entertaining screenplay. In short: if you liked the first, you will like this one. It has all the action, sword-swinging, flying-horse-riding, and titan-killing you would expect from the series. The CGI is impressive, and the 3D effects were not too objectionable.

One scene in particular stuck out as ill-conceived. The kiss at the end of the film felt forced. There was very little romantic build-up throughout the movie, so it felt as if the filmmakers included the kiss because moviegoers expect to see romantic resolution. Perhaps this is one of the several endings they filmed, at which point they let focus groups make the call. Either way, it felt awkward.

As I said before, if you enjoyed the first, seeing the second is worth your time and money.