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JT (287 KP) rated Halloween (1978) in Movies
Mar 10, 2020
Without a doubt Halloween was one of the finest horror films ever made, John Carpenter was spot on with his portrayal of a serial killer descending on a small American town.
Michael Myers was to become a horror icon and even though it spanned seven sequels, the original will always be the best in many people’s eyes. It is certainly my all time favourite horror film. Carpenter’s cinematic vision of Halloween was brilliant right from the opening credits. The long and short camera angles coupled with the “was he there or wasn’t he” shots of Myers were sublime.
The sinister musical score as well is paramount in making this film a household name in its genre. Jamie Lee Curtis was a scream queen for the 70s and although the acting talents were not up to scratch, it made no difference to the overall outcome of the film. Michael Myers was a disturbed child and after committing a horrific murder when he was just six years old he was committed to a mental institution where he escaped to stalk Laurie Strode, his long lost sister.
His the perfect boogeyman, and during the first part of the film he stalks Laurie sometimes just appearing out of shot as a blur between trees of a faceless driver passing by in his car. Laurie of course has no idea who he is but starts to feel like she is being watched, and her fears are finally realised one night descends and Carpenter ramps up the tension to breaking point.
What I love about this film is the pure simplicity of it, with a budget of just $320,000 it grossed $60m world world and was a massive hit with horror fans the world over. It didn’t want for fancy special effects, and the musical score was hardly a masterpiece but it did the job and it did it well. It is the model slasher flick and most of what has preceded it (maybe with the exception of the first Scream) have not been able to stand up in competition.
We’ve had Freddy and Jason, and we’re still having to sit and watch teenagers heading to remote and desolate locations to be butchered in a variety of unique ways while pints of blood are splashed across the screen. Halloween doesn’t require that, it will have you jumping out of your seat at least more than once and it just goes to prove that simple scares are the most effective.
Michael Myers was to become a horror icon and even though it spanned seven sequels, the original will always be the best in many people’s eyes. It is certainly my all time favourite horror film. Carpenter’s cinematic vision of Halloween was brilliant right from the opening credits. The long and short camera angles coupled with the “was he there or wasn’t he” shots of Myers were sublime.
The sinister musical score as well is paramount in making this film a household name in its genre. Jamie Lee Curtis was a scream queen for the 70s and although the acting talents were not up to scratch, it made no difference to the overall outcome of the film. Michael Myers was a disturbed child and after committing a horrific murder when he was just six years old he was committed to a mental institution where he escaped to stalk Laurie Strode, his long lost sister.
His the perfect boogeyman, and during the first part of the film he stalks Laurie sometimes just appearing out of shot as a blur between trees of a faceless driver passing by in his car. Laurie of course has no idea who he is but starts to feel like she is being watched, and her fears are finally realised one night descends and Carpenter ramps up the tension to breaking point.
What I love about this film is the pure simplicity of it, with a budget of just $320,000 it grossed $60m world world and was a massive hit with horror fans the world over. It didn’t want for fancy special effects, and the musical score was hardly a masterpiece but it did the job and it did it well. It is the model slasher flick and most of what has preceded it (maybe with the exception of the first Scream) have not been able to stand up in competition.
We’ve had Freddy and Jason, and we’re still having to sit and watch teenagers heading to remote and desolate locations to be butchered in a variety of unique ways while pints of blood are splashed across the screen. Halloween doesn’t require that, it will have you jumping out of your seat at least more than once and it just goes to prove that simple scares are the most effective.
Gareth von Kallenbach (980 KP) rated Bad Moms (2016) in Movies
Aug 6, 2019 (Updated Aug 6, 2019)
When moms get tired of being perfect, not being appreciated and decide to give their spoiled children a lesson and just enjoy every minute of their day instead – that’s when the movie Bad Moms happens.
Amy Mitchell (Mila Kunis) is a 32-year-old modern mom, who has a seemingly perfect life: a great marriage, over-achieving kids, a beautiful home and a career. However, she is over-worked and so exhausted that she’s reached the point where she is about to snap. Her life has been reduced to spending a lot of time driving her kids to their extracurricular activities and trying to be just in time for everything. Her perfect life is just a smoke screen, her husband Mike (David Walton) has been unemployed for a while, doesn’t care about helping with anything house- or kids-related, and enjoys a little bit too much online entertainment. In addition to being spoiled, her daughter Jane (Oona Laurence) has some anxiety issues and her son Dylan (Emjay Anthony) has never done his own homework. To make it even more interesting, Amy has to deal with the judgement of PTA Queen, Bee Gwendolyn, (Christina Applegate) and her minions Stacy (Jada Pinkett Smith) and Vicky (Annie Mumolo).
After one hectic day, all Amy can do is stop at a bar and grab a glass of whiskey. There she meets two other underappreciated moms, Kiki (Kristen Bell) and Carla (Kathryn Hahn). Over drinks they vent and declare that they’re tired of living up to expectations and not being appreciated for all their hard work. So they decide to be bad moms.
I love seeing Christina Applegate as the villain; she is smart, evil and pulls all the strings, driving everyone to the edge but nobody can say anything because they’re terrified of her. But the one that dominates the comedy is Kathryn Hann. You would think you might be tired of seeing her in just about every movie released in the last 10 years, but oh boy is this woman hilarious! She plays the divorced working mother whose every line, good or bad, makes the audience ask again and again “Did she just say that?”
I really enjoyed this movie. It is the perfect summer comedy that all audiences can enjoy, especially moms who can really relate. This is The Hangover for moms. I assure you will laugh nonstop because it has a wild drunk trip to the grocery store, a memorable show-and-tell demonstration and a really funny lecture about unflattering bras. I promise you will leave the theater with a smile.
Amy Mitchell (Mila Kunis) is a 32-year-old modern mom, who has a seemingly perfect life: a great marriage, over-achieving kids, a beautiful home and a career. However, she is over-worked and so exhausted that she’s reached the point where she is about to snap. Her life has been reduced to spending a lot of time driving her kids to their extracurricular activities and trying to be just in time for everything. Her perfect life is just a smoke screen, her husband Mike (David Walton) has been unemployed for a while, doesn’t care about helping with anything house- or kids-related, and enjoys a little bit too much online entertainment. In addition to being spoiled, her daughter Jane (Oona Laurence) has some anxiety issues and her son Dylan (Emjay Anthony) has never done his own homework. To make it even more interesting, Amy has to deal with the judgement of PTA Queen, Bee Gwendolyn, (Christina Applegate) and her minions Stacy (Jada Pinkett Smith) and Vicky (Annie Mumolo).
After one hectic day, all Amy can do is stop at a bar and grab a glass of whiskey. There she meets two other underappreciated moms, Kiki (Kristen Bell) and Carla (Kathryn Hahn). Over drinks they vent and declare that they’re tired of living up to expectations and not being appreciated for all their hard work. So they decide to be bad moms.
I love seeing Christina Applegate as the villain; she is smart, evil and pulls all the strings, driving everyone to the edge but nobody can say anything because they’re terrified of her. But the one that dominates the comedy is Kathryn Hann. You would think you might be tired of seeing her in just about every movie released in the last 10 years, but oh boy is this woman hilarious! She plays the divorced working mother whose every line, good or bad, makes the audience ask again and again “Did she just say that?”
I really enjoyed this movie. It is the perfect summer comedy that all audiences can enjoy, especially moms who can really relate. This is The Hangover for moms. I assure you will laugh nonstop because it has a wild drunk trip to the grocery store, a memorable show-and-tell demonstration and a really funny lecture about unflattering bras. I promise you will leave the theater with a smile.
ClareR (6106 KP) rated The Ninth Child in Books
May 1, 2020
Victorian Scotland, where reality meets myth.
The Ninth Child is a mesmerising mix of reality and fairytale. Neither of them are the pretty version, either. The story itself is set in Glasgow and the Trossachs between 1856 and 1859, where Isabel Aird is the wife of a young doctor. She has miscarried all seven of the babies she has carried so far, and is struggling to find meaning in her life. Her husband is very protective of her, but she can’t seem to forgive him for his apparent ability to shake off the loss of their babies.
We also get little glimpses in to the private lives of Queen Victoria and Albert, and the reason for this becomes clear as the story progresses. The link between the two families seems to be a strange character called Robert Kirke. Strange things seem to have been happening since the digging and tunnelling began. Isabel meets this strange man not long after she moves near to the site of the Loch Katrine Waterworks. This is no place for a lady brought up in all the comforts of a well-to-do Glaswegian home. But Isabel finds solace in the wildness, and the descriptions of the lochs and landscapes makes it easy to understand why.
This was such a surprising book, it wasn’t at all what I was expecting. I WAS expecting a good story - I loved The Sealwoman’s Gift. The mix of real, hard life and the fairy elements were really well done, and I loved that these weren’t the pretty, twee, friendly fairies that we seem to hear of so much of these days. I like my fairies to be tricksters, untrustworthy, always looking for an angle that they can work, a little grotesque.
I really enjoyed this book, and seemed to read it far too quickly. I’m a lover of history, myths and the unexplained, and this certainly delivered in these areas. The writing is gorgeous - the descriptions are such that you feel you’re there. We were supposed to be going on holiday this year to the Highlands, and this has made me hope even more that we’ll still be able to go. It’s one thing reading a description, it’s quite another to be there, experiencing the landscape for yourself.
This is a wonderful book, and one to tell my friends about!
Many thanks to NetGalley and Two Roads for my copy of this book to read and review.
We also get little glimpses in to the private lives of Queen Victoria and Albert, and the reason for this becomes clear as the story progresses. The link between the two families seems to be a strange character called Robert Kirke. Strange things seem to have been happening since the digging and tunnelling began. Isabel meets this strange man not long after she moves near to the site of the Loch Katrine Waterworks. This is no place for a lady brought up in all the comforts of a well-to-do Glaswegian home. But Isabel finds solace in the wildness, and the descriptions of the lochs and landscapes makes it easy to understand why.
This was such a surprising book, it wasn’t at all what I was expecting. I WAS expecting a good story - I loved The Sealwoman’s Gift. The mix of real, hard life and the fairy elements were really well done, and I loved that these weren’t the pretty, twee, friendly fairies that we seem to hear of so much of these days. I like my fairies to be tricksters, untrustworthy, always looking for an angle that they can work, a little grotesque.
I really enjoyed this book, and seemed to read it far too quickly. I’m a lover of history, myths and the unexplained, and this certainly delivered in these areas. The writing is gorgeous - the descriptions are such that you feel you’re there. We were supposed to be going on holiday this year to the Highlands, and this has made me hope even more that we’ll still be able to go. It’s one thing reading a description, it’s quite another to be there, experiencing the landscape for yourself.
This is a wonderful book, and one to tell my friends about!
Many thanks to NetGalley and Two Roads for my copy of this book to read and review.
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