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Lyndsey Gollogly (2893 KP) rated The Merry Devils in Books
Sep 19, 2021
151 of 250
Book
The Merry Devils ( Nicolas Bracewell book 2)
By Edward Marston
Once read a review will be written via Smashbomb and link posted in comments
Bookholder Nicholas Bracewell, fresh from his triumph holding together his volatile players' company during a treasonous plot against Queen Elizabeth, is set to make the galleries of The Queen's Head ring with laughter with a new comedy, The Merry Devils. The lugubrious landlord is sure mischief will result. Nicholas sees only a harmless comedy that will not summon up real devils, but two actors adept at tumbling. How then, during the crucial scene, do three devils appear on stage, one looking disturbingly real? And what of the deviltry that follow? One imp, in fact, soon lies dead beneath the stage…
Again we meet the Westfield players I enjoyed this one a bit more than the first but again it feel a bit rushed at the end! A decent read all the same with a crime solving book master. On to book 3!
Book
The Merry Devils ( Nicolas Bracewell book 2)
By Edward Marston
Once read a review will be written via Smashbomb and link posted in comments
Bookholder Nicholas Bracewell, fresh from his triumph holding together his volatile players' company during a treasonous plot against Queen Elizabeth, is set to make the galleries of The Queen's Head ring with laughter with a new comedy, The Merry Devils. The lugubrious landlord is sure mischief will result. Nicholas sees only a harmless comedy that will not summon up real devils, but two actors adept at tumbling. How then, during the crucial scene, do three devils appear on stage, one looking disturbingly real? And what of the deviltry that follow? One imp, in fact, soon lies dead beneath the stage…
Again we meet the Westfield players I enjoyed this one a bit more than the first but again it feel a bit rushed at the end! A decent read all the same with a crime solving book master. On to book 3!
Lyndsey Gollogly (2893 KP) rated The Queen's Head (Nicholas Bracewell, #1) in Books
Sep 9, 2021
148 of 250
Book
The Queens Head ( Nicolas Bracewell book 1)
By Edward Marston
Once read a review will be written via Smashbomb and link posted in comments
1587, and Mary, Queen of Scots, dies by the executioner's axe, her head, shorn of its auburn wig, rolling across the platform. Will her death end the ceaseless plotting against Mary's red-haired cousin, Elizabeth?1588, the year of the Spanish Armada, is a time of more terror and triumph, not just for queen and court but for the whole of England. The turmoil is reflected in its theatres and under the galleries of inns like London's The Queen's Head where Lord Westfield's Men perform. The scene there on grows even more tumultuous when one of the actors is murdered by a mysterious stranger during a brawl.Nicholas Bracewell, the company's bookholder, a role far wider than mere producer, faces two immediate repercussions. The first is to secure a replacement acceptable to its temperamental star -- and chief shareholder -- Lawrence Firethorn. The second is to keep his promise to the dying Will Fowler and catch his killer.Soon further robberies, accidents, and misfortunes strike Lord Westfield's Men even as their stage successes swell. Bracewell begins to suspect a conspiracy, not a single murderous act, but where lies the proof? Then the players are rewarded with the ultimate accolade -- an appearance at court -- and the canny bookholder senses the end to the drama is at hand....
It was good not something I’d come back to reading again but good enough to take me to book 2. I love this era and found the descriptions one of the best parts of the book. I did have it sussed from just after the murder though.
Book
The Queens Head ( Nicolas Bracewell book 1)
By Edward Marston
Once read a review will be written via Smashbomb and link posted in comments
1587, and Mary, Queen of Scots, dies by the executioner's axe, her head, shorn of its auburn wig, rolling across the platform. Will her death end the ceaseless plotting against Mary's red-haired cousin, Elizabeth?1588, the year of the Spanish Armada, is a time of more terror and triumph, not just for queen and court but for the whole of England. The turmoil is reflected in its theatres and under the galleries of inns like London's The Queen's Head where Lord Westfield's Men perform. The scene there on grows even more tumultuous when one of the actors is murdered by a mysterious stranger during a brawl.Nicholas Bracewell, the company's bookholder, a role far wider than mere producer, faces two immediate repercussions. The first is to secure a replacement acceptable to its temperamental star -- and chief shareholder -- Lawrence Firethorn. The second is to keep his promise to the dying Will Fowler and catch his killer.Soon further robberies, accidents, and misfortunes strike Lord Westfield's Men even as their stage successes swell. Bracewell begins to suspect a conspiracy, not a single murderous act, but where lies the proof? Then the players are rewarded with the ultimate accolade -- an appearance at court -- and the canny bookholder senses the end to the drama is at hand....
It was good not something I’d come back to reading again but good enough to take me to book 2. I love this era and found the descriptions one of the best parts of the book. I did have it sussed from just after the murder though.
Gareth von Kallenbach (977 KP) rated Mary Queen of Scots (2018) in Movies
Jul 2, 2019
Mary Queen of Scots” tells the story of two women fighting to rise above the status quo and take the power that they were genetically entitled to. Yet, their paths are forsaken by the omnipresent patriarchy, despite their high status and crowns.
The film is a display of the hard hands of men attempting to crush the ambitions of women. The manipulative and aggressive power of the patriarchy is a theme sown throughout the story.
This tale is filled with twists and turns, betrayal, romance, gore, and heartache. It is a portrayal of a timeless theme.
The audience will be placed in another world of the distant past where life was poor, brutish, nasty, and short, as Leviathan would have put it.
Margot Robbie as Queen Elizabeth I, embodies a woman absorbed by the challenge of maintaining her crown. She forfeits her femininity to become a masculine ruler out of necessity and the impact upon her is great in sacrifice.
On the other hand, her cousin, Mary Queen of Scots, played by Saoirse Ronan, is an ambitious leader with hopes to bring peace between two kingdoms at all costs.
Ronan delivers an elegant and passionate performance as Mary, a headstrong and fearless lady of power with rosy cheeks and eyes full of brightness. She believes in love and she believes in truth, but she also believes in war. The audience will experience where her values and virtue lead her.
If escape from the mundane modern world is what the movie goer desires, this will be the perfect film. It is a balance of everything and a reflection of life itself in all its most ugly and beautiful moments.
Director Josie Rourke has delivered a riveting historical drama onto the big screen.
The film has an ethereal and realistic way of reviving this piece of our past. But heed my warning, it will not be for the faint of heart.
The film is a display of the hard hands of men attempting to crush the ambitions of women. The manipulative and aggressive power of the patriarchy is a theme sown throughout the story.
This tale is filled with twists and turns, betrayal, romance, gore, and heartache. It is a portrayal of a timeless theme.
The audience will be placed in another world of the distant past where life was poor, brutish, nasty, and short, as Leviathan would have put it.
Margot Robbie as Queen Elizabeth I, embodies a woman absorbed by the challenge of maintaining her crown. She forfeits her femininity to become a masculine ruler out of necessity and the impact upon her is great in sacrifice.
On the other hand, her cousin, Mary Queen of Scots, played by Saoirse Ronan, is an ambitious leader with hopes to bring peace between two kingdoms at all costs.
Ronan delivers an elegant and passionate performance as Mary, a headstrong and fearless lady of power with rosy cheeks and eyes full of brightness. She believes in love and she believes in truth, but she also believes in war. The audience will experience where her values and virtue lead her.
If escape from the mundane modern world is what the movie goer desires, this will be the perfect film. It is a balance of everything and a reflection of life itself in all its most ugly and beautiful moments.
Director Josie Rourke has delivered a riveting historical drama onto the big screen.
The film has an ethereal and realistic way of reviving this piece of our past. But heed my warning, it will not be for the faint of heart.
Lyndsey Gollogly (2893 KP) rated Anne Boleyn: A Kings Obsession (Six Tudor Queens #2) in Books
Oct 10, 2021
165 of 250
Book
Anne Boleyn:A Kings Obsession (Six Tudor Queens book 2)
By Alison Weir
Once read a review will be written via Smashbomb and link posted in comments
Anne Boleyn: A King's Obsession by bestselling historian Alison Weir, author of Katherine of Aragon: The True Queen, is the second captivating novel in the Six Tudor Queens series. An unforgettable portrait of the ambitious woman whose fate we know all too well, but whose true motivations may surprise you. Essential reading for fans of Philippa Gregory and Elizabeth Chadwick.
'Offers a spellbinding solution to the mystery of Anne's true nature . . . Enthralling' Sarah Gristwood
The young woman who changed the course of history.
Fresh from the palaces of Burgundy and France, Anne draws attention at the English court, embracing the play of courtly love.
But when the King commands, nothing is ever a game.
Anne has a spirit worthy of a crown - and the crown is what she seeks. At any price.
ANNE BOLEYN. The second of Henry's Queens. Her story.
History tells us why she died. This powerful novel shows her as she lived.
I absolutely love how this author writes! I was hooked from the start with this book. Anne Boleyn is one of those women who started with such good intentions but then became all dark and twisted! I have zero sympathy for how her life played out but found her story totally captivating. This is definitely a series worth reading!
Book
Anne Boleyn:A Kings Obsession (Six Tudor Queens book 2)
By Alison Weir
Once read a review will be written via Smashbomb and link posted in comments
Anne Boleyn: A King's Obsession by bestselling historian Alison Weir, author of Katherine of Aragon: The True Queen, is the second captivating novel in the Six Tudor Queens series. An unforgettable portrait of the ambitious woman whose fate we know all too well, but whose true motivations may surprise you. Essential reading for fans of Philippa Gregory and Elizabeth Chadwick.
'Offers a spellbinding solution to the mystery of Anne's true nature . . . Enthralling' Sarah Gristwood
The young woman who changed the course of history.
Fresh from the palaces of Burgundy and France, Anne draws attention at the English court, embracing the play of courtly love.
But when the King commands, nothing is ever a game.
Anne has a spirit worthy of a crown - and the crown is what she seeks. At any price.
ANNE BOLEYN. The second of Henry's Queens. Her story.
History tells us why she died. This powerful novel shows her as she lived.
I absolutely love how this author writes! I was hooked from the start with this book. Anne Boleyn is one of those women who started with such good intentions but then became all dark and twisted! I have zero sympathy for how her life played out but found her story totally captivating. This is definitely a series worth reading!
Deborah (162 KP) rated Highland Surrender in Books
Dec 21, 2018
In the reign on James V (son of Margaret Tudor, the sister of Henry VIII, and father of Mary Queen of Scots) Fiona and Myles, representatives of two feuding clans, are told by the King that they must marry and form an alliance.....
Sadly, Fiona, the heroine, appears as a right Little Madam for most of the first part of the book. Even after feeling betrayed by her brothers, she is unable to reasonably question anything beyond the clan indoctrination and acts simply like a spoilt child. It's quite hard to see why Myles falls for her at all.
That said, overall this isn't a bad book. I think a bit more on the history side would have made this a more solid and exciting novel, as the ending was really rather good, but it seemed that it couldn't decide if it wanted to be an historical novel, with a romance element (think Elizabeth Chadwick) or something more akin to a bodice ripper (and nothing wrong with that!). You started off feeling there was a bigger plot at play, but this seemed to get a bit lost in the middle, before a quite exciting ending after all.
Not sure it's worth a second read, but I'd consider this author again in the future.
Sadly, Fiona, the heroine, appears as a right Little Madam for most of the first part of the book. Even after feeling betrayed by her brothers, she is unable to reasonably question anything beyond the clan indoctrination and acts simply like a spoilt child. It's quite hard to see why Myles falls for her at all.
That said, overall this isn't a bad book. I think a bit more on the history side would have made this a more solid and exciting novel, as the ending was really rather good, but it seemed that it couldn't decide if it wanted to be an historical novel, with a romance element (think Elizabeth Chadwick) or something more akin to a bodice ripper (and nothing wrong with that!). You started off feeling there was a bigger plot at play, but this seemed to get a bit lost in the middle, before a quite exciting ending after all.
Not sure it's worth a second read, but I'd consider this author again in the future.
graveyardgremlin (7194 KP) rated The Other Countess (The Lacey Chronicles, #1) in Books
Feb 15, 2019
THE OTHER COUNTESS is a sweet and harmless love story set in Tudor England during the reign of Queen Elizabeth I, in the year of 1582 to be exact. Lady Eleanor Rodriguez, Countess of San Jaime, is our penniless heroine who is saddled with her absent-minded alchemist father; the roles of child and parent have been long since been reversed. The preface, which takes place in 1578, gives us our first glimpse of William Lacey, the new Earl of Dorset at age fourteen, as he throws a twelve-year-old Ellie and her father off his land.
The story itself isn't exactly original and doesn't go into any unfamiliar territory, but it's ably told and fairly inoffensive, making it suitable for older teens (there are numerous allusions to sexual situations but that's as far as it goes). The dialogue and sensibilities are more modern in nature and don't always ring true to the era, but some liberties are always taken in young adult fiction, therefore making it something I can forgive. Very light on historical content, this is more for the romantics out there who like a historical backdrop to a love story. For the first half, I wasn't very involved into either the characters or their story, and it didn't help that it moved at a slow pace, though at the halfway point it picked up and started charming me. However, the hero and heroine were a little too perfect, more so in Ellie's case, as she didn't seem to really have any negative attributes other than she has a bit of a temper. Maybe if they had a few more rough edges I would have rooted for them to have their happy ending, as it is, I wasn't that invested. I do think that the secondary character, Lady Jane Perceval, has promise on that front since her narrative had a more realistic feel to it, so I may just pick up her story when it comes out ([b:The Queen's Lady|8805112|The Queen's Lady (The Lacey Chronicles, #2)|Eve Edwards|http://photo.goodreads.com/books/1327950501s/8805112.jpg|13679272]). The resolution to Will and Ellie's story came far too easily and some more conflict would have made it much better. Still, as I said, it's a sweet story, even if nothing sets it apart from other books. An easy read that should appeal to teenage girls.
The story itself isn't exactly original and doesn't go into any unfamiliar territory, but it's ably told and fairly inoffensive, making it suitable for older teens (there are numerous allusions to sexual situations but that's as far as it goes). The dialogue and sensibilities are more modern in nature and don't always ring true to the era, but some liberties are always taken in young adult fiction, therefore making it something I can forgive. Very light on historical content, this is more for the romantics out there who like a historical backdrop to a love story. For the first half, I wasn't very involved into either the characters or their story, and it didn't help that it moved at a slow pace, though at the halfway point it picked up and started charming me. However, the hero and heroine were a little too perfect, more so in Ellie's case, as she didn't seem to really have any negative attributes other than she has a bit of a temper. Maybe if they had a few more rough edges I would have rooted for them to have their happy ending, as it is, I wasn't that invested. I do think that the secondary character, Lady Jane Perceval, has promise on that front since her narrative had a more realistic feel to it, so I may just pick up her story when it comes out ([b:The Queen's Lady|8805112|The Queen's Lady (The Lacey Chronicles, #2)|Eve Edwards|http://photo.goodreads.com/books/1327950501s/8805112.jpg|13679272]). The resolution to Will and Ellie's story came far too easily and some more conflict would have made it much better. Still, as I said, it's a sweet story, even if nothing sets it apart from other books. An easy read that should appeal to teenage girls.
Factually Accurate
I received this book for free through Goodreads First Reads.
A spectacle of celebrity, talent and burning ambition, Queen Bees combines the biographical stories of six ambitious women who helped to shape the standards of British society between the two world wars. Londoner Siân Evans is a cultural historian who has previously worked with the Victoria and Albert Museum, National Trust and Design Museum, and takes great lengths to thoroughly research into her written subject in order to portray a highly accurate insight to the lives of historical figures. Due to the non-existent political status of women in the early 1900s, the women featured in this book are virtually unknown today, yet they had a great impact during the 20s and 30s and helped to shape the Britain of today.
Although not necessarily born into it, circumstances such as marriage meant these six women were regarded as upper class. In no particular order, the names impacting on the social revolution and thus featured in Queen Bees are as follows: Lady Nancy Astor, the first female MP; Lady Sybil Colefax, who became a friend of Edward VIII; Lady Emerald Cunard, also connected with the royal family; Mrs. Ronnie Greville, a rather formidable woman; Lady Edith Londonderry, the founder of the Women’s Legion; and Laura Corrigan, the youngest of the set. Evans talks the reader through these women’s careers as professional hostesses as they compete to throw the better party, entertaining famous writers and actors as well as members of royalty, both national and foreign.
What is perhaps the most interesting, and indeed the most worth learning, is the way a couple of these women altered the future of the British monarchy. Without their interference the future George VI would never have married Elizabeth Bowes-Lyon, and without their involvement in the relationship between Edward VIII and Wallis Simpson, George VI would never have come to the throne. This is such an important aspect of British history that has been widely left out and ignored. Without these hostesses influence we would all be experiencing a slightly different life.
In terms of the actual writing, Siân Evans manages fairly well to engage the reader as she relates the factual story in a more or less chronological way. A slight issue is the quick, often undetected, move from one woman to the next, resulting in a lot of confusion about who is who particularly at the beginning of the book. A lot of the narrative features other key figures from the same period and often moves away from the main characters, which, whilst interesting, is not what the reader necessarily expected from a book whose title Queen Bees suggested it was only going to be about the women’s lives.
Footnotes, quotes and extracts from letters and diaries help to make the book appear reliable, factual and believable. Some of the content, without back up, would have seemed rather fanciful or exaggerated. Queen Bees can be read as a source of entertainment or as a citation for historical research. What is found within these pages is a more unbiased account of the early twentieth century than would be found in numerous male dominated history textbooks.
Mature readers of all ages are likely to gain something from reading Queen Bees – pleasure, knowledge etc., however it is most likely to appeal to the contemporary feminist. With this in mind, be aware that the six hostesses were not feminists of their time; they were not involved in Suffragette movements and were fairly content to live off money earned by their husbands or fathers. Yet, on the other hand, they impacted on the future of Britain as much as the male politicians of the time. Highly political in content, Queen Bees is worth reading to discover our own history, but be prepared for initial confusion over who is who and rather lengthy paragraphs.
A spectacle of celebrity, talent and burning ambition, Queen Bees combines the biographical stories of six ambitious women who helped to shape the standards of British society between the two world wars. Londoner Siân Evans is a cultural historian who has previously worked with the Victoria and Albert Museum, National Trust and Design Museum, and takes great lengths to thoroughly research into her written subject in order to portray a highly accurate insight to the lives of historical figures. Due to the non-existent political status of women in the early 1900s, the women featured in this book are virtually unknown today, yet they had a great impact during the 20s and 30s and helped to shape the Britain of today.
Although not necessarily born into it, circumstances such as marriage meant these six women were regarded as upper class. In no particular order, the names impacting on the social revolution and thus featured in Queen Bees are as follows: Lady Nancy Astor, the first female MP; Lady Sybil Colefax, who became a friend of Edward VIII; Lady Emerald Cunard, also connected with the royal family; Mrs. Ronnie Greville, a rather formidable woman; Lady Edith Londonderry, the founder of the Women’s Legion; and Laura Corrigan, the youngest of the set. Evans talks the reader through these women’s careers as professional hostesses as they compete to throw the better party, entertaining famous writers and actors as well as members of royalty, both national and foreign.
What is perhaps the most interesting, and indeed the most worth learning, is the way a couple of these women altered the future of the British monarchy. Without their interference the future George VI would never have married Elizabeth Bowes-Lyon, and without their involvement in the relationship between Edward VIII and Wallis Simpson, George VI would never have come to the throne. This is such an important aspect of British history that has been widely left out and ignored. Without these hostesses influence we would all be experiencing a slightly different life.
In terms of the actual writing, Siân Evans manages fairly well to engage the reader as she relates the factual story in a more or less chronological way. A slight issue is the quick, often undetected, move from one woman to the next, resulting in a lot of confusion about who is who particularly at the beginning of the book. A lot of the narrative features other key figures from the same period and often moves away from the main characters, which, whilst interesting, is not what the reader necessarily expected from a book whose title Queen Bees suggested it was only going to be about the women’s lives.
Footnotes, quotes and extracts from letters and diaries help to make the book appear reliable, factual and believable. Some of the content, without back up, would have seemed rather fanciful or exaggerated. Queen Bees can be read as a source of entertainment or as a citation for historical research. What is found within these pages is a more unbiased account of the early twentieth century than would be found in numerous male dominated history textbooks.
Mature readers of all ages are likely to gain something from reading Queen Bees – pleasure, knowledge etc., however it is most likely to appeal to the contemporary feminist. With this in mind, be aware that the six hostesses were not feminists of their time; they were not involved in Suffragette movements and were fairly content to live off money earned by their husbands or fathers. Yet, on the other hand, they impacted on the future of Britain as much as the male politicians of the time. Highly political in content, Queen Bees is worth reading to discover our own history, but be prepared for initial confusion over who is who and rather lengthy paragraphs.
Deborah (162 KP) rated The Tudor Rose in Books
Dec 21, 2018
This book was written over 50 years ago, so I suppose we must make some allowances for light that has been shed on past events between now and then, but still, there were a number of silly errors in this book which didn't help its credibility: the pre-contract was with Eleanor Butler (nee Talbot) and for some odd reason the book gives her given name as Joan, and Edmund Tudor died of the plague and not in battle.
Overall the book follows a somewhat traditionalist stance, although Henry Tudor comes across as pretty cold and unlikeable. I wasn't convinced by some of the internal logic and some of the characterisation though. Anne Neville, for example. She is a figure we really don't know that much about, but it's hard to conceive she could be as simple and naive as she is portrayed here! Barnes does try it on a bit with trying to make us wonder if 'Perkin' is really Richard of York (and here the historical novelist has licence, because we really don't know!), despite having Bess keep adamantly stating that she knows her brothers are dead. We're also told that Elizabeth Woodville believes they died, which might lead one to question why she would have a finger in a rebellion against her daughter as queen consort? And if everybody really believed this, why did Sir William Stanley lose his head for saying he wouldn't fight against 'Perkin' if he was really a son of Edward IV - and that is in the historical record as well as this novel. There's an awful lot about Bess believing both Richard and Henry have potentially been culpable in acts of murder, but she herself in this novel is guilty of an act of treachery that is at least as bad!
Not a badly written novel, but I found it frustrating overall!
Overall the book follows a somewhat traditionalist stance, although Henry Tudor comes across as pretty cold and unlikeable. I wasn't convinced by some of the internal logic and some of the characterisation though. Anne Neville, for example. She is a figure we really don't know that much about, but it's hard to conceive she could be as simple and naive as she is portrayed here! Barnes does try it on a bit with trying to make us wonder if 'Perkin' is really Richard of York (and here the historical novelist has licence, because we really don't know!), despite having Bess keep adamantly stating that she knows her brothers are dead. We're also told that Elizabeth Woodville believes they died, which might lead one to question why she would have a finger in a rebellion against her daughter as queen consort? And if everybody really believed this, why did Sir William Stanley lose his head for saying he wouldn't fight against 'Perkin' if he was really a son of Edward IV - and that is in the historical record as well as this novel. There's an awful lot about Bess believing both Richard and Henry have potentially been culpable in acts of murder, but she herself in this novel is guilty of an act of treachery that is at least as bad!
Not a badly written novel, but I found it frustrating overall!
Matthew Krueger (10051 KP) rated Pirates of the Caribbean: On Stranger Tides (2011) in Movies
Nov 20, 2019
Drunk Johnny Part 4
This one is good, just not as good as the trilogy, it does return Jack Sparrow and his adventures to get more drunk, im kidding. But actually its true. So is Will Turner in it, nope, is Elizabeth Swan in it, nope, is Davy Jones in it, nope. So who's in this Barbossa of course he is. I like Barbossa he's a good anti-hero. So who's the villian this time, Blackbread played by the excellent Ian McShane, so how is he in this film, well he's good. Just I miss Bill Nighy as Davy Jones he was excellent in the role and as the charcter he had a arc that was in two films. Blackbread is okay as a villian just not the same.
The Plot: The checkered past of Capt. Jack Sparrow (Johnny Depp) catches up to him when he encounters Angelica (Penélope Cruz), a beautiful pirate that Jack once loved then left. Angelica forces him to accompany her to the Queen Anne's Revenge, the ship of the notorious Blackbeard (Ian McShane). Accompanied by a zombie crew, the trio sets sail to find the legendary Fountain of Youth. However, Jack's rival, Barbossa (Geoffrey Rush), also seeks the fountain, as does a ship from Spain.
Ahh so this time its Jack Sparrow's adventure to the fountian of youth. A plus is that Keith Richards is back playing Jack Sparrow's father, wait did we need that? Probley not, but we got it anyways.
So you watch this film, yes if you like the other ones, you'll like this one. Just dont watch the 5th one.
The Plot: The checkered past of Capt. Jack Sparrow (Johnny Depp) catches up to him when he encounters Angelica (Penélope Cruz), a beautiful pirate that Jack once loved then left. Angelica forces him to accompany her to the Queen Anne's Revenge, the ship of the notorious Blackbeard (Ian McShane). Accompanied by a zombie crew, the trio sets sail to find the legendary Fountain of Youth. However, Jack's rival, Barbossa (Geoffrey Rush), also seeks the fountain, as does a ship from Spain.
Ahh so this time its Jack Sparrow's adventure to the fountian of youth. A plus is that Keith Richards is back playing Jack Sparrow's father, wait did we need that? Probley not, but we got it anyways.
So you watch this film, yes if you like the other ones, you'll like this one. Just dont watch the 5th one.
Lottie disney bookworm (1056 KP) rated Ashes of Glass in Books
Jan 4, 2021
Contains spoilers, click to show
Ashes of Glass is a gorgeous retelling of Cinderella, and you all know what a sucker I am for a retelling!
Arella's upbringing is one we have heard numerous times, both through print and on screen. For this reason Emma Hill presents this chapter of Arella's life almost as a misty, memory montage; preferring to focus on the upcoming tale she has to tell. I must say I greatly appreciated this originality and confindence: Hill knows she has an absolute gem of a story here and doesn't need to pad it out with the sad turn of events we all know.
Anyone who has read "So, This is Love" by Elizabeth Lim will see some similarities within the two storylines in that Ella begins working in the Palace. However, Hill's Ella is , in my opinion, a much stronger character from the outset. She has no qualms in challenging Prince Freddie's prejudices in respects to gypsies and, on the whole, does not change her behaviour towards Freddie once she discovers he is the Prince.
Ella and Freddie are only two of a whole cast of characters who are beautifully portrayed within this novel. I really loved the added details such as the King's interest in elephants, the fact that the Duke was nicer (but still quite strict) and the fact that Ella had a friend alongside her. All of these factors made the story a lot more real than the classic fairy tale. Hill made it so easy for the reader to fall in love with Ella and Freddie as a couple, especially because they were not perfect and experienced real emotions such as doubt and jealousy. If anything, our love for these two made it even easier for us to hate the villain, Lord DiFortunato.
Now, we all love to hate the sleazy, slimy villain in a story, but this guy was something else! Emma Hill's villain literally made my skin crawl and, at the point in the story where Ella's curiosity puts her in a whole heap of danger, the suspense was too much I had to skim read just to know whether she was going to be OK.
The one character I did want a bit more of was Lady Izabella: I suspect she was likely Freddie's godmother due to her friendship with the Queen and I think this could have been cleverly played on a little more. Don't get me wrong she was a charming (and necessary) background character but I would have liked to see her a little more.
EJ Hill also included a lot of nods to the original fairy tale which were really appreciated. Of course the iconic pink dress becomes ruined and the ballgown is a must but Ella's affectionate use of Prince Charming as a nickname for Freddie was just gorgeous. Oh and losing the shoe: genius!
This is not to say this story lacks originality though. There is a thrilling sub plot into the investigation into the King's death which moves alongside and intersects Arella's plotline beautifully.
I would say that the chapters do shift from Arella to Freddie quite often and this could be quite confusing at times. Also faith plays a huge part within the story. I already knew Emma Hill was a Christian so this wasn't a surprise and it didn't put me off the story at all. I do think that it was included quite heavily though.
If you want the story of Cinderella, with a swoon-worthy Prince, more action, less Stepmother/sisters and an underlying murder mystery. This is the book for you!
Arella's upbringing is one we have heard numerous times, both through print and on screen. For this reason Emma Hill presents this chapter of Arella's life almost as a misty, memory montage; preferring to focus on the upcoming tale she has to tell. I must say I greatly appreciated this originality and confindence: Hill knows she has an absolute gem of a story here and doesn't need to pad it out with the sad turn of events we all know.
Anyone who has read "So, This is Love" by Elizabeth Lim will see some similarities within the two storylines in that Ella begins working in the Palace. However, Hill's Ella is , in my opinion, a much stronger character from the outset. She has no qualms in challenging Prince Freddie's prejudices in respects to gypsies and, on the whole, does not change her behaviour towards Freddie once she discovers he is the Prince.
Ella and Freddie are only two of a whole cast of characters who are beautifully portrayed within this novel. I really loved the added details such as the King's interest in elephants, the fact that the Duke was nicer (but still quite strict) and the fact that Ella had a friend alongside her. All of these factors made the story a lot more real than the classic fairy tale. Hill made it so easy for the reader to fall in love with Ella and Freddie as a couple, especially because they were not perfect and experienced real emotions such as doubt and jealousy. If anything, our love for these two made it even easier for us to hate the villain, Lord DiFortunato.
Now, we all love to hate the sleazy, slimy villain in a story, but this guy was something else! Emma Hill's villain literally made my skin crawl and, at the point in the story where Ella's curiosity puts her in a whole heap of danger, the suspense was too much I had to skim read just to know whether she was going to be OK.
The one character I did want a bit more of was Lady Izabella: I suspect she was likely Freddie's godmother due to her friendship with the Queen and I think this could have been cleverly played on a little more. Don't get me wrong she was a charming (and necessary) background character but I would have liked to see her a little more.
EJ Hill also included a lot of nods to the original fairy tale which were really appreciated. Of course the iconic pink dress becomes ruined and the ballgown is a must but Ella's affectionate use of Prince Charming as a nickname for Freddie was just gorgeous. Oh and losing the shoe: genius!
This is not to say this story lacks originality though. There is a thrilling sub plot into the investigation into the King's death which moves alongside and intersects Arella's plotline beautifully.
I would say that the chapters do shift from Arella to Freddie quite often and this could be quite confusing at times. Also faith plays a huge part within the story. I already knew Emma Hill was a Christian so this wasn't a surprise and it didn't put me off the story at all. I do think that it was included quite heavily though.
If you want the story of Cinderella, with a swoon-worthy Prince, more action, less Stepmother/sisters and an underlying murder mystery. This is the book for you!