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Rodney Barnes (472 KP) rated War of the Worlds (2005) in Movies
May 29, 2019 (Updated May 29, 2019)
Alien Invasion or family issues
I loved the Orson Weller radio drama of War of the Worlds...I even like the 1953 take on the story; but this movie. This story doesn't need a Tom Cruise type star because they are going to want the movie focused on them. Like this one. This is a story about alien invasion, not about a dead beat dad. I know the human element has to be in something like this but not in this fashion. I thought this was a very poor interpraraton of War of the Worlds. I would love to see this movie done very closely to the radio drama. That would make a good movie. As for the Tom Cruise version....it needs a heat ray taken to it and wiped off the face of the Earth.
David McK (3180 KP) rated Dr Who: Dead Air in Books
May 5, 2024 - 10:31 AM
There's an old (well, now old) episode of Buffy The Vampire Slayer where The Hush comes to town, and everyone loses the ability to speak.
I've no idea which came first - edit: Buffy episode did - but I strongly suspect it was the inspiration for this audio drama, where the Hush is a sentient weapon left over from the Time War between the Time Lords and the Daleks, is on board a pirate radio station just outside Liverpool in the 1960s, and is looking for a way to escape and propagate.
In-universe, this is presented as a recording of the what went on onboard the ship, with David Tennant's Doctor warning the listener NOT to listen to the end as otherwise the Hush might escape ...
The result in an OK story: it's not the worst Dr Who audio drama I've listened to, but nor is it the best.
I've no idea which came first - edit: Buffy episode did - but I strongly suspect it was the inspiration for this audio drama, where the Hush is a sentient weapon left over from the Time War between the Time Lords and the Daleks, is on board a pirate radio station just outside Liverpool in the 1960s, and is looking for a way to escape and propagate.
In-universe, this is presented as a recording of the what went on onboard the ship, with David Tennant's Doctor warning the listener NOT to listen to the end as otherwise the Hush might escape ...
The result in an OK story: it's not the worst Dr Who audio drama I've listened to, but nor is it the best.
Awix (3310 KP) rated Styx (2018) in Movies
May 1, 2019 (Updated May 1, 2019)
No-frills drama from Germany (not much dialogue, and most of that in English) achieves genuine tension after a slow start. Competent, compassionate doctor seems to be having no trouble sailing the Atlantic until she comes across a ship loaded with refugees in very bad shape: her small boat can't help, and the authorities advise her by radio to leave the area; but they show no sign of doing anything to help. The arrival on board of a young boy only complicates matters further. What is she supposed to do?
Wears its heart very much on its sleeve as a parable about civilised European attitudes to crises in other parts of the world; not exactly subtle and doesn't seem to have many answers to give. The slow start may also put some people off. However, Wolff carries the film impressively, and the moral dilemma at its centre is engrossing and resonant. Director does good work with what's clearly quite a low budget.
Wears its heart very much on its sleeve as a parable about civilised European attitudes to crises in other parts of the world; not exactly subtle and doesn't seem to have many answers to give. The slow start may also put some people off. However, Wolff carries the film impressively, and the moral dilemma at its centre is engrossing and resonant. Director does good work with what's clearly quite a low budget.
David McK (3180 KP) rated The Imitation Game (2014) in Movies
Feb 26, 2022
Drama based on the life and times of Alan Turing, the so-called father of modern computing, who worked in Bletchley Park during World War 2 to break the hitherto-believed-unbreakable enigma machine that the German high command were using to send radio messages to their fleets.
This flits back and forth between three timelines: the 1950s (just before Turing committed society, after being found guilty of Homosexual behaviour, which was outlawed at the time), the late 30s/early 40s (his work at Bletchley) and the 1920s (his childhood at a public boarding school, where he was bullied).
Cumberbatch manages to bring a different aura to his portrayal of Turing than he did previously to Sherlock - even though both are geniuses who struggle with a low EQ (Emotional Quotient) - while Kiera Knightley does her period piece acting as his fellow (perhaps even smarter) codebreaker Joan, who has to also put up with the misogynistic attitudes of the time.
And yes, the Imitation Game of the title is a real philosophical conundrum (which is described during the movie itself).
This flits back and forth between three timelines: the 1950s (just before Turing committed society, after being found guilty of Homosexual behaviour, which was outlawed at the time), the late 30s/early 40s (his work at Bletchley) and the 1920s (his childhood at a public boarding school, where he was bullied).
Cumberbatch manages to bring a different aura to his portrayal of Turing than he did previously to Sherlock - even though both are geniuses who struggle with a low EQ (Emotional Quotient) - while Kiera Knightley does her period piece acting as his fellow (perhaps even smarter) codebreaker Joan, who has to also put up with the misogynistic attitudes of the time.
And yes, the Imitation Game of the title is a real philosophical conundrum (which is described during the movie itself).
Gripping and gritty
Not normally a fan of British drama, I was persuaded to watch this based on the hype surrounding it and my wife being told by everyone at work how good it was. The first episode was exceptional TV - gripping, tense and realistic with strong characters outlined early on. For me, this was the peak, as PS David Budd (Richard Madden) acts on his suspicions over someone boarding his train.
From there on, Budd becomes embroiled in politics (as the protection officer for the outspoken Home Secretary) and a series of conspiracies. Right up until the final episode, there was a definite feel of early Homeland about this, as you are constantly trying to work out whether Budd is in on it, as the evidence suggests, or is honestly trying to stop the terrorists or find the culprits.
A few clumsy moments here or there that took the edge off for me (most notably certain people suddenly admitting everything under the lamest of police interrogations, but also more practical things like switching radio channels with only one hand).
Overall, Madden was a strong main actor, but as with a number of Scottish actors I find their need to soften their accent comes across as bad, less natural acting and it is hard for me to see past this.
From there on, Budd becomes embroiled in politics (as the protection officer for the outspoken Home Secretary) and a series of conspiracies. Right up until the final episode, there was a definite feel of early Homeland about this, as you are constantly trying to work out whether Budd is in on it, as the evidence suggests, or is honestly trying to stop the terrorists or find the culprits.
A few clumsy moments here or there that took the edge off for me (most notably certain people suddenly admitting everything under the lamest of police interrogations, but also more practical things like switching radio channels with only one hand).
Overall, Madden was a strong main actor, but as with a number of Scottish actors I find their need to soften their accent comes across as bad, less natural acting and it is hard for me to see past this.
Faye Jeffries (1 KP) rated Bird Box (2018) in Movies
Dec 30, 2018
Underwhelmed
Contains spoilers, click to show
After the recent hype all over my social media about this film, I was extremely giddy to find myself with a few hours free after my little womb gnome had gone to bed and the fella was off to play Fifa. Finally, I could see what the drama was about.
The concept of the film is intriguing and it does get you gripped within the first 10 minutes. Similar to The Happening, sure, but the fact that it is seeing something which makes someone commit suicide rather than just being out in wind made it a bit more...tense. You know when you get the 'ohh nooo don't do that!!', you get that a lot in this film.
Sandra Bullock's performance is amazing. It's heartbreaking to see her emotionally cut herself off from the children to help them survive in the long run.
For me though, I felt like there was something missing. There wasn't much of a build up to anything because nothing really happens. It's just watching how it started and then their journey to a safe haven.
I am a bit miffed at the ending. So basically, they grew plants above the open spaces and that's enough? Why not just tell them that little golden nugget over the radio.
I won't watch it again but I did enjoy it, just left feeling a bit frustrated.
The concept of the film is intriguing and it does get you gripped within the first 10 minutes. Similar to The Happening, sure, but the fact that it is seeing something which makes someone commit suicide rather than just being out in wind made it a bit more...tense. You know when you get the 'ohh nooo don't do that!!', you get that a lot in this film.
Sandra Bullock's performance is amazing. It's heartbreaking to see her emotionally cut herself off from the children to help them survive in the long run.
For me though, I felt like there was something missing. There wasn't much of a build up to anything because nothing really happens. It's just watching how it started and then their journey to a safe haven.
I am a bit miffed at the ending. So basically, they grew plants above the open spaces and that's enough? Why not just tell them that little golden nugget over the radio.
I won't watch it again but I did enjoy it, just left feeling a bit frustrated.
Fred (860 KP) rated The Prisoner of Second Avenue (1975) in Movies
May 27, 2019
This is a comedy?
Okay, let me start by saying I love Neil Simon movies.The Odd Couple ranks up there in my top 10. I love the Out-of-Towners, love Murder By Death, the Sunshine Boys & many of his other films. In fact, I can say I liked every one of his movies I have ever seen. This being said, I went into watching Prisoner thinking it would be a laugh-out-loud comedy. Instead, the movie borders on full-blown drama. Sure, there are quick one-liners thrown out from Jack Lemmon towards Anne Bancroft, but these seem more like insults than zingers. Throughout the film, every line I knew was supposed to be funny made me crack a smile, but there are no burst out laughing jokes.
I guess we're supposed to feel sorry for Mel Edison & his wife. But, instead I find him to over-react at every little thing. He's a weak little man who probably deserves a lot more than he got. You feel more sorry for his wife for having to put up with him. Then later on, when the roles are reversed, you could care less about either character. The funniest parts of the movie have to do with the radio announcements made throughout the film. But 5 or 6 of these cannot hold this film together as a comedy.
It's not a bad film, & it was somewhat enjoyable to watch. The acting by Lemmon & Bancroft is top notch. But it's just not funny enough.
I guess we're supposed to feel sorry for Mel Edison & his wife. But, instead I find him to over-react at every little thing. He's a weak little man who probably deserves a lot more than he got. You feel more sorry for his wife for having to put up with him. Then later on, when the roles are reversed, you could care less about either character. The funniest parts of the movie have to do with the radio announcements made throughout the film. But 5 or 6 of these cannot hold this film together as a comedy.
It's not a bad film, & it was somewhat enjoyable to watch. The acting by Lemmon & Bancroft is top notch. But it's just not funny enough.
RəX Regent (349 KP) rated Night of the Living Dead (1968) in Movies
Feb 19, 2019
Iconic, influential and ground-breaking. All words to describe George A. Romero’s inaugural zombie horror, but what sets this apart from its contemporaries and the endless variations in the genre in which this Indie movie helped spawn?
Well to begin with, this is far from a simple zombie thriller. The real villains here are the collection of damaged human characters who all find themselves trapped together in an old farmhouse, barricaded within its fragile wooden walls, fighting not only the onslaught of zombie without, but the angst and fear from within.
At times they work together but unlike most films like this, the group rarely work at all, with conflicted views on how to survive, blinding them to the fact that if they only worked together they may just do so.
Instead, they all end up dead, with our leading man, a strong, smart black character, which at the time was a bold choice, being murdered by the redneck police posse, who mistake him for a zombie. But the metaphor, though hard to ignore, of a black man being gunned down without the white men bothering to ensure that he was zombie, may just be a coincidence, but the irony that he, Ben (Duane Jones) manages to survive until the end only be to gunned down in the final moments, is a tragedy that sums up this film’s tone.
With a killer child, a nude female zombie, a dysfunctional couple and the first named victim displaying a complacent contempt for God and the church, this group are real, though the acting standards are variable, the writing and direction are constantly very good, with a sense or gritty realism permeating throughout. Maintained by good pacing and gruesome cannibalistic action, this raised the bar of the genre, both now and then.
Even the zombies get a reasonable, yet none definitive explanation, as told through the radio and TV news. Radiation bringing the dead back to life, well, it may be the trope of 1960’s sci fi but it was well explained and the news reports were well composed, feeling more realistic than most movie news broadcasts.
Romero may have gone on to milk this franchise for all it is worth in the decades since but this opening low budget gem is a real piece of work; A complex moral drama set on one chaotic night in which the dead become living again.
Well to begin with, this is far from a simple zombie thriller. The real villains here are the collection of damaged human characters who all find themselves trapped together in an old farmhouse, barricaded within its fragile wooden walls, fighting not only the onslaught of zombie without, but the angst and fear from within.
At times they work together but unlike most films like this, the group rarely work at all, with conflicted views on how to survive, blinding them to the fact that if they only worked together they may just do so.
Instead, they all end up dead, with our leading man, a strong, smart black character, which at the time was a bold choice, being murdered by the redneck police posse, who mistake him for a zombie. But the metaphor, though hard to ignore, of a black man being gunned down without the white men bothering to ensure that he was zombie, may just be a coincidence, but the irony that he, Ben (Duane Jones) manages to survive until the end only be to gunned down in the final moments, is a tragedy that sums up this film’s tone.
With a killer child, a nude female zombie, a dysfunctional couple and the first named victim displaying a complacent contempt for God and the church, this group are real, though the acting standards are variable, the writing and direction are constantly very good, with a sense or gritty realism permeating throughout. Maintained by good pacing and gruesome cannibalistic action, this raised the bar of the genre, both now and then.
Even the zombies get a reasonable, yet none definitive explanation, as told through the radio and TV news. Radiation bringing the dead back to life, well, it may be the trope of 1960’s sci fi but it was well explained and the news reports were well composed, feeling more realistic than most movie news broadcasts.
Romero may have gone on to milk this franchise for all it is worth in the decades since but this opening low budget gem is a real piece of work; A complex moral drama set on one chaotic night in which the dead become living again.
Darren (1599 KP) rated All Is Lost (2013) in Movies
Jun 20, 2019
Story: All is Lost starts 1700 Nautical Miles from The Sumatra Straits on the 13th July as Our Man (Redford) believes that all is lost. The film starts out with a bang when sleeping lone sailor is awoken be cargo shipping container floating in the ocean smashing into the side of his ship leaving a massive hole in the side. The breach in the ship leaves our man with no connections for help even if his boat isn’t going down yet. Staying calm our man fixes the hole before fixing the radio knowing he can survive for a time but just how long is the question, mother nature decides to test our man by throwing storms at him but his years of experience are keeping him a float.
All is Lost is such a very simple story of one man trying survive against mother nature. We have to say this is a courage story that shows our hero never panic and use all the tricks he can to make sure he survives as long as he can always hoping for help. We are left guessing whether he will survive or not as we learn tricks that could help us one day, but in the end I do think this is an incredible story but is very slow, I can easily see the casual film fan giving up on this one. There is pretty much no dialogue in the film because our character has no one to talk to or need to explain who he is. I can honestly I would rather watch the fantasy Life of Pi over this because of the extra elements involved. (8/10)
Actor Review
Robert Redford: Our Man is our lone character in the whole film, we learn little about him over than he likes to boat, we know he keeps calm during the panic and knows how to survive and we also get to see his determination to survive. Robert gives a great performance without having to say too much that his action bring us in. (9/10)man
Director Review: J.C. Chandor – J.C gives us a very good drama about surviving that will get the praise from the critics but might not get enough attention from the casual fans. (8/10)
Action: All is Lost has the action scenes when our hero has t take on mother nature, each scene is heart stopping and realistic. (9/10)
Drama: All is Lost brings us a brilliant story about surviving against the odds. (9/10)
Settings: All is Lost can’t be faulted one bit for the settings because the whole film is set in the middle of the ocean giving our hero little to no chance of surviving. (10/10)
Suggestion: All is Lost is one to watch even if it does come off slow in places. (Watch)
Best Part: Redford is brilliant.
Worst Part: Slow in places.
Action Scene Of The Film: Storm turning the boat upside and back up again.
Believability: Events like this happen a lot and while this story is fictional it takes ideas from other stories. (8/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Similar Too: Life of Pi
Oscar Chances: Nominated for Best Achievement in Sound Editing.
Box Office: $6.25 Million
Budget: $9 Million
Runtime: 1 Hour 46 Minutes
Tagline: Never Give Up
Overall: All is Lost is a very good story about survival that keeps everything looking very realistic.
https://moviesreview101.com/2015/06/30/all-is-lost-2013/
All is Lost is such a very simple story of one man trying survive against mother nature. We have to say this is a courage story that shows our hero never panic and use all the tricks he can to make sure he survives as long as he can always hoping for help. We are left guessing whether he will survive or not as we learn tricks that could help us one day, but in the end I do think this is an incredible story but is very slow, I can easily see the casual film fan giving up on this one. There is pretty much no dialogue in the film because our character has no one to talk to or need to explain who he is. I can honestly I would rather watch the fantasy Life of Pi over this because of the extra elements involved. (8/10)
Actor Review
Robert Redford: Our Man is our lone character in the whole film, we learn little about him over than he likes to boat, we know he keeps calm during the panic and knows how to survive and we also get to see his determination to survive. Robert gives a great performance without having to say too much that his action bring us in. (9/10)man
Director Review: J.C. Chandor – J.C gives us a very good drama about surviving that will get the praise from the critics but might not get enough attention from the casual fans. (8/10)
Action: All is Lost has the action scenes when our hero has t take on mother nature, each scene is heart stopping and realistic. (9/10)
Drama: All is Lost brings us a brilliant story about surviving against the odds. (9/10)
Settings: All is Lost can’t be faulted one bit for the settings because the whole film is set in the middle of the ocean giving our hero little to no chance of surviving. (10/10)
Suggestion: All is Lost is one to watch even if it does come off slow in places. (Watch)
Best Part: Redford is brilliant.
Worst Part: Slow in places.
Action Scene Of The Film: Storm turning the boat upside and back up again.
Believability: Events like this happen a lot and while this story is fictional it takes ideas from other stories. (8/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Similar Too: Life of Pi
Oscar Chances: Nominated for Best Achievement in Sound Editing.
Box Office: $6.25 Million
Budget: $9 Million
Runtime: 1 Hour 46 Minutes
Tagline: Never Give Up
Overall: All is Lost is a very good story about survival that keeps everything looking very realistic.
https://moviesreview101.com/2015/06/30/all-is-lost-2013/
Lee (2222 KP) rated Wild Rose (2018) in Movies
Mar 20, 2019 (Updated Mar 20, 2019)
A Star Is Born
I've talked before about how disappointed I was with 'A Star Is Born' last year. An overrated movie of two halves, with an incredible first half and a dire second half. What I wanted from that movie was the story of a girl chasing a dream, culminating in the birth of a star and an epic singing finale. That all happened in the first half though, with the second half spiraling into boring filler territory. Wild Rose tells the story of Rose-Lynn, a down on her luck, aspiring country singer with dreams of becoming a star. It more closely follows that story I was looking for than 'A Star Is Born' did and is a much better movie overall, despite remaining fairly average throughout. If you put Sheridan Smith in the lead role, this could have just as easily been shown on ITV as their latest big weeknight drama series.
Things kick off with Rose-Lynn (Jessie Buckley) being released from a year in prison where she served time for drug charges. Before anything else, she meets up with a friend to catch up on some sex before heading over to her mums house (Julie Walters). Mum has been looking after Rose-Lynn's two young kids, aged 5 and 8, for the last year and it's clear the bond between mum and children has taken a serious hit. She doesn't exactly make any effort to reconnect with her children either, pulling on her cowboy boots and heading down to Glasgows Grand Ole Opry to try and pick up the regular singing slot she held there before winding up in jail. Rose-Lynn is a huge country music fan, and has plans to head over to Nashville in order to try and become a star.
Rose-Lynn lands a day job, cleaning for a wealthy couple in their large house. The lady of the house, Susannah (Sophie Okonedo) takes a shine to Rose-Lynn and after her children hear her belting out a song while cleaning, goes out of her way to try and help her. Using her connections to get a demo video to BBC Radio 2 legend 'Whispering' Bob Harris and even landing Rose-Lynn a gig at her 50th birthday party with a view to getting her wealthy guests to help 'crowdfund' Rose-Lynn.
Rose-Lynn is not a very likeable character for much of this movie. Selfish, annoying and with questionable life choices and actions. But that's the whole idea - to manipulate our feelings towards her. She's played wonderfully by Jessie Buckley and as her character grows and learns from life, we begin to like her that little bit more too. I was worried that if she eventually did find her way to Nashville, we'd see her become this huge star and I would have felt cheated if that were the case. Without heading too much into spoiler territory, I'll just say that things don't exactly work out that way. It's an unexpected but welcome change in direction, and leads to an incredible and emotional final number.
Things kick off with Rose-Lynn (Jessie Buckley) being released from a year in prison where she served time for drug charges. Before anything else, she meets up with a friend to catch up on some sex before heading over to her mums house (Julie Walters). Mum has been looking after Rose-Lynn's two young kids, aged 5 and 8, for the last year and it's clear the bond between mum and children has taken a serious hit. She doesn't exactly make any effort to reconnect with her children either, pulling on her cowboy boots and heading down to Glasgows Grand Ole Opry to try and pick up the regular singing slot she held there before winding up in jail. Rose-Lynn is a huge country music fan, and has plans to head over to Nashville in order to try and become a star.
Rose-Lynn lands a day job, cleaning for a wealthy couple in their large house. The lady of the house, Susannah (Sophie Okonedo) takes a shine to Rose-Lynn and after her children hear her belting out a song while cleaning, goes out of her way to try and help her. Using her connections to get a demo video to BBC Radio 2 legend 'Whispering' Bob Harris and even landing Rose-Lynn a gig at her 50th birthday party with a view to getting her wealthy guests to help 'crowdfund' Rose-Lynn.
Rose-Lynn is not a very likeable character for much of this movie. Selfish, annoying and with questionable life choices and actions. But that's the whole idea - to manipulate our feelings towards her. She's played wonderfully by Jessie Buckley and as her character grows and learns from life, we begin to like her that little bit more too. I was worried that if she eventually did find her way to Nashville, we'd see her become this huge star and I would have felt cheated if that were the case. Without heading too much into spoiler territory, I'll just say that things don't exactly work out that way. It's an unexpected but welcome change in direction, and leads to an incredible and emotional final number.