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The Horror of Frankenstein (1970)
The Horror of Frankenstein (1970)
1970 | Comedy, Horror
(The other) Young Frankenstein
At the start of the 1970s Hammer tried to relaunch both their main series with new leading men (Ralph Bates replacing Christopher Lee in this case); this was the only reboot which eventually happened. The basics of the Frankenstein story are (just about) retold; young Victor decides to make a man, if not of himself, then from some body parts.

There's no doubt that Ralph Bates could have been a brilliant Frankenstein, but not in a film with a script like this one's. The film attempts to appeal to a hip young audience by including cleavage by the yard and lots of sub-Carry On film humour; script is also thick-headed and repetitive. The moment Frankenstein's experiments included resurrecting a tortoise everyone involved should have realised there was a serious problem here. Not funny, not scary, not interesting, barely worth watching except for Hammer fans. They got Peter Cushing back for the next one.
  
Taste the Blood of Dracula (1970)
Taste the Blood of Dracula (1970)
1970 | Horror
7
7.3 (4 Ratings)
Movie Rating
The Vampire's Blood
Taste The Blood of Dracula- is the fifth Dracula movie made by Hammer. The Fourth with Christopher Lee.

The plot: Three elderly and distinguished gentlemen, searching for some excitement in their boring lives, get in contact with one of Count Dracula's servants.

Taste the Blood of Dracula was originally written without Dracula appearing at all. With Christopher Lee's increasing reluctance to reprise the role, Hammer intended to replace Lee and Dracula in the franchise with the Lord Courtley character played by Ralph Bates, who would rise as a vampire after his death and seek revenge on Hargood, Paxton, and Secker.

Hammer intended to replace Lee and Dracula in the franchise with the Lord Courtley character played by Ralph Bates, who would rise as a vampire after his death and seek revenge on Hargood, Paxton, and Secker. Hammer's American distributor refused to release the film if it lacked an appearance by Dracula; this prompted Hammer to convince Lee to return, with Dracula replacing the resurrected Courtley.

In its original United States release, it was rated GP (General audience, Parental guidance suggested—the forerunner to today's PG), but when it was re-released to DVD it was rated R for sexual content/nudity and brief violence.

Its a hammer film, what else do you expect.
  
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Awix (3310 KP) rated Taste the Blood of Dracula (1970) in Movies

Feb 15, 2018 (Updated Feb 15, 2018)  
Taste the Blood of Dracula (1970)
Taste the Blood of Dracula (1970)
1970 | Horror
8
7.3 (4 Ratings)
Movie Rating
Mmmm, Blood of Dracula
Superior Hammer horror movie. Victorian hypocrites looking for naughty kicks get mixed up with one of Dracula's disciples, inadvertently bring him back. Dracula is not grateful and uses their own children to get them.

Usual strong Hammer cast, polished production values, lush James Bernard score - topical (for the time) subtext about the generation gap, and the depiction of Dracula as an avenging angel of darkness is an interesting new twist on a character who seemed in danger of running out of things to do. Dracula was originally supposed to be reincarnated as Ralph Bates, but the distributors insisted they get Lee back, much against his will as usual.
  
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Awix (3310 KP) rated Lust for a Vampire (1971) in Movies

Feb 17, 2018 (Updated Feb 17, 2018)  
Lust for a Vampire (1971)
Lust for a Vampire (1971)
1971 | Classics, Horror, International
4
5.7 (3 Ratings)
Movie Rating
I Was A Teenage Lesbian Vampire in a Girl's Boarding School
Largely risible Hammer vampire movie. After the censors objected to all the not-very-subtly-implied lesbianism in The Vampire Lovers, the studio replaced that with a story about a schoolteacher becoming infatuated with one of his pupils and starting a torrid romance with her, which apparently was seen as less problematic (it was the 70s, I suppose).

Initially conceived as another vehicle for Ingrid Pitt and Peter Cushing, to be directed by Terence Fisher; in the end Pitt did Countess Dracula instead, Cushing passed due to family problems, and Fisher was replaced by Jimmy Sangster. The result is a prurient melodrama largely untroubled by subtlety, style, or acting talent (Ralph Bates is not too bad in the role earmarked for Cushing). The sex and nudity which is essentially the film's sine qua non feels very tame by modern standards; the pop song on the soundtrack will make discriminating viewers want to rip their own ears off.