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BankofMarquis (1832 KP) rated Ralph Breaks the Internet: Wreck-It Ralph 2 (2018) in Movies
Dec 1, 2018
Come for Ralph and Vanelope, stay for the Disney Princesses
I'm pretty sure that this is going to be the only review of WRECK-IT RALPH 2: RALPH BREAKS THE INTERNET that will draw a comparison between Ralph2 and DEADPOOL 2.
Like, DP2, Ralph2 suffers in the first 1/2 hour of the film with an issue - it tries too hard to repeat what was successful in the first film. I spent the first portion of both films thinking "you did this - better - in the first film". But, like DP2, Ralph2 finds it's footing - and it's own voice - after a fashion and becomes a very entertaining film.
And you can thank the Disney Princesses for that.
Without giving too much away, the plot of Ralph2 has Wreck-it Ralph (John C. Reilly) and Vanelope (Sarah Silverman) heading to the Internet (notably E:BAY) to find a replacement part for her game. The main theme of this film is "finding the place where you belong" and along this journey Vanelope enters in the world of Disney and encounters all of the Disney Princesses backstage.
Kudos to The Walt Disney Company - and Disney Animation Studios - for having a sense of humor and poking fun at themselves. These versions of the princesses are funny and don't take themselves too seriously, by taking themselves very seriously (if that makes any sense) - every character acts (and reacts) ways that make sense. It's a tribute to this extended bit that EVERY original voice of these characters (at least the ones that are still alive) agreed to contribute their voice talents to this bit. The funniest bit was the way Disney Animation handled the character of Princess Merida from BRAVE - a Pixar film.
As for the film proper - it is fine enough. John C. Reilly (as Ralph) and Sarah Silverman (as Vanelope) reprise their roles and they are winning enough to hold our attention throughout (though Ralph is sidelined for long stretches as this is really Vanelope's story). Jacks McBrayer's Fix-It Felix is back (for small bits in the beginning and end) as is the great Jane Lynch's Calhoun character. I get that these 2 characters are not really in service to the story - and I applaud the filmmakers for not trying to shoehorn them in - but I can't believe ANY conversation that starts "We have Jane Lynch, so we're going to push her in the background and use very little of her."
As for the other voice cast, Alan Tudyk (the voice of the King Candy in the first Wreck-It Ralph) is back as the voice of an overly-aggressive search engine. Tudyk is this generation's "Man of a Thousand Voices" and I had no idea it was him until the credits, which was fun (for me). Joining the fun this time around - and acquitting herself quite well - is Gal Gadot as an on-line game Race Car Drive that becomes Big Sister/mentor to Vanelope.
One final mention, there are 2 credits scene. The first one is fun enough (and is a callback to the first film), but the 2nd one (at the very end of the credits) had me chuckling - and I was glad I stayed for it.
Come for Ralph and Vanelope, stay for the Disney Princesses. You'll be glad you did.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
Like, DP2, Ralph2 suffers in the first 1/2 hour of the film with an issue - it tries too hard to repeat what was successful in the first film. I spent the first portion of both films thinking "you did this - better - in the first film". But, like DP2, Ralph2 finds it's footing - and it's own voice - after a fashion and becomes a very entertaining film.
And you can thank the Disney Princesses for that.
Without giving too much away, the plot of Ralph2 has Wreck-it Ralph (John C. Reilly) and Vanelope (Sarah Silverman) heading to the Internet (notably E:BAY) to find a replacement part for her game. The main theme of this film is "finding the place where you belong" and along this journey Vanelope enters in the world of Disney and encounters all of the Disney Princesses backstage.
Kudos to The Walt Disney Company - and Disney Animation Studios - for having a sense of humor and poking fun at themselves. These versions of the princesses are funny and don't take themselves too seriously, by taking themselves very seriously (if that makes any sense) - every character acts (and reacts) ways that make sense. It's a tribute to this extended bit that EVERY original voice of these characters (at least the ones that are still alive) agreed to contribute their voice talents to this bit. The funniest bit was the way Disney Animation handled the character of Princess Merida from BRAVE - a Pixar film.
As for the film proper - it is fine enough. John C. Reilly (as Ralph) and Sarah Silverman (as Vanelope) reprise their roles and they are winning enough to hold our attention throughout (though Ralph is sidelined for long stretches as this is really Vanelope's story). Jacks McBrayer's Fix-It Felix is back (for small bits in the beginning and end) as is the great Jane Lynch's Calhoun character. I get that these 2 characters are not really in service to the story - and I applaud the filmmakers for not trying to shoehorn them in - but I can't believe ANY conversation that starts "We have Jane Lynch, so we're going to push her in the background and use very little of her."
As for the other voice cast, Alan Tudyk (the voice of the King Candy in the first Wreck-It Ralph) is back as the voice of an overly-aggressive search engine. Tudyk is this generation's "Man of a Thousand Voices" and I had no idea it was him until the credits, which was fun (for me). Joining the fun this time around - and acquitting herself quite well - is Gal Gadot as an on-line game Race Car Drive that becomes Big Sister/mentor to Vanelope.
One final mention, there are 2 credits scene. The first one is fun enough (and is a callback to the first film), but the 2nd one (at the very end of the credits) had me chuckling - and I was glad I stayed for it.
Come for Ralph and Vanelope, stay for the Disney Princesses. You'll be glad you did.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
Awix (3310 KP) rated The Horror of Frankenstein (1970) in Movies
Feb 24, 2018
(The other) Young Frankenstein
At the start of the 1970s Hammer tried to relaunch both their main series with new leading men (Ralph Bates replacing Christopher Lee in this case); this was the only reboot which eventually happened. The basics of the Frankenstein story are (just about) retold; young Victor decides to make a man, if not of himself, then from some body parts.
There's no doubt that Ralph Bates could have been a brilliant Frankenstein, but not in a film with a script like this one's. The film attempts to appeal to a hip young audience by including cleavage by the yard and lots of sub-Carry On film humour; script is also thick-headed and repetitive. The moment Frankenstein's experiments included resurrecting a tortoise everyone involved should have realised there was a serious problem here. Not funny, not scary, not interesting, barely worth watching except for Hammer fans. They got Peter Cushing back for the next one.
There's no doubt that Ralph Bates could have been a brilliant Frankenstein, but not in a film with a script like this one's. The film attempts to appeal to a hip young audience by including cleavage by the yard and lots of sub-Carry On film humour; script is also thick-headed and repetitive. The moment Frankenstein's experiments included resurrecting a tortoise everyone involved should have realised there was a serious problem here. Not funny, not scary, not interesting, barely worth watching except for Hammer fans. They got Peter Cushing back for the next one.
Fred (860 KP) rated Ralph Breaks the Internet: Wreck-It Ralph 2 (2018) in Movies
Mar 15, 2019
Animation was good (1 more)
Was funny
Felt empty (2 more)
Product placement was ridiculous
Forgettable characters
One huge commercial
I loved Wreck It, Ralph, so that might be why I wasn't too big of a fan of this sequel. Where the first film had a warmth about it, this one is just cold. The obvious advertisements took away from the story, what little there was of a story. The internet, while supposed to look like a place of wonder, looked dull & uninteresting. Even the Twisted Metal (or GTA) world, was nothing special. And the characters found within were forgettable to say the least. I found over-all the film was okay, but I would watch the first one again & again, while this one, I probably wouldn't watch again at all.
The Constant Gardener
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The Grand Budapest Hotel (2014)
8.5
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Wes Anderson's new film, THE GRAND BUDAPEST HOTEL, recounts the adventures of Gustave H, a...
Frecklesxoxo (6 KP) rated Ralph Breaks the Internet: Wreck-It Ralph 2 (2018) in Movies
Feb 27, 2019
Awesome sequel
I love wreck it Ralph and I was pleasantly surprised with the sequel. It was great for all ages and so funny. The underlying theme for me was how it's ok to want different things that your friends and family don't want, it's ok to make new friends and to not get jealous or scared if they are going in a different direction. It's a really great message for the younger generation.
It has some sad and meaningful content especially with this digital age ant the emphasis not to get to upset over comments on social media ect.
Great film
It has some sad and meaningful content especially with this digital age ant the emphasis not to get to upset over comments on social media ect.
Great film
Dinosaur (2000)
7.3
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This is the story of Aladar (D.B. Sweeney), an iguanodon dinosaur raised by a family of lemurs....
Phil Leader (619 KP) rated Out of the Silence in Books
Nov 21, 2019
This book tackles a difficult subject without compromise but still manages to be a gripping and powerful read. In rural Pakistan a woman is found badly injured after a horrific attack. Sure she is about to die she tells the nurse tending her the story of her life.
She is called Afra and was courted by a boy called Jameel in her village. But her family only see profit in Afra and sell her to a rich businessman from a distant city to be his wife. Jameel leaves the village in shame. Their lives take very different paths from there.
Ralph Buchanan used to be the toast of the journalistic world, exposing corruption and scandal, his work earning him awards and fame. However too many corners cut and too many regrets have left him washed up in Lahore, a has-been drinking his life away. He is told the story of Afra and realises he could make a difference, but before that he needs to drag himself up from rock bottom.
The first part of the book, telling the story of Afra and Jameel is relatively slow paced. It is also a pretty grim read as Mullen describes the reality of life for many women who are still treated as property in Pakistan. There is much that is hard to read, but sometimes the truth can be very ugly. This is nothing like anything Mullen has written before. But he is a writer of considerable talent and weaves the tale expertly. Naturally there is a murder mystery woven into the story, so it is not a complete departure from his normal subject matter.
Once Buchanen enters, the pace picks up and something of the style of his other books returns, with Ralph being very much in the mould of a 'noir journalist'. The story from this point forward is not only his ongoing investigation into Afra's story and the murderer, but also his own personal journey. Mullen has a fabulously light touch with both characters and language that mean the reader is drawn into the events, even more so for having read the shocking story that kicks this book into life.
Owen Mullen has tried something different here, and has sought to expose a deep injustice in the world. He has succeeded on both counts. An author that deserves a wider audience
She is called Afra and was courted by a boy called Jameel in her village. But her family only see profit in Afra and sell her to a rich businessman from a distant city to be his wife. Jameel leaves the village in shame. Their lives take very different paths from there.
Ralph Buchanan used to be the toast of the journalistic world, exposing corruption and scandal, his work earning him awards and fame. However too many corners cut and too many regrets have left him washed up in Lahore, a has-been drinking his life away. He is told the story of Afra and realises he could make a difference, but before that he needs to drag himself up from rock bottom.
The first part of the book, telling the story of Afra and Jameel is relatively slow paced. It is also a pretty grim read as Mullen describes the reality of life for many women who are still treated as property in Pakistan. There is much that is hard to read, but sometimes the truth can be very ugly. This is nothing like anything Mullen has written before. But he is a writer of considerable talent and weaves the tale expertly. Naturally there is a murder mystery woven into the story, so it is not a complete departure from his normal subject matter.
Once Buchanen enters, the pace picks up and something of the style of his other books returns, with Ralph being very much in the mould of a 'noir journalist'. The story from this point forward is not only his ongoing investigation into Afra's story and the murderer, but also his own personal journey. Mullen has a fabulously light touch with both characters and language that mean the reader is drawn into the events, even more so for having read the shocking story that kicks this book into life.
Owen Mullen has tried something different here, and has sought to expose a deep injustice in the world. He has succeeded on both counts. An author that deserves a wider audience
Wind of Change: The Scorpions Story
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