Search
Search results
Neon's Nerd Nexus (360 KP) rated Revenge (2018) in Movies
May 13, 2019
Doin it for the kill
#revengemovie is without question the best looking movie of #2018, its so slick & #stylish I'd go as far as saying its this years #drive. #Revenge has a standard #rape/revenge plot we've all seen a million times before but you'd be greatly mistaken by passing up on this one believe me. Part #horror part drama Revenge has one of the most amazing visual styles ive seen in a while. Colours are blinding at times almost to the point of over saturation giving the film heat & vibrancy. This mixed with some insanely #beautiful cinematography had me literally sat with my mouth open in amazement. Every scene seems meticulously shot with such purpose & precision that its hard to not feel like your watching a piece of #art. Top that with a #comicbook/#80s feel & tone & what you have here is film that feels so fresh you forget that this genre hasnt been done to death already. #Soundtrack wise its pure perfection too with synth music pulsing throughout its intoxicating & keeps the films momentum flowing well. Metaphors are absolutely everywhere but the main one i picked up on is #femaleempowerment. At the start of the film #male character are chauvinistic & dominant treating her as a possession rather than a person but once she gets impaled by a tree roles seem to reverse & we see her become the man in a kind of #twisted rebirth (the tree implement scene i also see as a metaphor for the pain they put her through & even while walking around she has severed tree branch sticking out of her stomach almost like it represents that she's the man now with the tree branch representing male genitalia). Even the tagline suggests themes of fighting domestic abuse too. Acting is superb with #matildaannaingridlutz literally dominating the #film not only with her acting but with her incredible #beauty too. Right from the start i was sucked right in by its beauty, unnerved by its atmosphere & repulsed by its gore but theres not a second of it i didnt #love. Half #french subtitled half #english dialog Revenge is a #violent, unnerving, grisly & down right #gorgeous piece of #cinema that i cant recommend enough. Perfection. #odeon #odeonlimitless #filmbuff #filmcritic #fridayfeeling #gore
Eleanor (1463 KP) rated The Surgeon (Rizzoli & Isles, #1) in Books
May 22, 2019
Gore heavy police procedural
This is the first book in the Rizzoli and Isles thriller series, apparently there is a TV series based off this but I’ve never seen it so went into this blind. Isles does not appear as a character in this book and even RIzzoli is more of a secondary character.
Catherine Cordell is a skilled surgeon working in Boston where she fled to following a horrific attack two years ago. Although she killed her attacker her exterior confidence hides the continued fear the trauma has instilled in her everyday life. When the impossible seems to occur and the killer returns to stalk her, Detective Moore is determined to protect along with fellow officer Rizzoli.
The villain and what he does is full on terrifying and creepy as hell (just the way I like them.) However if you are in any way squeamish and don’t like a lot of blood and gore you should probably avoid this book. There is a lot of graphic descriptions of injuries of people coming into an emergency room, surgery and torture. Rape is also a central theme and again descriptions can be disturbing so be warned.
This felt like a very solid police procedural book. The style will be familiar with Criminal Minds fans in that you get to see a bit behind the curtain. I didn’t feel there was a lot of puzzling mystery, but you were swept along in the investigation to find the unsub.
My main hope with this series is Rizzoli becomes a bit more human, in this book I just wanted to slap her for being such a cow to both victims and colleagues. Her constant internal moaning about how bad she is treated because she’s a woman made me laugh, it seemed more to be just because she isn’t a very nice person. She doesn't come across as a very good cop at all, poor at doing interviews, following procedure, working as a team. Meanwhile Moore was a much more sympathetic character.
Looking forward to seeing where the series goes from here.
Catherine Cordell is a skilled surgeon working in Boston where she fled to following a horrific attack two years ago. Although she killed her attacker her exterior confidence hides the continued fear the trauma has instilled in her everyday life. When the impossible seems to occur and the killer returns to stalk her, Detective Moore is determined to protect along with fellow officer Rizzoli.
The villain and what he does is full on terrifying and creepy as hell (just the way I like them.) However if you are in any way squeamish and don’t like a lot of blood and gore you should probably avoid this book. There is a lot of graphic descriptions of injuries of people coming into an emergency room, surgery and torture. Rape is also a central theme and again descriptions can be disturbing so be warned.
This felt like a very solid police procedural book. The style will be familiar with Criminal Minds fans in that you get to see a bit behind the curtain. I didn’t feel there was a lot of puzzling mystery, but you were swept along in the investigation to find the unsub.
My main hope with this series is Rizzoli becomes a bit more human, in this book I just wanted to slap her for being such a cow to both victims and colleagues. Her constant internal moaning about how bad she is treated because she’s a woman made me laugh, it seemed more to be just because she isn’t a very nice person. She doesn't come across as a very good cop at all, poor at doing interviews, following procedure, working as a team. Meanwhile Moore was a much more sympathetic character.
Looking forward to seeing where the series goes from here.
Lou Grande (148 KP) rated Hogg in Books
May 28, 2018
Please, please, please proceed with caution
HOGG was written in 1968, a few short months before the Stonewall Riots. Brimming with anger and pent up sexuality, HOGG is (by the author's admission) a pornographic novel for nobody. It's the kind of novel that's hard to describe as "good," even though it's masterfully constructed and hard-hitting. It's also disgusting on a deep, visceral level--multiple levels, actually.
The (mostly) nameless, voiceless narrator of HOGG is an underage boy of possibly mixed race who begins his narrative by immediately shifting focus from himself to Hogg, a character so vile that it's hard to write a PG description of him. His profession is that of a rape artist. He rapes specific women in exchange for cash and enjoys his work, though admittedly he prefers the company of men.
When the narrator and Hogg meet, it leads to a weekend of unspeakable violence and puke-worthy sex. Racism literally abounds; some characters are referred to just by an epithet, and some of their names are only revealed in police reports. HOGG, the novel, plays on our sense of pity--we want to feel bad for the narrator. It's easy to see him as a victim of society. But as the pages go on, it gets harder and harder as he becomes more than an active participant in the goings-on.
The word "love" is never mentioned in the 200+ page novel, but the reader can feel an approximation of it in the relationship between Hogg and the narrator--maybe. This makes the ending just that much more powerful, when the narrator speaks his only line of dialogue.
This is a very powerful book, whether you can find something redeemable in it or not. It's very much a product of its time, and furthermore, it SAYS something, which I think these so-called "extreme" horror authors could learn a thing about. HOGG is not just filth for the sake of filth, or violence for the sake of violence. When put in context, it's heart-breaking and vile at the same time. I don't know if another book has ever made me feel this way.
The (mostly) nameless, voiceless narrator of HOGG is an underage boy of possibly mixed race who begins his narrative by immediately shifting focus from himself to Hogg, a character so vile that it's hard to write a PG description of him. His profession is that of a rape artist. He rapes specific women in exchange for cash and enjoys his work, though admittedly he prefers the company of men.
When the narrator and Hogg meet, it leads to a weekend of unspeakable violence and puke-worthy sex. Racism literally abounds; some characters are referred to just by an epithet, and some of their names are only revealed in police reports. HOGG, the novel, plays on our sense of pity--we want to feel bad for the narrator. It's easy to see him as a victim of society. But as the pages go on, it gets harder and harder as he becomes more than an active participant in the goings-on.
The word "love" is never mentioned in the 200+ page novel, but the reader can feel an approximation of it in the relationship between Hogg and the narrator--maybe. This makes the ending just that much more powerful, when the narrator speaks his only line of dialogue.
This is a very powerful book, whether you can find something redeemable in it or not. It's very much a product of its time, and furthermore, it SAYS something, which I think these so-called "extreme" horror authors could learn a thing about. HOGG is not just filth for the sake of filth, or violence for the sake of violence. When put in context, it's heart-breaking and vile at the same time. I don't know if another book has ever made me feel this way.
I adore this book. It's not only a good science fiction story, but also fantastically character-driven, which is rare in genre fiction. That's great for me. When I read a book, I care more about psychological development than what a shiny setting and fun toys it has.
It's not a happy, frolic-through-the-daisies type of story. We're talking not only about war, but child abuse, human trafficking and rape. It can be quite disturbing, if that type of thing isn't your cup of tea. But if that doesn't particularly bug you, it's a fantastic book.
One thing that really bugs me, though, is how so many people insist there's slash. As a person who's not into that kind of thing, that originally turned me off of reading it, because I had a bad feeling the main character, Jos, was going to find healing comfort from his trauma in the loving arms of another guy, and it would go downhill from there.
Luckily, I decided to read it anyway. And I don't see very much slash there. Sure, one character definitely has a thing for Jos, and the villain's a real creep, and then there's a character who's gay by Word Of God, but that's it for this book. The rest of it's pretty much characters insinuating, which is designed to anger other characters. That's it.
Jos, himself, is on the asexual side. He treats attraction as a completely alien concept. Niko is a surrogate father to him. I see him as feeling responsible for protecting Evan. Evan, who frustrates him a great deal. And one time, Jos seriously needed a hug, and fell asleep while being hugged. Woke up, and went right back to the asexual, PTSD, Hates-Being-Touched Jos we know and love.
None of that makes him gay. And three characters who are bi or gay does in no way a majority make. Sure, the shipping potential is there for fans if they want to use it, but certain type of fans are always finding stuff where there's canonically nothing.
In short, one of the best books I've read, and I absolutely loved the main character. He is not gay, and neither are the majority of characters.
It's not a happy, frolic-through-the-daisies type of story. We're talking not only about war, but child abuse, human trafficking and rape. It can be quite disturbing, if that type of thing isn't your cup of tea. But if that doesn't particularly bug you, it's a fantastic book.
One thing that really bugs me, though, is how so many people insist there's slash. As a person who's not into that kind of thing, that originally turned me off of reading it, because I had a bad feeling the main character, Jos, was going to find healing comfort from his trauma in the loving arms of another guy, and it would go downhill from there.
Luckily, I decided to read it anyway. And I don't see very much slash there. Sure, one character definitely has a thing for Jos, and the villain's a real creep, and then there's a character who's gay by Word Of God, but that's it for this book. The rest of it's pretty much characters insinuating, which is designed to anger other characters. That's it.
Jos, himself, is on the asexual side. He treats attraction as a completely alien concept. Niko is a surrogate father to him. I see him as feeling responsible for protecting Evan. Evan, who frustrates him a great deal. And one time, Jos seriously needed a hug, and fell asleep while being hugged. Woke up, and went right back to the asexual, PTSD, Hates-Being-Touched Jos we know and love.
None of that makes him gay. And three characters who are bi or gay does in no way a majority make. Sure, the shipping potential is there for fans if they want to use it, but certain type of fans are always finding stuff where there's canonically nothing.
In short, one of the best books I've read, and I absolutely loved the main character. He is not gay, and neither are the majority of characters.
Lenard (726 KP) rated Spider-Man: Far From Home (2019) in Movies
Jul 28, 2019
John Hughes Film Inside a Superhero Cartoon
Spider-Man: Far From Home is the prototypical teen film from the eighties that was not written with the keen insight of John Hughes or one of his proteges. There is the teen girl who kind of likes this boy, but they are friends and she is afraid of losing him as a friend if they start to date. She doesn't flirt with embarrassingly tossed off factoids that only attract him more. There is also a dorky guy who is in love with a girl in his school so instead of directly asking her out he comes up with an elaborate plot to win her over. But at least the plan doesn't end in rape where the sex causes the dream girl to fall head over heels in love. In addition to our lovers, there is a romantic rival who blackmails the guy so he can't attempt wooing the girl. There is a horndog best friend who tries to convince the guy to give up a monogamous relationship for casual sex with multiple partners on an European vacation. There is the bully who hates the dorky guy, but is smitten with the hero who is the dorky guy in disguise, i.e., Teen Wolf. There is a second milquetoast girl who makes occasional appearances in the film so it is not some sausage fest with one female character in search of love. Then, there are a lot of ineffectual adults in the film except for one sympathetic adult who serves as a mentor. The mentor tries to help out teen to win the love of his life and figure out his path in life. And, there is also a heartless boss the teen has to work with who rides his ass and makes him want to quit, but he needs the money. Against all odds, the dorky guy succeeds and transitions into a functional adult male of some character.
Overall, the movie is extremely satisfactory and sets up a whole new set of Marvel movies. But it leaves several huge questions due to the credit cookies, one of which is Where is Maria Hill? (not really a spoiler)
Overall, the movie is extremely satisfactory and sets up a whole new set of Marvel movies. But it leaves several huge questions due to the credit cookies, one of which is Where is Maria Hill? (not really a spoiler)
Gareth von Kallenbach (971 KP) rated The Lincoln Lawyer (2011) in Movies
Aug 7, 2019
Mick Haller (Matthew McConaughey) is a criminal defense attorney who works out of his Lincoln Town Car in Los Angeles, hence the title of the movie and book “The Lincoln Lawyer” by Michael Connelly. Mickey defends all kinds of criminals and all he expects from his clients is that they pay him. While he may be a rather shifty lawyer, he is a loving father to his daughter Hayley (Mackenzie Aladjem) and he obviously still cares for her mother Maggie McPherson (Marisa Tomei).
Now although he has many clients, none are really big money clients. That changes one day when Louis Roulet (Ryan Phillippe), a rich Beverly Hills playboy, is arrested for assault & attempted rape and he wants Mick to defend him. At first Mick believes that he will be able to easily get his client acquitted, but as he and his investigator Frank Levin (William H. Macy) dig deeper, they discovery disturbing information about the case and it’s possible link to another.
In his quest to win the all mighty “Not Guilty” verdict, Mick has many obstacles (both professional and personal) placed before him that he must successfully navigate around, and treachery hiding in the shadows that he must bring into the light or else he may lose more than just a case.
While the entire cast was incredible, Matthew McConaughey and Ryan Phillippe gave equally amazing performances (this is especially true for any scene that they were both in). The characters were well-developed, believable and for the most part likable, heck I even liked the biker Eddie (Trace Adkins). The storyline was intriguing with a twist or two that I did not see coming and it also had some very nice humor sprinkled in. I did find that in a few scenes the dialogue seemed to be a bit unnatural for what was going on but it didn’t really detract from the overall scenes in question. Personally I hope this film does well enough that they make a sequel (I believe the book’s sequel is The Reversal) because I would like to see more of these characters in action.
Now although he has many clients, none are really big money clients. That changes one day when Louis Roulet (Ryan Phillippe), a rich Beverly Hills playboy, is arrested for assault & attempted rape and he wants Mick to defend him. At first Mick believes that he will be able to easily get his client acquitted, but as he and his investigator Frank Levin (William H. Macy) dig deeper, they discovery disturbing information about the case and it’s possible link to another.
In his quest to win the all mighty “Not Guilty” verdict, Mick has many obstacles (both professional and personal) placed before him that he must successfully navigate around, and treachery hiding in the shadows that he must bring into the light or else he may lose more than just a case.
While the entire cast was incredible, Matthew McConaughey and Ryan Phillippe gave equally amazing performances (this is especially true for any scene that they were both in). The characters were well-developed, believable and for the most part likable, heck I even liked the biker Eddie (Trace Adkins). The storyline was intriguing with a twist or two that I did not see coming and it also had some very nice humor sprinkled in. I did find that in a few scenes the dialogue seemed to be a bit unnatural for what was going on but it didn’t really detract from the overall scenes in question. Personally I hope this film does well enough that they make a sequel (I believe the book’s sequel is The Reversal) because I would like to see more of these characters in action.
ClareR (5608 KP) rated Kololo Hill in Books
Apr 20, 2021
Kololo Hill is a moving story that centres around a family and their lives before, during and after the rise of Idi Amin in Uganda.
Asha is newly married to Pran, and lives with his parents, Jaya and Motichand, and his brother Vijay. The family don’t take Idi Amin’s threats seriously when he initially says that all Ugandan Asians must leave Uganda within ninety days, with nothing except for what they can carry, or face the consequences. But when the soldiers arrive and the violence starts, there can be no denying what they must do. Except they all have different passports. Motichand and Pran have Indian passports, Asha, Jaya and Vijay’s are British. And the British won’t allow them to stay together.
It isn’t just Asians whose lives are in danger. December, the family’s houseboy, is in hiding in their house, as the area he comes from is exterminated by the military.
The danger and fear were tangible when I was reading this book. It’s dangerous to even leave their houses or open their doors, and there is an ever present fear of violence and rape. Even when leaving for the airport, soldiers set up checkpoints so that they can extort as much money as possible form people before they leave.
And then there is the stark contrast between their lives in Uganda and England. Jaya, Asha and Vijay are initially given accommodation in an army barracks before they are placed in houses in (in their case) London.
They go from sunshine, warmth, comfort and colour, to cold, dreary, grey England, where the locals are hostile and accuse them of taking their jobs, or in the case of Vijay, who has part of his arm missing, won’t give him a job because of disability, even though he wants to work.
I was riveted to this book and really didn’t want to put it down. It poses the questions: what is home? Is it the place where you were born? The place where you live? Is home the people who you are with?
There were so many gasp out loud moments in this book. It deserves all the hype around it - and more.
Many thanks to Picador for providing me with an e-copy through NetGalley.
Asha is newly married to Pran, and lives with his parents, Jaya and Motichand, and his brother Vijay. The family don’t take Idi Amin’s threats seriously when he initially says that all Ugandan Asians must leave Uganda within ninety days, with nothing except for what they can carry, or face the consequences. But when the soldiers arrive and the violence starts, there can be no denying what they must do. Except they all have different passports. Motichand and Pran have Indian passports, Asha, Jaya and Vijay’s are British. And the British won’t allow them to stay together.
It isn’t just Asians whose lives are in danger. December, the family’s houseboy, is in hiding in their house, as the area he comes from is exterminated by the military.
The danger and fear were tangible when I was reading this book. It’s dangerous to even leave their houses or open their doors, and there is an ever present fear of violence and rape. Even when leaving for the airport, soldiers set up checkpoints so that they can extort as much money as possible form people before they leave.
And then there is the stark contrast between their lives in Uganda and England. Jaya, Asha and Vijay are initially given accommodation in an army barracks before they are placed in houses in (in their case) London.
They go from sunshine, warmth, comfort and colour, to cold, dreary, grey England, where the locals are hostile and accuse them of taking their jobs, or in the case of Vijay, who has part of his arm missing, won’t give him a job because of disability, even though he wants to work.
I was riveted to this book and really didn’t want to put it down. It poses the questions: what is home? Is it the place where you were born? The place where you live? Is home the people who you are with?
There were so many gasp out loud moments in this book. It deserves all the hype around it - and more.
Many thanks to Picador for providing me with an e-copy through NetGalley.
Having read, loved and recommended The Bees many times (and The Ice, too!), I thought I knew what to expect from Laline Paull. Well, I was right and wrong!
Firstly, I loved Pod.
Secondly, it gave me a lot to think about.
Thirdly, how does Laline Paull put herself in a dolphins shoes (flippers? Sorry…) and not make it sound like a children’s book? And I should stress: this is NOT a children’s book.
Paull may have anthropomorphised dolphins, various fish, all and any sea life, but she has stayed pretty close to what I’ve learnt is their true nature (thank you David Attenborough!). Dolphins are very intelligent, playful and seem to know what humans want (maybe that’s just me reading more into these things). But they’re also hunters, they have a pecking order, and I don’t think you’d want to be at the bottom of it if you were a dolphin!
This novel shows the joyful side of being a dolphin, the way that they must work together for the greater good of the pod. It also shows how violent they are - there’s even a dolphin rape scene that was every bit as upsetting as if it had been a human.
In amongst all the dolphin drama is a message for us humans. We see the damage the human race is doing to the oceans: pollution, over-fishing, capturing dolphins for food, entertainment, or warfare.
Pod is graphic in places. It most definitely doesn’t pull its punches - and why should it?
This novel is not sentimental, jam packed with happy, child-friendly dolphins. Pod looks at the real struggles of sea life (and there’s not just dolphins involved). These dolphins are fighters, authoritarian, protective of one another, followers of tradition as well as migration routes, they deal with the results of humanity’s selfishness and cost-cutting.
The imagination and empathy that must have gone in to writing this: I’ve seen how a dolphin, a whale, a wrasse, a clam, a remora and a sea anemone feel and behave (I like to think so, anyway!).
How could I NOT love this book? 🤷🏼♀️
Firstly, I loved Pod.
Secondly, it gave me a lot to think about.
Thirdly, how does Laline Paull put herself in a dolphins shoes (flippers? Sorry…) and not make it sound like a children’s book? And I should stress: this is NOT a children’s book.
Paull may have anthropomorphised dolphins, various fish, all and any sea life, but she has stayed pretty close to what I’ve learnt is their true nature (thank you David Attenborough!). Dolphins are very intelligent, playful and seem to know what humans want (maybe that’s just me reading more into these things). But they’re also hunters, they have a pecking order, and I don’t think you’d want to be at the bottom of it if you were a dolphin!
This novel shows the joyful side of being a dolphin, the way that they must work together for the greater good of the pod. It also shows how violent they are - there’s even a dolphin rape scene that was every bit as upsetting as if it had been a human.
In amongst all the dolphin drama is a message for us humans. We see the damage the human race is doing to the oceans: pollution, over-fishing, capturing dolphins for food, entertainment, or warfare.
Pod is graphic in places. It most definitely doesn’t pull its punches - and why should it?
This novel is not sentimental, jam packed with happy, child-friendly dolphins. Pod looks at the real struggles of sea life (and there’s not just dolphins involved). These dolphins are fighters, authoritarian, protective of one another, followers of tradition as well as migration routes, they deal with the results of humanity’s selfishness and cost-cutting.
The imagination and empathy that must have gone in to writing this: I’ve seen how a dolphin, a whale, a wrasse, a clam, a remora and a sea anemone feel and behave (I like to think so, anyway!).
How could I NOT love this book? 🤷🏼♀️
Darren (1599 KP) rated The Accused (1988) in Movies
Jun 20, 2019
Story: We start The Accused by seeing Sarah (Foster) running from a bar desperately looking for help before she gets asked all the intimate questions after a rape. District prosecutor Kathryn Murphy takes over the case and takes Sarah back to the crime scene to identify the suspects. While Kathryn puts a case together she learns more about Sarah’s character and while the defence makes out Sarah is just telling a story. We see Kathryn and Lieutenant Duncan (Mulligan) try to investigate what happened they find out there are no witnesses and the case is struggling to come together. After the suspects get put in jail for a reduced charge of reckless endangerment Sarah pushes for more and after a confrontation with one of the men who got off cheered on, Kathryn opens a new case against the people who cheered on and watched leading to the ability to charge the rapist.
What The Accused shows us is however a story sounds it doesn’t mean it isn’t true. We have to let the prosecutors create a case before we judge who is guilty. It shows we need to stand up for what is right and not everything is what it seems. We see how difficult it can be for the victim against such a large amount of suspects who unite. We see how the prosecutor risks everything to get the truth about the night after finally seeing the light about what really happened. This case could break her career but as she is doing the right thing it proves to be the right thing. A big plus The Accused uses is not focusing on any of the men involved we a left to only see and hear about their actions. The Accused is a great story about fighting for what is right and how monstrous people can be. (9/10)
Actor Review
Kelly McGillis: Kathryn Murphy the district prosecutor who will fight for justice but only once she has learned all the facts. She agrees to plea agreement for the rapist but once challenged by Sarah she decides to go after the people who cheered them on. Kelly gives a good performance searching for the truth. (8/10)
kelly
Jodie Foster: Sarah Tobias the victim who has to go through the rape only to be left questioned by people on her side and the people against her. Sarah refused to back down and wants to see the people pay when she finally gets the chance on front of a courtroom full of people. Jodie gives a great performance that she full deserved the Oscar she won. (10/10)
jodie
Support Cast: Where The Accused chooses not to focus on the rapist we don’t meet too many supporting characters, we only see their actions and hear how other people saw them.
Director Review: Jonathan Kaplan – Jonathan does a great job directing The Accused he focuses on the victim and the case being built against the rapist. (9/10)
Crime: The crime The Accused focuses on was based on a real case and shows the seriousness of it. (9/10)
Drama: The Accused uses the effects to create the drama of what happened to the people involved. (9/10)
Settings: The Accused uses the settings well, we see The Mill where the crime happens, the office to see how the world is different for our victim, the small beat up house the victims lives in showing that she would be considered lower than the people involved and almost not important and the home of the prosecutor which shows us the difference in working class the two women have. (9/10)
Suggestion: I would suggest watching The Accused as it shows the victims problems after the assault rather than trying to make a monstrous villain for a crime film. (Watch)
Best Part: The Courtroom
Worst Part: The Deal
Believability: Based on a real case a young woman suffered through. (9/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: Jodie Foster won Best Actress.
Box Office: $32 Million
Budget: $6 Million
Runtime: 1 Hour 51 Minutes
Tagline: On April 18th 1987, Sarah Tobias stops for a drink at a bar called The Mill.
Trivia: Upon seeing a pre-screening of the film, Jodie Foster thought her performance as Sarah Tobias was so awful that she immediately began preparing for and taking the GRE’s for graduate school. She was prepared to leave her film career behind and focus on academia…until she won the Academy Award for her performance.
Overall: Would you fight for the truth
https://moviesreview101.com/2015/01/28/the-accused-1988/
What The Accused shows us is however a story sounds it doesn’t mean it isn’t true. We have to let the prosecutors create a case before we judge who is guilty. It shows we need to stand up for what is right and not everything is what it seems. We see how difficult it can be for the victim against such a large amount of suspects who unite. We see how the prosecutor risks everything to get the truth about the night after finally seeing the light about what really happened. This case could break her career but as she is doing the right thing it proves to be the right thing. A big plus The Accused uses is not focusing on any of the men involved we a left to only see and hear about their actions. The Accused is a great story about fighting for what is right and how monstrous people can be. (9/10)
Actor Review
Kelly McGillis: Kathryn Murphy the district prosecutor who will fight for justice but only once she has learned all the facts. She agrees to plea agreement for the rapist but once challenged by Sarah she decides to go after the people who cheered them on. Kelly gives a good performance searching for the truth. (8/10)
kelly
Jodie Foster: Sarah Tobias the victim who has to go through the rape only to be left questioned by people on her side and the people against her. Sarah refused to back down and wants to see the people pay when she finally gets the chance on front of a courtroom full of people. Jodie gives a great performance that she full deserved the Oscar she won. (10/10)
jodie
Support Cast: Where The Accused chooses not to focus on the rapist we don’t meet too many supporting characters, we only see their actions and hear how other people saw them.
Director Review: Jonathan Kaplan – Jonathan does a great job directing The Accused he focuses on the victim and the case being built against the rapist. (9/10)
Crime: The crime The Accused focuses on was based on a real case and shows the seriousness of it. (9/10)
Drama: The Accused uses the effects to create the drama of what happened to the people involved. (9/10)
Settings: The Accused uses the settings well, we see The Mill where the crime happens, the office to see how the world is different for our victim, the small beat up house the victims lives in showing that she would be considered lower than the people involved and almost not important and the home of the prosecutor which shows us the difference in working class the two women have. (9/10)
Suggestion: I would suggest watching The Accused as it shows the victims problems after the assault rather than trying to make a monstrous villain for a crime film. (Watch)
Best Part: The Courtroom
Worst Part: The Deal
Believability: Based on a real case a young woman suffered through. (9/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: Jodie Foster won Best Actress.
Box Office: $32 Million
Budget: $6 Million
Runtime: 1 Hour 51 Minutes
Tagline: On April 18th 1987, Sarah Tobias stops for a drink at a bar called The Mill.
Trivia: Upon seeing a pre-screening of the film, Jodie Foster thought her performance as Sarah Tobias was so awful that she immediately began preparing for and taking the GRE’s for graduate school. She was prepared to leave her film career behind and focus on academia…until she won the Academy Award for her performance.
Overall: Would you fight for the truth
https://moviesreview101.com/2015/01/28/the-accused-1988/
Heather Cranmer (2721 KP) rated Marionette (Dark Carousel #3) in Books
Nov 15, 2020
I have definitely taken a shine to the Dark Carousel series by Anya Allyn. There's something about it that has definitely reeled me in. As soon as I finished reading Paper Dolls, I dove right into reading Marionette, the third book in the Dark Carousel series. This one definitely had a lot of action going on!
Cassie and Molly are prisoners in Balthazar's castle as its inhabitants try to find the second book of The Mirrored Tree. Cassie and Molly desperately search for a way to leave the castle so she can be reunited with her family and with Ethan. However, things take a turn for the worst when Cassie learns her fate of which she can not escape if she wants to save her world and all of its occupants.
I find that the plot of each book in the Dark Carousel series gets weirder and weirder. The plot in Marionette so much different to the one that first started it all in Dollhouse. However, Marionette was a fast paced read, in fact, in some parts, it was a little too fast paced. There were times I was left feeling confused about what was going on. Luckily, that only happened a few times, and the rest of the plot felt solid. Marionette was quite a page turner, and I kept wanting to know what would happen next. Marionette definitely has more action in it than Paper Dolls did. It seemed like there was always something happening in Marionette. This book focused more on Cassie and somewhat on Ethan. We learn more about the different worlds (which has me confused) and more about the ice world which Cassie is from. We also learn more about Zack, Viola, Emerson, and Parker as well as the castle itself. I do wish the worlds weren't as confusing. It's hard to keep up with all the different worlds and what happens when you see your copy on that world. I wish it was better explained or that there was some kind of appendix or something in the book to help explain it. I also don't understand why the bad people need Molly. I sort of understand why they want Cassie, but I don't see what use Molly is to them as she has no powers or anything of the sort. There were a few plot twists that I didn't see coming. This book didn't really end in a cliffhanger, but I will still read the last book in the series to complete the story.
As always, Anya Allyn did a fantastic job with her characters. Cassie puts up a good fight and tries to protect everyone. I was really routing for her throughout Marionette. Molly is written well, but I feel like she's sort of a useless character. I wish I knew more about why Aisha decided to just give in to the Batistes, so more backstory there would have been nice. I am hoping there will be more backstory on Lacey as well so I can know why she sometimes speaks in third person. I know it was sort of explained that she went crazy after everything went down at the end of Dollhouse, but I'd like to know a bit more. Perhaps all of these things will be explained in the last book of the series. One character I felt bad for was Zack. I felt like he was sort of a prisoner in all of this too, yet he's very protective and sweet towards Cassie. I get why Cassie was angry at him, but he had no choice. I really wished Cassie was a bit nicer towards him in the book. I was saddened that there was hardly any Jessamine in Marionette. Jessamine is my favorite character, yet she's only in the book for the beginning for a little bit. I'm hoping she'll be featured more in the next book.
Trigger warnings for Marionette include death, murder, rape and attempted rape of a minor (not graphic), mentions of sex (not graphic), the occult, violence, alcohol, and imprisonment.
Despite the fast pacing in places, Marionette is still a great read. With great characters and lots of action, this book definitely holds one's attention throughout. I would definitely recommend Marionette by Anya Allyn to those aged 16+ who like a bit of science fiction with their supernatural horror. Now on to the next and final book in the Dark Carousel series entitled Music Box.
Cassie and Molly are prisoners in Balthazar's castle as its inhabitants try to find the second book of The Mirrored Tree. Cassie and Molly desperately search for a way to leave the castle so she can be reunited with her family and with Ethan. However, things take a turn for the worst when Cassie learns her fate of which she can not escape if she wants to save her world and all of its occupants.
I find that the plot of each book in the Dark Carousel series gets weirder and weirder. The plot in Marionette so much different to the one that first started it all in Dollhouse. However, Marionette was a fast paced read, in fact, in some parts, it was a little too fast paced. There were times I was left feeling confused about what was going on. Luckily, that only happened a few times, and the rest of the plot felt solid. Marionette was quite a page turner, and I kept wanting to know what would happen next. Marionette definitely has more action in it than Paper Dolls did. It seemed like there was always something happening in Marionette. This book focused more on Cassie and somewhat on Ethan. We learn more about the different worlds (which has me confused) and more about the ice world which Cassie is from. We also learn more about Zack, Viola, Emerson, and Parker as well as the castle itself. I do wish the worlds weren't as confusing. It's hard to keep up with all the different worlds and what happens when you see your copy on that world. I wish it was better explained or that there was some kind of appendix or something in the book to help explain it. I also don't understand why the bad people need Molly. I sort of understand why they want Cassie, but I don't see what use Molly is to them as she has no powers or anything of the sort. There were a few plot twists that I didn't see coming. This book didn't really end in a cliffhanger, but I will still read the last book in the series to complete the story.
As always, Anya Allyn did a fantastic job with her characters. Cassie puts up a good fight and tries to protect everyone. I was really routing for her throughout Marionette. Molly is written well, but I feel like she's sort of a useless character. I wish I knew more about why Aisha decided to just give in to the Batistes, so more backstory there would have been nice. I am hoping there will be more backstory on Lacey as well so I can know why she sometimes speaks in third person. I know it was sort of explained that she went crazy after everything went down at the end of Dollhouse, but I'd like to know a bit more. Perhaps all of these things will be explained in the last book of the series. One character I felt bad for was Zack. I felt like he was sort of a prisoner in all of this too, yet he's very protective and sweet towards Cassie. I get why Cassie was angry at him, but he had no choice. I really wished Cassie was a bit nicer towards him in the book. I was saddened that there was hardly any Jessamine in Marionette. Jessamine is my favorite character, yet she's only in the book for the beginning for a little bit. I'm hoping she'll be featured more in the next book.
Trigger warnings for Marionette include death, murder, rape and attempted rape of a minor (not graphic), mentions of sex (not graphic), the occult, violence, alcohol, and imprisonment.
Despite the fast pacing in places, Marionette is still a great read. With great characters and lots of action, this book definitely holds one's attention throughout. I would definitely recommend Marionette by Anya Allyn to those aged 16+ who like a bit of science fiction with their supernatural horror. Now on to the next and final book in the Dark Carousel series entitled Music Box.