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That Catskill Summer (Lived-In Love #1)
Book
He wrote the book he lived. Now she wants to rewrite the ending. For fans of the 1960s Catskills...
Historical Romance Literary Romance
LoganCrews (2861 KP) rated Lesson of the Evil (2012) in Movies
Nov 15, 2021
*Big band music playing loudly in the background*
Takashi Miike's ๐๐ฉ๐ฆ ๐๐ถ๐ฆ๐ด๐ต - which, yes, is every bit as messy and overstuffed as that sounds; though I fear that if this were leaner you could miss out on the finer details like the weird German folklore stuff or the fleshy gun with the talking eyeball. The third act here is better than anything in even ๐๐ฎ๐ฆ๐ณ๐ช๐ค๐ข๐ฏ ๐๐ด๐บ๐ค๐ฉ๐ฐ, probably the greatest thing Miike has ever done - just as demented, tasteless, and perfectly staged as reported plus it lasts around a solid, uninterrupted 45 minutes. Simultaneously fun and hard to watch in the sense that you can't believe that not only are they actually going for this, but they're going for it *hard* (given the director, I'd expect no less). I'm confident in saying this has the most straight-up brutal use of the shotgun in film history that I've seen. Hideaki Ito is flawless as this fucked-up closet psychopath who just bleeds raw antihero charisma, this kind of character can tire so easily but him and Miike sell it in full - partly because (and this is one of the things I love most about Miike) there's zero pretension to be found here. The precise type of ethically repugnantly, formally playful, feverish trashy thrills you'd expect out of this are exactly what you get - no clichรฉd moral handwringing or bullshit pulled punches you see in a lot of Western cinema for this genre. This is the real shit, another bonafide cult classic from one of the masters. Plus it's generally bizarre as hell, too.
Takashi Miike's ๐๐ฉ๐ฆ ๐๐ถ๐ฆ๐ด๐ต - which, yes, is every bit as messy and overstuffed as that sounds; though I fear that if this were leaner you could miss out on the finer details like the weird German folklore stuff or the fleshy gun with the talking eyeball. The third act here is better than anything in even ๐๐ฎ๐ฆ๐ณ๐ช๐ค๐ข๐ฏ ๐๐ด๐บ๐ค๐ฉ๐ฐ, probably the greatest thing Miike has ever done - just as demented, tasteless, and perfectly staged as reported plus it lasts around a solid, uninterrupted 45 minutes. Simultaneously fun and hard to watch in the sense that you can't believe that not only are they actually going for this, but they're going for it *hard* (given the director, I'd expect no less). I'm confident in saying this has the most straight-up brutal use of the shotgun in film history that I've seen. Hideaki Ito is flawless as this fucked-up closet psychopath who just bleeds raw antihero charisma, this kind of character can tire so easily but him and Miike sell it in full - partly because (and this is one of the things I love most about Miike) there's zero pretension to be found here. The precise type of ethically repugnantly, formally playful, feverish trashy thrills you'd expect out of this are exactly what you get - no clichรฉd moral handwringing or bullshit pulled punches you see in a lot of Western cinema for this genre. This is the real shit, another bonafide cult classic from one of the masters. Plus it's generally bizarre as hell, too.
LeftSideCut (3776 KP) rated Titane (2021) in Movies
Mar 22, 2022
Titane is a truly mind bending experience, with several layers to work through to get to its core. It's been marketed as a sex fuelled body horror, which it certainly is to a degree, but beyond that, it's a fascinating character drama between two people who are coasting through life with their own separate issues. It's a love story that explores grief to an uneasy level, and dives headfirst into gender fluidity in the modern world. It's a bold vision that uses horror to great effect. To delve into the details any further would defeat the whole point of how the narrative unfolds - definitely recommend going in as blind as possible.
Agathe Rousselle is a revelation in the lead roll, an actor who certianly comes across as steadfast and fearless in her first feature length project. I'm excited to see what she brings to the table in the future. Vincent Lindon by comparison is a veteran of the industry, and the two of them share a chemistry that is equally electric as it is uncomfortable.
It's wonderfully directed by Julia Ducournau, who has crafted a visually striking and vibrant piece that will worm it's way into your brain and stay there for a while. Between this and her last film Raw, she surely has a big part to play in the future of the genre.
Titane isn't an easy watch, and is sometimes challenging, but is ultimately rewarding, and certainly unique. A modern body horror that gets under the skin in more ways than one.
Agathe Rousselle is a revelation in the lead roll, an actor who certianly comes across as steadfast and fearless in her first feature length project. I'm excited to see what she brings to the table in the future. Vincent Lindon by comparison is a veteran of the industry, and the two of them share a chemistry that is equally electric as it is uncomfortable.
It's wonderfully directed by Julia Ducournau, who has crafted a visually striking and vibrant piece that will worm it's way into your brain and stay there for a while. Between this and her last film Raw, she surely has a big part to play in the future of the genre.
Titane isn't an easy watch, and is sometimes challenging, but is ultimately rewarding, and certainly unique. A modern body horror that gets under the skin in more ways than one.
The Last Night
6.0
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Neon's Nerd Nexus (360 KP) rated A Prayer Before Dawn (2018) in Movies
May 13, 2019
There will be blood
#aprayerbeforedawn is a relentless, hard hitting, dizzying trip into the world of addiction while incarcerated in a #notorious foreign prison. #prayerbeforedawn is the true story of #english #boxer #billymoore who is sent prison in #thailand?? & the film uses real #prisoners as cast. More like an experience than a film prayer is exhausting, relentless & at times a tuff watch. Everything intimidates here & with most of the dialog spoken not being in english or having subtitles we are made to feel as alone, frightened & intimidated as Billy. #violence is kept mostly off screen but to good effect giving it a more raw, savage & disturbing feel leaving the worst to your imagination. Sound design is incredible too be it the dread filled #soundtrack or the seemingly ramped up unnerving volume of #prison life around Billy everything seems to make you #anxious & under threat. Billy is #strong physically but his mind is #damaged/tortured & its almost as if #fighting & #drugs are his only escapism. Its depressing seeing him go from seemingly untouchable to a weak/#scared kid & with physical danger everywhere his mind starts to become more & more unstable. #joecole gives such a mesmerising performance here, you feel his #pain, #fear, paranoia & torture & admire what little #fight he has left in him. Infact whats going on in the prison could essentially be a metaphore for the stuggles going on in his head. Visually depressing but stunningly #gorgeous its almost like the director took inspiration from #nicholaswindingrefn #onlygodforgives & even uses some of its talented cast too. I really cant recommend this film enough it truly is a remarkable film & such an incredible, sad & powerful #truestory. #odeon #odeonlimitless #thursdaythoughts #fighter #boxing
Billie Wichkan (118 KP) rated From the Shadows in Books
May 22, 2019
A stunning, atmospheric police procedural set against the grit of Inverness and the raw beauty of the Scottish Highlands, this is the first book in the DI Monica Kennedy series.
Sixteen-year-old Robert arrives home late. Without a word to his dad, he goes up to his bedroom. Robert is never seen alive again.
A body is soon found on the coast of the Scottish Highlands. Detective Inspector Monica Kennedy stands by the victim in this starkly beautiful and remote landscape. Instinct tells her the case wonยt begin and end with this one death.
Meanwhile, Inverness-based social worker Michael Bach is worried about one of his clients whose last correspondence was a single ambiguous text message; Nichol Morgan has been missing for seven days.
As Monica is faced with catching a murderer who has been meticulously watching and waiting, Michael keeps searching for Nichol, desperate to find him before the killer claims another victim.
From the Shadows is the first book in the Detective Inspector Monica Kennedy series by G R Halliday and it is a promising start to what will hopefully be one a successful and long running police procedural series.
The story is set in the Scottish Highlands and uses its' setting well to add atmosphere to the book.
I really enjoyed the story and the twists and turns of the plot.
It's quite a dark story but I liked that and wasn't sure who the killer was until close to the end.
I was thoroughly engrossed whilst reading the book and could not put it down.
Definitely recommended.
Thank you NetGalley and Random House Vintage for a copy of this book.
Sixteen-year-old Robert arrives home late. Without a word to his dad, he goes up to his bedroom. Robert is never seen alive again.
A body is soon found on the coast of the Scottish Highlands. Detective Inspector Monica Kennedy stands by the victim in this starkly beautiful and remote landscape. Instinct tells her the case wonยt begin and end with this one death.
Meanwhile, Inverness-based social worker Michael Bach is worried about one of his clients whose last correspondence was a single ambiguous text message; Nichol Morgan has been missing for seven days.
As Monica is faced with catching a murderer who has been meticulously watching and waiting, Michael keeps searching for Nichol, desperate to find him before the killer claims another victim.
From the Shadows is the first book in the Detective Inspector Monica Kennedy series by G R Halliday and it is a promising start to what will hopefully be one a successful and long running police procedural series.
The story is set in the Scottish Highlands and uses its' setting well to add atmosphere to the book.
I really enjoyed the story and the twists and turns of the plot.
It's quite a dark story but I liked that and wasn't sure who the killer was until close to the end.
I was thoroughly engrossed whilst reading the book and could not put it down.
Definitely recommended.
Thank you NetGalley and Random House Vintage for a copy of this book.
Cynthia Armistead (17 KP) rated Aftermath (Sirantha Jax, #5) in Books
Mar 1, 2018
Leave it to Aguirre to take her heroine in a direction that is apparently pissing off at least half of her readers (those who expected romance). Sirantha Jax is in fine form in [b:Aftermath|10648186|Aftermath (Sirantha Jax, #5)|Ann Aguirre|http://photo.goodreads.com/books/1311703515s/10648186.jpg|10219927], staying strong and true to herself through an all-new set of trials (literally) and troubles. Loyal Velith stays by her side throughout, continuing to depict a friendship that goes beyond mere romance.
I don't normally mine books for quotes as I read them, but two bits stuck with me from this book. Musing, Jax thinks, "… the world moves on, even when you don't want it to, even when change feels like the end of everything. It never stops. That's harsh and magical and somewhat comforting because nothing is immutable, however much we want it to be. Moments cannot be caught like fossils in amber, ever-perfect, ever-beautiful. They go dark and raw, full of shadows, leaving you with the memories. And the world moves on."
Later, Velith says, "The heart is not a glass of water, but more like an endlessly pumping spring."
There is so much wisdom about love and relationships in those words that I will remember this book far longer than the plot details will necessarily stay with me.
The plot is, of course, as can always be expected of Aguirre, good. It hangs together well. There was a little drag this time, but not much. I am eagerly awaiting the release of <i>Endgame</i> later this month, and will be purchasing it as soon as it's released.
I don't normally mine books for quotes as I read them, but two bits stuck with me from this book. Musing, Jax thinks, "… the world moves on, even when you don't want it to, even when change feels like the end of everything. It never stops. That's harsh and magical and somewhat comforting because nothing is immutable, however much we want it to be. Moments cannot be caught like fossils in amber, ever-perfect, ever-beautiful. They go dark and raw, full of shadows, leaving you with the memories. And the world moves on."
Later, Velith says, "The heart is not a glass of water, but more like an endlessly pumping spring."
There is so much wisdom about love and relationships in those words that I will remember this book far longer than the plot details will necessarily stay with me.
The plot is, of course, as can always be expected of Aguirre, good. It hangs together well. There was a little drag this time, but not much. I am eagerly awaiting the release of <i>Endgame</i> later this month, and will be purchasing it as soon as it's released.