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High As the Heavens
10
10.0 (2 Ratings)
Book Rating
Kate Breslin's new book is FINALLY here! I have been waiting for this day since the moment I finished Not by Sight. And I am so excited to share my review with you. Filled with raw emotion that will grip your heart, this is not a light read, but it is an AMAZING story!

"How in the midst of all this sorrow"...Can hope possibly be found?*

Kate's books continue to elicit emotions in me that I have rarely felt on such an excruciating level. Set in Belgium during WWI we live through the memories of our heroine. We walk with her through the heartache, the pain, the suffering, but also the joy. Evelyn Marche has seen her fair share of evil and sorrows, but as a nurse she is able to bring peace and comfort to those who are also suffering. Through her work, she is making a difference in more people's lives than she knows. I don't want to say TOO much about Eve's story, because I want you to read it! Be warned though...I was not even half way through and I thought I was going to puke, cry, and throw the book across the room.** THAT is how powerful Kate's words are. There were many times of laugh out loud moments, but this is a book set in a WAR ZONE.
 
While in the middle of reading this book, I had the opportunity to hear a WWII survivor speak. (I know, I know...different war...but a hero is a hero.) Her name is Marthe Cohn, she is 97 years old. Marthe is a French Jew who served as a spy in Nazi Germany during WWII. She was a nurse. She is a HERO. There are SO MANY PARALLELS to Eve in Marthe's story that it was kind of weird. Marthe was instrumental in bringing about the end of the war. I share this with you because I want to honor those who have served...in any war. Those who would risk their lives daily so that my family may live in peace. The heros who, without them, things could have ended so very different.

Evelyn is a strong and powerful representation of the many women who served in WWI. The heroes who cared for the wounded. The heroes that changed history one day at a time. Eve's independent spirit and tenacity has been an asset throughout the war. But living in "survival mode" can wear a person down. Will she continue fighting in her own strength or will she open her heart to God, and allow Him to carry her burdens? Although I have not seen the same horrors that Evelyn (and Marthe) were faced with, I hope that in the midst of chaos I will stand strong, be a light and do what I can to make the world a better place. To bring hope to those who have none.

*Quotation is from the song Days in the Sun found on the 2017 release of Disney's Beauty and the Beast.
** No books were harmed during the process of reading this book and writing the review.

I received a complimentary copy of High as the Heavens from Bethany House Publishers I was not required to write a positive review. All opinions expressed are mine alone.
  
Let me preface my review by saying that this book has very defined themes that really hit home for me. Things like: Friendship, trial, sacrifice, perseverance, study and reward, defined magic rules, war / training themes, rich history, and how love and grit will get you through tough times. Some of those themes are prevalent in books like Harry Potter, Lord of the Rings, or even things like Mistborn, etc. If you enjoyed those series, you may enjoy this series as well. For me, those themes really resonate with me, and this book is no exception.

I’d like to recommend that you read Arcane – The Arinthian Line Series (Books 1 -5) first. Really, so much is set up before this book that you can’t just jump in blindly now. If you read those books and loved them, then KEEP READING: it just keeps getting more and more awesome. I love these books, and this book in the series just continues to help solidify my feeling that this has got to be one of the best book series I have ever read.

There are many ups and downs in this book. The author does a great job of making you feel like there is no hope, that all is lost, and that there’s no way they can ever get out of what they’re up against. I can’t say too much other than this: the few wins that there are do really hit hard on you: you just FEEL so much for the character’s vindication and justice that everything was worth it.

There were definitely some slow scenes and definitely some exciting scenes. There was rich history woven in a tapestry of friendship and growth and pain. Although the story might slow here and there, I felt it was very cohesive and realistic, and couldn’t find any gaps or issues with it. I felt that the character’s development (emotionally and otherwise) was so satisfying and raw. I love the villains and I love the heroes and everyone in between.

Honestly it’s been awhile since the last book, and since the first 5 books in the series, so I kinda forgot a few of the side characters, but I quickly was able to jump back in, and nothing weird about any side characters ever was enough of an issue to keep me from being engaged in the story.

Sever, keep up the good work. To me, this book and this whole series is the most under-rated gem of the 21st century. (Insert meme of me at a table with a sign that says just that, and underneath says “change my mind”. But then those words “Change my mind” are crossed out as you’ll never be able to do so!)

I hope that there is only 1 more book in this particular series as I think that would be a great way to end things, but realistically I plan on reading ANY book that Sever puts out at this point. It’s just so great that these books, while good for teens, can also hit home for adults as well. Also, as one who is mindful of content, this book is generally between PG & PG-13 rated, mainly due to fighting, and so I’m glad to be able to enjoy quality literature that’s NOT R-rated. From the bottom of my heart, thank you Sever.

I received this book for free in exchange for an honest review, and I recommend buying this book for an honest-to-goodness great experience.
  
Selma (2015)
Selma (2015)
2015 | Biography, Drama, History
Set in 1965, the film follows the voting rights marches from Selma to Montgomery. During the time Black citizens had the legal right to vote, but there were countless strategies put into place to stop them from actually being able to use those voting rights.

The film does a good job of providing back story of what was happening that brought on the marches. It portrays the horrific brutality of a time when blatant hatred ripped through the soul of the nation.

During the Selma march, peaceful protestors dressed in their Sunday’s best were beaten (even killed) by local police. However, even the most hard to watch moments of violence were toned down in comparison to actual footage from the Selma march.

The visceral moments of raw emotion and terrible violence will give the audience chills

Martin Luther King, Jr. (David Oyelowo) would of course be a hard pair of shoes to fill as an actor. But somehow Oyelowo pulls it off with a passion that shows in his eyes. Even the ways in which Oyelowo delivers his speeches were powerful and moving, much in the way of the real MLK, Jr.

An intriguing part of the film is the attention given to MLK, Jr.’s wife, Coretta Scott King (Carmen Ejogo). She is a less talked about figure in history, but perhaps this will now change. She is shown to be a very strong and intelligent woman, who serves as the backbone to the King family. Her role as wife, mother, and political supporter are highlighted.

The cast selection is top notch, making the film very realistic.

Tom Wilkinson, who plays Lyndon B. Johnson, practically resurrects the late President. His physical appearance and vocals make the actor almost indistinguishable from the real LBJ. .

However, there is some controversy over the historical accuracy of certain aspects of the film. This especially is true in regards to the portrayal of LBJ.

He is portrayed as under pressure to pass legislation in favor of Black voters, but he himself comes off as a racist whose heart is not in the cause. This portrayal paints a picture of a dishonest man, wielding political power to save face. It is contradicting to the more well-known image of the LBJ who actually cared very much about civil rights and poverty.

The Voting Rights Act of 1965 is thought to be his most important piece of legislative work. It was certainly not just a mere political reaction to protestors, though they surely had a strong impact on making it happen.

No one can deny the power of MLK, Jr.’s work. It is a profound historical example of the possibility for political transformation through the will of the people.

Another point of question is whether or not it was JFK or LBJ who originally ordered the FBI surveillance of MLK, Jr. and those associated with him.

A slightly troubling aspect of the film is that it lacks showing any tinge of gender inequality, which was a pervasive part of that era. Also, it was hinted at that MLK, Jr. had infidelity issues. Personally, I had some question as to whether or not this was true, or if it was even a useful piece of information to include. Perhaps it was included to show a more human side to MLK, Jr.

All of these questions aside, “Selma” is an amazing and moving piece of work.

A finely crafted cinematic reflection of a deep and painful scar on American history, I give “Selma” 4.5 out of 5 stars.
  
Nightcrawler (2014)
Nightcrawler (2014)
2014 | Drama, Mystery
The concept of the American dream is generally thought of as ascending to great heights of success. For some, that means creating something out of nothing. They can do this either through lots of hard work, or by having a stroke of good luck.

 “Nightcrawler” centers around Louis Bloom (Jake Gyllenhaal), a young man who is attempting to do just that – create something out of nothing and ascend to great heights of success.

 Truly a schmuck by every definition of the word, Louis is a contemptible character. He lies, steals, and bends every rule in pursuit of the almighty dollar. This makes for a character that people will love to hate.

 Louis discovers a grand opportunity to make money by essentially playing paparazzi to the world of crime. A skill in high demand in a news industry which sensationalizes violence and crime in order to gain ratings.

 The film portrays the workings of the news media as somewhat twisted. The industry plays off of the naivety of the American public.

 This theme builds throughout the movie, becoming more and more apparent. It hints at an uncertainty of the ethics of crime news coverage. This message is perhaps intended to extend beyond the silver screen and into the real world.

 A thriller with depth, “Nightcrawler” is one hell of a debut for director Dan Gilroy. In addition to the unique and complex plot line, the cast is expertly selected.

 Each character achieves a raw realness that turns the audience into witnesses rather than movie goers.

 Gyllenhaal, who lost 20 pounds for the role, has mastered the art of portraying madness. His eyes communicate a certain detached sadness, yet at the same time he appears egotistical. His expression exudes an inner dialogue which is fleeting and somewhat absent from reality. He is the main character in the movie, as well as in his own mind.

 The evolution which his character, Louis, exhibits is electrifying. He is a man in constant motion – doing whatever it takes to succeed, and sinking deeper into the dark side of a news media that lives off of ratings.

 The film starts to resemble a gory train wreck which one cannot resist but to stare at as it follows Louis. In order to get the perfect shot, he pushes the line of morality further and further. His morally questionable character begins to blur into the realm of psychotic.

Human lives begin to be something of a commodity when on the other side of a lens. Nina (Rene Russo), a news director desperate to stay in demand is determined to stay focused on theme of urban crime creeping into suburban neighborhoods. She knows this is what grabs attention, and despite reality, she intends to deliver a particular story to viewers.

 Russo’s tired eyes add to the realness of the dramatic story. She is just one of the characters which may confuse the audience in regards to who is “good” and who is “bad.” The interplay between characters who cannot be defined as good or bad creates a massively entertaining drama.

 The deeper message of the film is left up for interpretation. Perhaps many people are just “not so good,” then there’s Louis who most people won’t be able to help but loath.

 A true statement piece, “Nightcrawler” delivers a nauseating cinematic rush.

 

I give “Nightcrawler” 5 out of 5 stars.
  
Enter the Wu-Tang (36 Chambers) by Wu-Tang Clan
Enter the Wu-Tang (36 Chambers) by Wu-Tang Clan
1993 | Rock
7.0 (3 Ratings)
Album Favorite

"A friend of mine played me the Wu Tang album way before it came out. I was so entrenched and deep into this music shit by then that a lot of music was shared through people I knew and I would subsequently hear a lot of projects in their demo phase. I also got a lot of stuff from attending the underground mix shows: this was one such record. The Friday night mix shows were so special back in the day, especially in breaking new music – and what a record this was to break. It took me multiple listens to realise this was so radically different from anything I'd ever heard previously. Soon enough, I was like 'Yo, this shit is amazing.' Hearing nine different MCs with totally different styles meant that it took a little time for the Wu Tang to settle in: I admit I didn't get it the first time I heard it, but once the record came out and I started hearing it more and more, I knew this was something very special indeed. I had my favourite MCs in the group like everyone did, but as I started to get to know them more and more, I realised this was a group where at least six or seven of the nine MCs could just go off and be platinum selling artists in their own right. How many groups or collectives can you say that of? It wasn't even like a supergroup or something put together specially – these guys just came from the same sort of space as us and they were doing this incredible shit. RZA's production was phenomenal and I admired it so much, especially the concept of the slang, the Kung Fu…it was ridiculous. All the other philosophies behind it too were so special. For me, there was always something for everybody in that band because you have nine entirely different personalities in there and you're going to find something to like out of those nine motherfuckers [laughs]. Everybody had their favourites, me included. The first time I heard it, RZA and GZA were my favourites then as time went on, I liked Raekwon and Ghostface Killah. I saw them a couple of times live, like very early on before they really blew. Their gigs were just pure raw energy and the stage was chaotic and hectic because there's nine people on there with mics doing their own thing. They didn't have the most organised shows but there was this energy that they brought – this wild, fucking crazy ball of energy that they always delivered on the stage. You never really did know what was going to happen next and that was always exciting Ol Dirty Bastard was also one of the most unique characters ever in music. I always look for uniqueness and authenticity in an artist and he just had it in abundance for me. I heard him and thought, 'He's one of a one'. His music had a message of like, 'don't get stuck, free yourself'. It was a powerful message. I don't know if they can ever do something like this again or if something this special will ever exist once more: they had so much powerful energy. It's something very hard to hold together when everyone is going in a bunch of different directions, continually shifting. Yet they did it in that space and in that time: I doubt you can repeat that."

Source
  
Dust (Heirs of Neverland, #1)
Dust (Heirs of Neverland, #1)
10
10.0 (1 Ratings)
Book Rating
<a href="https://travelingwife4life.wordpress.com/2020/08/05/the-dust-celebrate-lit/">Travelers Wife 4 Life</a>

Wholly Guacamole was this a captivating book! Take it from someone who was pretty indifferent to the tale of Peter Pan and his adventures before this book, that you will be immersed in a world full of life, dreams, and the pursuit of finding a family. This is Kara Swanson’s first book in her Heirs of Neverland series, and I already can not wait to get my hands on the second book! Dust was AMAZING!

<b>“Play it safe, you mean. I’ve never wanted to be safe Lily. I want to stop hook and save Neverland­­- even if that means a bit of danger. A smirk tugs at my lips. “Especially if it means danger.”- Peter Pan</b>

The characters in this story were unlike any I have encountered before. They were very real and raw, talking about issues outside of the realm of make-believe and “Magic”, and dealing with them in very lifelike ways. The characters do not fit the mold for Peter Pan and his gang, which I thoroughly loved. Peter had such growth through the story that it was almost tangible. Claire was dreamlike and I enjoyed seeing her unique perspective of Peter and Tiger Lily. I believe Claire is a very relatable character and I am so excited to see where Kara Swanson leads her in the next book. Plus, I loved the hint of romance between Claire and Peter; I am a sucker for a sweet coming of age romance. Both main characters show tremendous growth by the end of the story, Peter maybe a new favorite of mine in terms of character growth and self-reflection.

<b>“His whole face lights up with delight, like a child inviting a grown-up to see a new creation they’ve made. He’s inviting me into his world.” – Claire</b>

The setting for this book is partially the US and then moves to London, which is to be expected; I mean how can you tell the story of Peter Pan without Big Ben? It flows beautifully with Kara Swanson’s edgier tale of Peter and the Lost Boys. From dancing fairies to the feeling of gliding through the air Kara Swanson describes the actions and emotions of the characters in vivid detail making me feel like I was gliding alongside Peter ready for any adventure to come our way. I truly enjoyed this tale and cannot express my anticipation for the next book in the series to release!

I give this book 5 out of 5 stars for the amazing characters, the great twist on a classic tale, and for making me like the story of Peter Pan and the adventures of Lost Boys. I will definitely be reading my kids this story someday, much better than even the original!

<b>“You were created for more than to bear the weight of your shadows- but you have to choose to no longer let them define you. You have to choose to let the light shine through the shattered pieces.” – Tiger Lilly</b>

I could go on forever quoting this book…so you can check out my <a href="https://www.instagram.com/travelerswife4life/">IG</a>; or <a href="https://twitter.com/TravelersWife4L">Twittert</a>; for some more amazing quotes!

*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
  
The United States vs. Billie Holiday (2021)
The United States vs. Billie Holiday (2021)
2021 | Biography, Drama, Music
7
6.5 (2 Ratings)
Movie Rating
Andra Day - astonishing acting (0 more)
Script is jerky and spasmodic (0 more)
Spasmodic biopic anchored by an astonishing performance by Andra Day
It's the late 40's in the US. We follow the distressing story of Billie Holiday (Andra Day) through her period of fame and drug addiction, while constantly pursued by Harry Anslinger (Garrett Hedlund) of the FBI. The reason? Holiday kept repeatedly singing the song "Strange Fruit" at her concerts, seen as being incendiary in support of the emerging civil rights movement. While surrounded by exploitative men, can she escape the destructive cycle and find true love with her "soldier boy" Jimmy Fletcher (Trevante Rhodes).

Positives:
- Andra Day. My word! What an acting performance from the lady. Apart from a small role in the Chadwick Boseman movie "Marshall", this is her live-action feature debut. Talk about knocking it out of the park! This is a raw and very brave performance (in terms of the degree of passion and nudity required. And that's even before you take into account that she is rendering all of Billie Holiday's songs in pitch-perfect fashion. Astonishing. With a Golden Globe win under her belt, it could be an interesting battle for the Oscar between her and Frances McDormand later in the month.
- There is zero sugar-coating on this version of Holiday's biopic. Various scenes in here, especially a drug-induced retelling of the alleged origins of "Strange Fruit", are harrowing and leave a lasting impression. For the second time in a week (the other being "The Mauritanian"), I am left angry about the racism and injustice present in the US systems of government. (An astonishing caption at the end of the film - regarding a 2020 senate bill - left me speechless). Much of the movie's content is based on truth: there is a nice "fact vs fiction" summary here on collider.com.
- Elements of the story are very moving. A love-making scene (very much as opposed to a sex scene) between Billie and Jimmy is sensitively handled: like seeing an abused dog finally being shown some kindness. (Well - I was moved anyway).
- Production design for the movie (by Daniel Dorrance) is fabulous, with sets such as the Café Society brimming with 40's style.

Negatives:
- Sadly, for all of its positives, the overall concoction is a bit of a muddle. Nothing flows terribly well, and the script hops around all over the place. This left me - while never totally disengaged - feeling a bit bored and restless at times.
- I KNOW that it was common parlance at the time, but the excessive use of the "N-word" throughout the film is bound to upset some watchers.
- The movie is just SOOOO gritty and downbeat, that it left me feeling angry and upset after watching it.

Summary Thoughts: As a biopic, it comes across as jerky and spasmodic. It has moments of genius, particularly in some of the musical performances. But there are also spells where it fails to fully engage. If I was rating this purely on its content, it would probably be a 5/10. But you just can't ignore the quality here of Andra Day's performance. So for that reason, I have added 2 extra stars into the rating.

(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/04/16/the-united-states-vs-billie-holiday-strange-fruit-hangin-from-the-poplar-trees/. Thanks.)
  
40x40

Henry Rollins recommended Seven Samurai (1954) in Movies (curated)

 
Seven Samurai (1954)
Seven Samurai (1954)
1954 | Action, Adventure, Drama
7.7 (19 Ratings)
Movie Favorite

"Here’s another one: Seven Samurai. The great Akira Kurosawa. He’s my favorite director and a lot of his films featured my favorite actor Toshiro Mifune. I never understood a single word he said, but the force and physicality of Mifune [was] just like a damn hurricane on a screen. In Seven Samurai, this epic film, there was a scene where Mifune’s character — he’s drunk — gets hit in the head. Someone whacks him with a stick and her just comes roaring into this scene like, “Who hit me?!” And he’s hilarious and crazy and you find out by doing some homework that guy never took any acting; he just walked into an audition and said, “You need an actor? I’ll act.” He was just this raw, crazily talented guy. I became fascinated by Kurosawa many years ago on a lot of levels — the way he would light scenes, the way he would shoot things, and the fact that he would use many of his actors over and over again. Obviously, Mifune repeats all throughout Kurosawa’s career, and also Takashi Shimura is in this film, and he stars in a beautiful Kurosawa film called Ikiru, which means “To Live.” It’s one of Kurosawa’s more melancholy introspective works. It’s just a beautiful film. Every time I’ve watched it it always moves me. And in Seven Samurai, there’s so much kinda cop-buddy film — you’re like, “Wow, that’s where they’re gonna get Lethal Weapon, Fistful of Dollars, Hang Em High.” I mean they’re just gonna get so many big movies from Kurosawa. There’s a guy named Seiji Miyaguchi who’s the master swordsman in Seven Samurai, where he goes out on a mission just on his own and comes back holding some dead guy’s gun. A man with a sword takes out a guy with a gun. He just takes the gun, throws it on the ground, and I think he says, “Got two.” He just sits down and goes to sleep. This guy puts his face on his knees and goes to sleep like, “Been a rough night. Killed two guys. Oh, and here’s this gun thing. I don’t know how it works.” There are so many killer moments in Seven Samurai. Meanwhile it’s this sweeping epic [of] good versus evil. And the kind of neutral victory at the end where four of the seven samurai are dead; the farmers are just notably ungrateful for having had their assess saved by these seven selfless samurai. They’re basically rōnin — they are masterless samurai. And they go right back to their crops like, “Thanks, dude.” Really? You barely noticed what sacrifices were made, and you’re all cowards in the face of aggression. And these guys gave you everything and died doing it. There’s a lot of your own life that you could read into that. And I think Kurosawa did that magically from film to film, where he’d tap into human feelings quite often. [Kurosawa] was just a master movie maker. Master writer. Master cameraman. The dude knew how to make a movie. And Seven Samurai is just a great example of it. It’s not my favorite Kurosawa film. I just think it’s such an amazing piece of work. It’s one of my favorite films just because it’s a massive undertaking. And in my top five I did not put in a Werner Herzog film, which I’m rethinking. I probably would have put in either Fitzcarraldo or Aguirre, the Wrath of God. And so, Herzog gets an honorable mention. But moving on."

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Lost Property
Lost Property
Helen Paris | 2021 | Contemporary, Fiction & Poetry
8
9.0 (2 Ratings)
Book Rating
Dot Watson works in the TfL Lost Property office, meticulously labelling items found on London’s public transport in the hope of reuniting them with their owner. However, it soon becomes apparent that it is Dot who is lost, grieving the loss of her father to suicide, her mother to dementia and her ever-deteriorating relationship with her sister.

What isn’t initially clear is why Dot feels guilt-ridden by her father’s suicide but Paris carefully peels back the layers of Dot and her family’s lives to expose their loss, their love and their vulnerability.


Dot herself is fastidious in details, finding safety in rules, routine and order. Her safe words (Sellotape, safety pin, superglue) echo through the novel with no real context except to calm Dot, to allow her to keep everything together and in place. In contrast to this, Dot is clearly falling apart.
Dot’s life is already poles apart from what she envisioned for herself but circumstances cause her to fall further and start looking for an escape: an escape that she finds amongst the stacks of unclaimed items, with a little help from a bottle of absinthe!

Dot’s hallucinations do cause moments of humour but more than this they portray her raw grief and her depression. Dot tries to find a story behind every item in the stacks, to give the item an identity, an owner, a purpose. But what she is really looking for is her identity, her purpose. She passionately fights for these items, believing that their worth surpasses monetary value, but she cannot apply this to herself until it is almost too late.


The characters surrounding Dot serve to reflect how isolated she has made herself.
 Our protagonist has few friends in her social circle and those that she does have seem to be work friends, in whom she often finds criticism. I really appreciated the roles of characters such as Anita, she never stopped inviting Dot to events even when Dot had refused several times before. Anita is the perfect model for a friend of someone with depression: keep showing up, keep listening and never give up.

Dot’s mother, Gail, has dementia and has recently moved out of the maisonette she shared with Dot and into a care home. The relationship between mother and daughter has never been as close as the bond Dot had with her father but Dot’s memories of her mother slowly unfurl into the recognition and acceptance of her as a person and a protector, rather than the background character she has always assumed her mother to be.

Dot’s sister Philippa seems to be a bit of a steamroller of a character at first, bossy and controlling in that she plans to sell the maisonette and thus make Dot homeless. However, Philippa finds her spotlight in the final few chapters, perhaps because Dot allows herself to see her sister properly and acknowledge the life and pain that they both shared. The resulting love between the two sisters is heart-warming.

 
Lost Property is heart-breakingly honest and open. I laughed and, as someone coming to terms with a dementia diagnosis within the family, I cried my little heart out. I frankly couldn’t believe Lost Property is Helen Paris’ debut novel. This is the most emotive book I have read this year.

Thank you to Bookstagrammers.com, Helen Paris and Penguin Random House UK for gifting me a hard copy of this book in exchange for an honest review.
  
The Immortal (2019)
The Immortal (2019)
2019 | Crime, Drama
You can't stop what's coming.
l'immortale is a good companion piece to possibly the greatest TV show of all time gomorra & while it does shed a bit more light on what sort of the life one of its best characters had at a younger age and where he is now i can't help but feel it's tainted one of the best twists the show has to offer overall. (WARNING: spoilers for gomorrah ahead but if your watching this anyway before you have seen the show I'd strongly advise not to). After surviving the incident on the boat at the end of season 3 Ciro begins a new life in Latvia caught working between Russian clans in Latvia. Long gone now are the days of him being a top dog & while he still has a certain celebrity status among people here he is undoubtedly someone else's bitch. He's a man that has absolutely nothing left to loose now & it's finally stating to take a toll on him mentally and physically. Marco D'Amore again is fantastic here & this time plays a more subjude Ciro. As a character he lacks confidence now & walks around with less pride & cockynes, he's not as sure of himself & personality wise he's alot quieter & socially distantanced. He also spends a lot of time thinking in silence, just remenising & taking in the scenery almost like life itself bores him now & he is just waiting for the day to come where someone puts him down. Marco D'Amore plays this character perfectly as always & as a viewer its great to see the mighty Ciro from a different light & helps us to feel his pain connecting with him in an alternative way to which we usually do. Marco D'Amore is also the director this time too & as a first film it's a really great effort but also at the same time he seems to really struggle finding an identity of his own & here lies my biggest problem with the movie. Far to often it feels like he's trying to just replicate Gomorra instead of taking the regins & putting his own spin on things (a bit like what ryan gosling did with the lost river trying to initiate nwr). Don't get me wrong is very similar to Gommora but it's not as griping, powerful, raw, gritty, impactful & full of tension like the show is & thus most of the scenes that use the same format either feel a bit hollow or off in some way. I did really enjoy the flash back scenes & seeing Ciro's upbringing & other tragidies that happen back then certainly do a great job of explaining why he's generally such a cold hearted desensitised person. What I can't understand is the main plot & that's mainly because the characters life had a fitting conclusion at the end of Gomorra season 3 so bringing him back now randomly for a movie just makes a very realistically grounded show seem a bit far fetched because while he maybe nicknamed the immortal after all he's still only human. All in all if it had just been a prequel film I think I'd of enjoyed it a lot more however if your a fan of the show & it's characters I would recommend seeing this as it definitely fills the time while waiting for season 5 & it absolutely proves Marco D'Amore shows promise as a director too.