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Into The Abyss (2011)
Into The Abyss (2011)
2011 | Crime, Documentary, Drama
6
6.0 (1 Ratings)
Movie Rating
Every now and again I like to leave the fictional world of film and take a trip into reality. I did so with Into the Abyss. A film by Werner Herzog (Rescue Dawn) it looks at the always controversial capital punishment, and focuses on one particular triple murder in the state of Texas.

Using actual footage of the crime scenes which is disturbing enough, Herzog also draws on the real life interviews of those involved and how it has affected their lives. It also explains to us what causes a person to commit murder, and if taking a life for a life really is worth it in the long run.

What is the most shocking with this film is the complete lack of remorse both inmates have. Michael Perry the condemned, man is courteous and polite in his responses as he sits looking through the perspex glass that separates him from Herzog.

As Herzog states at their first meeting he doesn’t particularly like him but he has respect for him, more than likely due in part to the honestly of his answers and how he’s dealing with certain death. The other is Jason Burkett, sentenced to life for his part in the crime, he won’t get out until much past sixty-five, a terrifying prospect when you’re only in your twenties.

Burkett still tries to command a normal life, married to someone on the outside who he rarely gets to touch physically they have a child on the way, although the conception is kept a closely guarded secret, despite advances to find out by Herzog. Both men have always blamed the other and both claimed their innocence.

The film is broken down into chapters, opening with a somber account of life and death from The Reverend Richard Lopez, the man that holds the hand of those sent to death, for their final walk into the unknown. It then quickly moves to an in-depth look at the murders, the how, the why and the where? This all makes for an impactul watch.
  
Where the Wild Things Are (2009)
Where the Wild Things Are (2009)
2009 | Drama, Fantasy
9
6.8 (31 Ratings)
Movie Rating
A film adaptation of Maurice Sandak’s beloved childhood tale of the same name, “Where the Wild Things Are” brings to life the worlds of Max a very imaginative child coming to grips with the emotional changes in his life. From his mom’s new boyfriend to his sister’s move into the teen years, Max is feeling very alone and runs away to a place where his needs are the first priority. In his world, Max is crowned king and he begins to deal with the issues of his real life through interaction and play with a variety of wildly imaginative monsters.

Taking a short children’s book and turning it into a compelling full-length film was the job of screenplay writers, David Eggers and Spike Jonzes, who also directed the picture. Among the film’s producers was Sandak and it shows. The film is seamlessly consistent with the original book while providing new and exciting content.

The roles are strongly cast from the lead of Max played by the up and coming Max Records, to that of the monster Carol voiced by James Gandolfini. The visual fantasy presented combines real and digital elements smoothly enough to accurately depict Max’s imagination while remaining realistic to the point of believability. Additionally, the fun yet abstract soundtrack manages to highlight the ups and downs of childhood exploration.

Seeming more like a masterpiece from Japanese animator Hayao Miyazaki than an American created live action children’s film, the detailed crafting and imaginatively honest perspective created by “Where the Wild Things Are” takes viewers back into their youth. A delight that is enjoyable, heartfelt and true to the spirit of the book, “Where the Wild Things Are”, is a must see film for any child inside or out.
  
The Cactus
The Cactus
Sarah Haywood | 2018 | Fiction & Poetry
8
8.5 (2 Ratings)
Book Rating
I'm genuinely surprised at how much I enjoyed this book. At the start of this novel, I hated Susan. Like I firmly wanted to punch her square in the face. I thought she was annoying, self-righteous, stuck on her high horse, just rude. I can't say that that changed much over the course of the novel, but the light in which she was shaded in changed. As you move through the story and you learn about her life, who she is and where she came from, her relationship with her mother before her death and after, it becomes apparent that her coldness, her vehement desire to push people away, and her intensity for control are all coping mechanisms stemmed from her childhood. I related a lot to Susan, even though I found myself wanting to scream at her in some parts of the book.

As for the story itself, the plotline, the characters, I really thought it was well put together. The twist towards the end and even the ending itself wasn't one that I thought of when I initially started reading or even as I made it to the halfway point and beyond. It wasn't a novel that kept me on the edge of my seat, by any means, but it was one that just pulled you in and you were encompassed in Susan's world - in her thoughts, however rude they might be. I relate a lot to who she was and who she becomes and I was surprised to find myself rooting for her by the end, even as I, again, wanted to punch her. I also appreciated that not every conflict needed to be wrapped up in a bow and solved. That's not real life and this book felt like real life.

A debut novel, well done.
  
Fascinating
I don’t often choose to read non-fiction books, I’m not entirely sure why except for the fact that I prefer escaping the real world. However there are some real life topics that really grab me, and forensic pathology is definitely one of those areas.

This book is truly a fascinating read. It’s an interesting mixture detailing Richard Shepherd’s personal life and the many cases he’s had involvement in over the years. It balances these two aspects very well, and I found I was as interested in his personal life as I was in the cases. It is the cases though that take precedence in this book and Shepherd really has left no stone unturned. There is an immense amount of detail in this about the deaths, bodies, medical terms and outcomes of the cases, and by the end of the book you feel completely satisfied that nothing has been missed.

Shepherd has had a truly impressive career, spanning a number of decades and quite a lot of high profile cases and inquests; Stephen Lawrence, Princess Diana, 9/11, 7/7, Derrick Bird, Harold Shipman. His involvement in all of these cases is impressive and with some, I’ve learnt a fair amount that I’d never known previously (i.e. Diana’s cause of death and the pathology side of 9/11). Shepherd is obviously a very knowledgeable and respected pathologist and it shows from his experience and his writing.

I may be biased as forensics, crime and pathology have always been an interest of mine (I did my dissertation at university on alternatives to traditional post-mortems), but this book is engaging, intriguing and beyond fascinating. I’d liken it to This is Going to Hurt by Adam McKay, obviously this is a lot more serious without the funny anecdotes but if you enjoyed the medical side then you’d probably enjoy this too.
  
Show all 3 comments.
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Sarah (7800 KP) Oct 18, 2020

Ooh thank you, I've never even heard of it so I'll give it a go 🙂

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AJaneClark (3975 KP) Oct 18, 2020

I have been reading a lot of this style of book, and stumbled across Corrupt Bodies in the Works. Definitely an eye opener

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