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Neverwhere
Neverwhere
Neil Gaiman | 2003 | Fiction & Poetry
9
8.8 (25 Ratings)
Book Rating
Setting (4 more)
Plot
Characters
World building
Gaiman's writing.
Richard Mayhew (0 more)
wonderland-esque and oh so good.
This was my first real venture in to the Urban Fantasy genre and I was so surprised I'd never really read anything from it before.

Neverwhere was an amazing book that had my imagination going on a rampage just trying to visualize London below, Gaiman did a wonderful job with combining a wonderland-esque world with modern London and living up to the old saying "No good deed goes unpunished."

The characters from London Below were all so detailed and took on a life of their own even as well as the magic of London Below it all just came off as being so real. My favorite characters hands down was Marquis De Carabas he was just so crafty and I really did not know if he was to be trusted or not, and Mr. Croup and Mr. Vandemar were some of the best villains I've seen in awhile.

The only thing I had a problem with and the reason even though I loved this book couldn't give it a full five star rating was I just didn't care for Richard Mayhew at all through out the whole book I made no attachment to him in the least bit, I know he was supposed to be this average every man type of person that got thrown into this crazy world but he either really annoyed me or was just kind of forgettable and fell into the background...I honestly forgot he was suppose to be the Protagonist.
  
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    LINE Let's Get Rich

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Awix (3310 KP) rated Pacific Rim: Uprising (2018) in Movies

Mar 27, 2018 (Updated Mar 28, 2018)  
Pacific Rim: Uprising (2018)
Pacific Rim: Uprising (2018)
2018 | Action, Sci-Fi
What-time-d'you-call-this-then late-arriving sequel to Guillermo del Toro's 2013 love letter to Japanese tokusatsu movies. A new generation of giant robot pilots must stop a new attempt to wipe out the human race using giant monsters.

The plot is fairly forgettable and possibly incoherent, as is most of the acting (though Scott Eastwood makes something of an impression in an underwritten part), but you go to this kind of film to see enormous robots and kaiju smacking each other about the head with bits of skyscraper, and this movie delivers that in spades. Possibly the first western movie to capture the real spirit of Japanese monster movies, and that makes up for a lot. The world-building isn't as interesting as in the first one, but it retains a few compellingly weird touches. Pure popcorn entertainment, but made with real energy and actually quite charming in a puppyish way.
  
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Steve Fearon (84 KP) rated Ruin Me (2017) in Movies

Sep 9, 2018 (Updated Sep 9, 2018)  
Ruin Me (2017)
Ruin Me (2017)
2017 | Horror
6
6.5 (2 Ratings)
Movie Rating
Campy, cheesy fun (1 more)
Good pacing
Predictable (1 more)
Some iffy acting
Low budget meta horror
Contains spoilers, click to show
Shudder exclusive 'ruin me' runs a similar line to 'Fear Inc' or 'Hellhouse LLC', with a meta horror experience blurring the lines between reality and fiction.

The cast is a mix of early 2000s tropes, the goth couple, the chubby film nerd, the silent loner etc on a slasher themed survival weekend where events take a turn for the bloody.

They twist and turn a few times, toying with the viewer using an unreliable narrator, our protagonist Alex, whom you aren't ever really sure is in the real world.

Not much will surprise you, but it is a fun trope laden film with no real pretence of being anything other than it is...a low budget meta slasher.

Not a bad 90 mins though, and it's watchable enough so long as you don't mind the sometimes clunky humour and meta elements getting front and centre.
  
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Kirk Bage (1775 KP) rated A Prophet (Un prophete) (2010) in Movies

Mar 3, 2020 (Updated Mar 3, 2020)  
A Prophet (Un prophete) (2010)
A Prophet (Un prophete) (2010)
2010 | International, Drama
7
7.0 (4 Ratings)
Movie Rating
Last, but not least, we travel to France and journey into a seedy and disturbingly real world of crime and society in modern Europe. We follow the life of Malik, a confused young Arab man forced into a life of crime by circumstance, as he grows from petty criminal to a man of real power and influence. The whole thing feels dirty, deprived and cold; there isn’t a lot of glamour here. The pinstripe is a leather jacket and a tracksuit; the weapon is as likely to be bare hands or a rusty knife as a gun. The power of this film is in wondering how this young man can ever attain peace and redemption, as he descends deeper into the mire; how he becomes both truly lost and at the same time somehow enlightened. A grim tale, told with a European eye that shuns fancy camera work in favour of forcing you to watch, and think. Not a pleasant film, but an important one.