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BankofMarquis (1832 KP) rated Greenland (2020) in Movies
Jul 1, 2021
It Doesn't Work
While surfing through my various streaming services looking for something to get swallowed up into my couch while watching, I encountered GREENLAND a film about a “planet killing” comet hurtling towards Earth starring that noted thespian Gerard Butler.
“Great”, I thought, “a disaster flick starring the guy from another cheesy disaster flick GEOSTORM, this should be fun, mindless entertainment”.
It wasn’t mindless and it wasn’t - most definitely - fun.
GREENLAND takes a “realistic” approach to the “what would happen if a killer comet starts barreling towards the Earth”. Because of this “realistic” approach, the mood throughout the film is pretty somber while the characters stand around and talk about the implications/consequences of this event.
There are 3 BIG issues with this film and it’s approach
1). The “realism” of what happens only occurs in service to the plot, when our heroes need to get from “Point A” to “Point B”, the freeways and roadways are, magically, empty - and a vehicle (completely full of gas) is conveniently awaiting them.
2). Gerard Butler is not even close enough of a good actor to carry the dialogue-heavy scenes.
3). Butler and his estranged wife (is there any other type of couple in these types of films) played by the “good enough” Morena Baccarin (DEADPOOL) are saddled with one of the most annoying, whiny kids (badly acted by Roger Dale Floyd) in the history of movies. At one point the child disappears from the plot (it would be a spoiler to explain why), I was really hoping that this character would not come back.
About the only thing that works in this film is a brief, extended cameo by Scott Glenn as Baccarin’s father, it lifts the middle of this sagging film at a time that it desperately needed it, giving me hope for the last 1/2 of the movie - a hope that was not realized.
I’m not sure I can lay all the blame of this failed film on Director Ric Roman Waugh (Angel Has Fallen), but he didn’t help himself here, either. He lingers way to long on events, dialogue and scenes, with the standard “light piano” underscore that emphasizes the importance of what is going on.
I blame the Producers of this film who, originally, had Neill Blomkamp (DISTRICT 9) lined up to Direct and Chris Evans to star in his first post-Avengers role. Both ended up dropping out and I can only imagine that the Producers cut the Director, Casting and Special Effects budgets, but kept the seriousness and realism of the tone.
It didn’t work.
Skip GREENLAND. If you want to check out “comets hitting the Earth” films, I would steer you towards the 1990’s duo of ARMAGEDDON and DEEP IMPACT.
Letter Grade: C
4 Stars (out of 10) and you can take that to the Bank(OfMarquis)
“Great”, I thought, “a disaster flick starring the guy from another cheesy disaster flick GEOSTORM, this should be fun, mindless entertainment”.
It wasn’t mindless and it wasn’t - most definitely - fun.
GREENLAND takes a “realistic” approach to the “what would happen if a killer comet starts barreling towards the Earth”. Because of this “realistic” approach, the mood throughout the film is pretty somber while the characters stand around and talk about the implications/consequences of this event.
There are 3 BIG issues with this film and it’s approach
1). The “realism” of what happens only occurs in service to the plot, when our heroes need to get from “Point A” to “Point B”, the freeways and roadways are, magically, empty - and a vehicle (completely full of gas) is conveniently awaiting them.
2). Gerard Butler is not even close enough of a good actor to carry the dialogue-heavy scenes.
3). Butler and his estranged wife (is there any other type of couple in these types of films) played by the “good enough” Morena Baccarin (DEADPOOL) are saddled with one of the most annoying, whiny kids (badly acted by Roger Dale Floyd) in the history of movies. At one point the child disappears from the plot (it would be a spoiler to explain why), I was really hoping that this character would not come back.
About the only thing that works in this film is a brief, extended cameo by Scott Glenn as Baccarin’s father, it lifts the middle of this sagging film at a time that it desperately needed it, giving me hope for the last 1/2 of the movie - a hope that was not realized.
I’m not sure I can lay all the blame of this failed film on Director Ric Roman Waugh (Angel Has Fallen), but he didn’t help himself here, either. He lingers way to long on events, dialogue and scenes, with the standard “light piano” underscore that emphasizes the importance of what is going on.
I blame the Producers of this film who, originally, had Neill Blomkamp (DISTRICT 9) lined up to Direct and Chris Evans to star in his first post-Avengers role. Both ended up dropping out and I can only imagine that the Producers cut the Director, Casting and Special Effects budgets, but kept the seriousness and realism of the tone.
It didn’t work.
Skip GREENLAND. If you want to check out “comets hitting the Earth” films, I would steer you towards the 1990’s duo of ARMAGEDDON and DEEP IMPACT.
Letter Grade: C
4 Stars (out of 10) and you can take that to the Bank(OfMarquis)
Church Organ
Music and Entertainment
1.0
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rDid you even dreamed to carry a big Church Organ in your pocket, to play while travelling or...
LucyB (47 KP) rated The Raven Boys in Books
Jul 23, 2017
A well-plotted, fresh take on the whole magical realism genre - very entertaining!
To be honest, I wasn't expecting to enjoy this as much as I did. I presumed, judging by the front cover, that it'd be some sort of high fantasy (which isn't normally my thing) and was very pleasantly surprised.
The story focuses on two main characters - Blue, a 16 year old who lives with her witchy mother and who seems to be surrounded by equally spooky aunts, and Gansey, a rich 'Raven boy' from the local public school, who is obsessed with finding the mythical Welsh king Glendower.
So far, so intriguing! And it really was. I found myself propelled through this book, eager to know what was going to happen next, which is the highest praise I can give a book really, I do love a good page-turner. I especially loved that the author so deftly avoided the boring stereotypes. The aunts are all psychic, but are they at all spooky / ethereal? Absolutely not. They're all very practical, down-to-earth, and fairly acerbic to boot. Are public school boys all over-privileged toffs? No! The characters were all impressively well defined, and I LOVED the character of Noah - I saw the twist coming, but wasn't sure how the author would pull it off. She did so, very effectively indeed.
A highly enjoyable read, and I'll be looking out for the next ones in the series.
The story focuses on two main characters - Blue, a 16 year old who lives with her witchy mother and who seems to be surrounded by equally spooky aunts, and Gansey, a rich 'Raven boy' from the local public school, who is obsessed with finding the mythical Welsh king Glendower.
So far, so intriguing! And it really was. I found myself propelled through this book, eager to know what was going to happen next, which is the highest praise I can give a book really, I do love a good page-turner. I especially loved that the author so deftly avoided the boring stereotypes. The aunts are all psychic, but are they at all spooky / ethereal? Absolutely not. They're all very practical, down-to-earth, and fairly acerbic to boot. Are public school boys all over-privileged toffs? No! The characters were all impressively well defined, and I LOVED the character of Noah - I saw the twist coming, but wasn't sure how the author would pull it off. She did so, very effectively indeed.
A highly enjoyable read, and I'll be looking out for the next ones in the series.
graveyardgremlin (7194 KP) rated The Black Lyon (Montgomery/Taggert, #1) in Books
Feb 15, 2019
The Black Lyon was a nice, fast-paced read with likable main characters. The story moved briskly and had a lot of events happening, but it ended up working. Lyonene was a strong character who had her faults, as was Ranulf, and they were wonderful together. I loved the scenes when they first met and the last half of the book the best. So some of the writing was flowery and maybe a bit dated to when it was written, but I really enjoyed this story and look forward to more in the Montgomery series.
Note: This does contain what today would be considered rape, twice. They're early on, they happen really fast, aren't described in much detail, and the hero doesn't even realize he does it the second time and he does show remorse. Maybe not what 'modern women' would like to see, but I didn't have much of a problem with it, and rape isn't something I take lightly. The heroine doesn't see herself as a victim, but as a wife just doing her duty. Sounds horrible to my 21st Century sensibilities, but somehow it made me not dwell on the rape and move on to the rest of the book. Other authors have done worse in books written in this time period (70s/80s), and having Lyonene react that way added a touch of realism to the Medieval time period.
Note: This does contain what today would be considered rape, twice. They're early on, they happen really fast, aren't described in much detail, and the hero doesn't even realize he does it the second time and he does show remorse. Maybe not what 'modern women' would like to see, but I didn't have much of a problem with it, and rape isn't something I take lightly. The heroine doesn't see herself as a victim, but as a wife just doing her duty. Sounds horrible to my 21st Century sensibilities, but somehow it made me not dwell on the rape and move on to the rest of the book. Other authors have done worse in books written in this time period (70s/80s), and having Lyonene react that way added a touch of realism to the Medieval time period.
I have no explanation for why young adult story anthologies are SO. GOOD. But they are. This particular one revolves around queer teens in historical times. That's about the only commonality; the genres vary from normal fiction to fantasy to magical realism. There are gay, lesbian, transgender, and asexual teens represented. I am a little annoyed that there don't seem to be any bisexual teens in the anthology; it could be argued that at least one if not more are bi simply because they had opposite-sex relationships before the same-sex romance in the story, but that's also common before realizing your sexuality/coming out. No one is explicitly bisexual in this book. There were also two transmen but no transwomen.
There was a decent amount of cultural diversity while remaining mostly centered in the US; Chinatown in 1950s San Francisco, 1870s Mexico, Colonial New England, 1930s Hispanic New Mexico, Robin Hood-era Britain.
The stories were really good, I just wish they'd included a bisexual story and a transwoman. They did have an asexual girl, which is a sexuality often overlooked, so that was nice.
It's a great collection of stories, just limited in scope. They could have cut a few F/F stories and added in bisexual, nonbinary, and transwomen, and lived up to the open umbrella of the "queer" label a bit more. I really enjoyed it, I think I'm just a little disappointed because I was expecting more of the spectrum.
There was a decent amount of cultural diversity while remaining mostly centered in the US; Chinatown in 1950s San Francisco, 1870s Mexico, Colonial New England, 1930s Hispanic New Mexico, Robin Hood-era Britain.
The stories were really good, I just wish they'd included a bisexual story and a transwoman. They did have an asexual girl, which is a sexuality often overlooked, so that was nice.
It's a great collection of stories, just limited in scope. They could have cut a few F/F stories and added in bisexual, nonbinary, and transwomen, and lived up to the open umbrella of the "queer" label a bit more. I really enjoyed it, I think I'm just a little disappointed because I was expecting more of the spectrum.
Steve Fearon (84 KP) rated Hereditary (2018) in Movies
Oct 10, 2018
Oscar worthy performances from the cast (2 more)
A genuinely complex approach to character based horror
Grounded horror, exploring reality and supernatural settings
It may be a little too slow for some (1 more)
This is not an easy viewing, and not a popcorn flick, you will need to pay full attention!
We Are family...
This movie is....intense.
It is painful.
It is uncomfortable.
It has moments of genuine scares too, but mostly it has slow dread.
The performance of this movie are outstanding and very much worthy of Oscar consideration, especially for Toni Collette who is just beyond amazing as a mother watching her family fall apart, but whose mental fragility is questioned over the course of the movie.
They keep the viewer guessing at all times as to whether the actions of this movie are due to insanity or something else, and honestly, either way, it is nightmarish.
The actions and conversations of the main characters all seem natural, or at least plausible, and this grounds the otherwise surreal situations in a way that is rare on movies of this type.
The sound design in this movie is fantastic, using really dynamic sound effects and periods of silence to create tension and keep the viewer focused, since there are very few musical cues on offer.
It is a classic, beautifully performed, lovingly crafted, and haunting in its brutality, realism and despair.
Watch it!
It is painful.
It is uncomfortable.
It has moments of genuine scares too, but mostly it has slow dread.
The performance of this movie are outstanding and very much worthy of Oscar consideration, especially for Toni Collette who is just beyond amazing as a mother watching her family fall apart, but whose mental fragility is questioned over the course of the movie.
They keep the viewer guessing at all times as to whether the actions of this movie are due to insanity or something else, and honestly, either way, it is nightmarish.
The actions and conversations of the main characters all seem natural, or at least plausible, and this grounds the otherwise surreal situations in a way that is rare on movies of this type.
The sound design in this movie is fantastic, using really dynamic sound effects and periods of silence to create tension and keep the viewer focused, since there are very few musical cues on offer.
It is a classic, beautifully performed, lovingly crafted, and haunting in its brutality, realism and despair.
Watch it!
Phil Leader (619 KP) rated Ghosts of Winter (Grey Areas #2) in Books
Nov 13, 2019
Following his flight from Gable, Iowa after getting inadvertently involved in a drug war, Barrett Grayson is determined to stay on the run from the FBI. However some bad news from home makes him re-evaluate his actions. Back in Gable the fallout from the fateful night of Chum's party continues with the local police and DEA determined to track down the missing drugs and the cartel prepared to stop at nothing to get hold of them instead. Meanwhile Claire can't shake thoughts of 'Henry Fields' from her head.
The first book in this sage was good; this second is even better. Carl is a very talented author who can move seamlessly between emotional and romantic to crime drama without missing a beat. As with the first book, despite a large cast of characters each one is depicted with incredible realism.
The thrust of the saga is that black and white don't exist, that everyone has shades of grey and has to make decisions which may be compromising or morally questionable, and that is brought into sharp relief here with what would normally be 'good guys' and 'bad guys' both blurring a lot of lines and meeting in the middle.
Despite being the second in a sequence of four books this does have its own plot which moves to a satisfying conclusion but obviously leaves all the main players in place for the next book. Anyone who picks this up and reads it will not be disappointed.
The first book in this sage was good; this second is even better. Carl is a very talented author who can move seamlessly between emotional and romantic to crime drama without missing a beat. As with the first book, despite a large cast of characters each one is depicted with incredible realism.
The thrust of the saga is that black and white don't exist, that everyone has shades of grey and has to make decisions which may be compromising or morally questionable, and that is brought into sharp relief here with what would normally be 'good guys' and 'bad guys' both blurring a lot of lines and meeting in the middle.
Despite being the second in a sequence of four books this does have its own plot which moves to a satisfying conclusion but obviously leaves all the main players in place for the next book. Anyone who picks this up and reads it will not be disappointed.
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