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Space Hopper
8.0
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This is a story about taking a leap of faith and believing the unbelievable. “They say those...
Historical Fiction Magical Realism Time Travel 1970’s UK
Gun Island
8.0
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Bundook. Gun. A common word, but one which turns Deen Datta's world upside down. A dealer of rare...
Historical fiction Literary fiction India climate change Environment magical realism
The Iceman Cometh
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An ominous play set in a cruel world of dark realism, an acknowledged masterpiece from one of the...
ClareR (5854 KP) rated The Water Dancer in Books
Feb 9, 2023
The Water Dancer byTa-Nehisi Coates is a book of contradictions: a book beautifully written about a shameful time in history.
Hiram is taken away from his mother as a child when she is sold to another owner. When his feats of memory are recognised by his owner/ father, he is taken in to the big house and educated. As he gets older, all Hiram wants is to be free to choose his own life and to have his own family.
When Hiram runs away, he eventually finds himself involved with the Underground Railway. And that is where he learns to control his ability to “conduct” himself to different places to help people.
I love magical realism and the way it makes us think about the way the world works in reality, as opposed to how we’d all like it to work. Hiram’s ability to conduct himself immediately to another place takes all the risk out of capture, the miles of struggle and needing to stay hidden. Of course, Hiram only gets to this stage after he experiences the trauma and inhumanity of being caught by the slave catchers himself.
I thoroughly enjoyed this - I listened on audiobook, and the narrator Joe Morton was amazing. Especially his singing - his voice just brought the characters to life.
A fabulous novel.
Hiram is taken away from his mother as a child when she is sold to another owner. When his feats of memory are recognised by his owner/ father, he is taken in to the big house and educated. As he gets older, all Hiram wants is to be free to choose his own life and to have his own family.
When Hiram runs away, he eventually finds himself involved with the Underground Railway. And that is where he learns to control his ability to “conduct” himself to different places to help people.
I love magical realism and the way it makes us think about the way the world works in reality, as opposed to how we’d all like it to work. Hiram’s ability to conduct himself immediately to another place takes all the risk out of capture, the miles of struggle and needing to stay hidden. Of course, Hiram only gets to this stage after he experiences the trauma and inhumanity of being caught by the slave catchers himself.
I thoroughly enjoyed this - I listened on audiobook, and the narrator Joe Morton was amazing. Especially his singing - his voice just brought the characters to life.
A fabulous novel.
Eilidh G Clark (177 KP) rated Goblin in Books
Jul 2, 2019
Brilliant book, well wriiten, original
Winner of the Saltire Society first book of the year award 2017, Goblin, by Ever Dundas is a brilliant and brave first novel. Set in both London during WW2 and in Edinburgh in 2011, the story is told in flashback. For me, the first half of the novel is the best, we meet Goblin as a nine-year-old tomboy with a love for animals and a passion for storytelling - both of which the protagonist collects.
Goblin has a difficult family life; a mother who doesn’t want her, 'Goblin-runt born blue. Nothing can kill you. [...] You're like a cockroach,' (p.5) a father who mends radio’s and barely talks and a brother (David) who spends most of his time in his bedroom. Left to her own devices, the protagonist, her dog Devil, and her two friends Mac and Stevie roam the neighbourhood and hang around in an abandoned worksite. As a collector of stories, Goblin enthusiastically attends the local church with Mac, 'I loved the stories, turning them over in my head, weaving my own.' (p.24) before meeting The Crazy Pigeon Lady who tells her tales of Lizards people from the realm below. The childhood innocence in these chapters, mixed with magic realism, break down the walls of adult reasoning and creates a wonderful suspension of disbelief.
But without giving away the story plot, the suspension of disbelief serves another purpose; to divert the reader (as well as the adult protagonist) from the truth. So, while the adult Goblin searches amongst her tangled past, she takes the reader along for the ride. We meet multiple parents, live life on the road, come alive on the streets and in the circus, explore love, death, desire, and hate – and somewhere in the middle we meet an impressive collection of animals - Goblin has it all. And as far as strong female protagonists go, she’s right up there with Anais Hendricks from Jenni Fagan’s Panopticon, to Janie Ryan in Kerry Hudson’s Tony Hogan Bought Me an Ice Cream Float Before He Stole My Ma, characters who are so real you might just walk by them on the street.
The only teeny tiny criticism about the novel is that the second half spans over a lengthy period of time and it felt a little rushed. However, there is so much to say about this novel, so many angles to discuss, from Queer Theory to Religion, from Myth to Realism, and as a graduate of English Literature I could have a field day studying this book but for now, as a lover of good books, I’ll give it a big thumbs up and a huge recommendation, it’ll be finding a space on my ‘keep’ book shelve.
Goblin, Ever Dundas (2017) published by Saraband
Goblin has a difficult family life; a mother who doesn’t want her, 'Goblin-runt born blue. Nothing can kill you. [...] You're like a cockroach,' (p.5) a father who mends radio’s and barely talks and a brother (David) who spends most of his time in his bedroom. Left to her own devices, the protagonist, her dog Devil, and her two friends Mac and Stevie roam the neighbourhood and hang around in an abandoned worksite. As a collector of stories, Goblin enthusiastically attends the local church with Mac, 'I loved the stories, turning them over in my head, weaving my own.' (p.24) before meeting The Crazy Pigeon Lady who tells her tales of Lizards people from the realm below. The childhood innocence in these chapters, mixed with magic realism, break down the walls of adult reasoning and creates a wonderful suspension of disbelief.
But without giving away the story plot, the suspension of disbelief serves another purpose; to divert the reader (as well as the adult protagonist) from the truth. So, while the adult Goblin searches amongst her tangled past, she takes the reader along for the ride. We meet multiple parents, live life on the road, come alive on the streets and in the circus, explore love, death, desire, and hate – and somewhere in the middle we meet an impressive collection of animals - Goblin has it all. And as far as strong female protagonists go, she’s right up there with Anais Hendricks from Jenni Fagan’s Panopticon, to Janie Ryan in Kerry Hudson’s Tony Hogan Bought Me an Ice Cream Float Before He Stole My Ma, characters who are so real you might just walk by them on the street.
The only teeny tiny criticism about the novel is that the second half spans over a lengthy period of time and it felt a little rushed. However, there is so much to say about this novel, so many angles to discuss, from Queer Theory to Religion, from Myth to Realism, and as a graduate of English Literature I could have a field day studying this book but for now, as a lover of good books, I’ll give it a big thumbs up and a huge recommendation, it’ll be finding a space on my ‘keep’ book shelve.
Goblin, Ever Dundas (2017) published by Saraband
BankofMarquis (1832 KP) rated Greenland (2020) in Movies
Jul 1, 2021
It Doesn't Work
While surfing through my various streaming services looking for something to get swallowed up into my couch while watching, I encountered GREENLAND a film about a “planet killing” comet hurtling towards Earth starring that noted thespian Gerard Butler.
“Great”, I thought, “a disaster flick starring the guy from another cheesy disaster flick GEOSTORM, this should be fun, mindless entertainment”.
It wasn’t mindless and it wasn’t - most definitely - fun.
GREENLAND takes a “realistic” approach to the “what would happen if a killer comet starts barreling towards the Earth”. Because of this “realistic” approach, the mood throughout the film is pretty somber while the characters stand around and talk about the implications/consequences of this event.
There are 3 BIG issues with this film and it’s approach
1). The “realism” of what happens only occurs in service to the plot, when our heroes need to get from “Point A” to “Point B”, the freeways and roadways are, magically, empty - and a vehicle (completely full of gas) is conveniently awaiting them.
2). Gerard Butler is not even close enough of a good actor to carry the dialogue-heavy scenes.
3). Butler and his estranged wife (is there any other type of couple in these types of films) played by the “good enough” Morena Baccarin (DEADPOOL) are saddled with one of the most annoying, whiny kids (badly acted by Roger Dale Floyd) in the history of movies. At one point the child disappears from the plot (it would be a spoiler to explain why), I was really hoping that this character would not come back.
About the only thing that works in this film is a brief, extended cameo by Scott Glenn as Baccarin’s father, it lifts the middle of this sagging film at a time that it desperately needed it, giving me hope for the last 1/2 of the movie - a hope that was not realized.
I’m not sure I can lay all the blame of this failed film on Director Ric Roman Waugh (Angel Has Fallen), but he didn’t help himself here, either. He lingers way to long on events, dialogue and scenes, with the standard “light piano” underscore that emphasizes the importance of what is going on.
I blame the Producers of this film who, originally, had Neill Blomkamp (DISTRICT 9) lined up to Direct and Chris Evans to star in his first post-Avengers role. Both ended up dropping out and I can only imagine that the Producers cut the Director, Casting and Special Effects budgets, but kept the seriousness and realism of the tone.
It didn’t work.
Skip GREENLAND. If you want to check out “comets hitting the Earth” films, I would steer you towards the 1990’s duo of ARMAGEDDON and DEEP IMPACT.
Letter Grade: C
4 Stars (out of 10) and you can take that to the Bank(OfMarquis)
“Great”, I thought, “a disaster flick starring the guy from another cheesy disaster flick GEOSTORM, this should be fun, mindless entertainment”.
It wasn’t mindless and it wasn’t - most definitely - fun.
GREENLAND takes a “realistic” approach to the “what would happen if a killer comet starts barreling towards the Earth”. Because of this “realistic” approach, the mood throughout the film is pretty somber while the characters stand around and talk about the implications/consequences of this event.
There are 3 BIG issues with this film and it’s approach
1). The “realism” of what happens only occurs in service to the plot, when our heroes need to get from “Point A” to “Point B”, the freeways and roadways are, magically, empty - and a vehicle (completely full of gas) is conveniently awaiting them.
2). Gerard Butler is not even close enough of a good actor to carry the dialogue-heavy scenes.
3). Butler and his estranged wife (is there any other type of couple in these types of films) played by the “good enough” Morena Baccarin (DEADPOOL) are saddled with one of the most annoying, whiny kids (badly acted by Roger Dale Floyd) in the history of movies. At one point the child disappears from the plot (it would be a spoiler to explain why), I was really hoping that this character would not come back.
About the only thing that works in this film is a brief, extended cameo by Scott Glenn as Baccarin’s father, it lifts the middle of this sagging film at a time that it desperately needed it, giving me hope for the last 1/2 of the movie - a hope that was not realized.
I’m not sure I can lay all the blame of this failed film on Director Ric Roman Waugh (Angel Has Fallen), but he didn’t help himself here, either. He lingers way to long on events, dialogue and scenes, with the standard “light piano” underscore that emphasizes the importance of what is going on.
I blame the Producers of this film who, originally, had Neill Blomkamp (DISTRICT 9) lined up to Direct and Chris Evans to star in his first post-Avengers role. Both ended up dropping out and I can only imagine that the Producers cut the Director, Casting and Special Effects budgets, but kept the seriousness and realism of the tone.
It didn’t work.
Skip GREENLAND. If you want to check out “comets hitting the Earth” films, I would steer you towards the 1990’s duo of ARMAGEDDON and DEEP IMPACT.
Letter Grade: C
4 Stars (out of 10) and you can take that to the Bank(OfMarquis)
Church Organ
Music and Entertainment
1.0
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rDid you even dreamed to carry a big Church Organ in your pocket, to play while travelling or...
LucyB (47 KP) rated The Raven Boys in Books
Jul 23, 2017
A well-plotted, fresh take on the whole magical realism genre - very entertaining!
To be honest, I wasn't expecting to enjoy this as much as I did. I presumed, judging by the front cover, that it'd be some sort of high fantasy (which isn't normally my thing) and was very pleasantly surprised.
The story focuses on two main characters - Blue, a 16 year old who lives with her witchy mother and who seems to be surrounded by equally spooky aunts, and Gansey, a rich 'Raven boy' from the local public school, who is obsessed with finding the mythical Welsh king Glendower.
So far, so intriguing! And it really was. I found myself propelled through this book, eager to know what was going to happen next, which is the highest praise I can give a book really, I do love a good page-turner. I especially loved that the author so deftly avoided the boring stereotypes. The aunts are all psychic, but are they at all spooky / ethereal? Absolutely not. They're all very practical, down-to-earth, and fairly acerbic to boot. Are public school boys all over-privileged toffs? No! The characters were all impressively well defined, and I LOVED the character of Noah - I saw the twist coming, but wasn't sure how the author would pull it off. She did so, very effectively indeed.
A highly enjoyable read, and I'll be looking out for the next ones in the series.
The story focuses on two main characters - Blue, a 16 year old who lives with her witchy mother and who seems to be surrounded by equally spooky aunts, and Gansey, a rich 'Raven boy' from the local public school, who is obsessed with finding the mythical Welsh king Glendower.
So far, so intriguing! And it really was. I found myself propelled through this book, eager to know what was going to happen next, which is the highest praise I can give a book really, I do love a good page-turner. I especially loved that the author so deftly avoided the boring stereotypes. The aunts are all psychic, but are they at all spooky / ethereal? Absolutely not. They're all very practical, down-to-earth, and fairly acerbic to boot. Are public school boys all over-privileged toffs? No! The characters were all impressively well defined, and I LOVED the character of Noah - I saw the twist coming, but wasn't sure how the author would pull it off. She did so, very effectively indeed.
A highly enjoyable read, and I'll be looking out for the next ones in the series.
graveyardgremlin (7194 KP) rated The Black Lyon (Montgomery/Taggert, #1) in Books
Feb 15, 2019
The Black Lyon was a nice, fast-paced read with likable main characters. The story moved briskly and had a lot of events happening, but it ended up working. Lyonene was a strong character who had her faults, as was Ranulf, and they were wonderful together. I loved the scenes when they first met and the last half of the book the best. So some of the writing was flowery and maybe a bit dated to when it was written, but I really enjoyed this story and look forward to more in the Montgomery series.
Note: This does contain what today would be considered rape, twice. They're early on, they happen really fast, aren't described in much detail, and the hero doesn't even realize he does it the second time and he does show remorse. Maybe not what 'modern women' would like to see, but I didn't have much of a problem with it, and rape isn't something I take lightly. The heroine doesn't see herself as a victim, but as a wife just doing her duty. Sounds horrible to my 21st Century sensibilities, but somehow it made me not dwell on the rape and move on to the rest of the book. Other authors have done worse in books written in this time period (70s/80s), and having Lyonene react that way added a touch of realism to the Medieval time period.
Note: This does contain what today would be considered rape, twice. They're early on, they happen really fast, aren't described in much detail, and the hero doesn't even realize he does it the second time and he does show remorse. Maybe not what 'modern women' would like to see, but I didn't have much of a problem with it, and rape isn't something I take lightly. The heroine doesn't see herself as a victim, but as a wife just doing her duty. Sounds horrible to my 21st Century sensibilities, but somehow it made me not dwell on the rape and move on to the rest of the book. Other authors have done worse in books written in this time period (70s/80s), and having Lyonene react that way added a touch of realism to the Medieval time period.