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JT (287 KP) rated Starred Up (2014) in Movies
Mar 16, 2020
Violent and to the point (1 more)
Great acting
Prison Isn't Suppoed To Be A Holiday Camp
Prison dramas don’t get much grittier than this. Not since Scum has there been one with as much brutal tour de force. Eric (Jack O’Connell) is ‘starred up’. A term used to describe violent young offenders moved straight into an adult prison. Once he gets inside he comes face to face with the only person that might be able to control him, his father Neville (Ben Mendelsohn).
It’s a major part of their relationship as Nev’s parental tactics involve the cruel to be kind method. It’s the only way that Eric is going to survive and the only way he will walk out in one piece. Eric finds some solace in Oliver (Rupert Friend) whose anger management sessions are a place to unleash a tirade of resentment. It places him within a group where any other individual might find themselves out of their depth – Eric takes it full on.
The film is written by Jonathan Asser, a former prison psychotherapist who worked in HMP Wandsworth. So he more than anyone can inject the film with a massive sense of realism. The prison violence can be hard to watch but you don’t find yourself turning away from the screen.
It’s not shrouded in Hollywood gloss and is shot with graphic precision. Mendelsohn’s performance is excellent playing the psycho and his delivery is spot on. Friend is also a joy to watch and a real talent. The Homeland star-making imprints into the acting elite.
However, this is very much O’Connell’s film and it’s not hard to see why he is fast becoming a standout actor. Grabbing this role in a vice-like grip he battles with his personality, the adoration from his father and a corrupt system who want him eradicated. It doesn’t paint the prison system in a particularly good light but then prison isn’t supposed to be a holiday camp.
It’s a major part of their relationship as Nev’s parental tactics involve the cruel to be kind method. It’s the only way that Eric is going to survive and the only way he will walk out in one piece. Eric finds some solace in Oliver (Rupert Friend) whose anger management sessions are a place to unleash a tirade of resentment. It places him within a group where any other individual might find themselves out of their depth – Eric takes it full on.
The film is written by Jonathan Asser, a former prison psychotherapist who worked in HMP Wandsworth. So he more than anyone can inject the film with a massive sense of realism. The prison violence can be hard to watch but you don’t find yourself turning away from the screen.
It’s not shrouded in Hollywood gloss and is shot with graphic precision. Mendelsohn’s performance is excellent playing the psycho and his delivery is spot on. Friend is also a joy to watch and a real talent. The Homeland star-making imprints into the acting elite.
However, this is very much O’Connell’s film and it’s not hard to see why he is fast becoming a standout actor. Grabbing this role in a vice-like grip he battles with his personality, the adoration from his father and a corrupt system who want him eradicated. It doesn’t paint the prison system in a particularly good light but then prison isn’t supposed to be a holiday camp.
Gareth von Kallenbach (980 KP) rated Now You See Me 2 (2016) in Movies
Aug 6, 2019
The new Lionsgate film Now You See Me 2 is a sequel to the 2013 film of
the same name.
It brings back most of the same cast members: Jesse Eisenberg as J.
Daniel Atlas, Mark Ruffalo as FBI agent Dylan Rhodes, Woody Harrelson as
Merritt McKinney, Morgan Freeman as Thaddeus Bradley, and Dave Franco as
Jack Wilder. It introduces Daniel Radcliffe as Walter Mabry and Lizzy
Kaplan as Lula. It is directed by Jon Chu.
This film picks up some months after the first film ends, with the Four
Horsemen in hiding, and Dylan Rhodes pretending to try to track them
down for their crime of thievery from the rich insurance tycoon that
withheld paying Rhodes’ fathers’ life insurance claim 30 years earlier.
The movie is fast paced and full of special effects, but it is certainly
fantastical and unbelievable. I am not sure there was even a little
realism in the entire movie, but it was fun to watch.
The banter between characters was funny, and it was interesting, if not
believable, to watch the effects used to create the magic tricks in the
movie. I thought that the movie was suspenseful, and I had one ending in
my head, but that isn’t the way it turned out, so it was sufficiently
twisty to hold my attention.
My friend that accompanied me has not seen the first movie and was able
to follow the sequel just fine, due to the narratives that tie the two
movies together. Regarding this film, she says: “Just when you think
you’ve got it all figured out, its something else altogether. The movie
was light hearted, adventurous, funny and suspenseful.”
For me, the effects in the movie make it one that ought to be seen on
“the big screen” but I would be hard pressed to go during any time when
it was full price, rather, I would catch it at a matinee or with a
coupon or at the second run theatre.
the same name.
It brings back most of the same cast members: Jesse Eisenberg as J.
Daniel Atlas, Mark Ruffalo as FBI agent Dylan Rhodes, Woody Harrelson as
Merritt McKinney, Morgan Freeman as Thaddeus Bradley, and Dave Franco as
Jack Wilder. It introduces Daniel Radcliffe as Walter Mabry and Lizzy
Kaplan as Lula. It is directed by Jon Chu.
This film picks up some months after the first film ends, with the Four
Horsemen in hiding, and Dylan Rhodes pretending to try to track them
down for their crime of thievery from the rich insurance tycoon that
withheld paying Rhodes’ fathers’ life insurance claim 30 years earlier.
The movie is fast paced and full of special effects, but it is certainly
fantastical and unbelievable. I am not sure there was even a little
realism in the entire movie, but it was fun to watch.
The banter between characters was funny, and it was interesting, if not
believable, to watch the effects used to create the magic tricks in the
movie. I thought that the movie was suspenseful, and I had one ending in
my head, but that isn’t the way it turned out, so it was sufficiently
twisty to hold my attention.
My friend that accompanied me has not seen the first movie and was able
to follow the sequel just fine, due to the narratives that tie the two
movies together. Regarding this film, she says: “Just when you think
you’ve got it all figured out, its something else altogether. The movie
was light hearted, adventurous, funny and suspenseful.”
For me, the effects in the movie make it one that ought to be seen on
“the big screen” but I would be hard pressed to go during any time when
it was full price, rather, I would catch it at a matinee or with a
coupon or at the second run theatre.
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Alice (117 KP) rated The Enchanted in Books
Mar 3, 2021
<b>4.5 stars</b> (I may change this in the future but for now let's leave it at this)
My rating for this book is slightly confused because I went through a vast majority of the book feeling. "hey this book is really good I'm so glad it was recommended to me" but <i>only</i> feeling that. It didn't get me excited but it was still very, very good. However, the last couple of pages had such a huge impact and it really made the whole story come alive which meant I gave it the extra 0.5 for the pure sense of awe I felt after finishing.
When you read the title "The Enchanted" you expect it to be about fairies or some other sort of magical creature, the last thing that you expect is a book about a prisoner on death row but let me just say that this book is a gem. The language (especially as a debut novel) is exquisite. The use of metaphors and flowery almost pretty language juxtaposed perfectly to describe the scenes which should be gruesome and dark emphasising with the magic-realism style of the novel. Having the entire story told from the inmate's point of view made for an interesting read too because he was narrating the others' thoughts, so the only parts we know to be true are the things that he himself thought. As I mentioned above, the whole story is development, even as I was nearing the end no part truly felt like the climax.
All in all, I highly recommend this book even if you only read it for how beautiful the language is ( that's pretty much what inspired me to read it), it deals with harsh subject matters in a really raw way and makes you think and you will likely leave with more questions than with which you entered.
My rating for this book is slightly confused because I went through a vast majority of the book feeling. "hey this book is really good I'm so glad it was recommended to me" but <i>only</i> feeling that. It didn't get me excited but it was still very, very good. However, the last couple of pages had such a huge impact and it really made the whole story come alive which meant I gave it the extra 0.5 for the pure sense of awe I felt after finishing.
When you read the title "The Enchanted" you expect it to be about fairies or some other sort of magical creature, the last thing that you expect is a book about a prisoner on death row but let me just say that this book is a gem. The language (especially as a debut novel) is exquisite. The use of metaphors and flowery almost pretty language juxtaposed perfectly to describe the scenes which should be gruesome and dark emphasising with the magic-realism style of the novel. Having the entire story told from the inmate's point of view made for an interesting read too because he was narrating the others' thoughts, so the only parts we know to be true are the things that he himself thought. As I mentioned above, the whole story is development, even as I was nearing the end no part truly felt like the climax.
All in all, I highly recommend this book even if you only read it for how beautiful the language is ( that's pretty much what inspired me to read it), it deals with harsh subject matters in a really raw way and makes you think and you will likely leave with more questions than with which you entered.
This is the eighth book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
Teenage Erin's family moves after a difficult time. Erin surprisingly feels solace in her new room--where she soon realizes she isn't alone. It's occupied by the spirit of Joe, the teenage boy who lived in the room before her. At the local school, Joe's brother Olly is struggling with being left behind. Until he meets a girl--different from anyone he's ever dated before. Now, Erin finds herself torn between two brothers. One living, one caught between two worlds. How can she choose?
It's probably my fault for choosing a book with such a plot, but this one is pretty silly. To say it's cheesy and schmaltzy is putting it mildly. I kept thinking about if you could read a book like this without having to abandon all realism... I'm not sure. But, Erin accepts the fact that there is a ghost in her room without any issue at all. Which, um, okay? Even better, she falls in insta-love with this ghost.
There's very little character development here. We get light background on Erin and what seems like even less on Joe (in fact, it seems like his personality switches halfway through). So we're supposed to believe they are two flawed teens, and Olly is a happy go-lucky guy, without much evidence at all. There's insta-love everywhere you look. A preposterous plot. And no one is willing to use Google, apparently.
Still, it's a teen read, so I can see how they might enjoy some of this craziness. It's a fast read, and I won't lie, I was caught up in the story at times. And the ending really was pretty perfect. Still, as much as I hate to do it, as I've read some of Kessler's other books and loved them, I think this was a 2.5-star read for me.
Teenage Erin's family moves after a difficult time. Erin surprisingly feels solace in her new room--where she soon realizes she isn't alone. It's occupied by the spirit of Joe, the teenage boy who lived in the room before her. At the local school, Joe's brother Olly is struggling with being left behind. Until he meets a girl--different from anyone he's ever dated before. Now, Erin finds herself torn between two brothers. One living, one caught between two worlds. How can she choose?
It's probably my fault for choosing a book with such a plot, but this one is pretty silly. To say it's cheesy and schmaltzy is putting it mildly. I kept thinking about if you could read a book like this without having to abandon all realism... I'm not sure. But, Erin accepts the fact that there is a ghost in her room without any issue at all. Which, um, okay? Even better, she falls in insta-love with this ghost.
There's very little character development here. We get light background on Erin and what seems like even less on Joe (in fact, it seems like his personality switches halfway through). So we're supposed to believe they are two flawed teens, and Olly is a happy go-lucky guy, without much evidence at all. There's insta-love everywhere you look. A preposterous plot. And no one is willing to use Google, apparently.
Still, it's a teen read, so I can see how they might enjoy some of this craziness. It's a fast read, and I won't lie, I was caught up in the story at times. And the ending really was pretty perfect. Still, as much as I hate to do it, as I've read some of Kessler's other books and loved them, I think this was a 2.5-star read for me.
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It's a mustache mirror! Just hold up the app and go MUSTACHE CRAZY trying tons of different...