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Gareth von Kallenbach (980 KP) rated This Means War (2012) in Movies
Aug 7, 2019
It’s been said that all’s fair in love and war and never was the case more evident than in the tale of FDR and Tuck, two best friends who also happen to be partners and top agents at the CIA. After a covert operation doesn’t go as planned the duo find themselves riding their desks in the Los Angeles agency office much to their chagrin.
FDR (Chris Pine) is very confident ladies’ man while Tuck (Tom Hardy) is a divorced father of a little boy looking for “the one”. The more reserved Tuck decides to take his chances with online dating while FDR is content to cruise the local video store searching for his latest conquest. Enter Lauren (Reese Witherspoon), an attractive, independent woman who appears to have everything except a love life.
When Lauren encounters her former fiancé engaged to another woman, she vents her frustration to her best friend Trish (Chelsea Handler) who decides to take matters into her own hands and, unbeknownst to Lauren, produces an online dating profile for Lauren which matches her with Tuck. The first meeting between the two goes very well and they decide to take things slowly and see where this promising start leads. Unfortunately as Trish is heading home she stops in the same video store were FDR is on the prowl and the two mix like oil and water. Undeterred, FDR decides to pursue Lauren.
Eventually Tuck and FDR realize that they’re seeing the same woman and, not wanting to put their friendship in jeopardy, agree that they will continue to see her and let Lauren decide whom she prefers. The fact that neither men in this love triangle acknowledges that they know each other leads to some interesting complications, and naturally jealousies arise between the two friends.
With the full resources of the CIA at their disposal, Tuck and FDR, who’ve both become captivated with Lauren, soon take advantage of their job not only to spy on each other’s dates with Lauren but also to do their best to undermine the other and gain valuable information to help them appear more desirable to Lauren. As if this wasn’t complicated enough, an international criminal named Heinrich (Til Schweiger) is searching for the two agents to seek revenge. Constantly battling one another as well as the impending threat of Heinrich, FDR and Tuck embark on a hysterical and action-packed adventure that is one of the most enjoyable romantic comedies in recent memory.
Sure the film does take a few leaps in logic, such as the CIA turning a blind eye to their use of so many high-level resources in the world of dating but anyone seeing this type of film obviously isn’t expecting realism.
Directed by McG the film mixes action and comedy with a touch of romance and creates an entertaining formula. The three leads work exceptionally well with one another and Hardy and Pine are clearly stars on the rise. Handler does some great supporting work in the film and gets more than her share of laughs. This is definitely one you will not want to miss.
FDR (Chris Pine) is very confident ladies’ man while Tuck (Tom Hardy) is a divorced father of a little boy looking for “the one”. The more reserved Tuck decides to take his chances with online dating while FDR is content to cruise the local video store searching for his latest conquest. Enter Lauren (Reese Witherspoon), an attractive, independent woman who appears to have everything except a love life.
When Lauren encounters her former fiancé engaged to another woman, she vents her frustration to her best friend Trish (Chelsea Handler) who decides to take matters into her own hands and, unbeknownst to Lauren, produces an online dating profile for Lauren which matches her with Tuck. The first meeting between the two goes very well and they decide to take things slowly and see where this promising start leads. Unfortunately as Trish is heading home she stops in the same video store were FDR is on the prowl and the two mix like oil and water. Undeterred, FDR decides to pursue Lauren.
Eventually Tuck and FDR realize that they’re seeing the same woman and, not wanting to put their friendship in jeopardy, agree that they will continue to see her and let Lauren decide whom she prefers. The fact that neither men in this love triangle acknowledges that they know each other leads to some interesting complications, and naturally jealousies arise between the two friends.
With the full resources of the CIA at their disposal, Tuck and FDR, who’ve both become captivated with Lauren, soon take advantage of their job not only to spy on each other’s dates with Lauren but also to do their best to undermine the other and gain valuable information to help them appear more desirable to Lauren. As if this wasn’t complicated enough, an international criminal named Heinrich (Til Schweiger) is searching for the two agents to seek revenge. Constantly battling one another as well as the impending threat of Heinrich, FDR and Tuck embark on a hysterical and action-packed adventure that is one of the most enjoyable romantic comedies in recent memory.
Sure the film does take a few leaps in logic, such as the CIA turning a blind eye to their use of so many high-level resources in the world of dating but anyone seeing this type of film obviously isn’t expecting realism.
Directed by McG the film mixes action and comedy with a touch of romance and creates an entertaining formula. The three leads work exceptionally well with one another and Hardy and Pine are clearly stars on the rise. Handler does some great supporting work in the film and gets more than her share of laughs. This is definitely one you will not want to miss.
Weaphones WW2: Firearms Simulator Free
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Experience the weapons of World War II like never before. Weaphones WW2 Free Edition redefines what...
Melanie Caldicott (6 KP) rated Sorrowland in Books
Apr 29, 2021
You can also read my review at my blog - https://roamingthroughbooks.wordpress.com
Sorrowland is a genre-bending book which is like nothing I have ever read before and probably ever will again!
The story centres around Fern, an albino black teenage girl who gives birth to twins, Howling and Feral in the woods after escaping from a cult called Cainland. What follows is a mindboggling adventure surrounding her survival.
This is a coming of age story like no other – part sci-fi, part horror, part dystopian, part magical realism, this book defies genre. But amongst all the myriad of twists and turns this novel takes, what lies at the heart of it is a story about a girl who comes to understand her identity and rises above what has been spoken over her in her past.
During Fern’s journey of self-discovery the book examines themes such as racism, indoctrination, abuse and misogyny. There are many challenges in reading this book as we encounter a dystopian world that is disturbingly similar to our own exploring those who live on the fringe of society due to white domination. This not only includes Cainland, the cult set up by black people originally to challenge the white belief system, but also native American characters who quietly hold onto their truth in a far less bigoted and twisted way.
I love the big questions this book asks and the twisted paths it takes in asking them leading you into such unknown territories through the plot that you meet these issues head on in such different ways that you confront them anew and reexamine how you really feel about them and the impact that they have on our world.
Sorrowland is compelling and, although this would never be a genre I would normally read, I enjoyed the enigmatic nature of the evolving fantastical storyline and the constant surprises Rivers Solomon weaves into the plot. It is extremely well-written, with powerful characterisation, rich with poetic descriptions and intelligent themes.
However, the aims of the book seem to get a little muddled at times and I became confused about what Solomon wanted me to get out of the book. The story becomes so fast-paced and dense at times that this prevented me from taking a step back and truly immersing myself in the deeper themes of the novel.
This is a hard book to review. As I said, not something I would normally read, but the quality of the writing won me over. That said, I did not come away from the book feeling a sense of enjoyment, but instead, unsettled and disturbed by encountering a story of brutality with wild, savage characters and a frightening world where nothing is as it seems.
I would recommend this book – purely because you will be changed by it and this is one of the most powerful gifts of literature – but it is not a comfortable read and would not suit everyone.
Thanks to the publishers and NetGalley for the ARe-copy in exchange for this honest review.
Sorrowland is a genre-bending book which is like nothing I have ever read before and probably ever will again!
The story centres around Fern, an albino black teenage girl who gives birth to twins, Howling and Feral in the woods after escaping from a cult called Cainland. What follows is a mindboggling adventure surrounding her survival.
This is a coming of age story like no other – part sci-fi, part horror, part dystopian, part magical realism, this book defies genre. But amongst all the myriad of twists and turns this novel takes, what lies at the heart of it is a story about a girl who comes to understand her identity and rises above what has been spoken over her in her past.
During Fern’s journey of self-discovery the book examines themes such as racism, indoctrination, abuse and misogyny. There are many challenges in reading this book as we encounter a dystopian world that is disturbingly similar to our own exploring those who live on the fringe of society due to white domination. This not only includes Cainland, the cult set up by black people originally to challenge the white belief system, but also native American characters who quietly hold onto their truth in a far less bigoted and twisted way.
I love the big questions this book asks and the twisted paths it takes in asking them leading you into such unknown territories through the plot that you meet these issues head on in such different ways that you confront them anew and reexamine how you really feel about them and the impact that they have on our world.
Sorrowland is compelling and, although this would never be a genre I would normally read, I enjoyed the enigmatic nature of the evolving fantastical storyline and the constant surprises Rivers Solomon weaves into the plot. It is extremely well-written, with powerful characterisation, rich with poetic descriptions and intelligent themes.
However, the aims of the book seem to get a little muddled at times and I became confused about what Solomon wanted me to get out of the book. The story becomes so fast-paced and dense at times that this prevented me from taking a step back and truly immersing myself in the deeper themes of the novel.
This is a hard book to review. As I said, not something I would normally read, but the quality of the writing won me over. That said, I did not come away from the book feeling a sense of enjoyment, but instead, unsettled and disturbed by encountering a story of brutality with wild, savage characters and a frightening world where nothing is as it seems.
I would recommend this book – purely because you will be changed by it and this is one of the most powerful gifts of literature – but it is not a comfortable read and would not suit everyone.
Thanks to the publishers and NetGalley for the ARe-copy in exchange for this honest review.
Lucy Buglass (45 KP) rated Rare Beasts (2019) in Movies
Oct 14, 2019
Directorial debuts are tough, and it gives people a chance to establish their personal style. Sadly for me, Billie Piper’s first film had a style that didn’t sit well with me at all. She was heavily involved in the project; directing, writing and starring in it, but her unique first film is perhaps a bit too quirky.
Rare Beasts follows Mandy, a career-driven single mother (Billie Piper) and her turbulent relationship with Pete (Leo Bill). Possibly the most frustrating thing about this film as it’s unclear why the two of them even ended up together at all.
It’s not uncommon for people to choose poorly when they’re dating, and end up in a relationship that doesn’t work, but Rare Beasts offers no reason for the two to even end up together in the first place. Mandy’s a single mother, she’s wild, she wears bold clothing, and Pete is a traditionalist who is, frankly, a misogynist with anger issues.
Interestingly, the film’s synopsis describes Pete as ‘charming’, and I’m unable to see that quality in him, nor is it ever shown from Mandy’s point of view. She never once looks at Pete lovingly, or seems charmed by him.
The lack of context or any indication as to what drove them to be together is a problem for me. Even if we saw one tiny nice moment between them it would make sense, but throughout the film they’re consistently awful to each other with no redeeming features.
Combined with a narrative that is all over the place and dialogue that feels very unnatural, it comes across as jarring most of the time. I have no issue with unconventional film styles, but I found it very hard to follow what was going on at various points.
It seems Rare Beasts is confused about what tone its actually going for, switching between whimsical musical style scenes (minus the music or singing) and gritty realism in a matter of seconds.
I appreciated the efforts to raise awareness of social issues such as domestic abuse, gender inequalities and the struggles of bringing up a child as a single parent, but these messages are squashed by a visual style that is rather overwhelming.
There is also a sub-plot involving Mandy’s parents (Kerry Fox and David Thewlis), who have separated but appear to have a complicated relationship. This is never fully explained either so it’s hard to connect with them, especially when Mandy’s mother falls ill.
This attempt to tug at our heartstrings falls flat, which is disappointing as it had the potential to bring some real, raw emotion to Rare Beasts. Sadly it’s as disjoined and confusing as Mandy and Pete’s relationship.
It’s clear those involved in the film gave it their all, and I can’t fault the quality of the actors even though some of the lines didn’t work and felt too far removed from natural conversation to be taken seriously. At least they tried.
Billie Piper has talent, there’s no doubt about it, but she hasn’t quite made it work in this very daring debut behind the camera. If Rare Beasts was attempting to be relatable and resonate with audiences, it failed to do that with me.
Rare Beasts follows Mandy, a career-driven single mother (Billie Piper) and her turbulent relationship with Pete (Leo Bill). Possibly the most frustrating thing about this film as it’s unclear why the two of them even ended up together at all.
It’s not uncommon for people to choose poorly when they’re dating, and end up in a relationship that doesn’t work, but Rare Beasts offers no reason for the two to even end up together in the first place. Mandy’s a single mother, she’s wild, she wears bold clothing, and Pete is a traditionalist who is, frankly, a misogynist with anger issues.
Interestingly, the film’s synopsis describes Pete as ‘charming’, and I’m unable to see that quality in him, nor is it ever shown from Mandy’s point of view. She never once looks at Pete lovingly, or seems charmed by him.
The lack of context or any indication as to what drove them to be together is a problem for me. Even if we saw one tiny nice moment between them it would make sense, but throughout the film they’re consistently awful to each other with no redeeming features.
Combined with a narrative that is all over the place and dialogue that feels very unnatural, it comes across as jarring most of the time. I have no issue with unconventional film styles, but I found it very hard to follow what was going on at various points.
It seems Rare Beasts is confused about what tone its actually going for, switching between whimsical musical style scenes (minus the music or singing) and gritty realism in a matter of seconds.
I appreciated the efforts to raise awareness of social issues such as domestic abuse, gender inequalities and the struggles of bringing up a child as a single parent, but these messages are squashed by a visual style that is rather overwhelming.
There is also a sub-plot involving Mandy’s parents (Kerry Fox and David Thewlis), who have separated but appear to have a complicated relationship. This is never fully explained either so it’s hard to connect with them, especially when Mandy’s mother falls ill.
This attempt to tug at our heartstrings falls flat, which is disappointing as it had the potential to bring some real, raw emotion to Rare Beasts. Sadly it’s as disjoined and confusing as Mandy and Pete’s relationship.
It’s clear those involved in the film gave it their all, and I can’t fault the quality of the actors even though some of the lines didn’t work and felt too far removed from natural conversation to be taken seriously. At least they tried.
Billie Piper has talent, there’s no doubt about it, but she hasn’t quite made it work in this very daring debut behind the camera. If Rare Beasts was attempting to be relatable and resonate with audiences, it failed to do that with me.
Pinball HD (iPhone) Classic Arcade,Zen,Space Games
Games and Sports
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This unique table features pinball bumpers and targets, plus a color monitor where you can take on a...
Fastlane Street Racing Lite - Driving With Full Throttle and Speed
Games
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⋆⋆⋆⋆⋆⋆⋆Fastlane Street Racing is back – with 3D HD Graphics!⋆⋆⋆⋆⋆⋆⋆⋆...
Weaphones WW2: Firearms Simulator
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Experience the weapons of World War II like never before. Weaphones WW2 Edition redefines what the...
Phillip McSween (751 KP) rated Go Back to China (2020) in Movies
Sep 3, 2020
Couldn't Hold My Interest
I’m always on the lookout for hidden gems, especially when it comes to films starring minorities. I was hoping to find that in Go Back to China but wasn’t as impressed as I thought it would be. In the movie, a woman living in the states is forced to go to China to work for her father in his toy factory after he cuts off her trust fund.
Acting: 10
Great performances all around from a stellar Asian cast. While I don’t know much about them from previous films, I was extremely impressed with the range of Anna Akana, Richard Ng, and Lynn Chen who all shared the most screen time. They breathed a life and a realism into their characters that really made them feel like family.
Beginning: 2
Characters: 10
I appreciated that the three main characters experienced a great growth over the course of the movie. Each of them played off of each others’ personalities and experiences which gave the movie a true dynamic feel. The main character Sasha Li is likable right from jump even as a pretentious snob. She gives you a reason to stay interested in the movie.
Cinematography/Visuals: 6
The camera work is just slightly above par here. Outside of the toy factory, the setpieces are pretty bland. I honestly can’t remember any scenes that stand out or a shot that made my jaw drop. The movie instead seems content with going through the motions.
Conflict: 3
Entertainment Value: 6
Go Back to China is not without its share of entertaining moments but unfortunately those moments are too few and far between for the movie to consistently be entertaining. Just when it starts to get a bit of momentum, it finds itself going in reverse. Too much talking, not enough action. In the thick of it, it felt more like a Hallmark movie than anything else.
Memorability: 8
Pace: 8
The story moves along gracefully, albeit with a few trip-ups here and there. I always felt like the story was going somewhere at the very least. This would have worked more in the film’s favor had the story itself been a little more solid.
Plot: 5
As I mentioned above, the story definitely has a very Hallmarky-type feel. The cheese runs super high throughout. The premise is interesting, but things become very predictable very fast the longer the story plays out.
Resolution: 10
Say what you want about Hallmark movies, who doesn’t love a good Hallmark ending? All the pieces of the puzzle ended up exactly where they needed to be. If the movie had began just as strongly as it had ended, the movie would have been way more enjoyable.
Overall: 68
As a man that loves to appreciate and understand different cultures, I did love the perspective the movie provided into the life of people in China and the different hardships they face. Unfortunately, I didn’t love Go Back to China as a whole. A few tweaks here and there and this review would look a lot different.
Acting: 10
Great performances all around from a stellar Asian cast. While I don’t know much about them from previous films, I was extremely impressed with the range of Anna Akana, Richard Ng, and Lynn Chen who all shared the most screen time. They breathed a life and a realism into their characters that really made them feel like family.
Beginning: 2
Characters: 10
I appreciated that the three main characters experienced a great growth over the course of the movie. Each of them played off of each others’ personalities and experiences which gave the movie a true dynamic feel. The main character Sasha Li is likable right from jump even as a pretentious snob. She gives you a reason to stay interested in the movie.
Cinematography/Visuals: 6
The camera work is just slightly above par here. Outside of the toy factory, the setpieces are pretty bland. I honestly can’t remember any scenes that stand out or a shot that made my jaw drop. The movie instead seems content with going through the motions.
Conflict: 3
Entertainment Value: 6
Go Back to China is not without its share of entertaining moments but unfortunately those moments are too few and far between for the movie to consistently be entertaining. Just when it starts to get a bit of momentum, it finds itself going in reverse. Too much talking, not enough action. In the thick of it, it felt more like a Hallmark movie than anything else.
Memorability: 8
Pace: 8
The story moves along gracefully, albeit with a few trip-ups here and there. I always felt like the story was going somewhere at the very least. This would have worked more in the film’s favor had the story itself been a little more solid.
Plot: 5
As I mentioned above, the story definitely has a very Hallmarky-type feel. The cheese runs super high throughout. The premise is interesting, but things become very predictable very fast the longer the story plays out.
Resolution: 10
Say what you want about Hallmark movies, who doesn’t love a good Hallmark ending? All the pieces of the puzzle ended up exactly where they needed to be. If the movie had began just as strongly as it had ended, the movie would have been way more enjoyable.
Overall: 68
As a man that loves to appreciate and understand different cultures, I did love the perspective the movie provided into the life of people in China and the different hardships they face. Unfortunately, I didn’t love Go Back to China as a whole. A few tweaks here and there and this review would look a lot different.
F-Sim Space Shuttle
Games and Education
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Have you ever wondered what it’s like to land the Space Shuttle? Now you can find out. F-Sim Space...
In-Flight Assistant
Games and Utilities
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Add a whole new dimension of realism to your Infinite Flight experience with this polished,...