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Tim Forbes recommended Belle de Jour (1968) in Movies (curated)

Belle de Jour (1968)

1968 | Drama

9.0

(1 Ratings)

Movie Favorite

"As a sixteen-year-old when I first saw it, I was mesmerized, if utterly baffled, by Buñuel’s delightfully told, superbly crafted, and deeply disturbing fable of a young married woman, frigid at home, prostitute by day. Fantasy and reality interplay so freely that it is impossible to know the difference. And it matters not a whit. Love is punishment either way. And Catherine Deneuve’s almost unbearable beauty makes it hurt all the more."

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Kudos

Doug Liman recommended Take the Money and Run (1969) in Movies (curated)

"The reality is, the movies that were most impactful to me growing up, when I decided I wanted to make movies, I was going to see Woody Allen double features with my brother, back when they had double features. Younger audiences today, they don’t even know what that word means. But they would show two Woody Allen movies back to back. Bananas. Take the Money and Run, that era of Woody Allen."

Source

Kudos

Lauren Wolkstein recommended Mulholland Drive (2001) in Movies (curated)

Mulholland Drive (2001)

2001 | Documentary, Drama, Mystery

8.3

(15 Ratings)

Movie Favorite Watch

"Mulholland Dr. and Blue Velvet were the two films that had the most impact on me during my college years. This was the first time I realized how cinema can depict our dreams and nightmares. This film represents our deepest fears of celebrity, fame, and identity—and how ambition, greed, and jealousy can make our realities a nightmare. I see it as a cautionary tale of Hollywood, blurring the lines between reality and dreams. "

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Kudos

Deborah Eisenberg recommended My Sister's Hand in Mine in Books (curated)

My Sister's Hand in Mine

Jane Bowles | 2005 | Contemporary, Fiction & Poetry

(0 Ratings)

Book Favorite

"Who can really understand Bowles’ writing? Well, some people can, but not I. Nonetheless I love it, and it has the irrefutable hyper-reality of dreams. Only a very few other writers (Denis Johnson is one) have used American English with such exactitude and so cracklingly, have observed so fearlessly the emotional abysses that confront us, and are so deliriously funny. Claire Messud’s introduction to the recent Ecco edition is eloquent and insightful."

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Kudos