"Of course, I love Raging Bull. And I love The Godfather. [Laughs] Maybe I need to find something a little fresher. But Raging Bull, you can always feel when an actor kind of goes into — I don’t know Robert De Niro, but I kind of get this feeling that he went really deep into it, and that the character and he melded together. I can feel like he’s not pretending. He’s actually living it. That’s always something that hits me, and I forget about the outside world; it’s almost like the movie I’m watching takes over and becomes my reality. I’ve seen Raging Bull so many times and it feels so pure and real. It’s beautiful and sexy and rough, and there’s so much pain in it at the same time. I think it always attracts me, you know, with people struggling and people fighting and people wanting to become something, wanting to change their lives or change who they are; people fighting with their own demons. For me, that’s such a beautiful example of that — someone who was really focused on being something, and becoming something, and how hard it is and how much you need to fight."

"This album could be racked under 'sunshine pop' or 'pop psych'. My idea of what makes good psychedelic music isn't a fixed thing – it's about the feeling you get from a record. In direct relation to my work, I think psychedelia is about creating another reality. I work from pure imagination and records that create their own spaces are hugely appealing to me. The Aphrodite's Child album does that and this Sagittarius record does it too. They are records that really suck you into their own worlds. Present Tense takes you to paradise, it makes you want to jump into the speakers and fully experience the place that they've imagined for the listener. Growing up on the Beach Boys, I was familiar with the kind of sound on the record. It's very gentle, very orchestral, soft and lush; it offers a place to escape to from the real world. You can check in whenever you want to put the record on. In a way, the music we make as Seahawks tries to do the same thing – it's trying to conjure up a glorious utopia in a world that's clearly gone to shit!"