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Kevin Phillipson (9928 KP) rated The Night House (2020) in Movies
Oct 28, 2021
Watched last night on Disney + after watching the movie last night I realised why I didn't go to see it at the cinema during the summer for starters the plot for me could get confusing but I got there in the end. Rebecca Hall was the star and she managed to keep the plot moving even when I didn't understand what was going on sometimes overall not bad movie but could have been better
Movie Critics (823 KP) rated The Dinner (2017) in Movies
May 4, 2017
Dull, shouty, unconvincing film about four people discussing their children over a fancy meal
Critic- Peter Bradshaw - The Guardian
Original Score - 1 out of 5
Read Review: https://www.theguardian.com/film/2017/feb/10/the-dinner-review-steve-coogan-laura-linney-richard-gere-rebecca-hall
Original Score - 1 out of 5
Read Review: https://www.theguardian.com/film/2017/feb/10/the-dinner-review-steve-coogan-laura-linney-richard-gere-rebecca-hall
Dean (6921 KP) rated The Night House (2020) in Movies
Jun 11, 2022
Slightly disappointing plot (1 more)
Weak ending
OK Chiller Thriller
Been wanting to see this for a while as it didn't get a long cinema run, currently on Disney+. From the trailer it looked intriguing, a smart Thriller different from the norm. I really thought the House would play a bigger role in the plot, some things are hinted at without a great deal of explanation. It starts well and one scene will send a chill down the spine and hairs stand up. Later though the plot starts to unravel in a more trusted way. Probably more in common with the likes of What lies beneath for an idea of the type of film it is.
An OK Chiller, Thriller that had real potential to be something more ground breaking runs out of steam before the end.
An OK Chiller, Thriller that had real potential to be something more ground breaking runs out of steam before the end.
Bob Mann (459 KP) rated The Night House (2020) in Movies
Aug 23, 2021
Rebecca Hall - outstanding (1 more)
Nicely vague script: leaves a lot to interpret
This one really creeped me out
Positives:
- Of the different movie genres, comedy and horror are probably the ones that polarise opinion the most. One person's meat is another's fowl. But I have to say that this movie officially creeped me out. I was extremely tense for just about the whole 107 minute running time. Much of this is down to Rebecca Hall, who is just SUPERB in this. She brilliantly portrays a woman on the edge, her impassive character breaking every so often into an "everything's fine" sarcastic smile. I know that the Academy tend not to nominate actors for Oscars for 'frivolous' films, but this genuinely, to me, felt like an Oscar-nomination-worthy performance.
- I've talked before in my blog about the overuse of 'jump scares' in horror films and the law of diminishing returns. This film doles them out very sparingly indeed. There are two notable ones (one spoiled by the trailer!) but - man - the first of these had me levitating off the seat!
- The script is very vague indeed about where you end up in this movie. (I've tried to do a synopsis of what I *think* happened in a "Sp0iler section" in my blog). The script deliciously muddies the waters between dreams and reality; sanity and madness; sobriety and drunkenness; with the real-life Madelyn (Stacy Martin) bringing you up short at times with an "oh - so that bit must by reality then"!
Negatives:
- The ending. I'm not sure how I wanted it to end. But it felt wholly anti-climactic.
Summary Thoughts on "The Night House": London-born Rebecca Hall seems to have a "leisurely" output as an actress, but she really deserves more prominence in the industry. (If you've not seen it yet, watch her outstanding performance in "Christine" as another proof point). Here she magnificently holds the movie together.
Effective horror films for me are those on the tense psychological side rather than the mindless slasher variety. This point was well made by Tom Shone in his review in "The Sunday Times", describing it as a "middle-aged kind of horror movie!". "The Night House" delivered those mental chills for me in spades. There is actually very little gore in this one. But it certainly had me thinking about it when I woke up in the middle of the night last night. Was that a noise downstairs??
If you like your scary films, then this one is highly recommended.
(For my full graphical review, please check out onemannsmovies on the web, Facebook and Tiktok. Thanks).
- Of the different movie genres, comedy and horror are probably the ones that polarise opinion the most. One person's meat is another's fowl. But I have to say that this movie officially creeped me out. I was extremely tense for just about the whole 107 minute running time. Much of this is down to Rebecca Hall, who is just SUPERB in this. She brilliantly portrays a woman on the edge, her impassive character breaking every so often into an "everything's fine" sarcastic smile. I know that the Academy tend not to nominate actors for Oscars for 'frivolous' films, but this genuinely, to me, felt like an Oscar-nomination-worthy performance.
- I've talked before in my blog about the overuse of 'jump scares' in horror films and the law of diminishing returns. This film doles them out very sparingly indeed. There are two notable ones (one spoiled by the trailer!) but - man - the first of these had me levitating off the seat!
- The script is very vague indeed about where you end up in this movie. (I've tried to do a synopsis of what I *think* happened in a "Sp0iler section" in my blog). The script deliciously muddies the waters between dreams and reality; sanity and madness; sobriety and drunkenness; with the real-life Madelyn (Stacy Martin) bringing you up short at times with an "oh - so that bit must by reality then"!
Negatives:
- The ending. I'm not sure how I wanted it to end. But it felt wholly anti-climactic.
Summary Thoughts on "The Night House": London-born Rebecca Hall seems to have a "leisurely" output as an actress, but she really deserves more prominence in the industry. (If you've not seen it yet, watch her outstanding performance in "Christine" as another proof point). Here she magnificently holds the movie together.
Effective horror films for me are those on the tense psychological side rather than the mindless slasher variety. This point was well made by Tom Shone in his review in "The Sunday Times", describing it as a "middle-aged kind of horror movie!". "The Night House" delivered those mental chills for me in spades. There is actually very little gore in this one. But it certainly had me thinking about it when I woke up in the middle of the night last night. Was that a noise downstairs??
If you like your scary films, then this one is highly recommended.
(For my full graphical review, please check out onemannsmovies on the web, Facebook and Tiktok. Thanks).
Matthew Krueger (10051 KP) rated The Gift (2015) in Movies
Jul 1, 2020
The Gift That Keeps On Giving
The Gift- is a unique psychological horror film directed by Joel Edgerton. This is Joel's directoral debut and he did a excellent job. Joel also produced it, wrote it and acted in it. I love the psychological espect of this film, and also the twist and turns throught it until the very end of the film.
The plot: When married couple Simon (Jason Bateman) and Robyn (Rebecca Hall) unexpectedly encounter Gordo (Joel Edgerton), an acquaintance from Simon's past, little do they know that their perfect lives will be thrown into a terrifying tailspin. At first, Simon doesn't recognize Gordo, but after a troubling series of uninvited encounters and mysterious gifts, a horrifying secret emerges. As Robyn learns what really happened between Simon and Gordo, she begins to question how well she knows her spouse.
The Gift is a excellent psychological horror film with twist and turns throught it.
The plot: When married couple Simon (Jason Bateman) and Robyn (Rebecca Hall) unexpectedly encounter Gordo (Joel Edgerton), an acquaintance from Simon's past, little do they know that their perfect lives will be thrown into a terrifying tailspin. At first, Simon doesn't recognize Gordo, but after a troubling series of uninvited encounters and mysterious gifts, a horrifying secret emerges. As Robyn learns what really happened between Simon and Gordo, she begins to question how well she knows her spouse.
The Gift is a excellent psychological horror film with twist and turns throught it.
Olajide Olatunji recommended track Downtown by Macklemore & Ryan Lewis in This Unruly Mess I've Made by Macklemore & Ryan Lewis in Music (curated)
Gareth von Kallenbach (965 KP) rated Closed Circuit (2013) in Movies
Aug 6, 2019
oday, we’re going to bring you something a little different from ‘across the pond’ in the form of the latest crime-thriller from
the United Kingdom ‘Closed Circuit’.
Directed by John Crowley, ‘Closed Circuit’ tells the story of a fictional terrorist attack on the city of London and it’s aftermath.
Staring Eric Bana, Rebecca Hall, Julia Stiles, Ciaran Hinds, and Jim Broadbent. ‘Closed Circuit’ follows two lawyers (Bana and Hall)
as they individually attempt to prepare the defense of their client, the lone suspect apprehended in the aftermath of the attack on a London market,
in most high profile criminal case in british history, They quickly learn though that all is not as it appears. As they discover they are being shadowed,
their every move monitored, and their pasts scrutinized, it soon becomes clear that no matter what the outcome of the trial is, it might not be
just their reputations that are on the line.
The movie is a fictional example of what unfortunately, has become almost commonplace in today’s world.
Terrorist attacks, manhunts, expanded surveillance, and it makes you ask yourself, Who is the biggest threat to us? Our enemies? Or those we trust
to defend us from our enemies?
‘Closed Circuit’ was well filmed and is cast be top-notch actors. However, once the movie gets past the very beginning it drags on for a while and has little
dialogue. Every line by the actors in the movie implies others hidden within others and is hard to follow sometimes unless you’re a conspiracy theorist.
I’d give the film 2 and a half out of 5 stars. It’s a good flick, don’t get me wrong. But it’s kind of a downer. Not exactly, an ‘escape’ from the summer heat.
Put it in in your queue for NetFilx.
the United Kingdom ‘Closed Circuit’.
Directed by John Crowley, ‘Closed Circuit’ tells the story of a fictional terrorist attack on the city of London and it’s aftermath.
Staring Eric Bana, Rebecca Hall, Julia Stiles, Ciaran Hinds, and Jim Broadbent. ‘Closed Circuit’ follows two lawyers (Bana and Hall)
as they individually attempt to prepare the defense of their client, the lone suspect apprehended in the aftermath of the attack on a London market,
in most high profile criminal case in british history, They quickly learn though that all is not as it appears. As they discover they are being shadowed,
their every move monitored, and their pasts scrutinized, it soon becomes clear that no matter what the outcome of the trial is, it might not be
just their reputations that are on the line.
The movie is a fictional example of what unfortunately, has become almost commonplace in today’s world.
Terrorist attacks, manhunts, expanded surveillance, and it makes you ask yourself, Who is the biggest threat to us? Our enemies? Or those we trust
to defend us from our enemies?
‘Closed Circuit’ was well filmed and is cast be top-notch actors. However, once the movie gets past the very beginning it drags on for a while and has little
dialogue. Every line by the actors in the movie implies others hidden within others and is hard to follow sometimes unless you’re a conspiracy theorist.
I’d give the film 2 and a half out of 5 stars. It’s a good flick, don’t get me wrong. But it’s kind of a downer. Not exactly, an ‘escape’ from the summer heat.
Put it in in your queue for NetFilx.
Bob Mann (459 KP) rated Christine (2016) in Movies
Sep 29, 2021
If it bleeds, it leads.
Life is precious. Bad times always get good again eventually. Winter turns to spring and you feel the warmth of the sun on your face again. So what drives someone – anyone – to the point of despair sufficient for them to ignore all of the potential upturns and to take their own life?
Christine tells the tragic tale of Florida TV news reporter Christine Chubbuck who committed suicide live on air in 1974. Yes, this is a spoiler, but since most people have some sense of what a film is about before they go to see it, it’s not really a big one. And I think in this case, knowing the outcome is pretty essential since otherwise you will likely spend 2 hours getting increasingly irritated by the erratic behaviour of the lead character and may possibly turn it off. With this movie, the telling is in the journey – not the destination.
London-born Rebecca Hall (“The Town”) plays the 30 year old virgin Christine; a damaged article with past mental issues, she has been moved by her mother Peg (J Smith-Cameron) from Boston to Florida to make a fresh start. But the station is struggling and Christine’s insistence on pursuing dull but worthy stories, such as zoning disputes, isn’t helping: she is driving her boss (Tracy Letts) to distraction. Despite her spiky demeanour and unapproachable nature, her colleagues including Jean (Maria Dizzia), the show’s anchor (and potential deflowerer) George (Michael C Hall) and weatherman Steve (Timothy Simons from “Veep”) all do their best to support her. It is part of the true tragedy of the piece that her downward spiral continues despite their best efforts.
Hall is outstanding in the role. She portrays the crazily compulsive behaviour of Chubbuck extremely well: perfectionism gone wild as she attempts to edit out 3 seconds off a clip while the film is already in the machine. At times the other-worldliness and creepiness of her character become extremely unsettling; an excruciating scene with a married couple in a bar being a case in point. Overall it’s an extremely thoughtful portrayal that is as quiet and unassuming as Ruth Negga’s in “Loving” (but without the smiles or the charm). I would like to think that after the Oscars team picked the ‘obvious contenders’ of Portman, Stone and Huppert, and with a place ‘reserved’ for Streep, they were left with Negga and Hall and had a “dammit, we can only pick 1 out of 2 here” moment.
Letts as the crotchety station chief also delivers a fine performance, and it’s a shame that the script never gave us the chance to see his post-shooting reactions, since the ‘if only’ ramifications for him in particular must have been huge.
In retrospect, Chubbuck’s actions were bizarre: taking her life in such a public way (and insisting the show be recorded for her “reels”) strikes of narcissism and a bitter revenge. While the film is no doubt based on the true recollections of the real-life participants, the screenplay by Craig Shilowich, in an impressive writing debut, for me never quite closed that loop: why this way rather that a car and a hosepipe?
Directed by Antonio Campos, this is never an easy watch. It’s a bit like watching a car crash in ultra-slow motion, and pretty much mandates that you watch an episode of “Father Ted” afterwards to cheer yourself up! But it’s a fascinating study in mental decline, and it’s a useful reminder that it behoves all of us to pay more attention to others around us and reach out with real help if needed before the worst can happen.
Christine tells the tragic tale of Florida TV news reporter Christine Chubbuck who committed suicide live on air in 1974. Yes, this is a spoiler, but since most people have some sense of what a film is about before they go to see it, it’s not really a big one. And I think in this case, knowing the outcome is pretty essential since otherwise you will likely spend 2 hours getting increasingly irritated by the erratic behaviour of the lead character and may possibly turn it off. With this movie, the telling is in the journey – not the destination.
London-born Rebecca Hall (“The Town”) plays the 30 year old virgin Christine; a damaged article with past mental issues, she has been moved by her mother Peg (J Smith-Cameron) from Boston to Florida to make a fresh start. But the station is struggling and Christine’s insistence on pursuing dull but worthy stories, such as zoning disputes, isn’t helping: she is driving her boss (Tracy Letts) to distraction. Despite her spiky demeanour and unapproachable nature, her colleagues including Jean (Maria Dizzia), the show’s anchor (and potential deflowerer) George (Michael C Hall) and weatherman Steve (Timothy Simons from “Veep”) all do their best to support her. It is part of the true tragedy of the piece that her downward spiral continues despite their best efforts.
Hall is outstanding in the role. She portrays the crazily compulsive behaviour of Chubbuck extremely well: perfectionism gone wild as she attempts to edit out 3 seconds off a clip while the film is already in the machine. At times the other-worldliness and creepiness of her character become extremely unsettling; an excruciating scene with a married couple in a bar being a case in point. Overall it’s an extremely thoughtful portrayal that is as quiet and unassuming as Ruth Negga’s in “Loving” (but without the smiles or the charm). I would like to think that after the Oscars team picked the ‘obvious contenders’ of Portman, Stone and Huppert, and with a place ‘reserved’ for Streep, they were left with Negga and Hall and had a “dammit, we can only pick 1 out of 2 here” moment.
Letts as the crotchety station chief also delivers a fine performance, and it’s a shame that the script never gave us the chance to see his post-shooting reactions, since the ‘if only’ ramifications for him in particular must have been huge.
In retrospect, Chubbuck’s actions were bizarre: taking her life in such a public way (and insisting the show be recorded for her “reels”) strikes of narcissism and a bitter revenge. While the film is no doubt based on the true recollections of the real-life participants, the screenplay by Craig Shilowich, in an impressive writing debut, for me never quite closed that loop: why this way rather that a car and a hosepipe?
Directed by Antonio Campos, this is never an easy watch. It’s a bit like watching a car crash in ultra-slow motion, and pretty much mandates that you watch an episode of “Father Ted” afterwards to cheer yourself up! But it’s a fascinating study in mental decline, and it’s a useful reminder that it behoves all of us to pay more attention to others around us and reach out with real help if needed before the worst can happen.
Nikki G. (48 KP) rated Christine (2016) in Movies
Sep 2, 2017
Not an easy film to watch, but it should make you uncomfortable
Contains spoilers, click to show
Christine Chubbuck is a name that most people have never heard of, although her demise by her own hand was the supposed inspiration for the 1970s film Network, although that was a comedy. Anyway, she was a smart young journalist for a small local television station in Sarasota, Florida, in the early 1970s, struggling with trying to make a name for herself and the "if it bleeds, it leads" style of reportage that was starting to become de rigueur back then. She also struggled with depression and probably bipolar or borderline personality disorder, as well.
Christine tried to hang with the new style and offered to do a piece for the station on suicide. She spoke with police officers and interviewed them on what would be the best way. Ten days prior to her death, she purchased a gun. When asked why, she said to a co-worker, "Well, I had this wild idea that I would blow myself away on the air." Everyone thought she was making a crass joke, but about a week later, that is exactly what she did.
This movie details Christine's spiral downward into the morass of mental illness, exacerbated by the pressures of being female in a male-dominated world. It is fascinating and uncomfortable, not to mention heartbreaking. Rebecca Hall completely dissolves into the character of Christine and does a fantastic job of making you relate to this woman who just wanted people to like her and tell her that she was doing a good job.
Christine tried to hang with the new style and offered to do a piece for the station on suicide. She spoke with police officers and interviewed them on what would be the best way. Ten days prior to her death, she purchased a gun. When asked why, she said to a co-worker, "Well, I had this wild idea that I would blow myself away on the air." Everyone thought she was making a crass joke, but about a week later, that is exactly what she did.
This movie details Christine's spiral downward into the morass of mental illness, exacerbated by the pressures of being female in a male-dominated world. It is fascinating and uncomfortable, not to mention heartbreaking. Rebecca Hall completely dissolves into the character of Christine and does a fantastic job of making you relate to this woman who just wanted people to like her and tell her that she was doing a good job.