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Andy K (10823 KP) rated Back to the Future (1985) in Movies
Apr 10, 2019
My entire childhood
So funny how seeing a "decked out" DeLorean in a Target parking lot the other day made me want to rewatch Back to the Future again soon. It had been on my rewatch list ever since I purchased the trilogy on Blu Ray on Black Friday, but just hadn't gotten around to it yet.
To say this movie (and the original Star Wars trilogy) defined my childhood is an understatement. The year 1985 meant I was 14 years old and lived within biking distance of the theatre where it was showing. Only Back to the Future and The Empire Strikes Back have the distinction of being movies I saw at least fifteen times during their initial run; at one point every day for a week straight.
The story of how the film got made is an interesting as the perfect screenplay itself. Basically Bob Zemeckis and Bob Gale shopped the movie around after they had made a few films, including Used Cars (good movie), but studios weren't interested. Except Spielberg. Unfortunately, the duo had just worked with Spielberg on 1941 and it was a dud.
Luckily, Zemeckis directed Romancing the Stone in 1984, so they finally went back to Spielberg with that clout and got the deal done. BTTF was actually the first film released under Spielberg's Amblin Entertainment (with the E.T. logo) that Spielberg himself did not direct.
Then, casting. Filmmakers really wanted Michael J. Fox, but he was not available due to his TV schedule filming sitcom Family Ties. They had to move on, so they cast Eric Stoltz and filmed for 5 weeks.
Zemeckis felt like something wasn't right and asked Spielberg to take a look at the dailies. They agreed Stoltz was a good actor, but not right for the part of Marty McFly. They begged the Family Ties people to let Michael do both and they finally agreed. I can't believe how Michael did two full time jobs during production, but he did and managed to create an unforgettable character that will live forever in movie history.
If anyone ever decides it is a good idea to remake, reboot and/or get a sequel going I will personally go to their house and punch them in the face! ?
To say this movie (and the original Star Wars trilogy) defined my childhood is an understatement. The year 1985 meant I was 14 years old and lived within biking distance of the theatre where it was showing. Only Back to the Future and The Empire Strikes Back have the distinction of being movies I saw at least fifteen times during their initial run; at one point every day for a week straight.
The story of how the film got made is an interesting as the perfect screenplay itself. Basically Bob Zemeckis and Bob Gale shopped the movie around after they had made a few films, including Used Cars (good movie), but studios weren't interested. Except Spielberg. Unfortunately, the duo had just worked with Spielberg on 1941 and it was a dud.
Luckily, Zemeckis directed Romancing the Stone in 1984, so they finally went back to Spielberg with that clout and got the deal done. BTTF was actually the first film released under Spielberg's Amblin Entertainment (with the E.T. logo) that Spielberg himself did not direct.
Then, casting. Filmmakers really wanted Michael J. Fox, but he was not available due to his TV schedule filming sitcom Family Ties. They had to move on, so they cast Eric Stoltz and filmed for 5 weeks.
Zemeckis felt like something wasn't right and asked Spielberg to take a look at the dailies. They agreed Stoltz was a good actor, but not right for the part of Marty McFly. They begged the Family Ties people to let Michael do both and they finally agreed. I can't believe how Michael did two full time jobs during production, but he did and managed to create an unforgettable character that will live forever in movie history.
If anyone ever decides it is a good idea to remake, reboot and/or get a sequel going I will personally go to their house and punch them in the face! ?
Ross (3284 KP) rated The Nutcracker and the Four Realms (2018) in Movies
Nov 5, 2018 (Updated Nov 5, 2018)
Slight variation on the Alice in Wonderland reboot
I'm guessing Disney want to keep going with their live action Princess films, and thought they'd hit gold with the rights to the Nutcracker for a Christmas release. Similar to the 2010 Alice in Wonderland, the film intends to act as a sequel to the original tale of the Nutcracker, where the world has fallen into disarray. Clara is the daughter of the original story's Marie, who has passed away, and looking to open the intriguing present left by her mother she finds herself following a mouse (not a rabbit!) into a strange world. She is introduced to the world her mother was made queen of, though sadly learns that the "fourth realm" (led by Helen Mirren as Mother Ginger) is at war with the other three (among them are realms led by Keira Knightley and an underused Richard E Grant).
Here Disney have taken some liberties as Clara's brother and sister take the roles and names of her mother's siblings in the original, and for no apparent reason the film based on the Russian ballet that was based on the French adaptation of the German fairy tale, is set in London. I can only assume this was to up the Festive quotient, but seems a very odd choice, despite keeping a number of the German themes.
Keira Knightley is very irritating, doing an ear-piercing impression of Queenie from Blackadder.
Neither of the actors playing Clara or the Nutcracker are very good or likeable and you find yourself bored and starting to root for Mother Ginger just to end it.
The film is too long, and drags in large parts, and all three of my kids were restless for a lot of it. And there was a definite lack of large-scale special effects, some impressive scenes but audiences expect spectacles (not 3D glasses, I mean big scenes!) these days and those were lacking.
The most enjoyable scene was the use of ballet to get Clara up to date with the world she found herself in, being quite respectful to the medium it was adapting (though I can't say how authentic it was!).
Here Disney have taken some liberties as Clara's brother and sister take the roles and names of her mother's siblings in the original, and for no apparent reason the film based on the Russian ballet that was based on the French adaptation of the German fairy tale, is set in London. I can only assume this was to up the Festive quotient, but seems a very odd choice, despite keeping a number of the German themes.
Keira Knightley is very irritating, doing an ear-piercing impression of Queenie from Blackadder.
Neither of the actors playing Clara or the Nutcracker are very good or likeable and you find yourself bored and starting to root for Mother Ginger just to end it.
The film is too long, and drags in large parts, and all three of my kids were restless for a lot of it. And there was a definite lack of large-scale special effects, some impressive scenes but audiences expect spectacles (not 3D glasses, I mean big scenes!) these days and those were lacking.
The most enjoyable scene was the use of ballet to get Clara up to date with the world she found herself in, being quite respectful to the medium it was adapting (though I can't say how authentic it was!).
Daniel Boyd (1066 KP) rated Mary Poppins Returns (2018) in Movies
Jan 9, 2019 (Updated Jan 9, 2019)
Emily Blunt & Lin-Manuel Miranda (1 more)
An Incredible Animated Sequence
Practically Perfect In Every Way?
I've never been a big Mary Poppins fan, but I went to see this because my girlfriend is and we both enjoyed it. I didn't go in expecting much, but this was a charming, harmless, family friendly time and I had fun with it. I think the fact that I am not a huge fan of the original was actually a benefit going in, because I wasn't constantly comparing the film to the OG.
First off, Emily Blunt did a sublime job in the title role. I am a huge fan of hers and she nails this role. To be honest from what I can remember from seeing the original when I was young, I think I prefer her to Julie Andrew's take on the character. Regardless, I don't think that there is any other actress working today that could have done a better job than she did.
Lin-Manuel Miranda is also fantastic as the Dick Van Dyke type character and does a good job of keeping the energy up and the plot moving forward throughout the movie. The lamp lighting sequence that he lead was one of the best in the film. The rest of the cast also do a decent job, except from the vastly overrated Meryl Streep, she was excruciatingly annoying and she felt unnecessarily shoehorned into the movie for no apparent reason.
The highlight for me though, was the beautiful and dynamic animated sequence that happens within the porcelain bowl. This whole sequence was incredible and really blew me away. I found it particularly mind blowing as an animator myself. There were many times that I was left asking myself how they managed to pull off certain things and it left me extremely impressed.
Overall, this is a fun, family friendly romp that in my opinion surpasses the original. It is in some aspects a soft reboot, but there enough call-backs and homages to the OG version that it works as a sequel and will please long time fans of the first movie, but it will also hopefully entertain a whole new generation and Emily Blunt fills the big shoes left by her predecessor remarkably well.
First off, Emily Blunt did a sublime job in the title role. I am a huge fan of hers and she nails this role. To be honest from what I can remember from seeing the original when I was young, I think I prefer her to Julie Andrew's take on the character. Regardless, I don't think that there is any other actress working today that could have done a better job than she did.
Lin-Manuel Miranda is also fantastic as the Dick Van Dyke type character and does a good job of keeping the energy up and the plot moving forward throughout the movie. The lamp lighting sequence that he lead was one of the best in the film. The rest of the cast also do a decent job, except from the vastly overrated Meryl Streep, she was excruciatingly annoying and she felt unnecessarily shoehorned into the movie for no apparent reason.
The highlight for me though, was the beautiful and dynamic animated sequence that happens within the porcelain bowl. This whole sequence was incredible and really blew me away. I found it particularly mind blowing as an animator myself. There were many times that I was left asking myself how they managed to pull off certain things and it left me extremely impressed.
Overall, this is a fun, family friendly romp that in my opinion surpasses the original. It is in some aspects a soft reboot, but there enough call-backs and homages to the OG version that it works as a sequel and will please long time fans of the first movie, but it will also hopefully entertain a whole new generation and Emily Blunt fills the big shoes left by her predecessor remarkably well.
Neon's Nerd Nexus (360 KP) rated Child's Play (2019) in Movies
Jun 22, 2019 (Updated Jun 22, 2019)
Childs Play is a strange & maybe unnecessary reboot of a cult classic series of films that are still going strong. That being said this new film does manage to hold its own as a solo slasher & throws in enough new ideas to keep things feeling fresh & fun while most importantly of all staying faithful to the original formula. Lets get one thing out the way here the doll design of chucky in this film is horrendous & down right hideous looking (not in a good way) I get they needed to change the way he looked slightly but this doll side on especially has one ugly & bulky side profile. Its not so bad when he's face on or half shadowed in darkness & there are some genuinely creepy scenes involving the glowing eyes. Mark Hamill is the perfect choice voice wise & really does bring life, comedy & creepiness to an other wise soulless character. Plot is quite basic & characters are also fairly paint by numbers too but the cast do bring the movie to life with believable acting & fun interactions with each other. Atmosphere is built up nicely especially in the first half as its tense, unnerving & slowly paced making the viewer earn its kills & scares. These a big sense of nostalgia here too & the film does over all feel like it was made in the 80s despite its squeaky clean look at times. References, nods & inspirations litter the film too & genuinely feel clever rather than like a cheap 'remember this'. Delivering on gore this instalment has some nasty death scenes & the finally is deliciously over the top. I did however much prefer the first half over the second half as I found the slower pacing way more tense & creepy especially seeing this doll gradually learn to kill with almost a sense of naivety, innocence & good intention to it. You could also argue the creation of the doll is our fault as consumers & our desire to want more/connect more. Chucky could also be metaphor for how soulless & desensitized we have become too. Childs Play doesnt need to exist at all but manages to stand on its own two feet as a ridiculous, creepy, devilishly funny & extremely entertaining just dont expect anything ground breaking or intelligent & you will be sure to have a blast Buddi.
Sophia (Bookwyrming Thoughts) (530 KP) rated A Blade So Black in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<h2><strong>When I first heard of <em>A Blade So Black</em>, I got excited.</strong></h2>
And I mean super excited! Here we have a book that features a black protagonist (we need more POC retellings!) who kicks butt like Buffy the vampire slayer and a retelling of <em>Alice in Wonderland</em> (which I should I get to one day but probably won't happen).
<h2><strong>But L.L. McKinney's debut novel turned out to be a big bummer.</strong></h2>
I didn't hate it, but I very much could not get past 40% of the book - in fact, I suffered more than I should because I <em>hoped</em> the book would get a lot better later. But it didn't get any better.
<h3>The writing style didn't suit me.</h3>
I think this is another "it's not you, it's me," but omg the writing made me want to sleep more than continuing the book. I found watching the 2018 reboot of "Meteor Garden" more interesting and probably watched an episode or two for every chapter that bored me to tears.
<h3>The concept is amazing.</h3>
Buffy the Vampire Slayer meets in Alice in Wonderland in a modern day setting? Hellooooo, please sign me up. This book spells dark and ominous and I definitely got that vibe while reading what I did.
<h3>But it was just <em>sooo</em> boring.</h3>
I checked out of the book by Chapter Four (but I <em>tried</em> to stay with the rest of the book, I swear!). Wonderland is full of action, but it was the same thing over and over again and got repetitive. Alice is juggling being a Dreamwalker, who can destroy the Nightmares that come from Wonderland, while being an ordinary student with a life, but it was all the same thing over and over again. It never really picked up.
<a href="https://bookwyrmingthoughts.com/a-blade-so-black-by-l-l-mckinney-the-disappointment-is-so-real/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<h2><strong>When I first heard of <em>A Blade So Black</em>, I got excited.</strong></h2>
And I mean super excited! Here we have a book that features a black protagonist (we need more POC retellings!) who kicks butt like Buffy the vampire slayer and a retelling of <em>Alice in Wonderland</em> (which I should I get to one day but probably won't happen).
<h2><strong>But L.L. McKinney's debut novel turned out to be a big bummer.</strong></h2>
I didn't hate it, but I very much could not get past 40% of the book - in fact, I suffered more than I should because I <em>hoped</em> the book would get a lot better later. But it didn't get any better.
<h3>The writing style didn't suit me.</h3>
I think this is another "it's not you, it's me," but omg the writing made me want to sleep more than continuing the book. I found watching the 2018 reboot of "Meteor Garden" more interesting and probably watched an episode or two for every chapter that bored me to tears.
<h3>The concept is amazing.</h3>
Buffy the Vampire Slayer meets in Alice in Wonderland in a modern day setting? Hellooooo, please sign me up. This book spells dark and ominous and I definitely got that vibe while reading what I did.
<h3>But it was just <em>sooo</em> boring.</h3>
I checked out of the book by Chapter Four (but I <em>tried</em> to stay with the rest of the book, I swear!). Wonderland is full of action, but it was the same thing over and over again and got repetitive. Alice is juggling being a Dreamwalker, who can destroy the Nightmares that come from Wonderland, while being an ordinary student with a life, but it was all the same thing over and over again. It never really picked up.
<a href="https://bookwyrmingthoughts.com/a-blade-so-black-by-l-l-mckinney-the-disappointment-is-so-real/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
LeftSideCut (3776 KP) rated It: Chapter Two (2019) in Movies
Sep 15, 2019 (Updated Oct 25, 2019)
If it ain't broke
The second chapter of the extremely popular reboot of Stephen King's It is more of the same...and that's a good thing.
The first film feels like a ghost train, with creepy imagery, and well crafted jump scares that don't feel too cheap.
Chapter Two takes the same formula, and if anything, actually does more with it. Pennywise seams more brutal and unforgiving in his ways this time around.
Bill Skarsgård once again is great as Pennywise, sinister, whilst remaining weirdly charming, and sometimes sympathetic.
The fantastic child actors from the first film are present once again via flashbacks, and are just as likable, but as the bulk of Chapter Two is set 27 years later, these characters are now grown up and played by a whole host of incredibly well casted adults.
Bill Hader in particular is a highlight throughout. I always have time for James McAvoy as well, the guy is an hugely underrated actor.
The scares arrive thick and fast after a slow start where we're reintroduced to everyone - and they are mixed...some are genuinely unsettling (as is the tone for a lot of Chapter Two). The Paul Bunyun statue is a memorable moment, as is the creepy old lady scene from the trailers.
Some others are more tame, and some occasionally cartoony CGI take away from the scares themselves.
The climax of the film is pretty fun, as The Losers once again prepare to battle Pennywise, and it's once again, a truly memorable sequence.
The overall ending suffers slightly from Return of the King syndrome, and feels unessecarily drawn out at the end of an already lengthy film.
Another thing that didn't quite sit well with me was the opening scene - I understand that said scene is in the original novel, and it's a way of reintroducing us to Pennywise, but it felt out of place. Homophobia is still a huge issue in 2019, and there is nothing wrong with shouting about it. But the scene is cruel, and ultimately has no connection to the larger narrative.
Nevertheless, it's a very chilling and effective opening to the film.
The duo of new It films is modern horror done pretty well - unnerving and at times scary, whilst still being accessible to a wider audience.
Certainly worth watching them!
The first film feels like a ghost train, with creepy imagery, and well crafted jump scares that don't feel too cheap.
Chapter Two takes the same formula, and if anything, actually does more with it. Pennywise seams more brutal and unforgiving in his ways this time around.
Bill Skarsgård once again is great as Pennywise, sinister, whilst remaining weirdly charming, and sometimes sympathetic.
The fantastic child actors from the first film are present once again via flashbacks, and are just as likable, but as the bulk of Chapter Two is set 27 years later, these characters are now grown up and played by a whole host of incredibly well casted adults.
Bill Hader in particular is a highlight throughout. I always have time for James McAvoy as well, the guy is an hugely underrated actor.
The scares arrive thick and fast after a slow start where we're reintroduced to everyone - and they are mixed...some are genuinely unsettling (as is the tone for a lot of Chapter Two). The Paul Bunyun statue is a memorable moment, as is the creepy old lady scene from the trailers.
Some others are more tame, and some occasionally cartoony CGI take away from the scares themselves.
The climax of the film is pretty fun, as The Losers once again prepare to battle Pennywise, and it's once again, a truly memorable sequence.
The overall ending suffers slightly from Return of the King syndrome, and feels unessecarily drawn out at the end of an already lengthy film.
Another thing that didn't quite sit well with me was the opening scene - I understand that said scene is in the original novel, and it's a way of reintroducing us to Pennywise, but it felt out of place. Homophobia is still a huge issue in 2019, and there is nothing wrong with shouting about it. But the scene is cruel, and ultimately has no connection to the larger narrative.
Nevertheless, it's a very chilling and effective opening to the film.
The duo of new It films is modern horror done pretty well - unnerving and at times scary, whilst still being accessible to a wider audience.
Certainly worth watching them!
Full Circle: From Hollywood to Real Life and Back Again
5.0
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She grew up in front of the world on the beloved sitcom Full House, but then actress Andrea Barber...
memoir autobiography Full House Fuller House
Bob Mann (459 KP) rated Star Trek (2009) in Movies
Sep 28, 2021
As Leonard Nimoy says on the “making of” featurette, few directors can successfully deliver both ‘action’ and ’emotion’ in the same film, but J.J. Abrams can do. You can tell that he loved the original series, and adds both energy and ‘fan-friendly’ easter eggs into the movie:
We saw Kirk’s death in “Generations” – here we see his birth, with a pre-Thor Chris Hemsworth as his heroic Dad!;
The nasty Ceti Eel creatures are back from “The Wrath of Khan”!;
We see the historic event of Kirk beating the Kobayashi Maru starfleet test;
And we see all of the key characters meeting for the first time.
There are some surprises though. The fact that Spock and Uhuru are ‘a thing’ adds a spice to the film that feels like it messes with existing Trek lore. And similarly the destruction of Vulcan – giving this the highest body count of any of the movies! – has to be explained away with the old ‘parallel timeline’ ploy.
The action scenes work well, reliving the ‘submarine warfare in space’ elements that worked so well in the original series and the “Wrath of Khan”. A ‘space drop’ onto Nero’s ‘drill’ is particularly thrilling.
The casting is just about bang on, with Chris Pine pitch perfect as Kirk and Karl Urban particularly impressive as ‘Bones’ McCoy (although the evolution of the nickname – shown here – feels overly forced). The one character that I don’t get on with here is Simon Pegg’s Scotty: might be controversial, but he just doesn’t work for me.
Finally, the music by Michael Giacchino is a favourite score of mine. Simply thrilling and brilliant. I was lucky enough to hear it played live at a showing in the Royal Albert Hall a few years back, where both Giacchino and Abrams appeared on stage – – a truly memorable evening.
It’s not perfect. The whole “transportation of Scotty into the water works” irritates me enormously for some reason. And it’s somewhat glossed over what Nero and his crew have been doing for the 25 years while Kirk grows up: (Nero: “Man, I’ve finished ALL of my Sodoku books… when is this lockdown EVER GONNA END??”). And the JJ ‘lens flare’ is used to a level here that is mind-blowingly distracting! But as a reboot, in the main, it works.
We saw Kirk’s death in “Generations” – here we see his birth, with a pre-Thor Chris Hemsworth as his heroic Dad!;
The nasty Ceti Eel creatures are back from “The Wrath of Khan”!;
We see the historic event of Kirk beating the Kobayashi Maru starfleet test;
And we see all of the key characters meeting for the first time.
There are some surprises though. The fact that Spock and Uhuru are ‘a thing’ adds a spice to the film that feels like it messes with existing Trek lore. And similarly the destruction of Vulcan – giving this the highest body count of any of the movies! – has to be explained away with the old ‘parallel timeline’ ploy.
The action scenes work well, reliving the ‘submarine warfare in space’ elements that worked so well in the original series and the “Wrath of Khan”. A ‘space drop’ onto Nero’s ‘drill’ is particularly thrilling.
The casting is just about bang on, with Chris Pine pitch perfect as Kirk and Karl Urban particularly impressive as ‘Bones’ McCoy (although the evolution of the nickname – shown here – feels overly forced). The one character that I don’t get on with here is Simon Pegg’s Scotty: might be controversial, but he just doesn’t work for me.
Finally, the music by Michael Giacchino is a favourite score of mine. Simply thrilling and brilliant. I was lucky enough to hear it played live at a showing in the Royal Albert Hall a few years back, where both Giacchino and Abrams appeared on stage – – a truly memorable evening.
It’s not perfect. The whole “transportation of Scotty into the water works” irritates me enormously for some reason. And it’s somewhat glossed over what Nero and his crew have been doing for the 25 years while Kirk grows up: (Nero: “Man, I’ve finished ALL of my Sodoku books… when is this lockdown EVER GONNA END??”). And the JJ ‘lens flare’ is used to a level here that is mind-blowingly distracting! But as a reboot, in the main, it works.
Gareth von Kallenbach (980 KP) rated Teenage mutant ninja turtles mutant mayhem (2023) in Movies
Aug 2, 2023
The popular Teenage Mutant Ninja Turtle Franchise has taken a break from the recent live-action updates and has returned to animation to reboot and modernize the franchise.
“Teenage Mutant Ninja Turtles: Mutant Mayhem” is a loving and updated look at the story as Seth Rogen and his creative team have shaken up the franchise but remained true to the core characters and universe.
The film follows the four Turtles Leonardo (Nicolas Cantu), Raphael (Brady Noon), Donatello (Micah Abbey), and Michelangelo (Shamon Brown Jr.), who are looking to find acceptance in the world despite their father Splinter (Jackie Chan), warning them not to trust humans and that they will never be accepted.
As typical teens do, the boys frequently rebel to sneak out and use their Ninja skills to travel New York to do tasks ranging from shopping to watching outdoor movies which only fuels their desires to be accepted and
have normal experiences such as High School.
At the same time as a crimewave is happening attributed to a menace known as Superfly (Ice Cube), who is gathering all kinds of high-end gear for his nefarious scheme.
When the brothers become aware of this while helping a human named April (Ago Edebiri), they become obsessed with her and desire to help her get to the bottom of the thefts and hope to win her approval as well as human acceptance in the process.
What follows is a madcap adventure with plenty of action and humor and
several celebrity voices which adds a new level of fun to the expanded
cast of supporting characters.
The animation style is at times a bit rough to watch over an extended
period but as the film progressed I became used to it and it did much like the two recent Spider-man animated films grow on me even if it can be distracting at times.
The cast is solid and the film seemed to play well to viewers of all ages
as there were jokes and references for all ages and the storyline was engaging even if it did at times seem to drag in places.
In the end the film is a loving and solid entry into the franchise and one that I am sure we will be seeing more animated entries from in the near future and is a must watch for fans of all ages.
4 stars out of 5
“Teenage Mutant Ninja Turtles: Mutant Mayhem” is a loving and updated look at the story as Seth Rogen and his creative team have shaken up the franchise but remained true to the core characters and universe.
The film follows the four Turtles Leonardo (Nicolas Cantu), Raphael (Brady Noon), Donatello (Micah Abbey), and Michelangelo (Shamon Brown Jr.), who are looking to find acceptance in the world despite their father Splinter (Jackie Chan), warning them not to trust humans and that they will never be accepted.
As typical teens do, the boys frequently rebel to sneak out and use their Ninja skills to travel New York to do tasks ranging from shopping to watching outdoor movies which only fuels their desires to be accepted and
have normal experiences such as High School.
At the same time as a crimewave is happening attributed to a menace known as Superfly (Ice Cube), who is gathering all kinds of high-end gear for his nefarious scheme.
When the brothers become aware of this while helping a human named April (Ago Edebiri), they become obsessed with her and desire to help her get to the bottom of the thefts and hope to win her approval as well as human acceptance in the process.
What follows is a madcap adventure with plenty of action and humor and
several celebrity voices which adds a new level of fun to the expanded
cast of supporting characters.
The animation style is at times a bit rough to watch over an extended
period but as the film progressed I became used to it and it did much like the two recent Spider-man animated films grow on me even if it can be distracting at times.
The cast is solid and the film seemed to play well to viewers of all ages
as there were jokes and references for all ages and the storyline was engaging even if it did at times seem to drag in places.
In the end the film is a loving and solid entry into the franchise and one that I am sure we will be seeing more animated entries from in the near future and is a must watch for fans of all ages.
4 stars out of 5
BankofMarquis (1832 KP) rated Dungeons and Dragons: Honour Among Thieves (2023) in Movies
May 26, 2023
A Ton of Fun
The BankofMarquis is not into Dungeons & Dragons - the role playing/fantasy game that the film DUNGEONS & DRAGONS: HONOR AMONG THIEVES is based on, so any Easter Eggs for fans of the game is lost here. What the BankofMarquis is into is a good, fun action/adventure film and DUNGEONS AND DRAGONS: HONOR AMONG THIEVES is all that…and more.
The 4th film to be based on the RPG game, this D&D is no relation to the previous three and should be viewed as a reboot of the franchise…and if HONOR AMONG THIEVES is an indication of where this film series will go, then the audience is in for a fun ride, indeed.
Written and Directed by John Francis Daley and Jonathan Goldstein, D&D follows a smooth talking, good-looking musician (the perfectly cast Chris Pine), his tough-as-nails best friend (the perfectly cast Michelle Rodriguez) and their merry band of thieves as they go on a quest to right wrongs and achieve a goal.
What that goal is doesn’t really matter as it is the journey - not the destination - that matters and the journey is quite fun thanks to an enjoyable cast and a script and direction that evokes memories of THE PRINCESS BRIDE, THE LORD OF THE RINGS and, yes, MONTY PYTHON AND THE HOLY GRAIL along the way.
The cast (Pine, Rodriguez, Rege-Jean Page, Justice Smith, Sophia Lillis and Hugh Grant) know exactly what type of film they are making and jump in with both feet to have some fun, fight some creatures and make a family-friendly medieval action/adventure comedy that works.
Credit, of course, goes to Daley & Goldstein and this appears to be their first film together as Directors. If that is the case, the BankofMarquis is eager to see where they go from here.
While, I’m sure, there are plenty of Easter Eggs in this film for the D&D fan, the BankofMarquis caught none of that and just sat back and had a really fun 2+ hours, chuckling out loud on more than one occassion.
This film is now streaming on Paramount Plus. If you run across, check it out, you’ll have a good time.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
The 4th film to be based on the RPG game, this D&D is no relation to the previous three and should be viewed as a reboot of the franchise…and if HONOR AMONG THIEVES is an indication of where this film series will go, then the audience is in for a fun ride, indeed.
Written and Directed by John Francis Daley and Jonathan Goldstein, D&D follows a smooth talking, good-looking musician (the perfectly cast Chris Pine), his tough-as-nails best friend (the perfectly cast Michelle Rodriguez) and their merry band of thieves as they go on a quest to right wrongs and achieve a goal.
What that goal is doesn’t really matter as it is the journey - not the destination - that matters and the journey is quite fun thanks to an enjoyable cast and a script and direction that evokes memories of THE PRINCESS BRIDE, THE LORD OF THE RINGS and, yes, MONTY PYTHON AND THE HOLY GRAIL along the way.
The cast (Pine, Rodriguez, Rege-Jean Page, Justice Smith, Sophia Lillis and Hugh Grant) know exactly what type of film they are making and jump in with both feet to have some fun, fight some creatures and make a family-friendly medieval action/adventure comedy that works.
Credit, of course, goes to Daley & Goldstein and this appears to be their first film together as Directors. If that is the case, the BankofMarquis is eager to see where they go from here.
While, I’m sure, there are plenty of Easter Eggs in this film for the D&D fan, the BankofMarquis caught none of that and just sat back and had a really fun 2+ hours, chuckling out loud on more than one occassion.
This film is now streaming on Paramount Plus. If you run across, check it out, you’ll have a good time.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Kevin Phillipson (10072 KP) Jul 29, 2020