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Symbolism by Caracol
Symbolism by Caracol
7
7.0 (1 Ratings)
Album Rating
Caracol is a bilingual singer-songwriter based in Montreal, Canada. Not too long ago, she released a music video for her “Flooded Field” single featuring Illa J (brother of the late Jay Dilla).

“I could be your island. Headlights in the distance reaching out in silence if you won’t tell me how the water came. How can I really get you out of it? Your heart is a flooded field. Tell me what it means. Don’t know how to get to you.” – lyrics

‘Flooded Field’ tells an interesting tale of a supportive woman who wants to comfort her significant other.

Apparently, he has built a wall, so she doesn’t know how to get to him. But she has patience, therefore, she urges him to open up so she can nurture him with love.

‘Flooded Field’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation flavored with an electro-reggae aroma.

‘Flooded Field’ is a featured track on Caracol’s latest album, entitled, “Symbolism”.

The 11-track project sums up her past musical experiences and her beginnings as a percussionist and back-up singer in reggae bands.

Also, it highlights her work as a sound engineer in film music and her presence in the songwriting community and pop music writing camps.

Her “Symbolism” adventure began when she met producer Joey Waronker during a creative trip to Los Angeles.

After falling in love with her demos, he decided to work with her, and during the recording process, Caracol reached new heights.

Caracol was recently nominated at the Canadian Indie Awards in the Electronic Artist of the Year category.

Her music influences include Santigold, Lykke Li, Grimes, Beach House, Wild Belle, and Portishead.
  
African Funk Experimentals by Pasteur Lappe
African Funk Experimentals by Pasteur Lappe
2016 | World
(0 Ratings)
Album Favorite

"Pasteur Lappé is a guy from Cameroon who was making music in the late ’70s, and “Sanaga Calypso” was on this collection of experimental African funk music. The first time I heard this song, it reminded me so much of the Clash’s Sandinista! The Clash were obviously influenced by dub and reggae, and they paid homage to those styles very openly and respectfully, but to hear something that reminded me of a song like “Charlie Don’t Surf”—dancey, soulful, very beautiful, and kind of elegiac—it just made me smile. I literally said, “Joe Strummer for sure heard this song!” I like building a small lineage between my own listening experience and the listening experience of somebody I’ve been inspired by, and that’s what this song does for me. It puts me back in the sphere of influence. And it’s catchy."

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