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BankofMarquis (1832 KP) rated Renfield (2023) in Movies
Apr 22, 2023
Cage feels Caged-In
Sometime you are in the mood for a drama, sometimes an action flick, other times a romantic comedy.
And then there are times you just want to watch Nicholas Cage camping it up on-screen as Dracula.
If that is the mood you are in, boy do I have a movie for you.
Based (very loosely) on the character created by Bram Stoker (and the classic 1931 film starring Bela Lugosi), RENFIELD tells the tale of an over-the-top Dracula in modern times as seen through his “familiar”, Renfield.
Nicholas Hoult (Beast in the latest series of X-Men films) plays Renfield as a put-upon assistant to Dracula - kind of a comedy/horror version of the relationship of Anne Hathaway and Meryl Streep in THE DEVIL WEARS PRADA - and it works (for the most part). Hoult is a winning (enough) and sympathetic presence on screen and you find yourself rooting for him in the end.
The surprising thing to me in this film is the sub-plot of Renfield finding love with a Police Office portrayed by (of all people) Awkwafina. This comedienne/actress has really grown on the BankofMarquis as a solid and dependable presence on screen and she doesn’t disappoint here. And that’s a good thing for the Renfield/Rebecca the Cop relationship ends up taking center stage during the 2nd act of this film (moving Nic Cage’s Dracula off-screen for a long stretch of time) and it works for Hoult and Awkwafina play off each other very well.
As for Cage, his Dracula is off-center, wacky, frenetic and out-of-this world. A true fish-out-of-water. But…if I’m being honest…his performance feels reigned in and it didn’t go far enough out-of-the-box and didn’t get nearly crazy enough for my tastes.
When something like that happens, one needs to look no further than the Director and Chris McKay (THE LEGO MOVIE, THE TOMORROW WAR) has a track record (at least for the BankofMarquis) of pulling his punches - and he pulls many, many punches in this film. But, he also DOESN’T pull punches at times (like in the scene where one guy gets his arms ripped off and then these arms are used as nunchucks on a bevy of bad guys). He doesn’t really know how far or how outlandish he should go. So he filters in a comedic amount of blood and gore - and then reigns Cage in. It’s an odd choice.
If you decide to watch Renfield, you already know what to expect - and for the most part you get it - except in the one spot that you really need it.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
And then there are times you just want to watch Nicholas Cage camping it up on-screen as Dracula.
If that is the mood you are in, boy do I have a movie for you.
Based (very loosely) on the character created by Bram Stoker (and the classic 1931 film starring Bela Lugosi), RENFIELD tells the tale of an over-the-top Dracula in modern times as seen through his “familiar”, Renfield.
Nicholas Hoult (Beast in the latest series of X-Men films) plays Renfield as a put-upon assistant to Dracula - kind of a comedy/horror version of the relationship of Anne Hathaway and Meryl Streep in THE DEVIL WEARS PRADA - and it works (for the most part). Hoult is a winning (enough) and sympathetic presence on screen and you find yourself rooting for him in the end.
The surprising thing to me in this film is the sub-plot of Renfield finding love with a Police Office portrayed by (of all people) Awkwafina. This comedienne/actress has really grown on the BankofMarquis as a solid and dependable presence on screen and she doesn’t disappoint here. And that’s a good thing for the Renfield/Rebecca the Cop relationship ends up taking center stage during the 2nd act of this film (moving Nic Cage’s Dracula off-screen for a long stretch of time) and it works for Hoult and Awkwafina play off each other very well.
As for Cage, his Dracula is off-center, wacky, frenetic and out-of-this world. A true fish-out-of-water. But…if I’m being honest…his performance feels reigned in and it didn’t go far enough out-of-the-box and didn’t get nearly crazy enough for my tastes.
When something like that happens, one needs to look no further than the Director and Chris McKay (THE LEGO MOVIE, THE TOMORROW WAR) has a track record (at least for the BankofMarquis) of pulling his punches - and he pulls many, many punches in this film. But, he also DOESN’T pull punches at times (like in the scene where one guy gets his arms ripped off and then these arms are used as nunchucks on a bevy of bad guys). He doesn’t really know how far or how outlandish he should go. So he filters in a comedic amount of blood and gore - and then reigns Cage in. It’s an odd choice.
If you decide to watch Renfield, you already know what to expect - and for the most part you get it - except in the one spot that you really need it.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated Parallel Mothers (2021) in Movies
Mar 21, 2022
Cruz is terrific, the "B" plot is better
I have stated before that I find that Penelope Cruz is a very good (not great) actress when working in English. But…she has been a revelation to me as a GREAT Actress when I catch her work in her native language, Spanish, and she is especially good when she is working in a piece by the man that calls her his “muse”, Writer/Director Pedro Almodovar.
Such is the case with their latest collaboration - PARALLEL MOTHERS - an interesting and engaging film with a quality performance at the center of it by Cruz, a performance that has her, rightfully, nominated for the 4th time for an Oscar (she won in 2008 for her Supporting Role in VICKY CHRISTINA BARCELONA).
In this film, Cruz stars as one of 2 “parallel mothers”, who’s character, Janis, goes into labor at the same time as Milena Smit’s character, Ana. What happens to these two is that their lives will be intertwined in such a way that these “parallel mothers” will have a connection for the rest of their lives.
But, this is just the “A” story of this film and (as has been his custom), Almodovar gives us a “B” story that focuses on Spain’s attempt to continue to heal from the Spanish Civil War - and it is this part of the film that is the part that has lingered with me.
Cruz, of course, is a beautiful, wonderful choice as Janis. She holds the screen in every scene she is in (and that is almost every one) and her and Almodovar know what kind of movie they are making and head strongly in that direction. The surprise for me was Milena Smit’s performance as Ana as she holds her own in her scenes with Cruz.
The “A” story of this film is good (but not great) and it does fall, a bit, into “Soap Opera” territory, but Almodovar, Cruz et al know how to elevate it above that with realistic dialogue and emotions that grounds this portion of the film. It is the “B” plot that Almodovar seems to be more interested in and this, in turn, makes that part of the story the more interesting one. To be fair to Cruz, it does involve her character as well, but her relationship with Ana is put in the background, thus negating that relationship to the importance of the story.
The “B” plot was better and I almost wish that this was the main part of the story, it might have made it an overall better - maybe even excellent - film, but, instead, PARALLEL MOTHERS falls to “just” VERY GOOD.
Letter Grade: A- (for Cruz’ and Smit’s performances and the “B” plot)
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with their latest collaboration - PARALLEL MOTHERS - an interesting and engaging film with a quality performance at the center of it by Cruz, a performance that has her, rightfully, nominated for the 4th time for an Oscar (she won in 2008 for her Supporting Role in VICKY CHRISTINA BARCELONA).
In this film, Cruz stars as one of 2 “parallel mothers”, who’s character, Janis, goes into labor at the same time as Milena Smit’s character, Ana. What happens to these two is that their lives will be intertwined in such a way that these “parallel mothers” will have a connection for the rest of their lives.
But, this is just the “A” story of this film and (as has been his custom), Almodovar gives us a “B” story that focuses on Spain’s attempt to continue to heal from the Spanish Civil War - and it is this part of the film that is the part that has lingered with me.
Cruz, of course, is a beautiful, wonderful choice as Janis. She holds the screen in every scene she is in (and that is almost every one) and her and Almodovar know what kind of movie they are making and head strongly in that direction. The surprise for me was Milena Smit’s performance as Ana as she holds her own in her scenes with Cruz.
The “A” story of this film is good (but not great) and it does fall, a bit, into “Soap Opera” territory, but Almodovar, Cruz et al know how to elevate it above that with realistic dialogue and emotions that grounds this portion of the film. It is the “B” plot that Almodovar seems to be more interested in and this, in turn, makes that part of the story the more interesting one. To be fair to Cruz, it does involve her character as well, but her relationship with Ana is put in the background, thus negating that relationship to the importance of the story.
The “B” plot was better and I almost wish that this was the main part of the story, it might have made it an overall better - maybe even excellent - film, but, instead, PARALLEL MOTHERS falls to “just” VERY GOOD.
Letter Grade: A- (for Cruz’ and Smit’s performances and the “B” plot)
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Unleashing Happiness: How I Helped Free My Child from Anxious Thoughts
Book
Is it really possible for a mother to heal her angry child, changing her daughter's personality from...
Suswatibasu (1703 KP) rated The History of Wolves in Books
Nov 3, 2017
Compelling and rather odd
History of Wolves is a coming of age story that will resonate with many people. Linda, mostly left to raise herself by hippy, laid back parents, lives in Northern Minnesota, on grounds that used to belong to a commune, of which her parents were members.
Linda is 14, melodramatic and poetic. She's somewhat obsessed with a classmate, Lily, who spread rumours that their teacher, Me Grierson, molested her though this is questionable. Linda's narrative often veers off into dark corners, and the way the story is told (going back and forth, from teenage Linda to older Linda, reminiscing) only serves to increase the feeling of unease as the reader continues through the story.
The girl also spends a lot of time babysitting Paul, a toddler who moved into a cabin across the lake with his mother, Patra. Paul's father, Leo, is often working away, but when he arrives, Linda's relationship with Petra becomes strained. Patra's youth becomes glaringly obvious when her older husband appears. As a reader you're aware that something terrible has happened, but author Emily Fridlund trickled the information into your mind, keeping you reading until the end. The story surrounds Linda feeling both as a victim and a wrongdoer.
It's not the best Man Booker long list read as at times the narrative is far too disjointed. But the author writes very well.
Linda is 14, melodramatic and poetic. She's somewhat obsessed with a classmate, Lily, who spread rumours that their teacher, Me Grierson, molested her though this is questionable. Linda's narrative often veers off into dark corners, and the way the story is told (going back and forth, from teenage Linda to older Linda, reminiscing) only serves to increase the feeling of unease as the reader continues through the story.
The girl also spends a lot of time babysitting Paul, a toddler who moved into a cabin across the lake with his mother, Patra. Paul's father, Leo, is often working away, but when he arrives, Linda's relationship with Petra becomes strained. Patra's youth becomes glaringly obvious when her older husband appears. As a reader you're aware that something terrible has happened, but author Emily Fridlund trickled the information into your mind, keeping you reading until the end. The story surrounds Linda feeling both as a victim and a wrongdoer.
It's not the best Man Booker long list read as at times the narrative is far too disjointed. But the author writes very well.
Suswatibasu (1703 KP) rated Hacksaw Ridge (2016) in Movies
Nov 26, 2017
Vivid and brutal
I usually can't stomach war movies or Mel Gibson, but the story of Desmond Doss is an incredible one to behold. Doss is the only conscientious objector during the Second World War to have received America's top military award - the Medal of Honor. His refusal to bear arms gained him notoriety during training, being bullied by his commanding sergeants and fellow soldiers. But at the brutal battle in Hacksaw Ridge against the Japanese, Doss single-handedly went back into a warzone retrieving 75 injured soldiers, at a time when all hope was thought to be lost.
The film itself is in two halves. The first part is a little saccharine, portraying Doss as an innocent doe-eyed boy trailing a beautiful nurse who ends up becoming his wife. At the same time, his father, a tortured military man, is seen as abusive after witnessing horrors in France. Director Mel Gibson tries to connect this relationship to why Doss may not be keen on weapons. Overall, the war scenes are well-shot, extremely graphic to the point it is a completely immersive experience. If Gibson made the first half a little less Hollywood, it would be a skilfully made film. The best part by far is the end where you get to meet the real hero Doss speaking about his experiences. A harrowing watch.
The film itself is in two halves. The first part is a little saccharine, portraying Doss as an innocent doe-eyed boy trailing a beautiful nurse who ends up becoming his wife. At the same time, his father, a tortured military man, is seen as abusive after witnessing horrors in France. Director Mel Gibson tries to connect this relationship to why Doss may not be keen on weapons. Overall, the war scenes are well-shot, extremely graphic to the point it is a completely immersive experience. If Gibson made the first half a little less Hollywood, it would be a skilfully made film. The best part by far is the end where you get to meet the real hero Doss speaking about his experiences. A harrowing watch.
Suswatibasu (1703 KP) rated Call Me by Your Name (2017) in Movies
Jan 7, 2018 (Updated Jan 7, 2018)
Slow first-half, heartbreaking in the second
For fans of Richard Linklater's Before Sunrise/Sunset series, Call Me By Your Name definitely has the same tone and visual style. Focusing on an unknown northern Italian landscape, the audience is taken on a journey in this coming of age film, in which 17-year-old Elio welcomes an American houseguest for the summer, and it is apparent that he begins to develop feelings for him.
From denial and hatred, to jealousy and love, Elio is portrayed as a clearly complex teenager in the sense that he is more withdrawn than his peers, infatuated with his music. But it is soon obvious why he feels like an outsider and misunderstood. On the other hand, Oliver, a charming and confident archaeologist, appears to be playing games at first only to reveal his mutual love in return. The last scene is heartbreaking when the reality dawns on them both.
The first half is definitely slow-paced, the build-up may have taken a little too long, because by the time the relationship develops, most of the film has passed. But in the meanwhile, we explore the sights and sounds of rural Italy, which is utterly glorious. The language and cultural exchange is exquisite and Elio's parents are to be hailed as truly inspiring. It is bittersweet, yet realistic.
From denial and hatred, to jealousy and love, Elio is portrayed as a clearly complex teenager in the sense that he is more withdrawn than his peers, infatuated with his music. But it is soon obvious why he feels like an outsider and misunderstood. On the other hand, Oliver, a charming and confident archaeologist, appears to be playing games at first only to reveal his mutual love in return. The last scene is heartbreaking when the reality dawns on them both.
The first half is definitely slow-paced, the build-up may have taken a little too long, because by the time the relationship develops, most of the film has passed. But in the meanwhile, we explore the sights and sounds of rural Italy, which is utterly glorious. The language and cultural exchange is exquisite and Elio's parents are to be hailed as truly inspiring. It is bittersweet, yet realistic.
Merissa (13600 KP) rated Smoke & Mirrors (THIRDS #7) in Books
Jun 27, 2017
Smoke & Mirrors (THIRDS #7) by Charlie Cochet
O.M.G.!!! If you are going to read Smoke and Mirrors, and you've followed the series so far, then be prepared for an emotional ride. Seriously, I think I have shed more tears during this part of the story than for any other instalment! The feels, people, the feels! Sloane and Dex have had a tumultuous relationship but things seem to have calmed down. Unfortunately, you know that with all the secrets that are coming out, that things will definitely rock the boat.
This book is simply amazing, with classic Dexisms throughout (I loved his conversation with Hudson!), but at the same time, absolutely heartbreaking. This book holds the answers to some questions that Dex hadn't even allowed himself to ask. Time moves on, but hurt can remain. So many things I want to talk about, but I don't want to ruin the surprise for anyone else, so instead, I will just say that this book is simply outstanding, and I loved every moment - even if my eyes are now red-rimmed!
Exceedingly well written once again, with no editing or grammatical errors that disrupted my reading flow. Definitely recommended by me, as well a box of tissues! If you're anything like me, you're going to need them!
* Verified Purchase ~ April 2017 *
Merissa
Archaeolibrarian - I Dig Good Books!
This book is simply amazing, with classic Dexisms throughout (I loved his conversation with Hudson!), but at the same time, absolutely heartbreaking. This book holds the answers to some questions that Dex hadn't even allowed himself to ask. Time moves on, but hurt can remain. So many things I want to talk about, but I don't want to ruin the surprise for anyone else, so instead, I will just say that this book is simply outstanding, and I loved every moment - even if my eyes are now red-rimmed!
Exceedingly well written once again, with no editing or grammatical errors that disrupted my reading flow. Definitely recommended by me, as well a box of tissues! If you're anything like me, you're going to need them!
* Verified Purchase ~ April 2017 *
Merissa
Archaeolibrarian - I Dig Good Books!
Fails to Disappoint :)
This book certainly deserves its status as an essential modern classic.
It provides a somewhat sinister feel, but remains thought provoking. The overall story is short, but it incorporates such strong ideas that it makes up for it being a short read. Not only is it enjoyable, but it also serves to educate the reader on the dangers of attempting a utopian society. Its concept of why it is important to retain human memories – even the bad – in order that wisdom can exist, adds to the fascinating factor.
This book would be great to spur discussion and introspection. Although fans of contemporary dystopian novels will be sure to love this series, the book isn't solely the story of a depressing utopia. It's mainly the story of the relationship between the main characters: the Giver, Jonas, and... I won't say her name, and of course, the baby Gabe. This book is a more of a mystery in which things don't much get answered- they're left to linger. That's part of the beauty and hopefulness in this book! Just read the damn book, then call me.
You won't be disappointed if you read it, because it's an enjoyable read. It contains a great plot, the community is interesting, and the ending is fantastic and JUST a little ambiguous!-- cool!
It provides a somewhat sinister feel, but remains thought provoking. The overall story is short, but it incorporates such strong ideas that it makes up for it being a short read. Not only is it enjoyable, but it also serves to educate the reader on the dangers of attempting a utopian society. Its concept of why it is important to retain human memories – even the bad – in order that wisdom can exist, adds to the fascinating factor.
This book would be great to spur discussion and introspection. Although fans of contemporary dystopian novels will be sure to love this series, the book isn't solely the story of a depressing utopia. It's mainly the story of the relationship between the main characters: the Giver, Jonas, and... I won't say her name, and of course, the baby Gabe. This book is a more of a mystery in which things don't much get answered- they're left to linger. That's part of the beauty and hopefulness in this book! Just read the damn book, then call me.
You won't be disappointed if you read it, because it's an enjoyable read. It contains a great plot, the community is interesting, and the ending is fantastic and JUST a little ambiguous!-- cool!
KerysJayne Draganova (21 KP) rated Resistance is futile in Books
Jan 13, 2018 (Updated Jan 14, 2018)
Majority of the characters, especially the main (1 more)
Comedic style of writing
Luke (1 more)
The romance aspect
A decent sci-fi Rom-com hybrid.
First of let me just say, this is the type of book that makes you look incredibly silly when reading it in public. It had me laughing until I couldn't breathe, and thanking my lucky stars that I read it in the comfort of my own home.
The characters in Colgan's book are a breath of fresh air: smart, just the right amount of geeky, and incredibly funny. The mix of the different characters and personalities within the group works perfectly, and as I said they have you crying with laughter. Connie is a fantastic main character: interesting, smart and witty, and I loved reading the adventures from her point of view.
However, I was disappointed with the romance aspect of this book, I didn't find the relationship between Connie and Luke to be believable, and I just couldn't get behind Luke as a character as a whole. I didn't find his character very compelling, and I felt the author went further into the development of other smaller characters than Luke, considering he is supposed to be quite an important part of the story line.
Overall though the characters in this book are so lovable and funny it definitely makes the book worth a read.
The characters in Colgan's book are a breath of fresh air: smart, just the right amount of geeky, and incredibly funny. The mix of the different characters and personalities within the group works perfectly, and as I said they have you crying with laughter. Connie is a fantastic main character: interesting, smart and witty, and I loved reading the adventures from her point of view.
However, I was disappointed with the romance aspect of this book, I didn't find the relationship between Connie and Luke to be believable, and I just couldn't get behind Luke as a character as a whole. I didn't find his character very compelling, and I felt the author went further into the development of other smaller characters than Luke, considering he is supposed to be quite an important part of the story line.
Overall though the characters in this book are so lovable and funny it definitely makes the book worth a read.
Sarah (7800 KP) rated Harry Potter and the Deathly Hallows - Part 1 (2010) in Movies
Jan 14, 2018
One of the better HP adaptations
I have a bit of an issue with the Harry Potter films in general. I'm grateful that they've at least brought the wizarding world onto the big screen, I just think it's a shame that some of them are very poor versions of the books. Part 1 of the Deathly Hallows is a fairly decent adaptation, but even still it's very frustrating to see how much has been missed out. My other half even commented asking if Dobby had a bigger part in the books, as it was obvious even to him as a non book reader that storylines from the books had been implied in the films rather than actually featured.
Still despite all that, it is definitely one of the better in the series and I like how dark the series has gone. The acting is great from the seasoned cast, but at little hit and miss from the younger actors. The effects are fairly good too if a little overused..
I have a love hate relationship with the HP films. I love the sets and how the wizarding world has been brought to life - without these films we wouldn't have the studios in London and the amazing world in Universal Florida. It's just a shame so much of the back story and detail from the books has been left out.
Still despite all that, it is definitely one of the better in the series and I like how dark the series has gone. The acting is great from the seasoned cast, but at little hit and miss from the younger actors. The effects are fairly good too if a little overused..
I have a love hate relationship with the HP films. I love the sets and how the wizarding world has been brought to life - without these films we wouldn't have the studios in London and the amazing world in Universal Florida. It's just a shame so much of the back story and detail from the books has been left out.