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Britt Daniel recommended Solaris Soundtrack by Cliff Martinez in Music (curated)
Dean (6927 KP) rated Rebecca (2020) in Movies
Nov 15, 2020
Unnecessary remake
Well it has been 80 years since the Hitchcock version, I could understand updating it slightly but this is a pale comparison. Nothing has really changed in the story as such. However the execution is very different. The original version was genuinely creepy and atmospheric, with some scenes that might make you jump. Ms Danvers character was especially good.
In this version it's more of a love story, slowly drawn out with a bit of drama right at the end. It would have been better to keep the feeling of Hitchcock's version. If you haven't seen it, watch that instead.
In this version it's more of a love story, slowly drawn out with a bit of drama right at the end. It would have been better to keep the feeling of Hitchcock's version. If you haven't seen it, watch that instead.
Corey Feldman recommended Willy Wonka & the Chocolate Factory (1971) in Movies (curated)
Jeremy King (346 KP) rated The Lone Ranger (2013) in Movies
Oct 7, 2019
Ok i am going to say i really enjoyed this western. I thought it had the right amout of action in this western.
A great story from the point of view Tonto (Johnny Depp) on how him and John Reid, the Lone Ranger (Armie Hammer) met.
Now the down fault of this movie is that it was under the Disney Flag. If they held off till they had another studio (FOX) and put it out under that studio flag it would have done better. Just seem to violent for a disney movie and alot of adult hummor. Now if they ever plan to remake it again under Disney i would tie in Thunder Mountain and less blood.
A great story from the point of view Tonto (Johnny Depp) on how him and John Reid, the Lone Ranger (Armie Hammer) met.
Now the down fault of this movie is that it was under the Disney Flag. If they held off till they had another studio (FOX) and put it out under that studio flag it would have done better. Just seem to violent for a disney movie and alot of adult hummor. Now if they ever plan to remake it again under Disney i would tie in Thunder Mountain and less blood.
Outcast: Second Contact
Video Game Watch
Outcast – Second Contact is an open world action-adventure game taking the player to an...
Kevin Phillipson (10072 KP) rated Pet Sematary (2019) in Movies
Mar 3, 2022
Jason Clarke (2 more)
John lithgow
Jete Laurence
Watched last night as I’ve read the Stephen king novel and watched the original film so going into the remake will it be any good it’s okay not as good as the original there are some changes in this version from the original the main being the daughter being brought from the dead and not the son.and there’s John lithgow who usually plays crazy characters actually plays a normal character which is a change for him but for me definitely star in the has to be jete Laurence who plays the daughter and plays both versions of her character brilliant overall okay film still prefer the original
Slumber Party Massacre (2021)
Movie
Based on the 1982 original, this remake follows Dana and a group of her friends as they go on a trip...
Partner Remuneration in Law Firms: A Guide to Reward Structures, Performance Management and Decision-Making
Book
Law firms are constantly looking to improve the effectiveness of their partner remuneration systems...
Movie Metropolis (309 KP) rated Pete's Dragon (2016) in Movies
Jun 11, 2019
Lovely in every sense of the word
2016 really does belong to Disney. The House of Mouse has been churning out some incredible films this year with the live-action remake of The Jungle Book proving sceptical audiences (and critics) completely wrong.
The BFG was a pleasant and inoffensive adaptation of Roald Dahl’s wonderful novel and Finding Dory got Pixar back on the right track, and let’s not forget Captain America: Civil War, by far the best superhero film of the year.
Here, Disney continues its trend with recreating its classic cartoons in live-action; resurrecting Pete’s Dragon. But is this remake of the 1977 film of the same name as good as The Jungle Book?
Mr. Meacham (Robert Redford), a woodcarver, delights local children with stories of a mysterious dragon that lives deep in the woods of the Pacific Northwest. His daughter Grace (Bryce Dallas Howard) believes these are just tall tales, until she meets Pete (Oakes Fegley), a 10-year-old orphan who says he lives in the woods with a giant, friendly dragon called Elliot. With help from a young girl named Natalie (Oona Laurence), Grace sets out to investigate if this fantastic claim can be true.
Director David Lowery helms the film with a quiet subtlety that automatically makes Pete’s Dragon a very different adaptation to Jon Favreau’s stomping Jungle Book. Here, the joy is in the storytelling rather than popping on a set of nostalgia glasses and settling in for the journey.
Acting wise, it’s a pretty formulaic affair. Bryce Dallas Howard, in her first major role since last year’s smash hit Jurassic World, is as likeable as ever and like the film itself, commands the screen with an understated presence. Elsewhere, Oakes Fegley gives a cracking portrayal of Pete.
Naturally, the main character throughout is Elliot, the big friendly dragon. This bright green behemoth is rendered in wonderful CGI, with each gust of wind lifting his fur beautifully. Considering the film’s modest $65million budget, Elliot is utterly believable in each and every scene.
The lush forest landscape provides a mesmerising backdrop on which to construct a film and David Lowery takes the audience on sweeping journeys across the tree-tops, brilliantly juxtaposed with confined caves and the woodland floor.
Unfortunately, the deforestation side plot is never truly explored with Karl Urban’s underdeveloped “villain” proving to be a slight undoing in this near perfect remake.
Thankfully though, the themes of family, friendship and never giving up despite the odds are explored to their fullest – these are themes that Disney knows how to do better than any other studio and the emotional heart that brings to Pete’s Dragon ensures teary eyes are inevitable.
Overall, Disney has done it again. Just five months after the phenomenal Jungle Book remake, the studio has got it spot on with Pete’s Dragon. The two films couldn’t be further apart, with this one succeeding in its quiet dignity. It is in every sense of the word – lovely.
https://moviemetropolis.net/2016/08/16/lovely-in-every-sense-of-the-word-petes-dragon-review/
The BFG was a pleasant and inoffensive adaptation of Roald Dahl’s wonderful novel and Finding Dory got Pixar back on the right track, and let’s not forget Captain America: Civil War, by far the best superhero film of the year.
Here, Disney continues its trend with recreating its classic cartoons in live-action; resurrecting Pete’s Dragon. But is this remake of the 1977 film of the same name as good as The Jungle Book?
Mr. Meacham (Robert Redford), a woodcarver, delights local children with stories of a mysterious dragon that lives deep in the woods of the Pacific Northwest. His daughter Grace (Bryce Dallas Howard) believes these are just tall tales, until she meets Pete (Oakes Fegley), a 10-year-old orphan who says he lives in the woods with a giant, friendly dragon called Elliot. With help from a young girl named Natalie (Oona Laurence), Grace sets out to investigate if this fantastic claim can be true.
Director David Lowery helms the film with a quiet subtlety that automatically makes Pete’s Dragon a very different adaptation to Jon Favreau’s stomping Jungle Book. Here, the joy is in the storytelling rather than popping on a set of nostalgia glasses and settling in for the journey.
Acting wise, it’s a pretty formulaic affair. Bryce Dallas Howard, in her first major role since last year’s smash hit Jurassic World, is as likeable as ever and like the film itself, commands the screen with an understated presence. Elsewhere, Oakes Fegley gives a cracking portrayal of Pete.
Naturally, the main character throughout is Elliot, the big friendly dragon. This bright green behemoth is rendered in wonderful CGI, with each gust of wind lifting his fur beautifully. Considering the film’s modest $65million budget, Elliot is utterly believable in each and every scene.
The lush forest landscape provides a mesmerising backdrop on which to construct a film and David Lowery takes the audience on sweeping journeys across the tree-tops, brilliantly juxtaposed with confined caves and the woodland floor.
Unfortunately, the deforestation side plot is never truly explored with Karl Urban’s underdeveloped “villain” proving to be a slight undoing in this near perfect remake.
Thankfully though, the themes of family, friendship and never giving up despite the odds are explored to their fullest – these are themes that Disney knows how to do better than any other studio and the emotional heart that brings to Pete’s Dragon ensures teary eyes are inevitable.
Overall, Disney has done it again. Just five months after the phenomenal Jungle Book remake, the studio has got it spot on with Pete’s Dragon. The two films couldn’t be further apart, with this one succeeding in its quiet dignity. It is in every sense of the word – lovely.
https://moviemetropolis.net/2016/08/16/lovely-in-every-sense-of-the-word-petes-dragon-review/






