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BankofMarquis (1832 KP) rated Aladdin (2019) in Movies
May 25, 2019
Succeeds...mostly...thanks to the charm and charisma of Will Smith
Unnecessary...a money grab...what was Will Smith thinking...why would Disney do this?
All complaints that were written regarding the live action remake of the beloved 1992 Animated classic, ALADDIN.
And...they would be wrong...as this ALADDIN is fun, fanciful, fast(ish) paced and fantastical. It also has something that I was surprised by...heart.
For those of you living in the "Cave of Wonder" for the past 20+ years, Aladdin follows the adventures of a street urchin who falls in love with a Princess and battles the evil Vizier, Jafar, for power via an enchanted lamp that houses a Genie that will grant 3 wishes.
Disney has shown it can do these remakes well when sticking to the source material (as was evidenced by the 2016 live action remake of the 1967 animated classic THE JUNGLE BOOK), but also has failed when it takes the characters, but not the story (the recent DUMBO), so Writer/Director Guy Ritchie (of all people) was smart to "just take the animated movie" and remake it as live action.
And...it works! Ritchie (SNATCH, the Robert Downey SHERLOCK HOLMES) seems to be an odd choice to helm this film, but he acquits himself quite well, relying on the pageantry and spectacle of it all to carry the day. The chase scenes are serviceable, but Ritchie's direction does get a bit clunky when the film slows down and focuses on the central love story.
Using performers - for the most part - of Middle Eastern descent, Ritchie coaxes "good enough" performances from Mena Massoud as Aladdin and Naomi Scott as Jasmine. They are pleasant enough on screen but was stronger apart than together. I wouldn't call it "lack of chemstry", but rather, "medium chemistry". But when they are paired with others - or get the chance to shine on their own - they do quite well.
Scott plays well against Navid Negahban who brings a deepness of heart to his character of Jasmine's father, the Sultan and, especially, Nasim Pedrad (so that's what she's been doing since leaving SNL) as her handmaiden, Dalia (a character not in the animated film).
Massoud, of course, spends a great deal of this film playing off the Genie character. So let's talk about Will Smith's performance in the iconic Robin Williams role. EVERYONE (including myself) was asking why Smith would take on this role. It's a "lose/lose" proposition, trying to fill the shoes of one of the wildest, wackiest and most frenetic performances in screen history. So Smith does a very smart thing - he doesn't even try. He makes this Genie "his own" not trying to mimic Williams' performance, but rather creating a charming, friendly and funny Genie with heart (there's that word again) behind his eyes. It is a strong performance by Smith - one that only a performer with his charm and charisma could pull off. His presence in this film elevates the proceedings and I wanted more of this character.
The music you know and love is all there - and they are welcome presences in this film - though they felt abbreviated (maybe it's just because I'm more familiar with the Soundtrack performances of these songs and not how they were used in the original film) and there is an Original number, a "girl power" song for Jasmine that felt a little too "Disney Channel" to me - but I don't think I'm the target audience for that song, so I'll cut it some slack.
A slight downgrade in the final rating of this film needs to be made because of the "meh" characterization and performance of the main villain, Jafar. As played by Marwan Kenzari, this Jafar was seething and menacing but never really bigger than life and threatening - qualities that make Jafar one of the better villains in the Disney animated canon.
But, ultimately, this film will succeed or fail, I think, by your reaction to Smith's interpretation of the Genie. It's NOT Robin Williams, and that's a good thing. For me, Smith...and this film...succeeds.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
All complaints that were written regarding the live action remake of the beloved 1992 Animated classic, ALADDIN.
And...they would be wrong...as this ALADDIN is fun, fanciful, fast(ish) paced and fantastical. It also has something that I was surprised by...heart.
For those of you living in the "Cave of Wonder" for the past 20+ years, Aladdin follows the adventures of a street urchin who falls in love with a Princess and battles the evil Vizier, Jafar, for power via an enchanted lamp that houses a Genie that will grant 3 wishes.
Disney has shown it can do these remakes well when sticking to the source material (as was evidenced by the 2016 live action remake of the 1967 animated classic THE JUNGLE BOOK), but also has failed when it takes the characters, but not the story (the recent DUMBO), so Writer/Director Guy Ritchie (of all people) was smart to "just take the animated movie" and remake it as live action.
And...it works! Ritchie (SNATCH, the Robert Downey SHERLOCK HOLMES) seems to be an odd choice to helm this film, but he acquits himself quite well, relying on the pageantry and spectacle of it all to carry the day. The chase scenes are serviceable, but Ritchie's direction does get a bit clunky when the film slows down and focuses on the central love story.
Using performers - for the most part - of Middle Eastern descent, Ritchie coaxes "good enough" performances from Mena Massoud as Aladdin and Naomi Scott as Jasmine. They are pleasant enough on screen but was stronger apart than together. I wouldn't call it "lack of chemstry", but rather, "medium chemistry". But when they are paired with others - or get the chance to shine on their own - they do quite well.
Scott plays well against Navid Negahban who brings a deepness of heart to his character of Jasmine's father, the Sultan and, especially, Nasim Pedrad (so that's what she's been doing since leaving SNL) as her handmaiden, Dalia (a character not in the animated film).
Massoud, of course, spends a great deal of this film playing off the Genie character. So let's talk about Will Smith's performance in the iconic Robin Williams role. EVERYONE (including myself) was asking why Smith would take on this role. It's a "lose/lose" proposition, trying to fill the shoes of one of the wildest, wackiest and most frenetic performances in screen history. So Smith does a very smart thing - he doesn't even try. He makes this Genie "his own" not trying to mimic Williams' performance, but rather creating a charming, friendly and funny Genie with heart (there's that word again) behind his eyes. It is a strong performance by Smith - one that only a performer with his charm and charisma could pull off. His presence in this film elevates the proceedings and I wanted more of this character.
The music you know and love is all there - and they are welcome presences in this film - though they felt abbreviated (maybe it's just because I'm more familiar with the Soundtrack performances of these songs and not how they were used in the original film) and there is an Original number, a "girl power" song for Jasmine that felt a little too "Disney Channel" to me - but I don't think I'm the target audience for that song, so I'll cut it some slack.
A slight downgrade in the final rating of this film needs to be made because of the "meh" characterization and performance of the main villain, Jafar. As played by Marwan Kenzari, this Jafar was seething and menacing but never really bigger than life and threatening - qualities that make Jafar one of the better villains in the Disney animated canon.
But, ultimately, this film will succeed or fail, I think, by your reaction to Smith's interpretation of the Genie. It's NOT Robin Williams, and that's a good thing. For me, Smith...and this film...succeeds.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
Movie Metropolis (309 KP) rated Aladdin (2019) in Movies
Jun 10, 2019
Don't let us down Guy Ritchie
Along with Beauty & The Beast and The Lion King, Aladdin is one of Disney’s most-loved animated films. With Disney’s penchant for remaking their classic cartoons over the last few years, it was always going to be the case that Aladdin was going to be on the cards.
Director Bill Condon’s Beauty & The Beast was an enchanting ride that just fell short of living up to its predecessor and The Jungle Book director Jon Favreau has been tasked with bringing The Lion King back to life in live-action. We’ll find out how he gets on in July.
After Dumbo’s less than stellar performance with both critics and audiences in March, dark clouds were circling around the House of Mouse’s live-action arm. Hoping to inject a shot of hope to this ambitious release schedule was Guy Ritchie’s remake of Aladdin. Things didn’t look good from the marketing with poor CGI and seemingly wooden acting, so what does the finished film end up like?
Young Aladdin (Mena Massoud) embarks on a magical adventure after finding a lamp that releases a wisecracking genie (Will Smith). In his efforts to impress the wonderful Princess Jasmine (Naomi Scott), Aladdin embarks on a battle between good and evil against the wicked Jafar (Marwan Kenzari).
To look at, this live-action remake is absolutely packed full of colour and excitement, helped in part by Guy Ritchie’s frenetic filming style. Like Tim Burton before him, I was concerned about Ritchie’s appointment as director of this universally adored film, but unlike Burton, Ritchie gets it absolutely spot on. There are some absolutely stunning shot choices dotted throughout and the action is filmed with typical aplomb by a film-maker who has proven himself to be adept in this area.
The music, with original songs and updates of old classics is superb. Will Smith’s take on Friend Like Me is lip-smackingly good and will have you wanting to dance around the aisles, while A Whole New World really takes flight in this new, CGI-enhanced environment. Brand-new song, Speechless, written by Benj Pasek and Justin Paul and sang by Naomi Scott is Let It Go levels of awesome with Scott singing it exquisitely.
Will Smith’s take on Friend Like Me is lip-smackingly good
The special effects are on the whole very good and not as jarring as those in Dumbo. It’s unfortunate then that there are instances in which the green-screen is all too obvious and the CGI all too artificial. This is a shame, as the rest of the picture is extraordinarily well-filmed and feels, for want of a better word, incredibly opulent, dripping in gold hues. Again, Disney tests the limits of CGI and these limits are becoming more and more obvious as film-makers pursue more extravagant sequences.
Elsewhere, the cast is both a highlight and a hindrance. Mena Massoud plays the titular character with a cocky charm that makes this Aladdin very likeable indeed, while Naomi Scott is so much better than the trailers made her look. The film however belongs to Will Smith. He’s a brave man taking on a role that has become synonymous with Robin Williams but he brings depth, charisma and some of that old-fashioned Will Smith charm to the role – it’s the best we’ve seen him in years, even if he is doused in blue CGI for the majority of the film’s runtime.
Unfortunately, this modern reimagining hasn’t got everything right. Marwan Kenzari is severely miscast as Jafar. Bringing absolutely no menace to the role whatsoever, he proves to be a disappointing antagonist and the film’s only major black mark. The clunky CGI can be forgiven but this unfortunate characterisation can’t. Jafar is one of Disney’s best villains and for him to fall flat here is unacceptable.
Nevertheless, poor marketing aside, Aladdin is an absolute blast from start to finish. Well-paced, nicely acted (for the most part) and packed full of stunning music, this live-action remake has proven that Dumbo may have just been a disappointing sidestep in Disney’s ambitious live-action schedule.
That’s two out of the three. Don’t let us down Jon Favreau!
https://moviemetropolis.net/2019/05/22/aladdin-review-dont-let-us-down-guy-ritchie/
Director Bill Condon’s Beauty & The Beast was an enchanting ride that just fell short of living up to its predecessor and The Jungle Book director Jon Favreau has been tasked with bringing The Lion King back to life in live-action. We’ll find out how he gets on in July.
After Dumbo’s less than stellar performance with both critics and audiences in March, dark clouds were circling around the House of Mouse’s live-action arm. Hoping to inject a shot of hope to this ambitious release schedule was Guy Ritchie’s remake of Aladdin. Things didn’t look good from the marketing with poor CGI and seemingly wooden acting, so what does the finished film end up like?
Young Aladdin (Mena Massoud) embarks on a magical adventure after finding a lamp that releases a wisecracking genie (Will Smith). In his efforts to impress the wonderful Princess Jasmine (Naomi Scott), Aladdin embarks on a battle between good and evil against the wicked Jafar (Marwan Kenzari).
To look at, this live-action remake is absolutely packed full of colour and excitement, helped in part by Guy Ritchie’s frenetic filming style. Like Tim Burton before him, I was concerned about Ritchie’s appointment as director of this universally adored film, but unlike Burton, Ritchie gets it absolutely spot on. There are some absolutely stunning shot choices dotted throughout and the action is filmed with typical aplomb by a film-maker who has proven himself to be adept in this area.
The music, with original songs and updates of old classics is superb. Will Smith’s take on Friend Like Me is lip-smackingly good and will have you wanting to dance around the aisles, while A Whole New World really takes flight in this new, CGI-enhanced environment. Brand-new song, Speechless, written by Benj Pasek and Justin Paul and sang by Naomi Scott is Let It Go levels of awesome with Scott singing it exquisitely.
Will Smith’s take on Friend Like Me is lip-smackingly good
The special effects are on the whole very good and not as jarring as those in Dumbo. It’s unfortunate then that there are instances in which the green-screen is all too obvious and the CGI all too artificial. This is a shame, as the rest of the picture is extraordinarily well-filmed and feels, for want of a better word, incredibly opulent, dripping in gold hues. Again, Disney tests the limits of CGI and these limits are becoming more and more obvious as film-makers pursue more extravagant sequences.
Elsewhere, the cast is both a highlight and a hindrance. Mena Massoud plays the titular character with a cocky charm that makes this Aladdin very likeable indeed, while Naomi Scott is so much better than the trailers made her look. The film however belongs to Will Smith. He’s a brave man taking on a role that has become synonymous with Robin Williams but he brings depth, charisma and some of that old-fashioned Will Smith charm to the role – it’s the best we’ve seen him in years, even if he is doused in blue CGI for the majority of the film’s runtime.
Unfortunately, this modern reimagining hasn’t got everything right. Marwan Kenzari is severely miscast as Jafar. Bringing absolutely no menace to the role whatsoever, he proves to be a disappointing antagonist and the film’s only major black mark. The clunky CGI can be forgiven but this unfortunate characterisation can’t. Jafar is one of Disney’s best villains and for him to fall flat here is unacceptable.
Nevertheless, poor marketing aside, Aladdin is an absolute blast from start to finish. Well-paced, nicely acted (for the most part) and packed full of stunning music, this live-action remake has proven that Dumbo may have just been a disappointing sidestep in Disney’s ambitious live-action schedule.
That’s two out of the three. Don’t let us down Jon Favreau!
https://moviemetropolis.net/2019/05/22/aladdin-review-dont-let-us-down-guy-ritchie/
Dianne Robbins (1738 KP) rated Blithe Spirit (2020) in Movies
Mar 31, 2021 (Updated Mar 31, 2021)
The women act like shrews. (6 more)
Cheap jokes.
Lack of class and style.
Poor character development.
No depth to the characters at all.
Unsophisticated.
Would have been funnier without the sex jokes.
No! No! No! This is not the way Noel Coward is meant to be seen. Avoid this!
Contains spoilers, click to show
I am a HUGE fan of Noel Coward and absolutely adore the original Blithe Spirit. I had high hopes for this version as I like all of the actors involved in the movie. Unfortunately, it was a complete disappointment. Judi Dench's Madame Arcati paled in the memory of Margaret Rutherford, though much of the dialogue and actions during the seance scene were the same. She tried her best but the script just wasn't any good. I did appreciate the backstory of her losing her husband in the Boer War and that being the reason she was interested in the occult. The significance of the song Always was not mentioned, though it was very important to the plot in the original and made the movie relatable. Gone was the ethereal, sweet, mischievous little minx Elvira, played by Kay Hammond in the original. Enter the selfish, unlovable shrew of a first wife, played by the usually lovable Leslie Mann in the remake. The relationship between Charles and Elvira does not make any sense to the viewer and there was no point for them to have been together or for her to have thought of her and to bring her forth in the present. This is a missed plot point. In the original, it is actually the maid who was thinking of Elvira, not Charles, but the maid is merely a go-between for props in this movie and has no reason for being there, nor the chef. The relationship between Ruth and Charles is also not a good one and they have no reason to be together in this remake, though in the original, they at least have a few things in common. They seem to have nothing but derision toward each other. Again, I don't see the point of them being together. All of them are miserable together. Even when Elvira and Charles are intimate, it is not for romance and love but for mere hatred, jealousy, and spite. There is even a cheap crotch shot joke that I was appalled to see in this work. And the ending of the movie makes little sense. It's hardly the charming farce Noel Coward intended. Oh, the horrors. Skip this version. Watch the original. Trust me on this. This movie is not the way Noel Coward is meant to be seen.
Sarah (7798 KP) rated Pet Sematary (2019) in Movies
Apr 17, 2019
A little lacklustre
I'm a little unsure what to make of this film. Despite it being a fairly close adaptation of the book and quite a short film (less than 2 hours), I found myself feeling ridiculously bored watching this. It just seemed to lack a little bit magic and came across as a bit flat, and isn't nearly as creepy as it could have been. They've opted for obvious jump scares rather than something a little more subtle, and I hate it when films do this. However that said, the physical effects were pretty good.
Acting wise apart from Ellie, I didn't think any of the cast to be particularly noteworthy. Even the usually wonderful John Lithgow was vastly underused. For the most part this sticks rather faithfully to the book, apart from a couple of bigger changes. I'm a little indifferent about these changes, one of which was spoilt by showing in the trailer. And the ending I still can't decide if I like or not. Whilst definitely creepier than the book ending, for me it seems to be doing the characters and their development a disservice.
Overall I came out of this film feeling a bit meh and unimpressed. Maybe its because there isn't a massive difference between this film and the original one, and this is just another unnecessary remake.
Acting wise apart from Ellie, I didn't think any of the cast to be particularly noteworthy. Even the usually wonderful John Lithgow was vastly underused. For the most part this sticks rather faithfully to the book, apart from a couple of bigger changes. I'm a little indifferent about these changes, one of which was spoilt by showing in the trailer. And the ending I still can't decide if I like or not. Whilst definitely creepier than the book ending, for me it seems to be doing the characters and their development a disservice.
Overall I came out of this film feeling a bit meh and unimpressed. Maybe its because there isn't a massive difference between this film and the original one, and this is just another unnecessary remake.
Mark @ Carstairs Considers (2206 KP) rated Claws for Alarm in Books
Jun 14, 2018
Don’t Be Alarmed. You’ll Enjoy This Mystery
Natalie’s current guests at her bed and breakfast are on a yoga retreat, but any thoughts she’d had of peace and quiet have vanished. They are demanding different food and squabbling amongst themselves. However, the real drama is happening elsewhere on this island off the coast of Maine where newcomer Francine is making everyone’s life miserable in her efforts to remake the island into what she thinks is should be. After a particularly memorable fight with Claudette, Francine winds up dead. Natalie knows her friend couldn’t have done it. But who did?
I do need to get one issue out of the way first. There is a timing issue in the plot that keeps me from giving the version I read five stars. Once it is edited (and the author is working on the revisions), that won’t be an issue at all. And that’s great because this book is wonderful. I love the setting of the series, and always feel like I’ve gotten to relax when I am reading about it. Natalie and the usual cast are old friends, and I was glad to get updates on them. The new characters are just as strong and memorable. I thought I had the killer pegged early, but it turned out I was wrong, yet all the twists made sense at the end.
I do need to get one issue out of the way first. There is a timing issue in the plot that keeps me from giving the version I read five stars. Once it is edited (and the author is working on the revisions), that won’t be an issue at all. And that’s great because this book is wonderful. I love the setting of the series, and always feel like I’ve gotten to relax when I am reading about it. Natalie and the usual cast are old friends, and I was glad to get updates on them. The new characters are just as strong and memorable. I thought I had the killer pegged early, but it turned out I was wrong, yet all the twists made sense at the end.
Sarah (7798 KP) rated Jumanji: Welcome to the Jungle (2017) in Movies
Aug 25, 2018
Could've been better
I think I must be the only person who could take or leave this film. I'd heard a lot of good things about it, but in all honesty it wasn't what I was expecting.
Firstly, I'm glad they didn't completely remake the original and instead gave this it's whole new spin by being a video game. This actually works, and works quite well. And the main cast do very well, especially Jack Black playing a teenage girl and Karen Gillan when she's trying to flirt. There is some good humour in this too, it's just not always my kind of humour.
My main issue with this film is that a lot of the script and humour seemed aimed at the teenage instagram generation. The odd joke isn't too bad, but this was a bit too much. There's also the plot, which seems a little too basic even for a video game and there is far too much explanation going on. There also isn't much in the way of threat and danger in this film. The bad guy is a bit lame and the whole Jumanji world is nowhere near as threatening as you'd have imagined from watching the original film.
This isn't a terrible film and it's not quite as bad as I'd have expected, but its not one I'd rush out to watch again.
Firstly, I'm glad they didn't completely remake the original and instead gave this it's whole new spin by being a video game. This actually works, and works quite well. And the main cast do very well, especially Jack Black playing a teenage girl and Karen Gillan when she's trying to flirt. There is some good humour in this too, it's just not always my kind of humour.
My main issue with this film is that a lot of the script and humour seemed aimed at the teenage instagram generation. The odd joke isn't too bad, but this was a bit too much. There's also the plot, which seems a little too basic even for a video game and there is far too much explanation going on. There also isn't much in the way of threat and danger in this film. The bad guy is a bit lame and the whole Jumanji world is nowhere near as threatening as you'd have imagined from watching the original film.
This isn't a terrible film and it's not quite as bad as I'd have expected, but its not one I'd rush out to watch again.
MzCourtney82 (3 KP) rated Magnum P.I. in TV
Sep 26, 2018
Pilot Episode
I was both excited and weary of watching the new remake of Magnum P.I. I remember the original series from my childhood days and I am a huge fan of Tom Selleck. I have to be honest, I was really worried about Jay Hernandez in the title role. Those are some really big shoes to feel. In my opinion, so far he has done phenomenal. He was giving me all the Thomas Magnum feels and his narrating was on point! The rest of the cast was giving me all the feels of the original series also from TC, to Rick, and even down to the two dogs that love to make Magnum's life at home pure hell. My biggest worry was when I found out Higgins was being played by a woman. As a woman, I love to see more roles being offered to us, but any other Magnum fans who are like me loved the arrogant little British man that is Jonathan Higgins. I worry that this casting of Higgins, now Juliet Higgins played by Perdita Weeks, will lead to the stereotypical man and woman working closely together so they must fall in love. She does absolutely nail the arrogance so that is promising! All in all I am very excited to see what they do with this series.
Awix (3310 KP) rated A Star Is Born (2018) in Movies
Oct 10, 2018
The story that's been resurrected more times than Dracula is back again, this time with Bradley Cooper as troubled country-rocker Jackson Maine, and Lady Gaga as the aspiring singer-songwriter who starts off as his protege/girlfriend but whose talent threatens to eclipse his. Better bring your hankies (or some kind of absorbent cloth, anyway).
Well, the good news is that Cooper can sing and Gaga can act, so the film hangs together as a dramatic musical, but it's still probably at its best when Cooper is acting and Gaga is singing. Some of the songs are absolutely lovely, but to be quite honest, the film goes on a bit too long, especially the wallowing-in-existential-misery stuff near the end. It's also made quite clear from the opening moments that Cooper's character has problems, so the story kind of comes across as one last detour on the way down than a genuine romantic tragedy.
Still, well acted, well sung, convincing stuff: the kind of old-fashioned meaty melodrama that often does very well for itself both critically and commercially, though it may have come out a bit too early to really storm the Oscars next year. Brace yourself for a remake of The Bodyguard with Katy Perry or Taylor Swift, I shouldn't wonder.
Well, the good news is that Cooper can sing and Gaga can act, so the film hangs together as a dramatic musical, but it's still probably at its best when Cooper is acting and Gaga is singing. Some of the songs are absolutely lovely, but to be quite honest, the film goes on a bit too long, especially the wallowing-in-existential-misery stuff near the end. It's also made quite clear from the opening moments that Cooper's character has problems, so the story kind of comes across as one last detour on the way down than a genuine romantic tragedy.
Still, well acted, well sung, convincing stuff: the kind of old-fashioned meaty melodrama that often does very well for itself both critically and commercially, though it may have come out a bit too early to really storm the Oscars next year. Brace yourself for a remake of The Bodyguard with Katy Perry or Taylor Swift, I shouldn't wonder.
Tim McGuire (301 KP) rated Little Monsters (2019) in Movies
Mar 3, 2020
Shes so cute tho...
387. Little Monsters. Nope it's not a remake of the Fred Savage 80s flick. Instead this is the 'Life Is Beautiful' for the zombie genre. And it was pretty sweet! We meet Dave, a down on his luck musician, broke up with the girl, band broke up, has to live with his sister and her young son. (Dave reminded me of a Andy Dwyer type, Park n Rec fans? Anyone, anyone?) To pull his weight around his sisters house, he takes his nephew, Felix, to school, and there he meets and is instantly infatuated with Felix's teacher Miss Caroline, with reason, she's played by Lupita Nyong'o!! One thing leads to another and Dave finds himself as a chaperone for the next field trip to the local zoo, which just happens to be next to a military research facility, which so happens to be suffering from a zombie outbreak at the time. As you may have guessed these zombies find their way to the zoo, and yep hell breaks loose. However, the kiddos are completely oblivious to this thanks to Miss Caroline convincing them its all just a game! It was a very well done comedy zombie flick. Rounding out the cast is Josh Gad playing a kids tv show host, he is great! Worth the watch!! Filmbufftim on FB
Managing Packaging Design for Sustainable Development: A Compass for Strategic Directions
Daniel Hellstrom and Annika Olsson
Book
Packaging design is a powerful vehicle for making our lives friendlier, our planet greener and our...