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Beauty: The Fortunes of an Ancient Greek Idea
Book
Those who study the nature of beauty are at once plagued by a singular issue: what does it mean to...
LeftSideCut (3776 KP) rated Mulan (2020) in Movies
Dec 6, 2020
I'll start by saying that the original 1998 Mulan is quite possibly my favourite Disney animation, and I personally think it represents the pinnacle of the company's renaissance. With that in mind, I was initially looking forward to seeing the live action adaption when it was first announced, but after last year's re-do of The Lion King, any anticipation I had quickly started to dwindle.
Predictably, the finished result is underwhelming. It's not an inherently bad movie, it's entertaining in parts, and has some decent action scenes, but it's nothing more than a padded out re-tread, and it's hard not to think "what's the point?"
The new material implemented literally adds nothing to the plot, and just draws out the experience, verging on boring more than once, and the familiar stuff just lacks the charm of the original. The decision to ground it more in realism is understandable to a degree - the music would have felt out of place in what is essentially a war film - but the lack of the more outlandish characters such as Mushu impacts the films potential, and the side characters we do get aren't memorable. Honestly? There's just not a lot of fun to be found here.
I did think that Yifei Liu was good in the lead role, and I actually also enjoyed Li Hing, who plays a new character who is probably the most interesting part of the whole thing, and is the only addition that has any worth. It was also a nice touch to see Ming-Na Wen appear for a brief cameo.
As I said, it's not necessarily a bad film, it's just feels pointless and kind of dull. It carries a positive message about being true to yourself and not hiding away. I can always appreciate a movie that gives young girls a hero to look up to, and kids will no doubt have a blast, but the overall experience is a wash out otherwise.
Final thought - obviously, no songs in this one, but I'll Make a Man out of You is a banger and should be present, and replacing it with Donnie Yen doing some cool-as-fuck sword tricks isn't going to distract me from that fact. I see through your mind games Disney...
Predictably, the finished result is underwhelming. It's not an inherently bad movie, it's entertaining in parts, and has some decent action scenes, but it's nothing more than a padded out re-tread, and it's hard not to think "what's the point?"
The new material implemented literally adds nothing to the plot, and just draws out the experience, verging on boring more than once, and the familiar stuff just lacks the charm of the original. The decision to ground it more in realism is understandable to a degree - the music would have felt out of place in what is essentially a war film - but the lack of the more outlandish characters such as Mushu impacts the films potential, and the side characters we do get aren't memorable. Honestly? There's just not a lot of fun to be found here.
I did think that Yifei Liu was good in the lead role, and I actually also enjoyed Li Hing, who plays a new character who is probably the most interesting part of the whole thing, and is the only addition that has any worth. It was also a nice touch to see Ming-Na Wen appear for a brief cameo.
As I said, it's not necessarily a bad film, it's just feels pointless and kind of dull. It carries a positive message about being true to yourself and not hiding away. I can always appreciate a movie that gives young girls a hero to look up to, and kids will no doubt have a blast, but the overall experience is a wash out otherwise.
Final thought - obviously, no songs in this one, but I'll Make a Man out of You is a banger and should be present, and replacing it with Donnie Yen doing some cool-as-fuck sword tricks isn't going to distract me from that fact. I see through your mind games Disney...
The Rebels of Ireland (The Dublin Saga, #2)
Book
The Princes of Ireland, the first volume of Edward Rutherfurd’s magisterial epic of Irish history,...
Theatre in Scotland - A Field of Dreams
Joyce McMillan and Philip Howard
Book
'She has, to my knowledge, an almost unblemished record in never having failed to spot a great new...
Movie Metropolis (309 KP) rated Arrival (2016) in Movies
Jun 11, 2019
Thrilling from start to finish
Sci-fi seems to be having somewhat of a renaissance recently, that is, if you don’t count Independence Day: Resurgence which could’ve easily derailed the whole genre, never mind just the franchise.
What with last year’s The Martian, the rebirth of Star Wars and the upcoming Passengers, sci-fi is really getting its mojo back. The subject of this review, Arrival, has been hailed as a masterpiece across the Atlantic. But is it worthy of such a strong adjective?
From the director of Prisoners and Sicario; Arrival is not only one of the best sci-fi films of the last year, it’s up there with the genre’s greatest assets. We’re talking a Close Encounters level of good.
Linguistics professor Louise Banks (Amy Adams) leads an elite team of investigators when humongous spaceships touch down in 12 locations around the world. As nations teeter on the verge of global war, Banks and her crew must race against time to find a way to communicate with the extra-terrestrial visitors. Hoping to unravel the mystery, she takes a chance that could threaten her life and quite possibly all of mankind.
Amy Adams leads a pleasing cast that includes commanding turns from Forest Whitaker and Jeremy Renner but it is in our female protagonist that we find the most joy. Adams is fast becoming one of Hollywood’s best actresses and her complex character is superbly written and incredibly well acted.
Elsewhere, the cinematography is truly exceptional with the alien craft taking a backseat to sweeping landscapes from across the world. The focal point of the film, a lush and open Montana valley is filmed to a breath-taking standard especially during Arrival’s opening sequences.
When it comes to special effects, director Denis Villeneuve doesn’t bombard the audience with constant CGI, instead opting for a laidback approach. Even the aliens themselves are understated in their appearance. It’s also fair to say that the film is a slow-burner with very little in the way of action – though it manages to stay well-clear of becoming tedious.
In spite of all this though, Arrival’s greatest strength is its story. This is thinking person’s sci-fi that somehow manages to cement its themes with an emotional heft of gravitational proportions. Throughout the 114 minute running time, we’re constantly reminded of our characters and where it is they come from, something missing from the majority of mass-market blockbusters these days.
Overall, Arrival is more than worthy of an adjective like masterpiece. From it’s incredible story and beautiful cinematography to what is Amy Adams’ best performance to date, it’s a new classic for the sci-fi genre and well worth a watch.
https://moviemetropolis.net/2016/11/11/thrilling-from-start-to-finish-arrival-review/
What with last year’s The Martian, the rebirth of Star Wars and the upcoming Passengers, sci-fi is really getting its mojo back. The subject of this review, Arrival, has been hailed as a masterpiece across the Atlantic. But is it worthy of such a strong adjective?
From the director of Prisoners and Sicario; Arrival is not only one of the best sci-fi films of the last year, it’s up there with the genre’s greatest assets. We’re talking a Close Encounters level of good.
Linguistics professor Louise Banks (Amy Adams) leads an elite team of investigators when humongous spaceships touch down in 12 locations around the world. As nations teeter on the verge of global war, Banks and her crew must race against time to find a way to communicate with the extra-terrestrial visitors. Hoping to unravel the mystery, she takes a chance that could threaten her life and quite possibly all of mankind.
Amy Adams leads a pleasing cast that includes commanding turns from Forest Whitaker and Jeremy Renner but it is in our female protagonist that we find the most joy. Adams is fast becoming one of Hollywood’s best actresses and her complex character is superbly written and incredibly well acted.
Elsewhere, the cinematography is truly exceptional with the alien craft taking a backseat to sweeping landscapes from across the world. The focal point of the film, a lush and open Montana valley is filmed to a breath-taking standard especially during Arrival’s opening sequences.
When it comes to special effects, director Denis Villeneuve doesn’t bombard the audience with constant CGI, instead opting for a laidback approach. Even the aliens themselves are understated in their appearance. It’s also fair to say that the film is a slow-burner with very little in the way of action – though it manages to stay well-clear of becoming tedious.
In spite of all this though, Arrival’s greatest strength is its story. This is thinking person’s sci-fi that somehow manages to cement its themes with an emotional heft of gravitational proportions. Throughout the 114 minute running time, we’re constantly reminded of our characters and where it is they come from, something missing from the majority of mass-market blockbusters these days.
Overall, Arrival is more than worthy of an adjective like masterpiece. From it’s incredible story and beautiful cinematography to what is Amy Adams’ best performance to date, it’s a new classic for the sci-fi genre and well worth a watch.
https://moviemetropolis.net/2016/11/11/thrilling-from-start-to-finish-arrival-review/
Walking with the Muses: A Memoir
Book
"Taking her reader through fifty years of fashion from the intersection of the Civil Rights...
Bonita Avenue
Book
A darkly hilarious tale of a model family's disintegration. Professor Siem Sigerius - maths genius,...
Beckie Shelton (40 KP) rated The Modern Woman's Guide to Finding a Knight in Books
Feb 8, 2018
Reviewed By Beckie Bookworm
https://www.beckiebookworm.com
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🌟🌟🌟🌟 STARS
"The Modern Woman's Guide to Finding a Knight" by Anna Klein
Well Well Well!!! What a little gem this was.
And It's not very often I read a completely clean, no hanky-panky romance and actually enjoy it.
But this one just really appealed to me so I thought I would give it a chance.
And I'm so not joking folks, this is clean with a capital "C" there was one little kiss at the end of the book and it wasn't even a passion filled snog, just a sweet couple second smooch and you know what, it made my girly romantic heart go pitter-patter.
So "The Modern Woman's Guide to Finding a Knight" is a clean contemporary romance that features heavily around the Renaissance Faire.
Connie is a dressmaker in the week but come the weekend she is lady Constance,
Dominic is a software programmer in his day to day job, and in his leisure, he is Lord Justin competing in jousts and making his own armour.
After Dom saves Connie from a runaway vehicle he tracks her down to ask her out but lacking self-confidence he manages to get himself in a right muddle pretending to be his own best friend.
What follows is a very amusing tale full of twists, turns and even intrigue and it was such a delight to settle in and read.
Connie and Dominic are both such likeable characters.
Dom is so obviously completely smitten over Connie and Connie herself is so confused by her feelings for what she thinks is two men.
Also just have to mention Lucas the best friend, he was a hoot probably my favourite person in this story, he had all the best lines.
So "The Modern Woman's Guide to Finding a Knight" is a romance of old, it has a lovely old world feel to it, it shows a proper courtship between two imperfect people, both with a bucket load of insecurities to boot.
I was charmed all the way as Connie and dom found there own sweet HEA.
I would like to thank NetGalley, the publisher and the Author for providing me with an arc of this book, this is my own honest opinion.
<a href="http://s1376.photobucket.com/user/rosella1974/media/images%201_zpsizg6zdjz.jpg.html"; target="_blank"><img src="http://i1376.photobucket.com/albums/ah5/rosella1974/images%201_zpsizg6zdjz.jpg~original"; border="0" alt=" photo images 1_zpsizg6zdjz.jpg"/></a>
Reviewed By Beckie Bookworm
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/
https://www.beckiebookworm.com
<a href="http://s1376.photobucket.com/user/rosella1974/media/download_zpst8hof79o.png.html"; target="_blank"><img src="http://i1376.photobucket.com/albums/ah5/rosella1974/download_zpst8hof79o.png~original"; border="0" alt=" photo download_zpst8hof79o.png"/></a>
<a href="http://s1376.photobucket.com/user/rosella1974/media/images_zpsrd7m8hak.jpg.html"; target="_blank"><img src="http://i1376.photobucket.com/albums/ah5/rosella1974/images_zpsrd7m8hak.jpg~original"; border="0" alt=" photo images_zpsrd7m8hak.jpg"/></a>
🌟🌟🌟🌟 STARS
"The Modern Woman's Guide to Finding a Knight" by Anna Klein
Well Well Well!!! What a little gem this was.
And It's not very often I read a completely clean, no hanky-panky romance and actually enjoy it.
But this one just really appealed to me so I thought I would give it a chance.
And I'm so not joking folks, this is clean with a capital "C" there was one little kiss at the end of the book and it wasn't even a passion filled snog, just a sweet couple second smooch and you know what, it made my girly romantic heart go pitter-patter.
So "The Modern Woman's Guide to Finding a Knight" is a clean contemporary romance that features heavily around the Renaissance Faire.
Connie is a dressmaker in the week but come the weekend she is lady Constance,
Dominic is a software programmer in his day to day job, and in his leisure, he is Lord Justin competing in jousts and making his own armour.
After Dom saves Connie from a runaway vehicle he tracks her down to ask her out but lacking self-confidence he manages to get himself in a right muddle pretending to be his own best friend.
What follows is a very amusing tale full of twists, turns and even intrigue and it was such a delight to settle in and read.
Connie and Dominic are both such likeable characters.
Dom is so obviously completely smitten over Connie and Connie herself is so confused by her feelings for what she thinks is two men.
Also just have to mention Lucas the best friend, he was a hoot probably my favourite person in this story, he had all the best lines.
So "The Modern Woman's Guide to Finding a Knight" is a romance of old, it has a lovely old world feel to it, it shows a proper courtship between two imperfect people, both with a bucket load of insecurities to boot.
I was charmed all the way as Connie and dom found there own sweet HEA.
I would like to thank NetGalley, the publisher and the Author for providing me with an arc of this book, this is my own honest opinion.
<a href="http://s1376.photobucket.com/user/rosella1974/media/images%201_zpsizg6zdjz.jpg.html"; target="_blank"><img src="http://i1376.photobucket.com/albums/ah5/rosella1974/images%201_zpsizg6zdjz.jpg~original"; border="0" alt=" photo images 1_zpsizg6zdjz.jpg"/></a>
Reviewed By Beckie Bookworm
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/
Ali A (82 KP) rated We Deserve Monuments in Books
Dec 8, 2022
Trigger Warnings: Generational trauma, racism, mentions of alcoholism and verbal abuse, homophobia, character death
Avery Anderson’s life is uprooted when her family moves from Washington DC to Bardell, Georgia her senior year of high school to look after her maternal grandmother, Mama Letty, who’s in her final stages of cancer. Avery only remembers one visit with her grandmother, cut short by an argument, when she was very young. Bardell is a small town with only two high schools - one public, and one private, the latter being founded by one of the town’s many racist forefathers. Avery quickly gets adopted into the friendship of two girls: Simone Cole, Mama Letty’s next door neighbor, and Jade Oliver, a descendent of one of Bardell’s oldest families.
Avery’s relationship with her grandmother is far from easy. Mama Letty isn’t easy to get to know, especially when she only answers questions in grunts and gruffs. It also doesn’t help that the tension between her mother and grandmother is so thick you can cut it with a knife, but both of them are refusing to address it.
Avery sets out on trying to mend the broken and split relationship but there are events many are refusing to talk about. It isn’t until Mama Letty begins to open up to Avery about her past, that Avery is able to piece together her family history that was shaped by the town’s racist history. As more events come out of the shadows, Avery must decide if finding out the truth is worth damaging the relationships she’s built in Bardell, or if some things are better left buried.
I absolutely loved and adored this book very much. Jas Hammonds masterfully tells this layered story of a young woman finding out about her family’s past within a novel that’s about generational trauma and racism. The amount of trauma the three generations of women must peel back is constantly met with tension. The story is hard to read at times, especially when you’re reading about Mama Letty’s past and the town’s racism, but this book wrapped its arms around me and refused to let go until the Harding family’s story is told.
Alongside Avery finding out about her family’s past, the relationship between Simone and Avery grows deeper and the way the two of them find their footing to their sexuality was well written. I wish I had grown up with a place like The Renaissance where you were accepted no matter what.
Overall, this novel is going to be one I’m going to talk about for months to come. It was beautiful, heartbreaking, hopeful, and captivating. Any readers who love reading about family and their dynamics, relationships, and hope will really enjoy this book.
*Thank you Roaring Brook Press and NetGalley for an electronic version of this book in exchange for an honest review
Avery Anderson’s life is uprooted when her family moves from Washington DC to Bardell, Georgia her senior year of high school to look after her maternal grandmother, Mama Letty, who’s in her final stages of cancer. Avery only remembers one visit with her grandmother, cut short by an argument, when she was very young. Bardell is a small town with only two high schools - one public, and one private, the latter being founded by one of the town’s many racist forefathers. Avery quickly gets adopted into the friendship of two girls: Simone Cole, Mama Letty’s next door neighbor, and Jade Oliver, a descendent of one of Bardell’s oldest families.
Avery’s relationship with her grandmother is far from easy. Mama Letty isn’t easy to get to know, especially when she only answers questions in grunts and gruffs. It also doesn’t help that the tension between her mother and grandmother is so thick you can cut it with a knife, but both of them are refusing to address it.
Avery sets out on trying to mend the broken and split relationship but there are events many are refusing to talk about. It isn’t until Mama Letty begins to open up to Avery about her past, that Avery is able to piece together her family history that was shaped by the town’s racist history. As more events come out of the shadows, Avery must decide if finding out the truth is worth damaging the relationships she’s built in Bardell, or if some things are better left buried.
I absolutely loved and adored this book very much. Jas Hammonds masterfully tells this layered story of a young woman finding out about her family’s past within a novel that’s about generational trauma and racism. The amount of trauma the three generations of women must peel back is constantly met with tension. The story is hard to read at times, especially when you’re reading about Mama Letty’s past and the town’s racism, but this book wrapped its arms around me and refused to let go until the Harding family’s story is told.
Alongside Avery finding out about her family’s past, the relationship between Simone and Avery grows deeper and the way the two of them find their footing to their sexuality was well written. I wish I had grown up with a place like The Renaissance where you were accepted no matter what.
Overall, this novel is going to be one I’m going to talk about for months to come. It was beautiful, heartbreaking, hopeful, and captivating. Any readers who love reading about family and their dynamics, relationships, and hope will really enjoy this book.
*Thank you Roaring Brook Press and NetGalley for an electronic version of this book in exchange for an honest review