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Wolves Always Bite (Willow Lake Supernaturals #2)
8.0
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What’s a simple human to do when he discovers supernatural beings are real? Ask many, many, many...
MM Paranormal Romance
BankofMarquis (1832 KP) rated 65 (2023) in Movies
May 8, 2023
Driver is Heads and Shoulders above this material
Whoever decided to cast Adam Driver as an alien spaceperson (who looks and acts suspiciously like a 21st Century American) who crash-lands on prehistoric Earth and has to battle Dinosaurs equipped with only his alien technology (including his laser-blaster) is a GENIUS for Driver is EXTREMELY watchable in this film - the best thing (by far) in this so-so sci-fi/dinosaur mash-up.
The rest of the movie? Not so much.
Basically Jurassic Park with a spaceman twist, 65 (so named for the spaceman that crash lands on Earth at around 65 million years B.C. - just before the “dinosaur killing” asteroid hits the Earth) tells the tale of said Spaceman, MIlls (Driver) who crashes on Earth and (along with another survivor, Koa played by Ariana Greenblatt) must make their way across unfriendly, hungry Dinosaur territory to their escape ship and get off the planet before the asteroid hits.
You’ve seen the humans vs. dinosaur action before in all of the Jurassic Park films - so there’s nothing new here. Writer/Directors Scott Beck and Bryan Woods put together a fairly standard “man vs. beast” action flick. It felt like that these two were playing with their Jurassic Park and Astronaut toys in their bedroom and this was the adventure they came up with.
The differentiator in this film is the performance of Driver who puts his all into his portrayal of Mills as he (mostly) silently, but professionally, makes his way across hostile territory to gain access to rescue. Driver (who I don’t think has ever given a bad performance) is head and shoulders above the material here and he, alone, is worth spending an hour and a 1/2 of your time on this film.
Roll your eyes at the Dinosaur action, marvel at the Adam Driver performance.
Letter Grade: C+ (Driver “A”, the rest of the film “D”)
6 stars (out of 10) - and that’s being generous - and you can take that to the Bank (ofMarquis)
The rest of the movie? Not so much.
Basically Jurassic Park with a spaceman twist, 65 (so named for the spaceman that crash lands on Earth at around 65 million years B.C. - just before the “dinosaur killing” asteroid hits the Earth) tells the tale of said Spaceman, MIlls (Driver) who crashes on Earth and (along with another survivor, Koa played by Ariana Greenblatt) must make their way across unfriendly, hungry Dinosaur territory to their escape ship and get off the planet before the asteroid hits.
You’ve seen the humans vs. dinosaur action before in all of the Jurassic Park films - so there’s nothing new here. Writer/Directors Scott Beck and Bryan Woods put together a fairly standard “man vs. beast” action flick. It felt like that these two were playing with their Jurassic Park and Astronaut toys in their bedroom and this was the adventure they came up with.
The differentiator in this film is the performance of Driver who puts his all into his portrayal of Mills as he (mostly) silently, but professionally, makes his way across hostile territory to gain access to rescue. Driver (who I don’t think has ever given a bad performance) is head and shoulders above the material here and he, alone, is worth spending an hour and a 1/2 of your time on this film.
Roll your eyes at the Dinosaur action, marvel at the Adam Driver performance.
Letter Grade: C+ (Driver “A”, the rest of the film “D”)
6 stars (out of 10) - and that’s being generous - and you can take that to the Bank (ofMarquis)
Sing, Memory
8.0
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A Polish musician, a Jewish conductor, a secret choir, and the rescue of a trove of music from the...
Igniting His Flame (Redwood Bay Fire #1)
10.0
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Love makes us all brave DARIO After escaping my controlling ex-boyfriend and moving to...
Shadow's Claim (Prime Omegaverse #3)
7.0
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She hid in shadows to survive. Now she belongs to one. For three years, Nova has played a...
Dub Con Omegaverse Fantasy Science Fiction Dark Romance Monster Romance
Debbiereadsbook (1551 KP) rated Healing Her (Healing Duet #1) in Books
May 19, 2025
very little smexy times, for a shifter book!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Calvin turns 21 in a week, and the weight of his pack will be on his shoulders. A week away before then, is just what he needs. But then he gets on the ferry and his wolf goes nuts. His mate is on the boat, and she is in danger. Paisleigh is sold to pay her family's debts, and the ferry ride will only take her deeper into the darkness. But a bright light shines in the young man who takes an interest. Can he rescue her, before her soul is broken?
Ok so, I can't say I loved this book, but for the most part I did enjoy it. I found myself nitpicking though and even now, as I'm typing, more springs to mind!
Paisleigh is on the same ferry to Aberdeen as Calvin, who lives on an island. Yet Calvin's Alpha and father didn't know her pack? There is a scene where they are holding hands, and the next bit, they touch for the first time. I also got a bit confused at times who was speaking, cos there is a huge supporting cast.
Lots of inconsistencies, that put me off a bit.
There is, for a shifter romance, very little smexy times. Now, part of that is on the back of what Paisleigh goes through before she gets rescued. Or, rather, what she MIGHT have gone through. While it's all laid out for you, on page, the world into which she has been sold, Paisleigh is fortunate to not actually get too far down the path.
And, it is first person, present tense and multi point of view, so you know :-p
But I did finish it, and I jumped straight into book 2, so it wasn't all bad.
3 good stars
* same worded review will appear elsewhere
Calvin turns 21 in a week, and the weight of his pack will be on his shoulders. A week away before then, is just what he needs. But then he gets on the ferry and his wolf goes nuts. His mate is on the boat, and she is in danger. Paisleigh is sold to pay her family's debts, and the ferry ride will only take her deeper into the darkness. But a bright light shines in the young man who takes an interest. Can he rescue her, before her soul is broken?
Ok so, I can't say I loved this book, but for the most part I did enjoy it. I found myself nitpicking though and even now, as I'm typing, more springs to mind!
Paisleigh is on the same ferry to Aberdeen as Calvin, who lives on an island. Yet Calvin's Alpha and father didn't know her pack? There is a scene where they are holding hands, and the next bit, they touch for the first time. I also got a bit confused at times who was speaking, cos there is a huge supporting cast.
Lots of inconsistencies, that put me off a bit.
There is, for a shifter romance, very little smexy times. Now, part of that is on the back of what Paisleigh goes through before she gets rescued. Or, rather, what she MIGHT have gone through. While it's all laid out for you, on page, the world into which she has been sold, Paisleigh is fortunate to not actually get too far down the path.
And, it is first person, present tense and multi point of view, so you know :-p
But I did finish it, and I jumped straight into book 2, so it wasn't all bad.
3 good stars
* same worded review will appear elsewhere
Gareth von Kallenbach (980 KP) rated Arctic (2019) in Movies
Jul 2, 2019
This week has been one of the coldest on record across much of the United States. The “polar vortex” has brought with it sub-zero temps complete with snow and ice. It seems only fitting that Arctic a survival movie co-written and directed by YouTube star Joe Penna would be releasing the very same week. In his first feature film directorial debut Penna brings both the beauty and the dangers of the Arctic (Iceland in this case) to the big screen.
A lone man identified only as Overgård (Mads Mikkelsen) has crashed his cargo plane somewhere in the arctic. We don’t know how long he has been stranded there, but long enough for him to have carved out a giant S.O.S in the snow. He has converted his downed plane into his new home and goes about the same routine every day. He sets his watch alarm to keep his schedule, which involves catching fish through the ice, and setting out in a different direction each day to manually wind his transponder in the hopes that a rescue will finally come.
One day, a day like countless days before it, Overgård’s transponder turns from red to green and in the distance a helicopter appears. His lucky day soon turns into tragedy as the harsh winds of the Arctic toss the helicopter around like a kite in a hurricane, crashing it to the ground. Overgård quickly runs to the crash site only to find that one of the pilots has died in the crash, and the other (Maria Thelma Smáradôttir) is barely conscious and has a gaping wound in her side. In a scene that could almost be described as humorous (if it wasn’t for the dire situation itself), Overgård crafts a sled out of the helicopter’s sliding door to carry the woman back to the safety of his plane, only to find out the next day that inside the helicopter was an actual rescue sled.
Sadly, it isn’t long before the young pilot’s wound begins to fester that Overgård must make a choice. Stay in the little slice of heaven that he has carved up for himself or risk the forces of nature in an effort to save the woman’s life. With a map he recovered from the downed helicopter, Overgård is able to identify an outpost and carefully plots out the journey that will take them there. The journey he plans for will take several days and has numerous obstacles to overcome. Yet, with a heart that clearly is as large as the vastness of the arctic itself, he realizes he has no choice.
Arctic is a movie with very little dialog, other than an occasional comment to himself or an attempt to rouse his unconscious guest. For a movie that says so little it’s the atmosphere that says so much. The film attempts to capture the harsh conditions that Overgård faces along his journey and does it so brilliantly that you can almost feel the icy weight as it bears down. The audience struggles with every wintery step as if they are not only spectators, but active participants in the journey. The scenery is as awe inspiring as it is deadly. The music seamlessly blends into the environment to a point where you are aware it’s there but doesn’t break the immersion.
Arctic could almost be mistaken as a documentary, a film about one mans survival in one of the most inhospitable places on the planet. Its pacing is deliberate, even if it is a bit slow at times. There is little need to add extra flair or danger into the mix, because nature alone provides it in spades. Arctic is not a movie that will appeal to those looking for non-stop action. At its heart it is really a movie about man vs nature, and nature can be a beast all its own. Arctic is certainly a movie for those looking for something a bit different. For those who are looking for a survival movie that doesn’t take place on a deserted isle, then this is right up your alley. Arctic shows that sometimes realism is far more interesting than fiction.
A lone man identified only as Overgård (Mads Mikkelsen) has crashed his cargo plane somewhere in the arctic. We don’t know how long he has been stranded there, but long enough for him to have carved out a giant S.O.S in the snow. He has converted his downed plane into his new home and goes about the same routine every day. He sets his watch alarm to keep his schedule, which involves catching fish through the ice, and setting out in a different direction each day to manually wind his transponder in the hopes that a rescue will finally come.
One day, a day like countless days before it, Overgård’s transponder turns from red to green and in the distance a helicopter appears. His lucky day soon turns into tragedy as the harsh winds of the Arctic toss the helicopter around like a kite in a hurricane, crashing it to the ground. Overgård quickly runs to the crash site only to find that one of the pilots has died in the crash, and the other (Maria Thelma Smáradôttir) is barely conscious and has a gaping wound in her side. In a scene that could almost be described as humorous (if it wasn’t for the dire situation itself), Overgård crafts a sled out of the helicopter’s sliding door to carry the woman back to the safety of his plane, only to find out the next day that inside the helicopter was an actual rescue sled.
Sadly, it isn’t long before the young pilot’s wound begins to fester that Overgård must make a choice. Stay in the little slice of heaven that he has carved up for himself or risk the forces of nature in an effort to save the woman’s life. With a map he recovered from the downed helicopter, Overgård is able to identify an outpost and carefully plots out the journey that will take them there. The journey he plans for will take several days and has numerous obstacles to overcome. Yet, with a heart that clearly is as large as the vastness of the arctic itself, he realizes he has no choice.
Arctic is a movie with very little dialog, other than an occasional comment to himself or an attempt to rouse his unconscious guest. For a movie that says so little it’s the atmosphere that says so much. The film attempts to capture the harsh conditions that Overgård faces along his journey and does it so brilliantly that you can almost feel the icy weight as it bears down. The audience struggles with every wintery step as if they are not only spectators, but active participants in the journey. The scenery is as awe inspiring as it is deadly. The music seamlessly blends into the environment to a point where you are aware it’s there but doesn’t break the immersion.
Arctic could almost be mistaken as a documentary, a film about one mans survival in one of the most inhospitable places on the planet. Its pacing is deliberate, even if it is a bit slow at times. There is little need to add extra flair or danger into the mix, because nature alone provides it in spades. Arctic is not a movie that will appeal to those looking for non-stop action. At its heart it is really a movie about man vs nature, and nature can be a beast all its own. Arctic is certainly a movie for those looking for something a bit different. For those who are looking for a survival movie that doesn’t take place on a deserted isle, then this is right up your alley. Arctic shows that sometimes realism is far more interesting than fiction.
Merissa (13358 KP) rated The Botanist (The Sin Bin #2.5) in Books
Sep 16, 2017
The Botanist: Short Story (The Sin Bin #2.5) by Dahlia Donovan
The Botanist is part of The Sin Bin series, and let me tell you, this may be classed as a short story, but it is full of everything you could wish for... apart from one thing, which I'll get to later!
Wyatt (Earp) Hardy is a Navy Seal, on a combined exercise with the UK. They come across a boat that shouldn't be there, and their scans reveal four bodies on-board, when there should only be one. It turns into a rescue mission, and Wyatt lays eyes on Aled for the first time. Aled has been tortured, and is in a state of shock. However, he is returned home, and Hamish and Wyatt hope that he will be okay.
He's not.
I am a long-term fan of Ms. Donovan's; she has never disappointed me with any of her stories - and trust me when I say this one is right up there! Wyatt is a giant of a man, with a heart to match. He wants to push Aled in some ways, but never bad ways. He goes above and beyond to do what he thinks will help. Aled, what a brave and courageous guy, even when he thinks he isn't. The rapport that these two have is off the charts, and I loved the pair of them.
With no editing or grammatical errors to disrupt my reading flow, this was one helluva story that packs a mighty punch for being short. And that, right there, is the only problem I have with it! I NEEDED MORE!!!! I seriously wasn't ready for this book to be over. I loved every single word. There just weren't enough of them to please me ?
Do I recommend this book? Absolutely!
Do I recommend any of Dahlia Donovan's work? You betcha!
Do I want more from Aled and Wyatt? YES!!!!!!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comment here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Wyatt (Earp) Hardy is a Navy Seal, on a combined exercise with the UK. They come across a boat that shouldn't be there, and their scans reveal four bodies on-board, when there should only be one. It turns into a rescue mission, and Wyatt lays eyes on Aled for the first time. Aled has been tortured, and is in a state of shock. However, he is returned home, and Hamish and Wyatt hope that he will be okay.
He's not.
I am a long-term fan of Ms. Donovan's; she has never disappointed me with any of her stories - and trust me when I say this one is right up there! Wyatt is a giant of a man, with a heart to match. He wants to push Aled in some ways, but never bad ways. He goes above and beyond to do what he thinks will help. Aled, what a brave and courageous guy, even when he thinks he isn't. The rapport that these two have is off the charts, and I loved the pair of them.
With no editing or grammatical errors to disrupt my reading flow, this was one helluva story that packs a mighty punch for being short. And that, right there, is the only problem I have with it! I NEEDED MORE!!!! I seriously wasn't ready for this book to be over. I loved every single word. There just weren't enough of them to please me ?
Do I recommend this book? Absolutely!
Do I recommend any of Dahlia Donovan's work? You betcha!
Do I want more from Aled and Wyatt? YES!!!!!!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comment here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
RavenclawPrincess913 (253 KP) rated Eclipse (Twilight, #3) in Books
Feb 12, 2019
Contains spoilers, click to show
Title: Eclipse
Author: Stephenie Meyer
Summary: In Eclipse by Stephenie Meyer Bella and Jacob make-up and fight again. Edward also wants her no where near the pack because he thinks it’s dangerous so he has Alice “kidnap” Bella for a sleepover while he is out of town so she doesn’t run off to La Push again, but Jacob comes to the rescue and gets her from school. They hang out for a bit until he says he rather she be dead than a vampire. Rosalie goes on to explain to Bella why she doesn’t want her to become a vampire and Jasper tells Bella later on about his first years as a vampire with Maria and the newborn army. Than Victoria’s and Riley’s newborn army comes to fight the Cullens and the Pack. After they are defeated the Voultri show up to clean up the mess.
Review: In the book when Edward had Alice ‘kidnap’ Bella so she wouldn’t run off to La Push to see Jacob was very controlling, just because he’s her boyfriend that doesn’t give him the right to tell her who she can and can’t be friends with. Than when Jacob told her he rather she be dead than a vampire was not right of him either and very messed up. I also understand why Rosalie feels the way she does about Bella becoming a vampire. I also feel for Jasper during what he went through in his newborn years with Maria. Than when Jacob was being pushy and kissed her it pissed me off so much I would have punched him too. Also I knew it was Victoria the whole time it was very obvious and she’s not really good at it. It was also mean of her to use Riley and the newborn vampires for her own selfish games. I was very glad when they defeated her. In my opinion the Voultri should have let Bree live since she surrendered that part was very sad. But I’m glad Bella agreed to marry Edward the old fashioned way like Alice and Him wanted instead of just being to Vegas even though Seth is better than both Edward and Jacob. Both of them are very controlling.
Would I recommend? Yes
Author: Stephenie Meyer
Summary: In Eclipse by Stephenie Meyer Bella and Jacob make-up and fight again. Edward also wants her no where near the pack because he thinks it’s dangerous so he has Alice “kidnap” Bella for a sleepover while he is out of town so she doesn’t run off to La Push again, but Jacob comes to the rescue and gets her from school. They hang out for a bit until he says he rather she be dead than a vampire. Rosalie goes on to explain to Bella why she doesn’t want her to become a vampire and Jasper tells Bella later on about his first years as a vampire with Maria and the newborn army. Than Victoria’s and Riley’s newborn army comes to fight the Cullens and the Pack. After they are defeated the Voultri show up to clean up the mess.
Review: In the book when Edward had Alice ‘kidnap’ Bella so she wouldn’t run off to La Push to see Jacob was very controlling, just because he’s her boyfriend that doesn’t give him the right to tell her who she can and can’t be friends with. Than when Jacob told her he rather she be dead than a vampire was not right of him either and very messed up. I also understand why Rosalie feels the way she does about Bella becoming a vampire. I also feel for Jasper during what he went through in his newborn years with Maria. Than when Jacob was being pushy and kissed her it pissed me off so much I would have punched him too. Also I knew it was Victoria the whole time it was very obvious and she’s not really good at it. It was also mean of her to use Riley and the newborn vampires for her own selfish games. I was very glad when they defeated her. In my opinion the Voultri should have let Bree live since she surrendered that part was very sad. But I’m glad Bella agreed to marry Edward the old fashioned way like Alice and Him wanted instead of just being to Vegas even though Seth is better than both Edward and Jacob. Both of them are very controlling.
Would I recommend? Yes
Dianne Robbins (1738 KP) rated Still Alice (2015) in Movies
Mar 21, 2019
Kristin Stewart's character (3 more)
Alec Baldwin's character
Not true to the book
Watered-down Chen I read the book, I was immersed
Very disappointing
Contains spoilers, click to show
When I read the book, I was immersed with what it was like to have early onset Alzheimer's disease. It was horrifying and painful and I could understand the painful decisions Alice made and the complexity and beauty of the betrayal of her husband. None of this was portrayed in the movie. One of the most terrifying scenes in the book is when Alice mistakes a brown throw rug as a hole in the floor and is too frightened to get near it to answer her door or walk to her bathroom. She could not understand the texture of the rug and that she could simply walk across it. Instead, she curled up in fear and urinating on herself while waiting hours or days for someone to rescue her. Early onset Alzheimer's and the physical and psychological symptoms were not described as well as they were in the book so the film lacked real drama. Also, the relationships between Alice and her husband, Alice and her children, especially Kristin Stewart's character were extremely vague, so they didn't really make sense in the movie.
The only good thing in the film was Julienne Moore's performance. Even though the script was extremely watered down, Moore did the best she could with the material. If they had included more of what was in the book, Moore would have shined. She's an amazing actress and this role was meant for her. It's a shame the script didn't allow her to perform her heart out, which she would have done given the chance.
I'm disgusted by either the screenwriter or director who chose to leave out the most poignant aspects of the book and in their, and all filmmakers, choice to dumb down movies to appeal to the American public by always finishing with a happy ending. There is beauty in pain. There is beauty in death. There is beauty is release. Filmmakers should know that.
The only good thing in the film was Julienne Moore's performance. Even though the script was extremely watered down, Moore did the best she could with the material. If they had included more of what was in the book, Moore would have shined. She's an amazing actress and this role was meant for her. It's a shame the script didn't allow her to perform her heart out, which she would have done given the chance.
I'm disgusted by either the screenwriter or director who chose to leave out the most poignant aspects of the book and in their, and all filmmakers, choice to dumb down movies to appeal to the American public by always finishing with a happy ending. There is beauty in pain. There is beauty in death. There is beauty is release. Filmmakers should know that.