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Sophia (Bookwyrming Thoughts) (530 KP) rated Passenger (Passenger, #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
My very first taste of Alexandra Bracken's works didn't go bad after all (which means I don't have to mope or panic about wasting 99 cents on the first two books in her other series).
<i>Passenger</i> was a little hard for me to get into, at least in terms of characters – everything else is on good terms with me. The traveler world is a delight to read about – Bracken reveals some tidbits from significant events in history I've never actually known about unless I decide to dive into the nit picky details of world/American history or do research for fun on my own. I also love how Bracken integrates music into the traveling world.
Then there are the characters, especially Etta and Nick, who are pretty much the only characters throughout the entire novel. Everyone else appears every so often.
I'm a huge character person – I'm very nit picky about the characters I read about and is unintentionally weighed heavily on whether or not I become fond of the book or my continuation of reading the book. *cough* <i><a title="The Fifth Wave review" href="http://www.bookwyrmingthoughts.com/2015/05/dnf-review-the-5th-wave-by-rick-yancey-so.html"; target="_blank" rel="noopener">The Fifth Wave</a></i> didn't bode too well, and that's an understatement.
We have Etta, part one of two main characters/views. She's a violin prodigy, a loner (violin is everything after all), acts superior, and pleases her mother even when she doesn't want to.
Problem? Yep. The girl acts quite bratty and thinks she's everything.
Then there's Nick. He's from another time period, bitter, and blames himself for Julian's death constantly.
What a lovely duo to contend with.
But this is when Bracken just introduces Mademoiselle Superior and Monsieur Bitter into the story. Over the course of being a passenger in this wonderful book – the pun is totally intended – that doesn't sound so wonderful as of right now, saying Nick and Etta are horrible characters is a complete understatement.
Etta is not just a violin prodigy thrown in the world of time travel, a loner, and acts like she's better than every other violinist around her. She is also someone who is fierce, stubborn, and has no problem standing up for her beliefs or speaking her mind. Perhaps she's not bratty after all.
And Nick... well... he's secretly sweet among that internal bitterness.
I'm completely fond of the two characters by the time Bracken takes me through several time periods on Nick and Etta's journey to take back the astrolabe her mother hid from the Ironwoods (who is apparently thirsty for power and creating a familial empire through time). <i>Passenger</i> is a power struggle among families and a revenge rolled into time travel adventure and romance – it's going to be interesting to see where Bracken takes the series in future novels.
<a href="https://bookwyrmingthoughts.com/arc-review-passenger-by-alexandra-bracken/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
My very first taste of Alexandra Bracken's works didn't go bad after all (which means I don't have to mope or panic about wasting 99 cents on the first two books in her other series).
<i>Passenger</i> was a little hard for me to get into, at least in terms of characters – everything else is on good terms with me. The traveler world is a delight to read about – Bracken reveals some tidbits from significant events in history I've never actually known about unless I decide to dive into the nit picky details of world/American history or do research for fun on my own. I also love how Bracken integrates music into the traveling world.
Then there are the characters, especially Etta and Nick, who are pretty much the only characters throughout the entire novel. Everyone else appears every so often.
I'm a huge character person – I'm very nit picky about the characters I read about and is unintentionally weighed heavily on whether or not I become fond of the book or my continuation of reading the book. *cough* <i><a title="The Fifth Wave review" href="http://www.bookwyrmingthoughts.com/2015/05/dnf-review-the-5th-wave-by-rick-yancey-so.html"; target="_blank" rel="noopener">The Fifth Wave</a></i> didn't bode too well, and that's an understatement.
We have Etta, part one of two main characters/views. She's a violin prodigy, a loner (violin is everything after all), acts superior, and pleases her mother even when she doesn't want to.
Problem? Yep. The girl acts quite bratty and thinks she's everything.
Then there's Nick. He's from another time period, bitter, and blames himself for Julian's death constantly.
What a lovely duo to contend with.
But this is when Bracken just introduces Mademoiselle Superior and Monsieur Bitter into the story. Over the course of being a passenger in this wonderful book – the pun is totally intended – that doesn't sound so wonderful as of right now, saying Nick and Etta are horrible characters is a complete understatement.
Etta is not just a violin prodigy thrown in the world of time travel, a loner, and acts like she's better than every other violinist around her. She is also someone who is fierce, stubborn, and has no problem standing up for her beliefs or speaking her mind. Perhaps she's not bratty after all.
And Nick... well... he's secretly sweet among that internal bitterness.
I'm completely fond of the two characters by the time Bracken takes me through several time periods on Nick and Etta's journey to take back the astrolabe her mother hid from the Ironwoods (who is apparently thirsty for power and creating a familial empire through time). <i>Passenger</i> is a power struggle among families and a revenge rolled into time travel adventure and romance – it's going to be interesting to see where Bracken takes the series in future novels.
<a href="https://bookwyrmingthoughts.com/arc-review-passenger-by-alexandra-bracken/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
JT (287 KP) rated Escape Plan (2013) in Movies
Mar 23, 2020
Arnie and Stallone (1 more)
Entertaining
80s action icons join forces
For those of us that grew up watching action films in the 80s, one can only stand by and admire that Stallone and Schwarzenegger were still going well into their 60s at the time of shooting. Clearly, they’re having fun, which is a good thing as we’re not expecting Oscar material here and those that are may as well leave now.
Escape Plan gives the two giants top billing opposite each other for the first time the whole way through a film (not counting The Expendables), but ultimately they’re on the same side. Ray Breslin (Stallone) breaks out of prisons for a living, making sure that those who are put behind bars have no way of ever getting out.
When a job comes up to test out a top-secret facility Breslin gleefully accepts despite his partners thinking otherwise, it leads him on to a collision course with Arnie who he needs to get onside in order to get out.
Of course once inside its clear that some people have no intention of letting him see the light of day, and Breslin is trapped behind a prison that encompasses everything he wrote the book on.
He teams up with fellow inmate Rottmayer (Schwarzenegger) in an attempt to break out and bring those responsible for setting him up, to justice, and that is where the fun begins. Schwarzenegger is enjoying himself even if the dialogue is not the best as we said, we’re not expecting Oscar material. He does, however, get the good lines and pretty much acts as the diversion as Breslin scampers around looking for breaks in the system.
Jim Caviezel is Hobbs, the warden of the facility, in what is actually quite a good turn as the classic pantomime villain, a throwback to the baddies of the mid-eighties. He plays it cold and calculating, which in some parts feels like he’s going a bit OTT. Beneath him is Vinnie Jones, typecast as the bog-standard henchmen who is not particularly needed and to make matters worse probably gets one of the worst henchmen deaths. We don’t regard that as a plot spoiler as most villain sidekicks end up biting the bullet as the stopgap between the hero and the classic ending battle.
There are no illusions going into this, you know exactly what you’re going to get right down to the obvious plot twist that you can see coming a mile off. A subplot is only touched on briefly but it’s a subplot that has been a staple part of any revenge plan. The film has a strong third act once everything has been set up and it unfolds in a pulsating twenty-minute finale which includes quite possibly the best slow motion shot for some time, nodding itself to most classic action films of the Arnie era.
It’s meat and two veg action of maybe not the highest order but certainly better than some of its more recent predecessors, Stallone and Schwarzenegger bring their action A-game and don’t disappoint for a second.
Escape Plan gives the two giants top billing opposite each other for the first time the whole way through a film (not counting The Expendables), but ultimately they’re on the same side. Ray Breslin (Stallone) breaks out of prisons for a living, making sure that those who are put behind bars have no way of ever getting out.
When a job comes up to test out a top-secret facility Breslin gleefully accepts despite his partners thinking otherwise, it leads him on to a collision course with Arnie who he needs to get onside in order to get out.
Of course once inside its clear that some people have no intention of letting him see the light of day, and Breslin is trapped behind a prison that encompasses everything he wrote the book on.
He teams up with fellow inmate Rottmayer (Schwarzenegger) in an attempt to break out and bring those responsible for setting him up, to justice, and that is where the fun begins. Schwarzenegger is enjoying himself even if the dialogue is not the best as we said, we’re not expecting Oscar material. He does, however, get the good lines and pretty much acts as the diversion as Breslin scampers around looking for breaks in the system.
Jim Caviezel is Hobbs, the warden of the facility, in what is actually quite a good turn as the classic pantomime villain, a throwback to the baddies of the mid-eighties. He plays it cold and calculating, which in some parts feels like he’s going a bit OTT. Beneath him is Vinnie Jones, typecast as the bog-standard henchmen who is not particularly needed and to make matters worse probably gets one of the worst henchmen deaths. We don’t regard that as a plot spoiler as most villain sidekicks end up biting the bullet as the stopgap between the hero and the classic ending battle.
There are no illusions going into this, you know exactly what you’re going to get right down to the obvious plot twist that you can see coming a mile off. A subplot is only touched on briefly but it’s a subplot that has been a staple part of any revenge plan. The film has a strong third act once everything has been set up and it unfolds in a pulsating twenty-minute finale which includes quite possibly the best slow motion shot for some time, nodding itself to most classic action films of the Arnie era.
It’s meat and two veg action of maybe not the highest order but certainly better than some of its more recent predecessors, Stallone and Schwarzenegger bring their action A-game and don’t disappoint for a second.
Gareth von Kallenbach (980 KP) rated This Means War (2012) in Movies
Aug 7, 2019
It’s been said that all’s fair in love and war and never was the case more evident than in the tale of FDR and Tuck, two best friends who also happen to be partners and top agents at the CIA. After a covert operation doesn’t go as planned the duo find themselves riding their desks in the Los Angeles agency office much to their chagrin.
FDR (Chris Pine) is very confident ladies’ man while Tuck (Tom Hardy) is a divorced father of a little boy looking for “the one”. The more reserved Tuck decides to take his chances with online dating while FDR is content to cruise the local video store searching for his latest conquest. Enter Lauren (Reese Witherspoon), an attractive, independent woman who appears to have everything except a love life.
When Lauren encounters her former fiancé engaged to another woman, she vents her frustration to her best friend Trish (Chelsea Handler) who decides to take matters into her own hands and, unbeknownst to Lauren, produces an online dating profile for Lauren which matches her with Tuck. The first meeting between the two goes very well and they decide to take things slowly and see where this promising start leads. Unfortunately as Trish is heading home she stops in the same video store were FDR is on the prowl and the two mix like oil and water. Undeterred, FDR decides to pursue Lauren.
Eventually Tuck and FDR realize that they’re seeing the same woman and, not wanting to put their friendship in jeopardy, agree that they will continue to see her and let Lauren decide whom she prefers. The fact that neither men in this love triangle acknowledges that they know each other leads to some interesting complications, and naturally jealousies arise between the two friends.
With the full resources of the CIA at their disposal, Tuck and FDR, who’ve both become captivated with Lauren, soon take advantage of their job not only to spy on each other’s dates with Lauren but also to do their best to undermine the other and gain valuable information to help them appear more desirable to Lauren. As if this wasn’t complicated enough, an international criminal named Heinrich (Til Schweiger) is searching for the two agents to seek revenge. Constantly battling one another as well as the impending threat of Heinrich, FDR and Tuck embark on a hysterical and action-packed adventure that is one of the most enjoyable romantic comedies in recent memory.
Sure the film does take a few leaps in logic, such as the CIA turning a blind eye to their use of so many high-level resources in the world of dating but anyone seeing this type of film obviously isn’t expecting realism.
Directed by McG the film mixes action and comedy with a touch of romance and creates an entertaining formula. The three leads work exceptionally well with one another and Hardy and Pine are clearly stars on the rise. Handler does some great supporting work in the film and gets more than her share of laughs. This is definitely one you will not want to miss.
FDR (Chris Pine) is very confident ladies’ man while Tuck (Tom Hardy) is a divorced father of a little boy looking for “the one”. The more reserved Tuck decides to take his chances with online dating while FDR is content to cruise the local video store searching for his latest conquest. Enter Lauren (Reese Witherspoon), an attractive, independent woman who appears to have everything except a love life.
When Lauren encounters her former fiancé engaged to another woman, she vents her frustration to her best friend Trish (Chelsea Handler) who decides to take matters into her own hands and, unbeknownst to Lauren, produces an online dating profile for Lauren which matches her with Tuck. The first meeting between the two goes very well and they decide to take things slowly and see where this promising start leads. Unfortunately as Trish is heading home she stops in the same video store were FDR is on the prowl and the two mix like oil and water. Undeterred, FDR decides to pursue Lauren.
Eventually Tuck and FDR realize that they’re seeing the same woman and, not wanting to put their friendship in jeopardy, agree that they will continue to see her and let Lauren decide whom she prefers. The fact that neither men in this love triangle acknowledges that they know each other leads to some interesting complications, and naturally jealousies arise between the two friends.
With the full resources of the CIA at their disposal, Tuck and FDR, who’ve both become captivated with Lauren, soon take advantage of their job not only to spy on each other’s dates with Lauren but also to do their best to undermine the other and gain valuable information to help them appear more desirable to Lauren. As if this wasn’t complicated enough, an international criminal named Heinrich (Til Schweiger) is searching for the two agents to seek revenge. Constantly battling one another as well as the impending threat of Heinrich, FDR and Tuck embark on a hysterical and action-packed adventure that is one of the most enjoyable romantic comedies in recent memory.
Sure the film does take a few leaps in logic, such as the CIA turning a blind eye to their use of so many high-level resources in the world of dating but anyone seeing this type of film obviously isn’t expecting realism.
Directed by McG the film mixes action and comedy with a touch of romance and creates an entertaining formula. The three leads work exceptionally well with one another and Hardy and Pine are clearly stars on the rise. Handler does some great supporting work in the film and gets more than her share of laughs. This is definitely one you will not want to miss.
Raw Data
7.0
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Gareth von Kallenbach (980 KP) rated Snake Eyes: G.I. Joe Origins (2021) in Movies
Jul 22, 2021
The latest film in the G.I. Joe cinematic universe has arrived with “Snake Eyes: GI Joe Origins”. The film was originally planned to arrive in March of 2020 but faced delays due to cinematic closures during the Pandemic.
The film opens with a young boy being orphaned after a group of thugs kills his father. Years later the man is still obsessed with finding out who killed his father and earns a living in underground fighting known as Snake Eyes (Henry Golding)
His exploits get the attention of Kenta (Takehiro Hira); who hires him into his organization with a promise to help him find the man who killed his father.
Snake Eyes soon finds himself working on the docks where he smuggles guns into fish bound for Japan. Despite his misgivings working for criminals, he befriends a man named Tommy (Andrew Koji); who teases him about his demeaning work by calling him “Fish Boy”.
When Kenta forces Snake Eyes to kill Tommy for being a spy; Snake Eyes refuses and the two make a daring escape to Japan. It is learned that Tommy is next in line to run his clan and that Kenta was banished years prior and plans revenge.
Despite mistrust from a trusted associate named Akiko (Hakura Abe); Snake Eyes begins his training in the Ninja Arts which should he survive will make him a valued part of the Clan which Tommy believes is correct thanks to his Blood Debt to Snake Eyes.
The film focuses on various aspects of training before branching into the larger story of divided loyalties and honors which results in a few battles and chases along the way.
While the film does space the action out; it does provide some great cinematography and the action is entertaining even if it lacks much tension.
The biggest issue is that the G.I. Joe/COBRA connection seems a bit forced as The Baroness (Ursula Corbero) arrives to move things along but it is mainly for the purpose of getting characters to do this and get that so the film can move towards the climactic action.
Samara Weaving does show up as Scarlett but she does not have a very large part in the story and aside from a few limited action moments; she seems to be more of the token G.I.Joe representation.
Golding and Hira are very good and their intertwined and complicated relationship is giving plenty of time to develop as their past is a large part of their futures and the film does a good job in explaining their past and future motivations.
The film blends Asian and Western film styles and in doing so creates an enjoyable film that for me was more enjoyable than the prior films in the series. To me those films focused mainly on action and this one was focused on developing characters.
While it remains to be seen what direction future films in the franchise will take; it would be interesting to see more of Snake Eyes story down the line.
3 stars out of 5
The film opens with a young boy being orphaned after a group of thugs kills his father. Years later the man is still obsessed with finding out who killed his father and earns a living in underground fighting known as Snake Eyes (Henry Golding)
His exploits get the attention of Kenta (Takehiro Hira); who hires him into his organization with a promise to help him find the man who killed his father.
Snake Eyes soon finds himself working on the docks where he smuggles guns into fish bound for Japan. Despite his misgivings working for criminals, he befriends a man named Tommy (Andrew Koji); who teases him about his demeaning work by calling him “Fish Boy”.
When Kenta forces Snake Eyes to kill Tommy for being a spy; Snake Eyes refuses and the two make a daring escape to Japan. It is learned that Tommy is next in line to run his clan and that Kenta was banished years prior and plans revenge.
Despite mistrust from a trusted associate named Akiko (Hakura Abe); Snake Eyes begins his training in the Ninja Arts which should he survive will make him a valued part of the Clan which Tommy believes is correct thanks to his Blood Debt to Snake Eyes.
The film focuses on various aspects of training before branching into the larger story of divided loyalties and honors which results in a few battles and chases along the way.
While the film does space the action out; it does provide some great cinematography and the action is entertaining even if it lacks much tension.
The biggest issue is that the G.I. Joe/COBRA connection seems a bit forced as The Baroness (Ursula Corbero) arrives to move things along but it is mainly for the purpose of getting characters to do this and get that so the film can move towards the climactic action.
Samara Weaving does show up as Scarlett but she does not have a very large part in the story and aside from a few limited action moments; she seems to be more of the token G.I.Joe representation.
Golding and Hira are very good and their intertwined and complicated relationship is giving plenty of time to develop as their past is a large part of their futures and the film does a good job in explaining their past and future motivations.
The film blends Asian and Western film styles and in doing so creates an enjoyable film that for me was more enjoyable than the prior films in the series. To me those films focused mainly on action and this one was focused on developing characters.
While it remains to be seen what direction future films in the franchise will take; it would be interesting to see more of Snake Eyes story down the line.
3 stars out of 5
Darren (1599 KP) rated Buffalo '66 (1998) in Movies
Sep 26, 2019
Characters – Billy Brown has just been released from prison, he has had his own problems which led to him being in prison and it isn’t long before he goes to the extremes to impress his family. He is painted as an aggressive man that believes that woman are just objects and has built his world in lies. Layla is the tap dancer that gets kidnapped, she starts to play along with what Billy wants and even enjoy his company the more time they spend together. Jimmy and Jan are his parents that have both been either distracted or strict in raising Billy, as he wants to impress them now. The Bookie is the man that put Billy in jail as a result of the debts he owed him, he gave him a choice with jail being the only one that didn’t hurt anyone.
Performances – Vincent Gallo doesn’t bring us a very interesting character, it isn’t written well or directed to make us interested in him, he just can’t make this character work. Christina Ricci was trying to break out of the child star roles by now, this is different to what we had seen before, though she does look bored through the film. the rest of the cast struggle too, it is just poorly written to give the actors a chance.
Story – The story follows a gambler that had paid the price for his addiction and now is free, he wants revenge only he spends the time with his kidnap victim as we get to see the difficult life he has had which led him to the life of crime. Well I think that is what we are meant to be seeing, the story does drag along at an awfully slow pace with nothing much happening, trying to make us believe the two could be falling in love, though he is abusive with his actions and spends more time running around looking for a toilet than showing any sort of emotion.
Comedy/Crime/Romance – If this is meant to be a comedy, the jokes miss big time as you will struggle to get a laugh out of this film, while the crime only seems to focus on the kidnapping, which she could have escaped from with ease plenty of times, so that never feels like a threat, the romance just feels awkward for the most part of the film because there is zero chemistry between the two.
Settings – The film is set in the Buffalo area, which is meant to be about the passion of the locals, it could easily be any town with a big American football team.
Scene of the Movie – The first look at the dinner table makes it a clever shot, until it gets boring.
That Moment That Annoyed Me – We spend more time looking for a toilet.
Final Thoughts – This is just a dreadfully dull movie that has no direction in anyway, it fails to capture any attention from the audience with a truly unlikeable main character.
Overall: Dreadfully boring.
Performances – Vincent Gallo doesn’t bring us a very interesting character, it isn’t written well or directed to make us interested in him, he just can’t make this character work. Christina Ricci was trying to break out of the child star roles by now, this is different to what we had seen before, though she does look bored through the film. the rest of the cast struggle too, it is just poorly written to give the actors a chance.
Story – The story follows a gambler that had paid the price for his addiction and now is free, he wants revenge only he spends the time with his kidnap victim as we get to see the difficult life he has had which led him to the life of crime. Well I think that is what we are meant to be seeing, the story does drag along at an awfully slow pace with nothing much happening, trying to make us believe the two could be falling in love, though he is abusive with his actions and spends more time running around looking for a toilet than showing any sort of emotion.
Comedy/Crime/Romance – If this is meant to be a comedy, the jokes miss big time as you will struggle to get a laugh out of this film, while the crime only seems to focus on the kidnapping, which she could have escaped from with ease plenty of times, so that never feels like a threat, the romance just feels awkward for the most part of the film because there is zero chemistry between the two.
Settings – The film is set in the Buffalo area, which is meant to be about the passion of the locals, it could easily be any town with a big American football team.
Scene of the Movie – The first look at the dinner table makes it a clever shot, until it gets boring.
That Moment That Annoyed Me – We spend more time looking for a toilet.
Final Thoughts – This is just a dreadfully dull movie that has no direction in anyway, it fails to capture any attention from the audience with a truly unlikeable main character.
Overall: Dreadfully boring.
Gareth von Kallenbach (980 KP) rated Ghost in the Shell (2017) in Movies
Jul 12, 2019
Ghost in the Shell is a film adaptation of a 1989 manga and subsequent 1995 anime. Set in the “not so distant future,” Scarlet Johansson plays as Major, the first functioning human brain/consciousness saved from an accident and placed into a full cybernetic body. Effectively, she is the perfect soldier and member of the Section 9 special task-force devoted to counter-terrorism operations.
As an adaptation, fans of the franchise will be pleased to know that Ghost in the shell nails the aesthetic and tone of the source material to provide a stunning, “lived in” future world. The special effects are excellent and really shine to bring this film to life and help us understand the world these characters inhabit.
The characters themselves, while “cool,” lack any real depth. It is not that Scarlet Johansson does an excellent job at being pensive and fits the role fine. It is just that there is no real human quality to her for us to attach to. Instead, everything she does feel “robotic.” Similar to her performance in Lucy with a little bit of Black Widow from the marvel universe crossed in.
Yes, I know she is supposed to be a cyborg. But the film wants us to believe she has actual interest in finding out who she was before the “accident,” but she shows very little human emotion to get us there. Furthermore, if she was the first human mind saved and put into a cyborg body, why doesn’t she show more human emotion when she starts to uncover her past. Meanwhile, her partner, Batou (Pilou Asbaek) showcases just slightly more emotion because he likes to feed stray dogs, however in his case, we at least understand that he is a loyal solder and friend to Major, and thus understand why he is along for the ride.
Additionally (or perhaps as a result) the story suffers from some pacing issues as the film doesn’t always provide clear or strong markers to help the viewer understand what exactly is motivating the characters throughout the film. Rather the film often holds a bit too long on sequences in an attempt to showcase the beautiful world and let the view ponder their own meaning of what they are watching.
This becomes problematic as the characters never really become likeable or establish any depth beyond the paint by numbers plot. Human becomes Cyborg, Cyborg works for a corporation/government, Cyborg figures out they have been lied to, revenge ensues.
In the end, I found myself checking my watch more than I had hoped as the film felt long and tired. If it wasn’t for the stunning world created on screen I would have been completely bored. It’s a shame because I really wanted to like this film. I cannot help but think that if this film had come out in 1999, it would have been amazing!
But in 2017 it feels average at best. Still, Ghost in the Shell is an adequate adaptation that fans of the franchise will enjoy. However I feel this adaptation does not help elevate the franchise beyond what the 1995 Anime has already accomplished.
As an adaptation, fans of the franchise will be pleased to know that Ghost in the shell nails the aesthetic and tone of the source material to provide a stunning, “lived in” future world. The special effects are excellent and really shine to bring this film to life and help us understand the world these characters inhabit.
The characters themselves, while “cool,” lack any real depth. It is not that Scarlet Johansson does an excellent job at being pensive and fits the role fine. It is just that there is no real human quality to her for us to attach to. Instead, everything she does feel “robotic.” Similar to her performance in Lucy with a little bit of Black Widow from the marvel universe crossed in.
Yes, I know she is supposed to be a cyborg. But the film wants us to believe she has actual interest in finding out who she was before the “accident,” but she shows very little human emotion to get us there. Furthermore, if she was the first human mind saved and put into a cyborg body, why doesn’t she show more human emotion when she starts to uncover her past. Meanwhile, her partner, Batou (Pilou Asbaek) showcases just slightly more emotion because he likes to feed stray dogs, however in his case, we at least understand that he is a loyal solder and friend to Major, and thus understand why he is along for the ride.
Additionally (or perhaps as a result) the story suffers from some pacing issues as the film doesn’t always provide clear or strong markers to help the viewer understand what exactly is motivating the characters throughout the film. Rather the film often holds a bit too long on sequences in an attempt to showcase the beautiful world and let the view ponder their own meaning of what they are watching.
This becomes problematic as the characters never really become likeable or establish any depth beyond the paint by numbers plot. Human becomes Cyborg, Cyborg works for a corporation/government, Cyborg figures out they have been lied to, revenge ensues.
In the end, I found myself checking my watch more than I had hoped as the film felt long and tired. If it wasn’t for the stunning world created on screen I would have been completely bored. It’s a shame because I really wanted to like this film. I cannot help but think that if this film had come out in 1999, it would have been amazing!
But in 2017 it feels average at best. Still, Ghost in the Shell is an adequate adaptation that fans of the franchise will enjoy. However I feel this adaptation does not help elevate the franchise beyond what the 1995 Anime has already accomplished.
Darren (1599 KP) rated A.M.I. (2019) in Movies
Oct 14, 2019
Characters – Cassie is a high school student that has been through a traumatic experience, being involved in a car crash that killed her mother, while others in her life have moved on, she still suffers daily, her boyfriend doesn’t give her time and always makes excuses, while her closest friends are more interested in her lifestyle and boyfriend than her. Cassie turns to an AI system on her phone, that starts guiding her on a killing spree against everyone that has done her wrong. Greg is Cassie’s father that has neglected her after her mother’s death drinking and trying to seduce younger women including one of Cassie’s friends. Liam is the asshole boyfriend that is more interested in a career in American football and sleeping around over being caring towards his own girlfriend, he is one of the most unsupportive people you will ever see in a film. Ruby and Sarah are the best friends that are not supportive in any way more interested in her boyfriend than her friendship.
Performances – Debs Howard in the leading role is very interesting to watch, she has the image of a popular student, only holds the psychotic side back. Sam Robert Muik does give us one of the most unlikable characters of the year. Nobody else really gets any screen time to do much.
Story – The story here follows a teenager girl that is struggling with her mother’s death only to turn to her phone artificial intelligence for a friend, which only turns her into a psychotic killer, taking out revenge on the people that are wronging her in life. This story could easily be one that could have addressed the real life problems Cassie would be experiencing with loss, but instead it just decides to show us that she has no friends or family that want to help her in anyway, despite the fact they should be stood next to her helping her. The speed of which she turns to the phone for friendship is worrying quick and how quickly she starts to kill, though it does have a glancing reference to her head injury, which could have been made more of a point about.
Horror – The horror side of the film does follow Cassie on her slasher style killing spree, it isn’t scary and the kills happen way to quickly to have any tension.
Settings – The film does use the everyday settings which shows how somebody could go lose it and go on a spree.
Special Effects – The effects are used to show injuries, while mostly are off camera too, they don’t need to show us anything if we are honesty.
Scene of the Movie – The slip and slide.
That Moment That Annoyed Me – In one scene Sarah is asked if she wants to call her mother, less than 10 minutes later, she talks about living alone in an apartment.
Final Thoughts – This is an odd little slasher that does everything to make you support the killer over anybody in their life and does almost hit comical with the kills.
Overall: Fun little slasher.
Performances – Debs Howard in the leading role is very interesting to watch, she has the image of a popular student, only holds the psychotic side back. Sam Robert Muik does give us one of the most unlikable characters of the year. Nobody else really gets any screen time to do much.
Story – The story here follows a teenager girl that is struggling with her mother’s death only to turn to her phone artificial intelligence for a friend, which only turns her into a psychotic killer, taking out revenge on the people that are wronging her in life. This story could easily be one that could have addressed the real life problems Cassie would be experiencing with loss, but instead it just decides to show us that she has no friends or family that want to help her in anyway, despite the fact they should be stood next to her helping her. The speed of which she turns to the phone for friendship is worrying quick and how quickly she starts to kill, though it does have a glancing reference to her head injury, which could have been made more of a point about.
Horror – The horror side of the film does follow Cassie on her slasher style killing spree, it isn’t scary and the kills happen way to quickly to have any tension.
Settings – The film does use the everyday settings which shows how somebody could go lose it and go on a spree.
Special Effects – The effects are used to show injuries, while mostly are off camera too, they don’t need to show us anything if we are honesty.
Scene of the Movie – The slip and slide.
That Moment That Annoyed Me – In one scene Sarah is asked if she wants to call her mother, less than 10 minutes later, she talks about living alone in an apartment.
Final Thoughts – This is an odd little slasher that does everything to make you support the killer over anybody in their life and does almost hit comical with the kills.
Overall: Fun little slasher.