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Gareth von Kallenbach (962 KP) rated Dom Hemingway (2014) in Movies
Aug 6, 2019
Dom Hemingway’ is a dark comedy-crime drama movie written and directed by Richard
Shepard (better known for directing the pilot episode of Ugly Betty) and stars
Jude Law, Emilia Clarke, Richard E. Grant, and Demian Bichir.
Dom (Jude Law) is a foul-mouthed, short-tempered, and reckless master safe cracker who
is returning to the streets after 12 years in prison. Intent on collecting his reward for
keeping silent while in prison and fueled by massive amounts of alcohol, drugs, and his
massive ego, Dom and his best friend/partner in crime Dickie (Richard E. Grant) travel
though the British and French country sides to rendevous with Dom’s former employeer
Mr. Fontaine. Shortly thereafter though, Don arrives at the conclusion that no amount
of money can replace what hes’ lost and that his one and only priority is to
seek out his long-lost daughter Evelyn (Emilia Clarke).
Now, this movie is definitely a departure from Jude Law’s previous movies. Imagine him
if he were to gain 29 lbs., dress like an evil ‘Fonz’, and then join ‘Motorhead’.
THAT .. is the Jude Law you get to see in this movie. It’s dark, but fun at the same time.
Most definitely NOT something kids should see. It’s full-speed ahead with sex, drugs,
and rock & roll. When the movie does put on the brakes, it slams on the brakes hard!
Watching the character try to acclimate to the world after 12 years in prison and make
peace with his daughter and her family … it’s like watching a champion’s league
soccer match. One minute one team has it, the next minute the other team has it….
You honestly don’t know what’s going to happen next. Me? Personally? I got a kick out of
this one. My only beef is the way the movie ended … if I told you why though, i’d
be spoiling the movie. For that reason, I give the film 3 out of 5 stars.
Again, a great movie … Dark … but also funny. But the ending? It came just too soon.
Shepard (better known for directing the pilot episode of Ugly Betty) and stars
Jude Law, Emilia Clarke, Richard E. Grant, and Demian Bichir.
Dom (Jude Law) is a foul-mouthed, short-tempered, and reckless master safe cracker who
is returning to the streets after 12 years in prison. Intent on collecting his reward for
keeping silent while in prison and fueled by massive amounts of alcohol, drugs, and his
massive ego, Dom and his best friend/partner in crime Dickie (Richard E. Grant) travel
though the British and French country sides to rendevous with Dom’s former employeer
Mr. Fontaine. Shortly thereafter though, Don arrives at the conclusion that no amount
of money can replace what hes’ lost and that his one and only priority is to
seek out his long-lost daughter Evelyn (Emilia Clarke).
Now, this movie is definitely a departure from Jude Law’s previous movies. Imagine him
if he were to gain 29 lbs., dress like an evil ‘Fonz’, and then join ‘Motorhead’.
THAT .. is the Jude Law you get to see in this movie. It’s dark, but fun at the same time.
Most definitely NOT something kids should see. It’s full-speed ahead with sex, drugs,
and rock & roll. When the movie does put on the brakes, it slams on the brakes hard!
Watching the character try to acclimate to the world after 12 years in prison and make
peace with his daughter and her family … it’s like watching a champion’s league
soccer match. One minute one team has it, the next minute the other team has it….
You honestly don’t know what’s going to happen next. Me? Personally? I got a kick out of
this one. My only beef is the way the movie ended … if I told you why though, i’d
be spoiling the movie. For that reason, I give the film 3 out of 5 stars.
Again, a great movie … Dark … but also funny. But the ending? It came just too soon.
Awix (3310 KP) rated Last Christmas (2019) in Movies
Dec 3, 2019
Thunderously crass and obvious Christmas turkey, in which A Christmas Carol is involved in a head-on smash with the Richard Curtis rom-com formula: many normally reliable performers are scythed down by the shrapnel, possibly along with unfortunate audience members. The Christmas Carol personal-redemption story formula requires the lead character to be a horrible person in need of reformation; the rom-com pattern requires them to be cute and loveable from the start. Even if Emilia Clarke was as good an actress as I am always being told, she would need to be equipped with a much better script in order to square this particular circle.
This is the main problem the film has to contend with; others include the misplaced belief that quirkiness is an acceptable substitute for actual wit, and a generally pervasive sense of insincerity (it's hard to shake the notion that some key cast members were only employed to help flog this thing in Asian markets). This is before we get to the astonishing non-twist central to the story, or the glib platitudes casually dropped into the script. I imagine people will say its heart is in the right place (somewhat ironically); this is only true if you think the correct place for the heart is between the ears. I laughed once, and this was understandable, for it was at Peter Serafinowicz: unfortunately he is only in one scene.
This is the main problem the film has to contend with; others include the misplaced belief that quirkiness is an acceptable substitute for actual wit, and a generally pervasive sense of insincerity (it's hard to shake the notion that some key cast members were only employed to help flog this thing in Asian markets). This is before we get to the astonishing non-twist central to the story, or the glib platitudes casually dropped into the script. I imagine people will say its heart is in the right place (somewhat ironically); this is only true if you think the correct place for the heart is between the ears. I laughed once, and this was understandable, for it was at Peter Serafinowicz: unfortunately he is only in one scene.