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Sarah (7798 KP) rated Yesterday (2019) in Movies
May 3, 2020
Enjoyable to a point
I love Danny Boyle, he's one of my favourite directors (and he's a local lad) although I have to admit this is probably one of my least favourite films of his so far.
Richard Curtis and Danny Boyle working on the same film should be a match made in heaven. However the result is this enjoyable but sadly rather predictable romcom. Himesh Patel is a likeable lead, but I found the romance aspect with him and Lily James entirely corny and completely predictable, even for Richard Curtis. The music is good, it would be seen as it's the Beatles, however I did find it odd that in the story Himesh finds out about a number of bands and things that no longer exist (some are quite funny), yet only decides to choose the songs from the Beatles. Could they not get the rights for anything else?
There's a few laughs in this although not as many as I'd expected, and I loved the nod to Love Actually. Overall the film is enjoyable and your typical feel good Brit flick, however I don't think it's particularly memorable or exceptional.
Richard Curtis and Danny Boyle working on the same film should be a match made in heaven. However the result is this enjoyable but sadly rather predictable romcom. Himesh Patel is a likeable lead, but I found the romance aspect with him and Lily James entirely corny and completely predictable, even for Richard Curtis. The music is good, it would be seen as it's the Beatles, however I did find it odd that in the story Himesh finds out about a number of bands and things that no longer exist (some are quite funny), yet only decides to choose the songs from the Beatles. Could they not get the rights for anything else?
There's a few laughs in this although not as many as I'd expected, and I loved the nod to Love Actually. Overall the film is enjoyable and your typical feel good Brit flick, however I don't think it's particularly memorable or exceptional.
Dean (6921 KP) rated About Time (2013) in Movies
May 27, 2020 (Updated May 27, 2020)
Great cast (1 more)
Feel good vibe
A touching Rom-Com
Another great film from Richard Curtis who did @Love Actually (2003) @Four Weddings and a Funeral (1994) @Notting Hill (1999) This is very similar in style. Typically British humour and fun characters set within a story about love, family and life in general.
A man discovers he can travel back to earlier moments of his life to make changes but often with unexpected consequences. More of a Rom-Drama but if you are a fan of the other films you'll enjoy this just as much. Also check out @The Time Traveler's Wife (2009)
A man discovers he can travel back to earlier moments of his life to make changes but often with unexpected consequences. More of a Rom-Drama but if you are a fan of the other films you'll enjoy this just as much. Also check out @The Time Traveler's Wife (2009)
Kirk Bage (1775 KP) rated About Time (2013) in Movies
Mar 3, 2020
I have gone on quite a bit about this one recently. I just think it is wonderful, and by far the best and least mawkishly sentimental work from Richard Curtis, of Love, Actually infamy. It makes me laugh so hard; the perfect awkwardness of Domhnal Gleason against the cute intelligence of Rachel McAdams; the exquisite turn by Bill Nighy as the time travelling father; and every small character and very British nuance in-between – it is such a pleasure. It also makes me cry… a lot! What I like about it is that it feels exactly like being in love. Exactly! There will be regret and pain, but in the end there is that one person that gets you and always will. And that idea… feels good!
Awix (3310 KP) rated Hampstead (2017) in Movies
May 8, 2019
Soul-eatingly horrible late-life rom-com. Recently widowed clearly well-off American woman living in (duh) Hampstead meets human womble living rough nearby, there is chemistry, despite the fact her friends disapprove and he is about to be evicted by the council. Various life lessons are just waiting to be learnt.
A calculated new take on the classic Richard Curtis formula, although it is even more obvious and predictable than most examples of the form, and has virtually no good jokes to make you not care about this. The soft-focus depiction of homelessness and the social divisions in London is simply objectionable. Gleeson and Keaton are too good not to find their moments even in a film like this, but they are glitter on a dungheap. Hollow and mechanical, unsurprising, unfunny, unemotional and manipulative.
A calculated new take on the classic Richard Curtis formula, although it is even more obvious and predictable than most examples of the form, and has virtually no good jokes to make you not care about this. The soft-focus depiction of homelessness and the social divisions in London is simply objectionable. Gleeson and Keaton are too good not to find their moments even in a film like this, but they are glitter on a dungheap. Hollow and mechanical, unsurprising, unfunny, unemotional and manipulative.
Kirk Bage (1775 KP) rated The Vikings (1958) in Movies
Mar 3, 2020 (Updated Mar 5, 2020)
In a productive period seeing him make four or five films a year, Douglas returned to work for Richard Fleischer in his pursuit for the great epic that would finally win him the Oscar. The Vikings was a star-studded spectacle that despite some memorable scenes between himself and Tony Curtis, falls a little flat as a satisfying film in entirety. A box office hit, but a critical flop, it has to be counted as somewhat of a failure, except for the fact it is one of the better known moments in his career, thanks largely to the powerful visual of Douglas with a dead eye and scar; proving you merely point a camera at him and get magic. My favourite trivia around this film is that Douglas offered a prize for best beard on the first day of shooting, only to turn up himself entirely clean shaven.
Awix (3310 KP) rated Last Christmas (2019) in Movies
Dec 3, 2019
Thunderously crass and obvious Christmas turkey, in which A Christmas Carol is involved in a head-on smash with the Richard Curtis rom-com formula: many normally reliable performers are scythed down by the shrapnel, possibly along with unfortunate audience members. The Christmas Carol personal-redemption story formula requires the lead character to be a horrible person in need of reformation; the rom-com pattern requires them to be cute and loveable from the start. Even if Emilia Clarke was as good an actress as I am always being told, she would need to be equipped with a much better script in order to square this particular circle.
This is the main problem the film has to contend with; others include the misplaced belief that quirkiness is an acceptable substitute for actual wit, and a generally pervasive sense of insincerity (it's hard to shake the notion that some key cast members were only employed to help flog this thing in Asian markets). This is before we get to the astonishing non-twist central to the story, or the glib platitudes casually dropped into the script. I imagine people will say its heart is in the right place (somewhat ironically); this is only true if you think the correct place for the heart is between the ears. I laughed once, and this was understandable, for it was at Peter Serafinowicz: unfortunately he is only in one scene.
This is the main problem the film has to contend with; others include the misplaced belief that quirkiness is an acceptable substitute for actual wit, and a generally pervasive sense of insincerity (it's hard to shake the notion that some key cast members were only employed to help flog this thing in Asian markets). This is before we get to the astonishing non-twist central to the story, or the glib platitudes casually dropped into the script. I imagine people will say its heart is in the right place (somewhat ironically); this is only true if you think the correct place for the heart is between the ears. I laughed once, and this was understandable, for it was at Peter Serafinowicz: unfortunately he is only in one scene.
Darren (1599 KP) rated Knives Out (2019) in Movies
Nov 26, 2019
Verdict: Pure Fun
Story: Knives Out starts with the apparent suicide of Harlan Thrombey (Plummer) on his 85th birthday, the family Linda (Curtis), Walt (Shannon), Richard (Johnson), Joni (Collette) Meg (Langford), Jacob (Martell) and Ransom (Evans) were all in attendance along with Harlan’s nurse Marta (Armas).
Lieutenant Elliott (Stanfield) lets private investigator Benoit Blanc (Craig) look at the events of the night after he gets an anonymous request to investigate the death believing it was murder, with the whole family have cause to potentially murder.
Thoughts on Knives Out
Characters – Benoit Blanc is a private investigator that has a connection to the family and has been given an anonymous letter to investigate the death, he has his way which unlike the normal police will push the family for the truth, knowing most are lying when they talk to him. Marta Cabrera is the nurse to Harlan, she has the closest relationship to him, knowing most of the family secrets, while just working to make sure her family is secure. Harlan is the self-made millionaire author that has started to get disappointed by the behaviour of his own children. Linda is the eldest daughter who has her own real estate business that she is proud of her work, believing she has done better than the other siblings. Walt is the youngest son who runs the publication of the books, which has always seen him try to push his father into selling the rights to entertainment sources. Richard is the husband to Linda that has been caught by Harlan being forced into telling the truth or being exposed. Joni is the daughter in the law of the deceased son that is an influencer and has been getting an allowance since her husband’s death. Ransom is the black sheep of the family, son of Linda and Richard, he has always lived the life of luxury never having to work on anything himself. Meg is the daughter of Joni that is the closest of any of the younger family members to Marta, she has seen herself be put through school but Harlan. LT Elliott is leading the investigation to the death, he is happy to put it down as suicide, but will let Benoit lead his own investigate.
Performances – The performances here are a pure joy, Daniel Craig gives us a career best, Ana De Armas continues to rise up the Hollywood name list, proving herself with a sweet innocent figure, Chris Evans brings to light a character complete against the type we are used to seeing form him. Jamie Lee Curtis, Michael Shannon, Don Johnson and Toni Collette are wonderful too showing they can become anybody like we know from them. Everybody in this film is wonderful to watch.
Story – The story here follows a private investigator who decides to investigate an apparent suicide where he will dig up the family secrets to learn there might have been foul play. This story is a who-dun-it where everybody could be a suspect as nobody wants to tell the truth and everybody is hiding the truth too. There is a unique way of telling the story that will surprise you and turn the usual flow on its head, almost pointing out just how predictable certain TV shows involving a murder are. We do have plenty to unpack through the story, though there is a slight drag through the middle of the film.
Comedy/Crime/Mystery – The comedy comes from the colourful characters we get to meet and their actions, while the crime mystery mix together to keep us guessing to the complete truth of what happened, we get plenty of references to other crime stories too.
Settings – The film is mostly set on the grounds of the death, we have the luxury mansion, when we stay in this location everything does feel like ‘Clue’ but whether we leave it does take a little bit away from the quirky style.
Scene of the Movie – Ambulance arrives.
That Moment That Annoyed Me – We never learn where Marta is from, with the on running joke she is South American, each character claims she is from a different country.
Final Thoughts – This is a quirky joyful comedy that leaves you guessing to the truth with performances that shine throughout the film.
Overall: Entertaining Mystery.
Story: Knives Out starts with the apparent suicide of Harlan Thrombey (Plummer) on his 85th birthday, the family Linda (Curtis), Walt (Shannon), Richard (Johnson), Joni (Collette) Meg (Langford), Jacob (Martell) and Ransom (Evans) were all in attendance along with Harlan’s nurse Marta (Armas).
Lieutenant Elliott (Stanfield) lets private investigator Benoit Blanc (Craig) look at the events of the night after he gets an anonymous request to investigate the death believing it was murder, with the whole family have cause to potentially murder.
Thoughts on Knives Out
Characters – Benoit Blanc is a private investigator that has a connection to the family and has been given an anonymous letter to investigate the death, he has his way which unlike the normal police will push the family for the truth, knowing most are lying when they talk to him. Marta Cabrera is the nurse to Harlan, she has the closest relationship to him, knowing most of the family secrets, while just working to make sure her family is secure. Harlan is the self-made millionaire author that has started to get disappointed by the behaviour of his own children. Linda is the eldest daughter who has her own real estate business that she is proud of her work, believing she has done better than the other siblings. Walt is the youngest son who runs the publication of the books, which has always seen him try to push his father into selling the rights to entertainment sources. Richard is the husband to Linda that has been caught by Harlan being forced into telling the truth or being exposed. Joni is the daughter in the law of the deceased son that is an influencer and has been getting an allowance since her husband’s death. Ransom is the black sheep of the family, son of Linda and Richard, he has always lived the life of luxury never having to work on anything himself. Meg is the daughter of Joni that is the closest of any of the younger family members to Marta, she has seen herself be put through school but Harlan. LT Elliott is leading the investigation to the death, he is happy to put it down as suicide, but will let Benoit lead his own investigate.
Performances – The performances here are a pure joy, Daniel Craig gives us a career best, Ana De Armas continues to rise up the Hollywood name list, proving herself with a sweet innocent figure, Chris Evans brings to light a character complete against the type we are used to seeing form him. Jamie Lee Curtis, Michael Shannon, Don Johnson and Toni Collette are wonderful too showing they can become anybody like we know from them. Everybody in this film is wonderful to watch.
Story – The story here follows a private investigator who decides to investigate an apparent suicide where he will dig up the family secrets to learn there might have been foul play. This story is a who-dun-it where everybody could be a suspect as nobody wants to tell the truth and everybody is hiding the truth too. There is a unique way of telling the story that will surprise you and turn the usual flow on its head, almost pointing out just how predictable certain TV shows involving a murder are. We do have plenty to unpack through the story, though there is a slight drag through the middle of the film.
Comedy/Crime/Mystery – The comedy comes from the colourful characters we get to meet and their actions, while the crime mystery mix together to keep us guessing to the complete truth of what happened, we get plenty of references to other crime stories too.
Settings – The film is mostly set on the grounds of the death, we have the luxury mansion, when we stay in this location everything does feel like ‘Clue’ but whether we leave it does take a little bit away from the quirky style.
Scene of the Movie – Ambulance arrives.
That Moment That Annoyed Me – We never learn where Marta is from, with the on running joke she is South American, each character claims she is from a different country.
Final Thoughts – This is a quirky joyful comedy that leaves you guessing to the truth with performances that shine throughout the film.
Overall: Entertaining Mystery.
Lucy Buglass (45 KP) rated Knives Out (2019) in Movies
Oct 24, 2019
Due to its ensemble cast, gorgeous aesthetics and whodunit storyline, it’s safe to say that I had high expectations for Knives Out.
I’m pleased to report that it surpassed each and every one of them.
Rian Johnson’s tale of mystery follows the death of renowned crime novelist Harlan Thrombey (Christopher Plummer), which took place after his 85th birthday. Presumed to be a murder, his eccentric and very large family are soon under investigation by Detective Benoit Blanc (Daniel Craig) and his team.
Straight away, Daniel Craig steals the show with his hilarious performance of Detective Blanc. From his deep Southern American drawl to his quirky mannerisms, this is so far removed from what you’d expect from a Craig performance. I’ve never seen him have this much fun in a role before.
He’s tasked with getting to the bottom of what happened, which involves a delightful series of interviews in which the family are sitting in front of several display knives, just one of the many eccentricities of the Thrombey manor house. In terms of set design it’s just glorious to look at, and even one of the characters compares it to a Cluedo board.
Even the characters themselves are quirky enough to be boxed up inside the classic board game, and could give the likes of Miss Scarlet and Colonel Mustard a run for their money.
Characters include Thrombey’s daughter and real estate mogul Linda Drysdale (Jamie Lee Curtis), her husband Richard (Don Johnson), and outcast trust fund son Ransom (Chris Evans), who form quite the dysfunctional family even when you remove them from the bigger picture.
Then there’s the rather insufferable, yet hugely entertaining, lifestyle guru Joni Thrombey (Toni Collette) and her daughter and social activist Meg (Katherine Langford). These two characters are parodies of popular blogging culture and ‘social justice warriors’, and they’re hilarious.
Each character has been wonderfully crafted by Rian Johnson, who both wrote and directed Knives Out. They’re essentially caricatures, but the result of this is a thoroughly entertaining cinema experience. What a brilliant use of such a talented cast.
The only seemingly normal person wrapped up in all this is caretaker Marta Cabrera (Ana de Armas), who acted as both a friend and nurse to Harlan prior to his death. Even against a backdrop of such bold characters, de Armas’ performance shines just as brightly.
Mysteries are hard to get right, and being able to predict the ending is a bragging right for many cinephiles. Well unfortunately, this script absolutely floored me with how fantastic it was, and I was unable to predict anything that went down. Johnson has serious talent when it comes to crafting a murder-mystery.
Don’t even get me started on how gorgeous the wardrobe in this film is either. If anyone knows where I can get Jamie Lee Curtis’ striking red suit, you need to tell me immediately.
Watching Knives Out was the most fun I’ve had in the cinema this year, perhaps ever. I was fully engrossed from start to finish, and walked out with the biggest smile on my face.
If you see one film this autumn, make it this one. You won’t regret it.
I’m pleased to report that it surpassed each and every one of them.
Rian Johnson’s tale of mystery follows the death of renowned crime novelist Harlan Thrombey (Christopher Plummer), which took place after his 85th birthday. Presumed to be a murder, his eccentric and very large family are soon under investigation by Detective Benoit Blanc (Daniel Craig) and his team.
Straight away, Daniel Craig steals the show with his hilarious performance of Detective Blanc. From his deep Southern American drawl to his quirky mannerisms, this is so far removed from what you’d expect from a Craig performance. I’ve never seen him have this much fun in a role before.
He’s tasked with getting to the bottom of what happened, which involves a delightful series of interviews in which the family are sitting in front of several display knives, just one of the many eccentricities of the Thrombey manor house. In terms of set design it’s just glorious to look at, and even one of the characters compares it to a Cluedo board.
Even the characters themselves are quirky enough to be boxed up inside the classic board game, and could give the likes of Miss Scarlet and Colonel Mustard a run for their money.
Characters include Thrombey’s daughter and real estate mogul Linda Drysdale (Jamie Lee Curtis), her husband Richard (Don Johnson), and outcast trust fund son Ransom (Chris Evans), who form quite the dysfunctional family even when you remove them from the bigger picture.
Then there’s the rather insufferable, yet hugely entertaining, lifestyle guru Joni Thrombey (Toni Collette) and her daughter and social activist Meg (Katherine Langford). These two characters are parodies of popular blogging culture and ‘social justice warriors’, and they’re hilarious.
Each character has been wonderfully crafted by Rian Johnson, who both wrote and directed Knives Out. They’re essentially caricatures, but the result of this is a thoroughly entertaining cinema experience. What a brilliant use of such a talented cast.
The only seemingly normal person wrapped up in all this is caretaker Marta Cabrera (Ana de Armas), who acted as both a friend and nurse to Harlan prior to his death. Even against a backdrop of such bold characters, de Armas’ performance shines just as brightly.
Mysteries are hard to get right, and being able to predict the ending is a bragging right for many cinephiles. Well unfortunately, this script absolutely floored me with how fantastic it was, and I was unable to predict anything that went down. Johnson has serious talent when it comes to crafting a murder-mystery.
Don’t even get me started on how gorgeous the wardrobe in this film is either. If anyone knows where I can get Jamie Lee Curtis’ striking red suit, you need to tell me immediately.
Watching Knives Out was the most fun I’ve had in the cinema this year, perhaps ever. I was fully engrossed from start to finish, and walked out with the biggest smile on my face.
If you see one film this autumn, make it this one. You won’t regret it.
Darren (1599 KP) rated The Abominable Snowman (1957) in Movies
Jul 8, 2019 (Updated Oct 24, 2019)
Due to its ensemble cast, gorgeous aesthetics and whodunit storyline, it’s safe to say that I had high expectations for Knives Out.
I’m pleased to report that it surpassed each and every one of them.
Rian Johnson’s tale of mystery follows the death of renowned crime novelist Harlan Thrombey (Christopher Plummer), which took place after his 85th birthday. Presumed to be a murder, his eccentric and very large family are soon under investigation by Detective Benoit Blanc (Daniel Craig) and his team.
Straight away, Daniel Craig steals the show with his hilarious performance of Detective Blanc. From his deep Southern American drawl to his quirky mannerisms, this is so far removed from what you’d expect from a Craig performance. I’ve never seen him have this much fun in a role before.
He’s tasked with getting to the bottom of what happened, which involves a delightful series of interviews in which the family are sitting in front of several display knives, just one of the many eccentricities of the Thrombey manor house. In terms of set design it’s just glorious to look at, and even one of the characters compares it to a Cluedo board.
Even the characters themselves are quirky enough to be boxed up inside the classic board game, and could give the likes of Miss Scarlet and Colonel Mustard a run for their money.
Characters include Thrombey’s daughter and real estate mogul Linda Drysdale (Jamie Lee Curtis), her husband Richard (Don Johnson), and outcast trust fund son Ransom (Chris Evans), who form quite the dysfunctional family even when you remove them from the bigger picture.
Then there’s the rather insufferable, yet hugely entertaining, lifestyle guru Joni Thrombey (Toni Collette) and her daughter and social activist Meg (Katherine Langford). These two characters are parodies of popular blogging culture and ‘social justice warriors’, and they’re hilarious.
Each character has been wonderfully crafted by Rian Johnson, who both wrote and directed Knives Out. They’re essentially caricatures, but the result of this is a thoroughly entertaining cinema experience. What a brilliant use of such a talented cast.
The only seemingly normal person wrapped up in all this is caretaker Marta Cabrera (Ana de Armas), who acted as both a friend and nurse to Harlan prior to his death. Even against a backdrop of such bold characters, de Armas’ performance shines just as brightly.
Mysteries are hard to get right, and being able to predict the ending is a bragging right for many cinephiles. Well unfortunately, this script absolutely floored me with how fantastic it was, and I was unable to predict anything that went down. Johnson has serious talent when it comes to crafting a murder-mystery.
Don’t even get me started on how gorgeous the wardrobe in this film is either. If anyone knows where I can get Jamie Lee Curtis’ striking red suit, you need to tell me immediately.
Watching Knives Out was the most fun I’ve had in the cinema this year, perhaps ever. I was fully engrossed from start to finish, and walked out with the biggest smile on my face.
If you see one film this autumn, make it this one. You won’t regret it.
I’m pleased to report that it surpassed each and every one of them.
Rian Johnson’s tale of mystery follows the death of renowned crime novelist Harlan Thrombey (Christopher Plummer), which took place after his 85th birthday. Presumed to be a murder, his eccentric and very large family are soon under investigation by Detective Benoit Blanc (Daniel Craig) and his team.
Straight away, Daniel Craig steals the show with his hilarious performance of Detective Blanc. From his deep Southern American drawl to his quirky mannerisms, this is so far removed from what you’d expect from a Craig performance. I’ve never seen him have this much fun in a role before.
He’s tasked with getting to the bottom of what happened, which involves a delightful series of interviews in which the family are sitting in front of several display knives, just one of the many eccentricities of the Thrombey manor house. In terms of set design it’s just glorious to look at, and even one of the characters compares it to a Cluedo board.
Even the characters themselves are quirky enough to be boxed up inside the classic board game, and could give the likes of Miss Scarlet and Colonel Mustard a run for their money.
Characters include Thrombey’s daughter and real estate mogul Linda Drysdale (Jamie Lee Curtis), her husband Richard (Don Johnson), and outcast trust fund son Ransom (Chris Evans), who form quite the dysfunctional family even when you remove them from the bigger picture.
Then there’s the rather insufferable, yet hugely entertaining, lifestyle guru Joni Thrombey (Toni Collette) and her daughter and social activist Meg (Katherine Langford). These two characters are parodies of popular blogging culture and ‘social justice warriors’, and they’re hilarious.
Each character has been wonderfully crafted by Rian Johnson, who both wrote and directed Knives Out. They’re essentially caricatures, but the result of this is a thoroughly entertaining cinema experience. What a brilliant use of such a talented cast.
The only seemingly normal person wrapped up in all this is caretaker Marta Cabrera (Ana de Armas), who acted as both a friend and nurse to Harlan prior to his death. Even against a backdrop of such bold characters, de Armas’ performance shines just as brightly.
Mysteries are hard to get right, and being able to predict the ending is a bragging right for many cinephiles. Well unfortunately, this script absolutely floored me with how fantastic it was, and I was unable to predict anything that went down. Johnson has serious talent when it comes to crafting a murder-mystery.
Don’t even get me started on how gorgeous the wardrobe in this film is either. If anyone knows where I can get Jamie Lee Curtis’ striking red suit, you need to tell me immediately.
Watching Knives Out was the most fun I’ve had in the cinema this year, perhaps ever. I was fully engrossed from start to finish, and walked out with the biggest smile on my face.
If you see one film this autumn, make it this one. You won’t regret it.
Lee (2222 KP) rated Knives Out (2019) in Movies
Nov 26, 2019 (Updated Nov 29, 2019)
The morning after his 85th birthday party, millionaire Harlan Thrombey (Christopher Plummer) is found dead in his study. The local police find no evidence of foul play and come to the conclusion that his death was a suicide. However, an anonymous person believes otherwise and has hired celebrity detective Benoit Blanc (Daniel Craig) to try and determine 'whodunit'. When Blanc arrives at the Thrombey residence, it's been a week since Harlan's death, and all members of his large eccentric family have been assembled for further questioning by the police while Blanc looks on, quietly digesting their stories.
The family is portrayed by an impressive cast - Harlan’s daughter Linda (Jamie Lee Curtis) is the matriarch of the family, married to womanizer Richard (Don Johnson) and mother to Ransom (Chris Evans). Harlan's son Walt (Michael Shannon) works for his fathers publishing company and Joni (Toni Collette) is the wife of Harlan's late son. As they each recount their version of events, all slightly different to the others, it becomes clear that none of them is particularly honest, and that all of them had ample reason to want Harlan out of their lives.
The only person seemingly telling the truth, due to the fact that she suffers from a condition whereby she throws up if she doesn't, is Harlan's young nurse and confidante, Marta (Ana de Armas). She was the last to see Harlan the night he died, so her version of the events that took place that evening leading up to his demise are taken as the truth. It's up to Blanc to try and deduce what happened during the few hours that Marta was away from the house until the next morning.
Much of the fun of Knives Out comes from piecing together the various layers of information and working out who the hell is actually telling the truth. It's classic Agatha Christie stuff with a modern twist, a house full of characters that could easily have been lifted straight out of a game of Clue/Cluedo and twists and turns aplenty, keeping you on your toes and guessing at the truth until the very end. I felt it lagged for a while during the second half though, before gathering pace again for the finale, and I didn't find it to be the huge standout hit of the year that many reviewers have claimed it to be either. But, overall, Knives Out is just a hell of a lot of devilish fun.
The family is portrayed by an impressive cast - Harlan’s daughter Linda (Jamie Lee Curtis) is the matriarch of the family, married to womanizer Richard (Don Johnson) and mother to Ransom (Chris Evans). Harlan's son Walt (Michael Shannon) works for his fathers publishing company and Joni (Toni Collette) is the wife of Harlan's late son. As they each recount their version of events, all slightly different to the others, it becomes clear that none of them is particularly honest, and that all of them had ample reason to want Harlan out of their lives.
The only person seemingly telling the truth, due to the fact that she suffers from a condition whereby she throws up if she doesn't, is Harlan's young nurse and confidante, Marta (Ana de Armas). She was the last to see Harlan the night he died, so her version of the events that took place that evening leading up to his demise are taken as the truth. It's up to Blanc to try and deduce what happened during the few hours that Marta was away from the house until the next morning.
Much of the fun of Knives Out comes from piecing together the various layers of information and working out who the hell is actually telling the truth. It's classic Agatha Christie stuff with a modern twist, a house full of characters that could easily have been lifted straight out of a game of Clue/Cluedo and twists and turns aplenty, keeping you on your toes and guessing at the truth until the very end. I felt it lagged for a while during the second half though, before gathering pace again for the finale, and I didn't find it to be the huge standout hit of the year that many reviewers have claimed it to be either. But, overall, Knives Out is just a hell of a lot of devilish fun.
