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Lee KM Pallatina (951 KP) rated Robin Hood: Men in Tights (1993) in Movies
Aug 9, 2019
You have to be a real man to wear tights!
Cary Elwes stars a robin hood in this comical retelling of the legendary hero who after returning to England after fighting in the crusades and then being captured, enslaved only to escape from prison in Jerusalem and seim home to England (what a guy ;) ) to find that the evil Prince John (Richard Lewis) has confiscated his family estate and is following the script and ruining Nottingham. Robin enlists his family's loyal blind servant Blinkin (Mark Blankfield), Will Scarlett O'Hara (Matthew Porretta) and Little John (Eric Allan Kramer) to help rebel. Robin also hopes to woo the beautiful Maid Marian (Amy Yasbeck), but her chastity belt may prove a challenge (and her keeper)
Great jokes, Mel Brooks, hilarious performances, subtle nods and a robin hood who can speak with an England accent.
A classic spoof on the legend who had it coming.
Great jokes, Mel Brooks, hilarious performances, subtle nods and a robin hood who can speak with an England accent.
A classic spoof on the legend who had it coming.
Gareth von Kallenbach (980 KP) rated The Box (2009) in Movies
Aug 9, 2019
Norma Lewis (Cameron Diaz) and her husband, Arthur Lewis (James Marsden), are having a bad day. She just found out her educational scholarship will be ending and he is not going to become an astronaut even when he fits the bill. It is on this particularly challenging day that a mysterious box arrives on their doorstep. The package contains a button which when pressed is worth a million dollar payout but also will kill a random person unknown to the button pusher. Should they push the button and what happens if they do?
Based on the short story Button, Button by Richard Mathason, “The Box” stays true to Mathason’s one of a kind style. It is an interesting premise, and would make an interesting television episode, but falters as a full-length film.
“The Box” gives almost nothing to viewers, running so far off the original ‘push the button, don’t push the button’ issue as to baffle audiences. The more time goes on the more ridiculous the plot becomes and as a viewer you begin to wonder if the movie will ever end.
Furthering the joylessness of “the Box” is the overabundant use of 1970s décor and objects. Not at all subtle, the film’s need to beat you over the head with the time period is distracting from the plot of this already shaky film. Far to blatant to be unnoticeable, you leave the film not entirely sure what has happened but very sure it happened in the 1970s.
This is not to say that the film doesn’t offer some satisfaction, but the work put into stretching this short story into a full-length feature film leaves many lingering questions for the viewer.
So if you really enjoy a yellowish tint to your film going experience or overly blatant references to the 1970s you should definitely go see “The Box” but if you lack these offbeat qualities I suggest quickly reading the short story.
Based on the short story Button, Button by Richard Mathason, “The Box” stays true to Mathason’s one of a kind style. It is an interesting premise, and would make an interesting television episode, but falters as a full-length film.
“The Box” gives almost nothing to viewers, running so far off the original ‘push the button, don’t push the button’ issue as to baffle audiences. The more time goes on the more ridiculous the plot becomes and as a viewer you begin to wonder if the movie will ever end.
Furthering the joylessness of “the Box” is the overabundant use of 1970s décor and objects. Not at all subtle, the film’s need to beat you over the head with the time period is distracting from the plot of this already shaky film. Far to blatant to be unnoticeable, you leave the film not entirely sure what has happened but very sure it happened in the 1970s.
This is not to say that the film doesn’t offer some satisfaction, but the work put into stretching this short story into a full-length feature film leaves many lingering questions for the viewer.
So if you really enjoy a yellowish tint to your film going experience or overly blatant references to the 1970s you should definitely go see “The Box” but if you lack these offbeat qualities I suggest quickly reading the short story.
Chris Sawin (602 KP) rated The Box (2009) in Movies
Jun 22, 2019
Norma (Cameron Diaz) and Arthur Lewis (James Marsden) don't seem to be any different than any other hardworking family in the late 1970s on the surface, but things aren't always what they seem. After a freak accident at the doctor's office when she was 18, Norma suffers from a disfigurement on her foot and has a noticeable limp. A student humiliates her in front of her class while she's teaching and Norma is under the impression that would be the worst part of her day until she's informed that the discount faculty had been getting on tuition would be cut next semester. Meanwhile, Arthur works for NASA and had been counting on being recruited as an astronaut since he aced every test, but is rejected for failing the psychological exam. Already living paycheck to paycheck, Norma and Lewis wonder how they'll support their son Walter and themselves until an opportunity presents itself in the form of a box. Arlington Steward (Frank Langella), a man who's missing half of his face, shows up at the Lewis' home and makes them an offer that could solve all of their financial situations at the expense of somebody else with the simple push of a button. But the consequences that unfold for Norma and Arthur ar far greater than what they bargained for.
Richard Kelly is capable of making pretty fantastic films. Donnie Darko is still his crowning achievement. People seem to either love the film or think it's highly overrated, but with repeat viewings over the years it's become a favorite and has a cult like status. Southland Tales showed promise, but just felt like the second half of an already established franchise. That turned out to be true when the three graphic novels were published and were recommended to be read before seeing the film. I admire the fact that they took a different approach to the filmwatching experience, but since I didn't hear about the reading material until after I saw the film it seemed like a lost cause. Possibly too much to be bothered with. So Kelly offers his take on a Twilight Zone episode with The Box and the result leaves the viewer with mixed reactions.
The film seems to drag a bit in the first half hour as it introduces us to the Lewis family. The Box is dropped off on their doorstep, but then we're offered a glimpse into the daily lives of Norma and Arthur Lewis; mostly what their careers and daily struggles are like. Once Mr. Steward shows up and explains what The Box does is when the film begins to gain momentum. From that point until around the time Arthur gets knee deep into his investigation is when The Box is at its peak. There's at least one twist in there that's actually pretty satisfying, but it's unfortunate that the film can't keep that up for its entire duration. From then on, it just seems like the film adds more and more weird plot twists and ridiculous explanations. You'll want the film to have ended 20 minutes prior by the time Mr. Steward makes his second offer to the Lewis family.
The dialogue seemed to fluctuate between sounding natural and sounding forced throughout the film. The film takes place in 1976 and it's established rather well, for the most part. At times, it felt like some of the dialect from today slipped through the cracks and made it into a film that took place over 30 years ago. The acting wasn't entirely satisfying either. Was Cameron Diaz's accent noticeable in the trailer for the film? It didn't really click until around the five minute mark of the actual film and seemed to kind of come and go depending on how much dialogue Diaz actually had in a particular scene. Frank Langella was the most enjoyable, but if he wasn't missing half of his face or being so mysterious then his character would probably be kind of dull since he doesn't actually show any range of emotion in the film. The CG also seemed to look a bit low budget during the three gateways scene, which is odd since the pool scene was pulled off incredibly well. With all of these superbly CG animated films coming out as of late like Disney Pixar's Up, Disney's A Christmas Carol, and even next year's Toy Story 3, if CG of a lower quality is contained in a film after that it becomes extremely evident in comparison.
Richard Kelly's The Box puts a modern day spin on a classic story and while it isn't entirely satisfying, it does have its high points. As the puzzle the film is wrapped in unravels, its first few reveals are interesting, but it was like they tried to cram in as many twists and turns as possible as the film went on. While Kelly has at least one great film under his belt, it seems like he still hasn't found a specific stride to being a great director. That doesn't mean he's not capable of doing so and he certainly has his trademarks that seem to bleed through in his films (usually something relating to another gateway or dimension), but that he hasn't been able to channel a similar formula to what made Donnie Darko his standout film. That, in itself, is disappointing.
Richard Kelly is capable of making pretty fantastic films. Donnie Darko is still his crowning achievement. People seem to either love the film or think it's highly overrated, but with repeat viewings over the years it's become a favorite and has a cult like status. Southland Tales showed promise, but just felt like the second half of an already established franchise. That turned out to be true when the three graphic novels were published and were recommended to be read before seeing the film. I admire the fact that they took a different approach to the filmwatching experience, but since I didn't hear about the reading material until after I saw the film it seemed like a lost cause. Possibly too much to be bothered with. So Kelly offers his take on a Twilight Zone episode with The Box and the result leaves the viewer with mixed reactions.
The film seems to drag a bit in the first half hour as it introduces us to the Lewis family. The Box is dropped off on their doorstep, but then we're offered a glimpse into the daily lives of Norma and Arthur Lewis; mostly what their careers and daily struggles are like. Once Mr. Steward shows up and explains what The Box does is when the film begins to gain momentum. From that point until around the time Arthur gets knee deep into his investigation is when The Box is at its peak. There's at least one twist in there that's actually pretty satisfying, but it's unfortunate that the film can't keep that up for its entire duration. From then on, it just seems like the film adds more and more weird plot twists and ridiculous explanations. You'll want the film to have ended 20 minutes prior by the time Mr. Steward makes his second offer to the Lewis family.
The dialogue seemed to fluctuate between sounding natural and sounding forced throughout the film. The film takes place in 1976 and it's established rather well, for the most part. At times, it felt like some of the dialect from today slipped through the cracks and made it into a film that took place over 30 years ago. The acting wasn't entirely satisfying either. Was Cameron Diaz's accent noticeable in the trailer for the film? It didn't really click until around the five minute mark of the actual film and seemed to kind of come and go depending on how much dialogue Diaz actually had in a particular scene. Frank Langella was the most enjoyable, but if he wasn't missing half of his face or being so mysterious then his character would probably be kind of dull since he doesn't actually show any range of emotion in the film. The CG also seemed to look a bit low budget during the three gateways scene, which is odd since the pool scene was pulled off incredibly well. With all of these superbly CG animated films coming out as of late like Disney Pixar's Up, Disney's A Christmas Carol, and even next year's Toy Story 3, if CG of a lower quality is contained in a film after that it becomes extremely evident in comparison.
Richard Kelly's The Box puts a modern day spin on a classic story and while it isn't entirely satisfying, it does have its high points. As the puzzle the film is wrapped in unravels, its first few reveals are interesting, but it was like they tried to cram in as many twists and turns as possible as the film went on. While Kelly has at least one great film under his belt, it seems like he still hasn't found a specific stride to being a great director. That doesn't mean he's not capable of doing so and he certainly has his trademarks that seem to bleed through in his films (usually something relating to another gateway or dimension), but that he hasn't been able to channel a similar formula to what made Donnie Darko his standout film. That, in itself, is disappointing.
Hazel (1853 KP) rated He Walks Among Us: Encounters with Christ in a Broken World in Books
Dec 17, 2018
<b>Synopsis</b>
Richard Stearns is the president of World Vision United States who, along with his wife Reneé, regularly visits the poorer countries of our world to see the ways the charity is helping to change people's lives. <i>He Walks Among Us</i> is a compilation of short thoughts and observations (two-to-three pages, including photographs) they have both had while conducting their work. As they alternate the writing, we are given opinions and experiences that we may be able to relate to our own. As Richard is the president of the organisation, he can give an insight into the way World Vision works, however, he can also express his opinions as a father, grandfather and believer in Christ. Reneé is also a World Vision worker, but due to her nature, gives a more maternal impression of the scenes she witnesses.
The individuals written about in this book come from all over the world. Most are located in Africa, but there are also similar stories in Asia, South and North America, and even Eastern Europe. The terrors these people have faced are shocking (AIDs, war, sexual abuse, natural disasters etc), but each family has been aided in some way by World Vision and their donors.
The purpose of <i>He Walks Among Us</i> is not to promote World Vision, but to encourage us to let God and Jesus into our lives. Richard and Reneé assume their readers are Christians, however, they realise that being a Christian does not equate to fully accepting God's plans. The victims of war, rape, and poverty mentioned have also been touched by Jesus. Many did not know him before World Vision came into their lives, but they have now been transformed through the power of his love - although their situation may not have significantly improved.
The actual stories used to illustrate the work of World Vision are only brief mentions, providing the bare bones of the situations. What Richard and Reneé have focused on is linking these lives, their lives and our lives to passages from the Bible. Either taken literally or metaphorically, the pair manage to relate everything to the actions and fates of a number of key Biblical characters. This emphasises that Our Lord is walking among us, giving life, peace, hope and steadfast faith.
<b>Ideas</b>
Giving someone new hope or purpose in their life can be related to Jesus raising Lazarus from the dead. Whether people are literally dying, or on the edge of hopelessness and despair, improving their situation can turn their lives around.
The donors and workers at World Vision are like the Good Samaritan in Jesus' parable. We do not know these people, know their religion or circumstances, yet we send money and aid. To do nothing would make us the Priest or Levite in the story.
David was only a young boy when he had to face Goliath, yet, against all odds, he defeated him. The children mentioned in this book are similar to David. They each have their metaphorical Goliath's: poverty, illness, loss of parents, war, hunger etc, but with God working through us, these can be overcome.
<b>Noteworthy Bible Verses</b>
Each chapter of the book begins with a Bible verse, and often more are included within the text. Here are a few that really relate to the work of World Vision and the ways in which we can involve ourselves:
Philippians 4:12-13
Luke 21:3-4
Luke 6:20-21
Psalm 23:4
<b>Statistics</b>
23 million people in sub-Sahara Africa are suffering from HIV.
In Soviet-controlled Georgia, churches were banned. Some villages are only just seeing their first church in over 400 years.
20 thousand children under the age of 5 die every day.
Every 4 seconds a child under 5 dies.
Over 2 billion people in the world are living on $2 or less a day.
1 billion people have no access to clean drinking water.
41% of the population in Niger have no clean water.
<b>Citations</b>
Helen Keller: "So much has been given to me, I have no time to ponder over that which is denied."
Oswald Chambers: "The great hindrance in spiritual life is that we will look for big things to do. Jesus took a towel ... and began to wash the disciples' feet."
Mother Theresa: "I am a pencil in the hand of a writing God who is sending a love letter to the world."
C.S. Lewis: "Humility is not thinking less of yourself but thinking of yourself less."
<b>Other Mentions</b>
Hymn - Frances R. Havergal, <i>Take my Life and let it be.</i>
Film - <i>Pushing the Elephant</i>
Richard Stearns is the president of World Vision United States who, along with his wife Reneé, regularly visits the poorer countries of our world to see the ways the charity is helping to change people's lives. <i>He Walks Among Us</i> is a compilation of short thoughts and observations (two-to-three pages, including photographs) they have both had while conducting their work. As they alternate the writing, we are given opinions and experiences that we may be able to relate to our own. As Richard is the president of the organisation, he can give an insight into the way World Vision works, however, he can also express his opinions as a father, grandfather and believer in Christ. Reneé is also a World Vision worker, but due to her nature, gives a more maternal impression of the scenes she witnesses.
The individuals written about in this book come from all over the world. Most are located in Africa, but there are also similar stories in Asia, South and North America, and even Eastern Europe. The terrors these people have faced are shocking (AIDs, war, sexual abuse, natural disasters etc), but each family has been aided in some way by World Vision and their donors.
The purpose of <i>He Walks Among Us</i> is not to promote World Vision, but to encourage us to let God and Jesus into our lives. Richard and Reneé assume their readers are Christians, however, they realise that being a Christian does not equate to fully accepting God's plans. The victims of war, rape, and poverty mentioned have also been touched by Jesus. Many did not know him before World Vision came into their lives, but they have now been transformed through the power of his love - although their situation may not have significantly improved.
The actual stories used to illustrate the work of World Vision are only brief mentions, providing the bare bones of the situations. What Richard and Reneé have focused on is linking these lives, their lives and our lives to passages from the Bible. Either taken literally or metaphorically, the pair manage to relate everything to the actions and fates of a number of key Biblical characters. This emphasises that Our Lord is walking among us, giving life, peace, hope and steadfast faith.
<b>Ideas</b>
Giving someone new hope or purpose in their life can be related to Jesus raising Lazarus from the dead. Whether people are literally dying, or on the edge of hopelessness and despair, improving their situation can turn their lives around.
The donors and workers at World Vision are like the Good Samaritan in Jesus' parable. We do not know these people, know their religion or circumstances, yet we send money and aid. To do nothing would make us the Priest or Levite in the story.
David was only a young boy when he had to face Goliath, yet, against all odds, he defeated him. The children mentioned in this book are similar to David. They each have their metaphorical Goliath's: poverty, illness, loss of parents, war, hunger etc, but with God working through us, these can be overcome.
<b>Noteworthy Bible Verses</b>
Each chapter of the book begins with a Bible verse, and often more are included within the text. Here are a few that really relate to the work of World Vision and the ways in which we can involve ourselves:
Philippians 4:12-13
Luke 21:3-4
Luke 6:20-21
Psalm 23:4
<b>Statistics</b>
23 million people in sub-Sahara Africa are suffering from HIV.
In Soviet-controlled Georgia, churches were banned. Some villages are only just seeing their first church in over 400 years.
20 thousand children under the age of 5 die every day.
Every 4 seconds a child under 5 dies.
Over 2 billion people in the world are living on $2 or less a day.
1 billion people have no access to clean drinking water.
41% of the population in Niger have no clean water.
<b>Citations</b>
Helen Keller: "So much has been given to me, I have no time to ponder over that which is denied."
Oswald Chambers: "The great hindrance in spiritual life is that we will look for big things to do. Jesus took a towel ... and began to wash the disciples' feet."
Mother Theresa: "I am a pencil in the hand of a writing God who is sending a love letter to the world."
C.S. Lewis: "Humility is not thinking less of yourself but thinking of yourself less."
<b>Other Mentions</b>
Hymn - Frances R. Havergal, <i>Take my Life and let it be.</i>
Film - <i>Pushing the Elephant</i>
BankofMarquis (1832 KP) rated Inside Out (2015) in Movies
Apr 1, 2020
The Most Emotionally Resonant Pixar Film
When listing the PIXAR films that have the most emotional resonance, the films I hear mentioned most often are TOY STORY 3, WALL-E and the first 20 minutes of UP. While all of those are most definitely emotionally resonant, I would argue that INSIDE OUT is the most emotionally resonant of all the Pixar films.
And not just because the main characters in the film are emotions.
Telling the tale of 11 year old Riley, who's life is upended when her family moves from Minnesota to San Fransico, INSIDE OUT follows this journey through the eyes of Riley's 5 chief emotions - Joy, Sadness, Anger, Disgust and Fear.
As is customary in Pixar films, the voice cast in this film is outstanding. Amy Poehler (well known as the ever-optimistic Leslie Knope in the marvelous TV Series PARKS & RECREATION) is perfectly cast as Joy. Her never ending well of optimism is perfectly placed - and never gets tiresome. As does the voice work of Lewis Black (Anger), Bill Hader (Fear) and Mindy Kahling (Disgust). They are all marvelous. But the revelation of this film for me is the voicework of Phyllis Smith (THE OFFICE) as Sadness. She brings just the right amount of weight and...well...sadness...to her character without bogging down (and bringing down) the proceedings. These 5 work together well (especially Poehler and Smith).
Special notice needs to be made of the voice work of the unique talent that is Richard Kind as the character BingBong. I will not ruin any of the surprise of this character, but I will say I could not think of any other voice for this character - he is that perfect for it.
Credit, of course, for all of this needs to be given to Director Pete Docter (currently the Chief Creative Officer at Pixar). He has shown he has the ability to really tug at the heartstrings with his previous Pixar effort, UP, and he expands on this promise in this film bringing an emotionally rich film that has many, many moments of humor spliced within. He'll be at the helm of the upcoming SOUL and I can't wait to see it.
I'm glad I revisited INSIDE OUT, it is a stronger, better film than I remembered. You'll like it - and your kids will, too!
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank (ofMarquis)
And not just because the main characters in the film are emotions.
Telling the tale of 11 year old Riley, who's life is upended when her family moves from Minnesota to San Fransico, INSIDE OUT follows this journey through the eyes of Riley's 5 chief emotions - Joy, Sadness, Anger, Disgust and Fear.
As is customary in Pixar films, the voice cast in this film is outstanding. Amy Poehler (well known as the ever-optimistic Leslie Knope in the marvelous TV Series PARKS & RECREATION) is perfectly cast as Joy. Her never ending well of optimism is perfectly placed - and never gets tiresome. As does the voice work of Lewis Black (Anger), Bill Hader (Fear) and Mindy Kahling (Disgust). They are all marvelous. But the revelation of this film for me is the voicework of Phyllis Smith (THE OFFICE) as Sadness. She brings just the right amount of weight and...well...sadness...to her character without bogging down (and bringing down) the proceedings. These 5 work together well (especially Poehler and Smith).
Special notice needs to be made of the voice work of the unique talent that is Richard Kind as the character BingBong. I will not ruin any of the surprise of this character, but I will say I could not think of any other voice for this character - he is that perfect for it.
Credit, of course, for all of this needs to be given to Director Pete Docter (currently the Chief Creative Officer at Pixar). He has shown he has the ability to really tug at the heartstrings with his previous Pixar effort, UP, and he expands on this promise in this film bringing an emotionally rich film that has many, many moments of humor spliced within. He'll be at the helm of the upcoming SOUL and I can't wait to see it.
I'm glad I revisited INSIDE OUT, it is a stronger, better film than I remembered. You'll like it - and your kids will, too!
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank (ofMarquis)
Gareth von Kallenbach (980 KP) rated Inside Out (2015) in Movies
Aug 6, 2019
Have you ever wondered what goes on inside that noggin of yours when your feeling angry, scared, sad or happy even? The producers and directors of Up and Toy Story have delved inside these emotions with their new film Inside Out. It is the latest and greatest film from Disney’s Pixar to open this summer. The film brought in some of the best comedic actors together and strategically placed them in the mind of an eleven year old girl.
Riley is an eleven year old girl from Minnesota. Her parents have made the difficult decision to uproot her and move to San Francisco for her fathers new job. Riley’s life is flipped upside down and inside out. She is guided only by her emotions as most of us are. Her thoughts are being manned by a control room of sorts. Joy (Amy Poehler) keeps everything at bay. As it is her soul purpose to keep Riley happy and all the other emotions away from the controls as much as possible. Although other emotions like Fear (Bill Hader), Anger (Lewis Black), Disgust (Mindy Kaling) and Sadness (Phyllis Smith) tend to creep in from time to time.
Her memories are color-coded specific to each emotion. Core memories are glowing. Sadness has become quite enamored with these glowing core memories and can’t help herself from touching the orbs turning all of the happy core memories into sad memories. As her mind short circuits it paves the path for fear, disgust and anger to take over. Joy must stop this from happening and retrieve core memories that are almost lost. Guiding them along the way is Bing Bong (Richard Kind), Riley’s imaginary friend who was thought to be forgotten.
Inside Out will literally give you a seat on the train of thought and will wind through all the twists and turns of the mind. With such an ambitious idea Pixar has proved once again that they can make a film that can relate to both young and old. It will definitely tug at the heartstrings. It did for me as I was about Riley’s age when I was uprooted to Costa Rica so I hold this film close to my heart. Lots of surprises, laughs and maybe even a few sniffles await you with this film and really shouldn’t be missed. A few hidden surprises also await the true Disney fan. Skip the 3D version not worth the extra couple dollars.
Riley is an eleven year old girl from Minnesota. Her parents have made the difficult decision to uproot her and move to San Francisco for her fathers new job. Riley’s life is flipped upside down and inside out. She is guided only by her emotions as most of us are. Her thoughts are being manned by a control room of sorts. Joy (Amy Poehler) keeps everything at bay. As it is her soul purpose to keep Riley happy and all the other emotions away from the controls as much as possible. Although other emotions like Fear (Bill Hader), Anger (Lewis Black), Disgust (Mindy Kaling) and Sadness (Phyllis Smith) tend to creep in from time to time.
Her memories are color-coded specific to each emotion. Core memories are glowing. Sadness has become quite enamored with these glowing core memories and can’t help herself from touching the orbs turning all of the happy core memories into sad memories. As her mind short circuits it paves the path for fear, disgust and anger to take over. Joy must stop this from happening and retrieve core memories that are almost lost. Guiding them along the way is Bing Bong (Richard Kind), Riley’s imaginary friend who was thought to be forgotten.
Inside Out will literally give you a seat on the train of thought and will wind through all the twists and turns of the mind. With such an ambitious idea Pixar has proved once again that they can make a film that can relate to both young and old. It will definitely tug at the heartstrings. It did for me as I was about Riley’s age when I was uprooted to Costa Rica so I hold this film close to my heart. Lots of surprises, laughs and maybe even a few sniffles await you with this film and really shouldn’t be missed. A few hidden surprises also await the true Disney fan. Skip the 3D version not worth the extra couple dollars.
Bob Mann (459 KP) rated Dream Horse (2021) in Movies
Jun 12, 2021
Ensemble cast (1 more)
Cinematography of racing scenes
My lovely lovely horse fails to fully engage
An extraordinary story of ambition against all the odds - based on a true story - will Dream Alliance fulfil the town's dreams, or will it all end in tears?
Positives:
- Toni Collette! Without her powerful acting presence at the heart of the piece, I think the movie would have died in a ditch. As for her Welsh accent I (as an Englishman) thought it was pretty good: on my 'Welshometer', using the scale of Richard Burton as a 10 to RDW's "Doctor Dolittle" as a 1, I'd give Ms Collette about an 8. The illustrious Mrs Movie Man (as a Welsh lady) was less impressed, but found her "tolerable" when mixed with the other Welsh-born actors!
- And what a wonderful supporting cast of well know names from all our yesterdays. Just so great to see the great Siân Phillips ("I, Claudius"), Lynda Baron ('Nurse Gladys' from "Open all Hours"), Peter Davison ("Doctor Who") and Nicholas Farrell ("Chariots of Fire") in the cast. It was also (as is traditional in these "true stories") for the actual people to appear alongside their acting counterparts in the end titles: Howard Davies in particular seemed to be chuffed to bits to be singing alongside Damien Lewis!
- Hats off to cinematographer Erik Wilson and Chris Bates (the "drone operator"), for some impressive shots. The camera angles from the turf-pumping racing scenes are very impressive.
Negatives:
- How did it make me feel? Very little at all. Which is a problem. The movie is so utterly predictable that I saw every element of the story play out way before it did. Did this happen in real life? In which case, that's annoying that life was so unrealistically predictable in its ups and downs!
- Elements of the story also felt formulaic: from the token comedy cranky old bloke (Karl Johnson) to Jan's brooding father-with-a-grudge. This latter element seems unnecessarily bolted onto the plot: poorly worked through and pretty superfluous.
Summary Thoughts on "Dream Horse": This is a feature debut for welsh-born Euros Lyn, most familiar (as a peculiar name) for popping up in the end credits of TV shows such as "Doctor Who", "Torchwood" and "His Dark Materials". And, as a great supporter of UK films, I really wanted to like this one. But it just didn't do it for me. It's also unfortunate that some of the subject material makes it unsuitable for the 6-to-8 year old horse fanatics... this is no "International Velvet".
I've seen some social media comments from people who adore the movie. And, to be clear, it's NOT a bad movie. I just personally didn't connect with me. Just goes to show that cinema really is 'horses for courses' sometimes!
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/06/11/dream-horse-%e2%99%abi-want-to-shower-you-in-sugar-lumps-and-ride-you-over-fences%e2%99%ab/ . Thanks).
Positives:
- Toni Collette! Without her powerful acting presence at the heart of the piece, I think the movie would have died in a ditch. As for her Welsh accent I (as an Englishman) thought it was pretty good: on my 'Welshometer', using the scale of Richard Burton as a 10 to RDW's "Doctor Dolittle" as a 1, I'd give Ms Collette about an 8. The illustrious Mrs Movie Man (as a Welsh lady) was less impressed, but found her "tolerable" when mixed with the other Welsh-born actors!
- And what a wonderful supporting cast of well know names from all our yesterdays. Just so great to see the great Siân Phillips ("I, Claudius"), Lynda Baron ('Nurse Gladys' from "Open all Hours"), Peter Davison ("Doctor Who") and Nicholas Farrell ("Chariots of Fire") in the cast. It was also (as is traditional in these "true stories") for the actual people to appear alongside their acting counterparts in the end titles: Howard Davies in particular seemed to be chuffed to bits to be singing alongside Damien Lewis!
- Hats off to cinematographer Erik Wilson and Chris Bates (the "drone operator"), for some impressive shots. The camera angles from the turf-pumping racing scenes are very impressive.
Negatives:
- How did it make me feel? Very little at all. Which is a problem. The movie is so utterly predictable that I saw every element of the story play out way before it did. Did this happen in real life? In which case, that's annoying that life was so unrealistically predictable in its ups and downs!
- Elements of the story also felt formulaic: from the token comedy cranky old bloke (Karl Johnson) to Jan's brooding father-with-a-grudge. This latter element seems unnecessarily bolted onto the plot: poorly worked through and pretty superfluous.
Summary Thoughts on "Dream Horse": This is a feature debut for welsh-born Euros Lyn, most familiar (as a peculiar name) for popping up in the end credits of TV shows such as "Doctor Who", "Torchwood" and "His Dark Materials". And, as a great supporter of UK films, I really wanted to like this one. But it just didn't do it for me. It's also unfortunate that some of the subject material makes it unsuitable for the 6-to-8 year old horse fanatics... this is no "International Velvet".
I've seen some social media comments from people who adore the movie. And, to be clear, it's NOT a bad movie. I just personally didn't connect with me. Just goes to show that cinema really is 'horses for courses' sometimes!
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/06/11/dream-horse-%e2%99%abi-want-to-shower-you-in-sugar-lumps-and-ride-you-over-fences%e2%99%ab/ . Thanks).
Darren (1599 KP) rated Wings (1927) in Movies
Dec 8, 2019
Verdict: Beautiful Portray of Love & War
Story: Wings starts as two young men Jack Powell (Rogers) and David Armstrong (Arlen) both sign up to become fighter pilots in the First World War, they are from different backgrounds, with Jack working with his hands, which has seen him get the attention of Mary Preston (Bow) and David being rich, with the pair both seeking the attention of Sylvia Lewis (Ralston).
What starts out in rivalry soon becomes friendship between the two men as through their training, they learn they need to be on the same side and want the same thing from their time in the service. They are followed by Mary who has taken up a job where she delivers medical supplies to troops, all while her love for Jack continues to grow.
Thoughts on Wings
Characters – Mary Preston has worked with Jack Powell for years, they work on cars and her love for Jack is clear, she doesn’t get the attention she desires of him though, with the men at war, she uses her driving skills to deliver medical supplies, hoping to find Jack too, which sees her needing to find a way to act more lady like for the era. Jack Powell is from the working class bracket of people, he has always been great with cars and mechanics, which sees him sign up for the air force during world war 1, he will do what he can get impress the rich Sylvia to whom he loves and after years of rivalry with David, they will become friends. David Armstrong has come from a rich family, he is set to be marrying Sylvia one day if the families have their say, he sees Jack as a rival, until they fight side by side in the skies. Sylvia is the woman that both men are fighting for the attention of, they both see her as the perfect woman and will go to lengths to impress her.
Performances – This being a silent movie, all the work from the actors in the film comes from face expressions and movements, which they are all fantastic with, Clara Bow shows the pain of being in love with somebody who doesn’t want you, while Charles Rogers and Richard Arlen show the rivalry men can have when it comes to women.
Story – The story here follows two men from different backgrounds, one rich one working class, that are both fighting for the same woman, who join the air force to impress, where they become friends and learn the horrors of war. This is a story that is one that shows that love can be something people will always do crazy things for, it shows how the war bought enemies together and for a movie made in 1927, showed us a strong female character willing to go into war, unlike many films for years to come. Being a silent movie, we do get the expression and action doing a lot of the storytelling around the dialogue which is interesting because it keeps away a lot of unnecessary dialogue certain war films turn too.
Romance/War – The romance in this film shows how people will do strange things for love, you might not always see it right under your nose either, with the war being the main location that our characters all go to impress, the dog fight scenes are brilliant to watch, with the use of music making a big impact on the quality too.
Settings – The film uses the settings you would expect to see the war fought at, while we see the ground shots, it is when we are in the sky watching the dog fights that we get to feel the peril the characters are going through.
Scene of the Movie – Any of the dog fights.
That Moment That Annoyed Me – It does play into stereotypes of other nationalities.
Final Thoughts – This is a genius war movie that rightly deserved to win the first Oscar, it brings us a story that shows how much people would have risked for war and just how far they would go for love.
Overall: Brilliant.
Story: Wings starts as two young men Jack Powell (Rogers) and David Armstrong (Arlen) both sign up to become fighter pilots in the First World War, they are from different backgrounds, with Jack working with his hands, which has seen him get the attention of Mary Preston (Bow) and David being rich, with the pair both seeking the attention of Sylvia Lewis (Ralston).
What starts out in rivalry soon becomes friendship between the two men as through their training, they learn they need to be on the same side and want the same thing from their time in the service. They are followed by Mary who has taken up a job where she delivers medical supplies to troops, all while her love for Jack continues to grow.
Thoughts on Wings
Characters – Mary Preston has worked with Jack Powell for years, they work on cars and her love for Jack is clear, she doesn’t get the attention she desires of him though, with the men at war, she uses her driving skills to deliver medical supplies, hoping to find Jack too, which sees her needing to find a way to act more lady like for the era. Jack Powell is from the working class bracket of people, he has always been great with cars and mechanics, which sees him sign up for the air force during world war 1, he will do what he can get impress the rich Sylvia to whom he loves and after years of rivalry with David, they will become friends. David Armstrong has come from a rich family, he is set to be marrying Sylvia one day if the families have their say, he sees Jack as a rival, until they fight side by side in the skies. Sylvia is the woman that both men are fighting for the attention of, they both see her as the perfect woman and will go to lengths to impress her.
Performances – This being a silent movie, all the work from the actors in the film comes from face expressions and movements, which they are all fantastic with, Clara Bow shows the pain of being in love with somebody who doesn’t want you, while Charles Rogers and Richard Arlen show the rivalry men can have when it comes to women.
Story – The story here follows two men from different backgrounds, one rich one working class, that are both fighting for the same woman, who join the air force to impress, where they become friends and learn the horrors of war. This is a story that is one that shows that love can be something people will always do crazy things for, it shows how the war bought enemies together and for a movie made in 1927, showed us a strong female character willing to go into war, unlike many films for years to come. Being a silent movie, we do get the expression and action doing a lot of the storytelling around the dialogue which is interesting because it keeps away a lot of unnecessary dialogue certain war films turn too.
Romance/War – The romance in this film shows how people will do strange things for love, you might not always see it right under your nose either, with the war being the main location that our characters all go to impress, the dog fight scenes are brilliant to watch, with the use of music making a big impact on the quality too.
Settings – The film uses the settings you would expect to see the war fought at, while we see the ground shots, it is when we are in the sky watching the dog fights that we get to feel the peril the characters are going through.
Scene of the Movie – Any of the dog fights.
That Moment That Annoyed Me – It does play into stereotypes of other nationalities.
Final Thoughts – This is a genius war movie that rightly deserved to win the first Oscar, it brings us a story that shows how much people would have risked for war and just how far they would go for love.
Overall: Brilliant.
Darren (1599 KP) rated From Dusk Till Dawn (1996) in Movies
Sep 2, 2019
Thoughts on From Dusk till Dawn
Characters – Seth Gecko has just been sprung from prison by his brother, he wants to get across the border to complete a deal which would see them both have freedom, he is the one that remains in control wanting to keep everything calm, which would mean not leaving a pile of bodies behind them. He does deliver the threats which would see them as a danger, though he does just want things to be simple. Richard or Ritchie is must more of a loose cannon, he is paranoid and this makes him more dangerous, as he will kill people putting their safety at risk. He is protected by his brother, as he doesn’t seem like he is capable of putting a plan together himself. Jacob was a priest that has lost his faith after his wife’s death, he I taking his family on a vacation and gets forced into helping the brothers, he wants to keep them safe, willing to risk his own life to make this happen. Kate and Scott are his children, they are dealing with their own loss the best way they know how to and being supportive to their father. Santanico is the beautiful dancer that will stop a bar with her dance, she is one of the leaders of the vampires who has been waiting for the food in human form.
Performances – George Clooney is great to see in this role, after this we only usually see him in smooth talking roles, rather than a rough criminal, showing he could become any role offered to him. Tarantino in this film is creepy and putting himself in the supporting role does hide any restrictions he might have as an actor. Harvey Keitel is great showing a character that is meant to be hating his life choice, but remaining strong for his children. Juliette Lewis and Ernest Liu are both solid enough in the supporting roles without getting too much more to work with, while Salma Hayek turns heads with her performance.
Story – The story here follows two criminals trying to get to Mexico, the family they force to help them across the border and the bar they find, filled with vampires that they must fight to survive the night. Where this story stands up on its own, is by making it a criminal tory to start with, having no hints of horror or vampires involved, as we just watch the two loose cannons trying to get to safety, by pulling the rug out from under us to thrown us into the horror idea is genius switch of pace for the story. we do have themes going on especially with the Jacob character needing to find his lost faith which finding it will become the big part in fight the vampires. The story also exists in a world where vampire stories do exist, which gives them ideas on how to fight back, which was the main attraction to the 90’s horror stories.
Action/Horror – The action in the film involves the fighting with the vampires, we get to take everything to a new level for this side of the genre, with the blood splatter in the action, which the horror gives us because we vampires which are a staple of horror, but we do focus on the action over the scares.
Settings – The film uses the getting to the location setting of the camper van which does show us the road trip feel to the film, but it is the bar that will be one that is always going to be hard to forget, being a run down biker and trucker bar.
Special Effects – The special effects are some of the best you will see in the vampire genre, it shows that you can get plenty done with practical effects, with the only weakness come from the human to vampire transformations, which look CGI and have dated.
Scene of the Movie – The battle.
That Moment That Annoyed Me – The transformations have dated badly.
Final Thoughts – This is one of the most fun vampire movies you will ever see, it has plenty of blood flying around the screen and will keep you entertained from start to finish.
Overall: Purely entertaining vampire movie.
Characters – Seth Gecko has just been sprung from prison by his brother, he wants to get across the border to complete a deal which would see them both have freedom, he is the one that remains in control wanting to keep everything calm, which would mean not leaving a pile of bodies behind them. He does deliver the threats which would see them as a danger, though he does just want things to be simple. Richard or Ritchie is must more of a loose cannon, he is paranoid and this makes him more dangerous, as he will kill people putting their safety at risk. He is protected by his brother, as he doesn’t seem like he is capable of putting a plan together himself. Jacob was a priest that has lost his faith after his wife’s death, he I taking his family on a vacation and gets forced into helping the brothers, he wants to keep them safe, willing to risk his own life to make this happen. Kate and Scott are his children, they are dealing with their own loss the best way they know how to and being supportive to their father. Santanico is the beautiful dancer that will stop a bar with her dance, she is one of the leaders of the vampires who has been waiting for the food in human form.
Performances – George Clooney is great to see in this role, after this we only usually see him in smooth talking roles, rather than a rough criminal, showing he could become any role offered to him. Tarantino in this film is creepy and putting himself in the supporting role does hide any restrictions he might have as an actor. Harvey Keitel is great showing a character that is meant to be hating his life choice, but remaining strong for his children. Juliette Lewis and Ernest Liu are both solid enough in the supporting roles without getting too much more to work with, while Salma Hayek turns heads with her performance.
Story – The story here follows two criminals trying to get to Mexico, the family they force to help them across the border and the bar they find, filled with vampires that they must fight to survive the night. Where this story stands up on its own, is by making it a criminal tory to start with, having no hints of horror or vampires involved, as we just watch the two loose cannons trying to get to safety, by pulling the rug out from under us to thrown us into the horror idea is genius switch of pace for the story. we do have themes going on especially with the Jacob character needing to find his lost faith which finding it will become the big part in fight the vampires. The story also exists in a world where vampire stories do exist, which gives them ideas on how to fight back, which was the main attraction to the 90’s horror stories.
Action/Horror – The action in the film involves the fighting with the vampires, we get to take everything to a new level for this side of the genre, with the blood splatter in the action, which the horror gives us because we vampires which are a staple of horror, but we do focus on the action over the scares.
Settings – The film uses the getting to the location setting of the camper van which does show us the road trip feel to the film, but it is the bar that will be one that is always going to be hard to forget, being a run down biker and trucker bar.
Special Effects – The special effects are some of the best you will see in the vampire genre, it shows that you can get plenty done with practical effects, with the only weakness come from the human to vampire transformations, which look CGI and have dated.
Scene of the Movie – The battle.
That Moment That Annoyed Me – The transformations have dated badly.
Final Thoughts – This is one of the most fun vampire movies you will ever see, it has plenty of blood flying around the screen and will keep you entertained from start to finish.
Overall: Purely entertaining vampire movie.