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Lyndsey Gollogly (2893 KP) rated Walters Rifle (Haunted Collection #2) in Books
Mar 29, 2021
45 of 250
Kindle
Walters Rifle ( Haunted Collection book 2)
By Ron Ripley
Once read a review will be written via Smashbomb and link posted in comments
The gleaming muzzle of a rifle burns with an insatiable desire, and its new owner is all too happy to comply....
Haunted items are traversing the country, and their ghosts are wreaking havoc on their new owners. At the center of the chaos is an old rifle possessed by a blood-thirsty specter, who dreams of massacres at every turn. Meanwhile, lurking in a nearby mailbox is an antique novel possessed by a monster who takes pleasure in agonizing, heart-stopping torture.
Stefan Korzh's plan is unraveling flawlessly, and he can't imagine a better way of seeking revenge on the world. But Victor Daniels and Jeremy Rhinehart won't let that happen. Recovering from their grisly encounters with the dead, they're more prepared than ever before. They work on finding the sources of bloodshed and imprisoning the crazed collectibles.
With murderous ghosts continuing to raise the death toll, Victor and Jeremy have their hands full. They race against time to stop the mayhem and save innocent bystanders. Fueled by their quest for revenge, each step brings them toward the culprit behind all the horror. But as they get closer to catching this madman, they discover how dangerous Stefan Korzh truly is....
So I’m such a drip and didn’t realise it was an ongoing series so that answers the end of my review of the first book! So more haunted objects are sold into the world with horrifying results. It’s getting a little more personal and now he has little Annie back. Also Stefan has seriously pissed off daddy! I still think it was very rushed like the first book. Walters rifle could have featured a little more. Still a decent horror read.
Kindle
Walters Rifle ( Haunted Collection book 2)
By Ron Ripley
Once read a review will be written via Smashbomb and link posted in comments
The gleaming muzzle of a rifle burns with an insatiable desire, and its new owner is all too happy to comply....
Haunted items are traversing the country, and their ghosts are wreaking havoc on their new owners. At the center of the chaos is an old rifle possessed by a blood-thirsty specter, who dreams of massacres at every turn. Meanwhile, lurking in a nearby mailbox is an antique novel possessed by a monster who takes pleasure in agonizing, heart-stopping torture.
Stefan Korzh's plan is unraveling flawlessly, and he can't imagine a better way of seeking revenge on the world. But Victor Daniels and Jeremy Rhinehart won't let that happen. Recovering from their grisly encounters with the dead, they're more prepared than ever before. They work on finding the sources of bloodshed and imprisoning the crazed collectibles.
With murderous ghosts continuing to raise the death toll, Victor and Jeremy have their hands full. They race against time to stop the mayhem and save innocent bystanders. Fueled by their quest for revenge, each step brings them toward the culprit behind all the horror. But as they get closer to catching this madman, they discover how dangerous Stefan Korzh truly is....
So I’m such a drip and didn’t realise it was an ongoing series so that answers the end of my review of the first book! So more haunted objects are sold into the world with horrifying results. It’s getting a little more personal and now he has little Annie back. Also Stefan has seriously pissed off daddy! I still think it was very rushed like the first book. Walters rifle could have featured a little more. Still a decent horror read.
Night Reader Reviews (683 KP) rated Voice of the Elders in Books
Jan 9, 2020
Honest Review for Free Copy of Book
Contains spoilers, click to show
The Voice of the Elders by Greg Ripley is a very well written book that anyone who has a strong connection with earth and nature would be drawn to right away. This is well received as the book puts a lot of focus on the harder topics of what we face with global warming and as a race if we do not start thinking about sustainability as a complete way of life. It also brings to light the idea that even if sustainability is the best for the planet as whole companies such as big oil and nuclear power may not be all that interested because it takes profit away from them, showing just how harmful human greed can be.
The book also mentions many aspects from different religions and cultures, along with their moral views. Christian theology is even mentioned in the same paragraph as the threefold version of the Golden Rule which many would attribute to the Pagans or more specifically the religion of Wicca. However, a lot of talk in the book revolves around Chinese Daoism and somewhat in-depth at that. This lost me at a few different places but not for long as the ideas were also explained fairly well. I believe the average reader should be able to at least the get gist of what is being said during the conversations.
The basic idea of the book is that the Earth is in major trouble. As humans, our greed and lack of concern for our environment is killing our planet as it is already too late to reverse these effects unless we do something big really quick. A meeting is being held at the United Nations to address these concerns and that is where the reader first meets the main character Rohini. It is also where the Elders are first introduced into the story. Without giving too much away to the interested reader I feel like I can safely say that the Elders tell the World Leaders about what can be done to save the Earth and propose a plan where the Earth will send ambassadors to the world of the Elders.
Rohini is chosen to be one of these ambassadors and is brought before the world on TV when all of those selected to be ambassadors are introduced. This is when trouble starts, those against the Elders and the sustainability programs launch their first direct attack and kill most of the ambassadors and the President forcing Rohini, her trainer Jane, and Jane’s friend Guangming into hiding as suspects while waiting for their names to be cleared.
Overall the book is very well written and I failed to find any major editorial flaws in it. Still, I rate this book to be 2 out of 4 stars. This is because while I loved seeing Rohini grow spiritually and increase her personal connection with the Earth I found the book lacking. The last five-chapter or so felt rushed like Greg Ripley got bored or wasn’t sure how to pull everything together. I guess more of what I am trying to say is with how amazingly detailed the rest of the book was the end felt haphazardly thrown together. Now if this were the first in a series I would change my rating to a 3 providing that a few things got explained better such as who exactly the “Others” are (not going to say anything more about them without risking a spoiler) and what happens with the Earth and the Elders.
The book also mentions many aspects from different religions and cultures, along with their moral views. Christian theology is even mentioned in the same paragraph as the threefold version of the Golden Rule which many would attribute to the Pagans or more specifically the religion of Wicca. However, a lot of talk in the book revolves around Chinese Daoism and somewhat in-depth at that. This lost me at a few different places but not for long as the ideas were also explained fairly well. I believe the average reader should be able to at least the get gist of what is being said during the conversations.
The basic idea of the book is that the Earth is in major trouble. As humans, our greed and lack of concern for our environment is killing our planet as it is already too late to reverse these effects unless we do something big really quick. A meeting is being held at the United Nations to address these concerns and that is where the reader first meets the main character Rohini. It is also where the Elders are first introduced into the story. Without giving too much away to the interested reader I feel like I can safely say that the Elders tell the World Leaders about what can be done to save the Earth and propose a plan where the Earth will send ambassadors to the world of the Elders.
Rohini is chosen to be one of these ambassadors and is brought before the world on TV when all of those selected to be ambassadors are introduced. This is when trouble starts, those against the Elders and the sustainability programs launch their first direct attack and kill most of the ambassadors and the President forcing Rohini, her trainer Jane, and Jane’s friend Guangming into hiding as suspects while waiting for their names to be cleared.
Overall the book is very well written and I failed to find any major editorial flaws in it. Still, I rate this book to be 2 out of 4 stars. This is because while I loved seeing Rohini grow spiritually and increase her personal connection with the Earth I found the book lacking. The last five-chapter or so felt rushed like Greg Ripley got bored or wasn’t sure how to pull everything together. I guess more of what I am trying to say is with how amazingly detailed the rest of the book was the end felt haphazardly thrown together. Now if this were the first in a series I would change my rating to a 3 providing that a few things got explained better such as who exactly the “Others” are (not going to say anything more about them without risking a spoiler) and what happens with the Earth and the Elders.
Lyndsey Gollogly (2893 KP) rated Collecting Death (Haunted Collection #1) in Books
Mar 5, 2021
33 of 250
Kindle
Collecting Death (Haunted Collection book 1)
By Ron Ripley
Once read a review will be written via Smashbomb and link posted in comments
Rolf the teddy bear looks sweet and warm. But in the dark, its eyes glow with a murderous gleam…
Stefan Korzh’s parents built a life around collecting possessed items, in the throes of a peculiar game with the dead. Antique porcelain dolls, beautifully crafted teapots and an eerie teddy bear, all seemingly innocuous objects that encompass unimaginable evil, and malignant spirits who wish to inflict pain on the living.
His parents’ obsession ruined Stefan’s life, and he dreams of punishing the rest of the world for his poor luck of the draw. Dreams become reality when he sends the collectibles to unsuspecting customers. One by one, he eagerly watches the chaos that unfolds.
Victor Daniels, a historian exhausted by yet another academic conference, wants nothing more than to go home and see his wife. But tragedy cuts his hopes of comfort short. Seeking answers, he teams up with a paranormal expert by the name of Jeremy Rhinehart. The two discover a tangled web of haunted collectibles gleefully painting the town red with the blood of their new owners.
Time is running out, and they must stop Stefan from spreading further mayhem. But Jeremy and Victor are in over their heads, and the hellish objects’ spirits will not rest until their pursuers join the ranks of the dead…
Well he took being pissed at his parents way to far! I’d have loved to learn more about Anne and Rolfe as well as a few other characters! It was super eerie especially if you have a fear of haunted kids toys! Reading in the dark made this that little bit better. Really Interesting read. I’d love to know what else was unleashed on the unsuspecting people buying these haunted items. Found the ending slightly rushed too! But overall a good read.
Kindle
Collecting Death (Haunted Collection book 1)
By Ron Ripley
Once read a review will be written via Smashbomb and link posted in comments
Rolf the teddy bear looks sweet and warm. But in the dark, its eyes glow with a murderous gleam…
Stefan Korzh’s parents built a life around collecting possessed items, in the throes of a peculiar game with the dead. Antique porcelain dolls, beautifully crafted teapots and an eerie teddy bear, all seemingly innocuous objects that encompass unimaginable evil, and malignant spirits who wish to inflict pain on the living.
His parents’ obsession ruined Stefan’s life, and he dreams of punishing the rest of the world for his poor luck of the draw. Dreams become reality when he sends the collectibles to unsuspecting customers. One by one, he eagerly watches the chaos that unfolds.
Victor Daniels, a historian exhausted by yet another academic conference, wants nothing more than to go home and see his wife. But tragedy cuts his hopes of comfort short. Seeking answers, he teams up with a paranormal expert by the name of Jeremy Rhinehart. The two discover a tangled web of haunted collectibles gleefully painting the town red with the blood of their new owners.
Time is running out, and they must stop Stefan from spreading further mayhem. But Jeremy and Victor are in over their heads, and the hellish objects’ spirits will not rest until their pursuers join the ranks of the dead…
Well he took being pissed at his parents way to far! I’d have loved to learn more about Anne and Rolfe as well as a few other characters! It was super eerie especially if you have a fear of haunted kids toys! Reading in the dark made this that little bit better. Really Interesting read. I’d love to know what else was unleashed on the unsuspecting people buying these haunted items. Found the ending slightly rushed too! But overall a good read.
Lyndsey Gollogly (2893 KP) rated Hanks Radio ( Haunted Collection book 4) in Books
Apr 2, 2022
58 of 230
Kindle
Hanks Radio ( Haunted Collection 4)
By Ron Ripley
⭐️⭐️⭐️⭐️
A man's seductive voice emanates from an antique radio, luring women into his murderous embrace....
It's business as usual for Stefan Korzh as he continues to send haunted antiques onto unsuspecting buyers. Despite going into hiding, his desire to punish the universe for his own misfortune remains unchecked.
Victor Daniels, now more than ever, is focused on grabbing Korzh by the neck and making him feel the full extent of his pain and suffering. But plans change when a suave ghost from the 1940s leaves a trail of dead bodies in his wake. Hank, a sly and charming specter, uses a mahogany-colored radio to reach his victims...lonely, elderly women in nursing homes who find him hard to resist.
Meanwhile, Tom Crane is slowly adjusting to the life of a home-schooled student, spending his days immersed in books from the local library. But brewing underneath his scholarly demeanor is his insatiable thirst for revenge. With Victor occupied, Tom embarks on a dangerous mission to confront the man behind his misery.
The lives of Stefan, Victor, and Tom become more and more intertwined as they continue to play the blood-riddled sport. When old friends - and enemies - reveal themselves, they discover that anything is possible in a game filled with ghosts and vengeance.
Even the hunter can become the hunted....
I really enjoy these books and the character development. We pick up with Victor And Tom in this one and how they are dealing with Jeremy’s death and there continued search for Korzh. They get split up and things go a little haywire. These are so good and they involve a different vengeful spirit each time. This on also brought back the doll Anne that thing really gives me the bloody creeps. Recommended if you enjoy a good ghost story.
Kindle
Hanks Radio ( Haunted Collection 4)
By Ron Ripley
⭐️⭐️⭐️⭐️
A man's seductive voice emanates from an antique radio, luring women into his murderous embrace....
It's business as usual for Stefan Korzh as he continues to send haunted antiques onto unsuspecting buyers. Despite going into hiding, his desire to punish the universe for his own misfortune remains unchecked.
Victor Daniels, now more than ever, is focused on grabbing Korzh by the neck and making him feel the full extent of his pain and suffering. But plans change when a suave ghost from the 1940s leaves a trail of dead bodies in his wake. Hank, a sly and charming specter, uses a mahogany-colored radio to reach his victims...lonely, elderly women in nursing homes who find him hard to resist.
Meanwhile, Tom Crane is slowly adjusting to the life of a home-schooled student, spending his days immersed in books from the local library. But brewing underneath his scholarly demeanor is his insatiable thirst for revenge. With Victor occupied, Tom embarks on a dangerous mission to confront the man behind his misery.
The lives of Stefan, Victor, and Tom become more and more intertwined as they continue to play the blood-riddled sport. When old friends - and enemies - reveal themselves, they discover that anything is possible in a game filled with ghosts and vengeance.
Even the hunter can become the hunted....
I really enjoy these books and the character development. We pick up with Victor And Tom in this one and how they are dealing with Jeremy’s death and there continued search for Korzh. They get split up and things go a little haywire. These are so good and they involve a different vengeful spirit each time. This on also brought back the doll Anne that thing really gives me the bloody creeps. Recommended if you enjoy a good ghost story.
BankofMarquis (1832 KP) rated Alien (1979) in Movies
Feb 22, 2020
This classic holds up very, very well more than 40 years later
I convinced my cynical 19 year old to watch an "ancient" film (her phrase) - so I was careful with my choice. I know she likes horror, so thought I would try to see if she could be scared the old fashioned way and pulled the 1979 Sci-Fi/Horror classic ALIEN off the shelves to show her.
It scared the crap outta her.
Directed by Ridley Scott (more on him later) Alien tells the tale of a working-class deep space vehicle, returning home with a full cargo when they intercept a distress call at a distant, non-descript planet, they go to investigate and...
As told by Ridley Scott, based on a script and story by Dan O'Bannon, Alien is a masterwork in suspense and mood. Scott takes his time telling this story, setting up the feel and atmosphere, showing a gritty, working-man's vessel (and not a sleek silver and chrome shiny ship) where the people inside the craft are not heroes, but working class stiff's just trying to make a buck.
What surprised me this time around seeing this film is how deliberate (some would say slow) that the pacing of this film is - but, darn it all, if it doesn't work. The tension slowly builds so when violence/action happens it explodes and seems all the bigger due to the fact that it is coming out of silence.
The cast - a group of relative unknowns at the time - is stellar. In the DVD commentary, Director Scott said he spent quite a bit of time casting this film to ensure he had the right mix - and his work shows on screen. The 7 actors in this film work well together - and each one of them brings a real character to the screen that is interesting to watch.
Tom Skerrit (the film version of M*A*S*H) as laconic, laid back Captain Dallas and Yaphet Kotto (the villain in the James Bond flick LIVE AND LET DIE) as gruff, looking-for-a-buck mechanic Parker were the most well known of the 7 at the time of the release of the film - and they do bring some star power to the proceedings, but are met, evenly, by others like former child star Veronica Cartwright (Alfred Hitchcock's THE BIRDS), veteran character Actor Harry Dean Stanton ( THE ROSE) and John Hurt (THE ELEPHANT MAN). All 3 bring interesting characters - and faces - to the proceedings.
But...for me 2 the standouts in this cast is IAN HOLM (TIME BANDITS) as Science Officer Ash - a character with some "quirks" (to put it mildly) and, of course Sigourney Weaver (GHOSTBUSTERS) in her star making role as 3rd officer Ripley. I don't want to spoil anything in this film, but Weaver's Ripley is the type of strong female character - fighting the typical, chauvinistic male hierarchy - that was heretofore unknown/rarely seen in film and is the prototype of these types of characters to this day. Weaver's performance and the writing and direction of this character is that strong/groundbreaking that it continues to influence writing and filmmaking all these years later.
The 8th character in this film is the look and feel of the ship - the Nostromo - and the look and feel of the titular Alien character as brought to life in an Oscar winning effort in Visual Effects for the team of H.R. Giger, Carlo Rambaldi, Brian Johnson, Nick Allder and Dennis Ayling (based on drawings by Giger). This is truly remarkable, bravura and groundbreaking design and filmmaking - one that holds up very well more than 40 years later - made all the more astounding when you realize that these are all practical effects (CGI had not be invented yet) and the filmmakers had to rely on puppetry, editing, performance and what you don't see (but your mind thinks you do) to fill in the gaps.
It all works tremendously well - if you haven't seen this in awhile, do yourself a favor and watch it again. If you have never seen it, well...you are in for a treat.
Letter Grade: A+
10 Stars (out of 10) and you can take that to the Bank(ofMarquis)
It scared the crap outta her.
Directed by Ridley Scott (more on him later) Alien tells the tale of a working-class deep space vehicle, returning home with a full cargo when they intercept a distress call at a distant, non-descript planet, they go to investigate and...
As told by Ridley Scott, based on a script and story by Dan O'Bannon, Alien is a masterwork in suspense and mood. Scott takes his time telling this story, setting up the feel and atmosphere, showing a gritty, working-man's vessel (and not a sleek silver and chrome shiny ship) where the people inside the craft are not heroes, but working class stiff's just trying to make a buck.
What surprised me this time around seeing this film is how deliberate (some would say slow) that the pacing of this film is - but, darn it all, if it doesn't work. The tension slowly builds so when violence/action happens it explodes and seems all the bigger due to the fact that it is coming out of silence.
The cast - a group of relative unknowns at the time - is stellar. In the DVD commentary, Director Scott said he spent quite a bit of time casting this film to ensure he had the right mix - and his work shows on screen. The 7 actors in this film work well together - and each one of them brings a real character to the screen that is interesting to watch.
Tom Skerrit (the film version of M*A*S*H) as laconic, laid back Captain Dallas and Yaphet Kotto (the villain in the James Bond flick LIVE AND LET DIE) as gruff, looking-for-a-buck mechanic Parker were the most well known of the 7 at the time of the release of the film - and they do bring some star power to the proceedings, but are met, evenly, by others like former child star Veronica Cartwright (Alfred Hitchcock's THE BIRDS), veteran character Actor Harry Dean Stanton ( THE ROSE) and John Hurt (THE ELEPHANT MAN). All 3 bring interesting characters - and faces - to the proceedings.
But...for me 2 the standouts in this cast is IAN HOLM (TIME BANDITS) as Science Officer Ash - a character with some "quirks" (to put it mildly) and, of course Sigourney Weaver (GHOSTBUSTERS) in her star making role as 3rd officer Ripley. I don't want to spoil anything in this film, but Weaver's Ripley is the type of strong female character - fighting the typical, chauvinistic male hierarchy - that was heretofore unknown/rarely seen in film and is the prototype of these types of characters to this day. Weaver's performance and the writing and direction of this character is that strong/groundbreaking that it continues to influence writing and filmmaking all these years later.
The 8th character in this film is the look and feel of the ship - the Nostromo - and the look and feel of the titular Alien character as brought to life in an Oscar winning effort in Visual Effects for the team of H.R. Giger, Carlo Rambaldi, Brian Johnson, Nick Allder and Dennis Ayling (based on drawings by Giger). This is truly remarkable, bravura and groundbreaking design and filmmaking - one that holds up very well more than 40 years later - made all the more astounding when you realize that these are all practical effects (CGI had not be invented yet) and the filmmakers had to rely on puppetry, editing, performance and what you don't see (but your mind thinks you do) to fill in the gaps.
It all works tremendously well - if you haven't seen this in awhile, do yourself a favor and watch it again. If you have never seen it, well...you are in for a treat.
Letter Grade: A+
10 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (965 KP) rated WarGames The Dead Code (2008) in Movies
Aug 14, 2019
It is hard to believe that 25 years have passed since a computer took the world to the edge of nuclear annihilation in “War Games” The film starring Matthew Broderick and Ally Sheedy was a cautionary tale about the dangers of taking the human factor about military decisions, and like films such as “The Terminator” a cautionary warning about dependence on technology.
As the two and a half decades unfolded, many films have emerged that feature a central theme of technology run amuck, and how despite our frailties, humanity in the end is the ultimate master of its own fate.
In the new film “Wargames: The Dead Code”, audiences are given an updated retelling of the classic tale with more than a few reverent nods to the original.
The film stars Matt Lanter as Will Farmer, a good natured techie who is as eager to help his neighbor fix his computer as he is to play online games with his friend Dennis (Nicholas Wright). When Will decides to take on a new game that features terrorist attack scenarios he inadvertently triggers a series of events that will soon cause hundreds of thousands of lives to hang in the balance.
The game is actually a top secret project that is designed to locate, test, and remove any potential threats and is overseen by a computer system named Ripley.
Will embarks on a school trip to Montreal hoping to spend more time with the lovely Annie (Amanda Walsh), and is unaware that forces are at play that thanks to a unfortunate series of events, will soon have Amanda and Will not only running for their lives but locked in a race against time to prevent a catastrophe of epic proportion.
The film has a good premise, but asks you to take several leaps of faith as it progresses and uses logic that at times is absurd even for a genre film. Much of the film unfolds as a movie of the week rather than a taut action thriller that should be expected with the talent attached to the film, as many of the characters are not developed enough for the audience to truly care about their fates.
The film is also surprisingly short in the suspense department, though it does try to make up for this with some nice chase sequences.
It is a shame that the talented cast could not be given a script worth of their talents or the premise of the film.
As the two and a half decades unfolded, many films have emerged that feature a central theme of technology run amuck, and how despite our frailties, humanity in the end is the ultimate master of its own fate.
In the new film “Wargames: The Dead Code”, audiences are given an updated retelling of the classic tale with more than a few reverent nods to the original.
The film stars Matt Lanter as Will Farmer, a good natured techie who is as eager to help his neighbor fix his computer as he is to play online games with his friend Dennis (Nicholas Wright). When Will decides to take on a new game that features terrorist attack scenarios he inadvertently triggers a series of events that will soon cause hundreds of thousands of lives to hang in the balance.
The game is actually a top secret project that is designed to locate, test, and remove any potential threats and is overseen by a computer system named Ripley.
Will embarks on a school trip to Montreal hoping to spend more time with the lovely Annie (Amanda Walsh), and is unaware that forces are at play that thanks to a unfortunate series of events, will soon have Amanda and Will not only running for their lives but locked in a race against time to prevent a catastrophe of epic proportion.
The film has a good premise, but asks you to take several leaps of faith as it progresses and uses logic that at times is absurd even for a genre film. Much of the film unfolds as a movie of the week rather than a taut action thriller that should be expected with the talent attached to the film, as many of the characters are not developed enough for the audience to truly care about their fates.
The film is also surprisingly short in the suspense department, though it does try to make up for this with some nice chase sequences.
It is a shame that the talented cast could not be given a script worth of their talents or the premise of the film.
Gareth von Kallenbach (965 KP) rated Alien: Blackout in Video Games
Jun 19, 2019
FoxNext and D3 Go have presented Alien fans a new game for mobile devices entitled Alien: Blackout. When it was first announced; many fans thought it was the Alien Shooter that had been announced earlier in 2018 but that is to come at a later date according to FoxNext.
The game has players play as Amanda Ripley; Daughter of the main character of the “Alien” film series and star of the Alien: Isolation game. Although it is described as not being a sequel to Alien: Isolation, Amanda does briefly mention events from the game as her prior experience with the title creature.
Hidden in an Air Vent; Amanda must direct members of a docked shuttle through seven levels as they attempt to locate items and accomplish tasks needed to escape.
There is of course an Alien on the loose and using Motion Trackers, video cameras, and luck, players have to protect Amanda and the shuttle crew as the movie around the map.
The Alien can come after Amanda who can protect herself by closing a vent. The issue is in doing so she cannot look at the map and cameras, and as such The Alien can vanish anywhere including one of the other tunnels that lead to her. Having to watch two or three tunnels as well as a map can be difficult as players have to rely on sound and luck to assume when the Alien is creeping down a tunnel towards them.
Players also have to make hard choices like allowing the Alien to attack and kill a character so another one can move along toward a goal. Being able to open and close doors also allows Amanda to help fence in the creature but it does not always appear on the cameras and as such players have to guess where it is. Amanda can tell characters to hide or hurry up, but there is also the matter of a ticking clock which requires objectives to be completed before a timer runs out.
The game does offer some fun and challenge but is short as with only seven levels, you can complete the game in under an hour once you get the basics down. The game allows players to pick up from the chapter they last completed and does offer some fun cut scenes to enjoy.
The biggest issue is while affordable at $4.99 fans may want more out of the game as aside from the short play time; this style of game may not be the best use of the Alien franchise. It would make a great segment of a larger game but after guiding Amanda through Alien: Isolation; having her hide in vents and direct others seems to be a step down.
While Alien: Blackout is not the game that fans had hoped for; it does offer some decent entertainment and hopefully will tide players over until the next game in the series is released.
http://sknr.net/2019/01/31/alien-blackout/
The game has players play as Amanda Ripley; Daughter of the main character of the “Alien” film series and star of the Alien: Isolation game. Although it is described as not being a sequel to Alien: Isolation, Amanda does briefly mention events from the game as her prior experience with the title creature.
Hidden in an Air Vent; Amanda must direct members of a docked shuttle through seven levels as they attempt to locate items and accomplish tasks needed to escape.
There is of course an Alien on the loose and using Motion Trackers, video cameras, and luck, players have to protect Amanda and the shuttle crew as the movie around the map.
The Alien can come after Amanda who can protect herself by closing a vent. The issue is in doing so she cannot look at the map and cameras, and as such The Alien can vanish anywhere including one of the other tunnels that lead to her. Having to watch two or three tunnels as well as a map can be difficult as players have to rely on sound and luck to assume when the Alien is creeping down a tunnel towards them.
Players also have to make hard choices like allowing the Alien to attack and kill a character so another one can move along toward a goal. Being able to open and close doors also allows Amanda to help fence in the creature but it does not always appear on the cameras and as such players have to guess where it is. Amanda can tell characters to hide or hurry up, but there is also the matter of a ticking clock which requires objectives to be completed before a timer runs out.
The game does offer some fun and challenge but is short as with only seven levels, you can complete the game in under an hour once you get the basics down. The game allows players to pick up from the chapter they last completed and does offer some fun cut scenes to enjoy.
The biggest issue is while affordable at $4.99 fans may want more out of the game as aside from the short play time; this style of game may not be the best use of the Alien franchise. It would make a great segment of a larger game but after guiding Amanda through Alien: Isolation; having her hide in vents and direct others seems to be a step down.
While Alien: Blackout is not the game that fans had hoped for; it does offer some decent entertainment and hopefully will tide players over until the next game in the series is released.
http://sknr.net/2019/01/31/alien-blackout/
Night Reader Reviews (683 KP) rated Rediscovering the Earth in Books
Feb 4, 2020
Honest Review for Free Copy of Book
Rediscovering the Earth by Michal Hall was a very quick read with a powerful message. This is a book full of both despair and hope that deserves to be read multiple times. It reminds me slightly of Voice of the Elders by Greg Ripley (the first book review I wrote).
The Earth is dying, humans and animals are going extinct quickly, and it is our fault. Humans have let our pride destroy our planet. Our belief that we can control everything and that we are better than even each other has destroyed our connection with other humans. Our pride, wars, and so-called technological advances have polluted the air and water, making it poisonous to humans, plants, and animals alike. In seeing plants and animals as inferior humans have selfishly destroyed entier ecosystems an wiped out species. Within one-hundred years or so humans will be completely gone as well.
This is where The Federation steps in. As a highly evolved alien race, they offer to help pull the human race back from the brink of extinction and at first, humans foolishly deny this help. Thankfully one man by the name of Carl, who is nothing special himself, takes it upon himself to advocate for the entire race. After many years of deliberation on the subject, The Federation decides to help. Even with their help, it takes around twenty years before any major difference is noticed and much longer before most of the damage is reversed. As humans learn a culture of love, humility, and connection to the Earth The Federation hopes humans will one day be able to join them.
Using a work of fiction to bring a serious problem to light is a wonderful idea and may help alert more people to the problem. Telling how help is almost denied because of how selfish and prideful humans are is a slap in the face that we would face destruction before the change. The book is a bit on the repetitive side, which is always disappointing but even more so with shorter books such as this one. I understand the repetitiveness is to drive home the point but it still could have been better. Also, I wish it was more detailed on how Earth went from being in so much trouble to be safe. It seems to make a large time jump in that area and I would have liked to see more of the transformative process.
There is nothing in this book that would be inappropriate for anyone. However, anyone younger than a middle schooler probably would not understand the powerful message in this book, and some middle school students might even miss it. Adults and those that truly love the Earth will enjoy this book and see it as hope. Others who are not as aware of our situation might see it as a wake-up call. I rate this book 3 out of 4. The book brilliantly delivers a very important message. Without holding anything back it shows just how much trouble the world is in but offers hope through change. I hope millions of people across the world get to read this book.
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The Earth is dying, humans and animals are going extinct quickly, and it is our fault. Humans have let our pride destroy our planet. Our belief that we can control everything and that we are better than even each other has destroyed our connection with other humans. Our pride, wars, and so-called technological advances have polluted the air and water, making it poisonous to humans, plants, and animals alike. In seeing plants and animals as inferior humans have selfishly destroyed entier ecosystems an wiped out species. Within one-hundred years or so humans will be completely gone as well.
This is where The Federation steps in. As a highly evolved alien race, they offer to help pull the human race back from the brink of extinction and at first, humans foolishly deny this help. Thankfully one man by the name of Carl, who is nothing special himself, takes it upon himself to advocate for the entire race. After many years of deliberation on the subject, The Federation decides to help. Even with their help, it takes around twenty years before any major difference is noticed and much longer before most of the damage is reversed. As humans learn a culture of love, humility, and connection to the Earth The Federation hopes humans will one day be able to join them.
Using a work of fiction to bring a serious problem to light is a wonderful idea and may help alert more people to the problem. Telling how help is almost denied because of how selfish and prideful humans are is a slap in the face that we would face destruction before the change. The book is a bit on the repetitive side, which is always disappointing but even more so with shorter books such as this one. I understand the repetitiveness is to drive home the point but it still could have been better. Also, I wish it was more detailed on how Earth went from being in so much trouble to be safe. It seems to make a large time jump in that area and I would have liked to see more of the transformative process.
There is nothing in this book that would be inappropriate for anyone. However, anyone younger than a middle schooler probably would not understand the powerful message in this book, and some middle school students might even miss it. Adults and those that truly love the Earth will enjoy this book and see it as hope. Others who are not as aware of our situation might see it as a wake-up call. I rate this book 3 out of 4. The book brilliantly delivers a very important message. Without holding anything back it shows just how much trouble the world is in but offers hope through change. I hope millions of people across the world get to read this book.
https://nightreaderreviews.blogspot.com
https://facebook.com/nightreaderreviews
https://smashbomb.com/nightreader
Bob Mann (459 KP) rated Flatliners (2017) in Movies
Sep 29, 2021
The undiscovered country… which they shouldn’t have returned to.
The movies have depicted the hereafter in varied ways over the years. From the bleached white warehouses of Powell and Pressburger’s “A Matter of Life and Death” in 1946 and Warren Beatty’s “Heaven Can Wait” in 1978 to – for me – the peak of the game: Vincent Ward’s mawkish but gorgeously rendered oil-paint version of heaven in 1998’s “What Dreams May Come”. Joel Schmacher’s 1990’s “Flatliners” saw a set of “brat pack” movie names of the day (including Kevin Bacon, Julia Roberts, William Baldwin and Kiefer Sutherland) as experimenting trainee doctors, cheating death to experience the afterlife and getting more than they bargained for. The depictions of the afterlife were unmemorable: in that I don’t remember them much! (I think there was some sort of spooky tree involved, but that’s about it!)
But the concept was sufficiently enticing – who isn’t a little bit intrigued by the question of “what’s beyond”? – that Cross Creek Pictures thought it worthy of dusting off and giving it another outing in pursuit of dirty lucre. But unfortunately this offering adds little to the property’s reputation.
In this version, the lead role is headed up by Ellen Page (“Inception”) who is a great actress… too good for this stuff. Also in that category is Diego Luna, who really made an impact in “Rogue One” but here has little to work with in terms of backstory. The remaining three doctors – Nina Dobrev as “the sexy one”; James Norton (“War and Peace”) as “the posh boy” and Kiersey Clemons as the “cute but repressed one”, all have even less backstory and struggle to make a great impact.
Still struggling to get the high score on Angry Birds: from left to right Ray (Diego Luna), Sophia (Kiersey Clemons), Marlo (Nina Dobrev), Courtney (Ellen Page) and Jamie (James Norton).
Also putting in an appearance, as the one link from the original film, is Kiefer Sutherland as a senior member of the teaching staff. But he’s not playing the same character (that WOULD have been a bloody miracle!) and although Sutherland adds gravitas he really is given criminally little to do. What was director Niels Arden Oplev (“The Girl with the Dragon Tattoo”) thinking?
In terms of the story, it’s pretty much a re-hash of Peter Filardi’s original, with Ben Ripley (“Source Code”) adding a few minor tweaks to the screenplay to update it for the current generation. But I will levy the same criticism of this film as I levied at the recent Stephen King adaptation of “It”: for horror to work well it need to obey some decent ‘rules of physics’ and although most of the scenes work (since a lot of the “action” is sensibly based inside the character’s heads) there are the occasional linkages to the ‘real world’ that generate a “WTF???” response. A seemingly indestructible Mini car (which is also clearly untraceable by the police!) and a knife incident at the dockside are two cases in point.
Is there anything good to say about this film? Well, there are certainly a few tense moments that make the hairs on your neck at least start to stand to attention. But these are few and far between, amongst a sea of movie ‘meh’. It’s certainly not going to be the worst film I see this year, since at least I wasn’t completely bored for the two hours. But I won’t remember this one in a few weeks. As a summary in the form of a “Black Adder” quote, it’s all a bit like a broken pencil….. pointless.
But the concept was sufficiently enticing – who isn’t a little bit intrigued by the question of “what’s beyond”? – that Cross Creek Pictures thought it worthy of dusting off and giving it another outing in pursuit of dirty lucre. But unfortunately this offering adds little to the property’s reputation.
In this version, the lead role is headed up by Ellen Page (“Inception”) who is a great actress… too good for this stuff. Also in that category is Diego Luna, who really made an impact in “Rogue One” but here has little to work with in terms of backstory. The remaining three doctors – Nina Dobrev as “the sexy one”; James Norton (“War and Peace”) as “the posh boy” and Kiersey Clemons as the “cute but repressed one”, all have even less backstory and struggle to make a great impact.
Still struggling to get the high score on Angry Birds: from left to right Ray (Diego Luna), Sophia (Kiersey Clemons), Marlo (Nina Dobrev), Courtney (Ellen Page) and Jamie (James Norton).
Also putting in an appearance, as the one link from the original film, is Kiefer Sutherland as a senior member of the teaching staff. But he’s not playing the same character (that WOULD have been a bloody miracle!) and although Sutherland adds gravitas he really is given criminally little to do. What was director Niels Arden Oplev (“The Girl with the Dragon Tattoo”) thinking?
In terms of the story, it’s pretty much a re-hash of Peter Filardi’s original, with Ben Ripley (“Source Code”) adding a few minor tweaks to the screenplay to update it for the current generation. But I will levy the same criticism of this film as I levied at the recent Stephen King adaptation of “It”: for horror to work well it need to obey some decent ‘rules of physics’ and although most of the scenes work (since a lot of the “action” is sensibly based inside the character’s heads) there are the occasional linkages to the ‘real world’ that generate a “WTF???” response. A seemingly indestructible Mini car (which is also clearly untraceable by the police!) and a knife incident at the dockside are two cases in point.
Is there anything good to say about this film? Well, there are certainly a few tense moments that make the hairs on your neck at least start to stand to attention. But these are few and far between, amongst a sea of movie ‘meh’. It’s certainly not going to be the worst film I see this year, since at least I wasn’t completely bored for the two hours. But I won’t remember this one in a few weeks. As a summary in the form of a “Black Adder” quote, it’s all a bit like a broken pencil….. pointless.
Bob Mann (459 KP) rated Mamma Mia: Here We Go Again! (2018) in Movies
Sep 29, 2021
I had a dream. A sob. A sing.
You remember in “Aliens” when Ripley (Sigourney Weaver) fought through hell and high water against that “bitch” to protect the youngster Newt (Carrie Henn)? And then how betrayed you felt in that emotional investment at the start of “Alien 3”?
Which brings us spoiler-free to the start of “Mamma Mia! Here We Go Again”, typically shortened by everyone to “Mamma Mia 2”, the sequel to the enormously successful cheese-fest (and Bros-fest) that was the first film, now – unbelievably – 10 years old.
Sophie (Amanda Seyfried) is trying to open the Bella Donna hotel on that magical Greek island separated from her husband Sky (Dominic Cooper) who is learning the tips of the hotel trade in New York. As preparations for the opening party progress we flash back to the back-story of Donna (as a post-graduate played by Lily James) as she meets Harry (Hugh Skinner, “The Windsors”, “W1A”), Bill (Josh Dylan, “Allied”) and Sam (Jeremy Irvine, “War Horse”) en route to Greece.
If you remember the first film and thought Donna (Meryl Streep) was a bit of a… erm… ‘loose woman’, then this plot point could have been amplified by seeing the “dot, dot, dot” acts in the flesh, as it were. Fortunately, in steps Lily James as the young Donna who is so mesmerisingly gorgeous and vivacious that you can forgive her just about anything. “Beguiling” was the description my better half came up with, and I couldn’t describe her better. Supporting her effectively are Alexa Davies (as the young version of Julie Walters‘ character) and Jessica Keenan Wynn (as the young version of Christine Baranski‘s character). The trio’s exuberant performance of “When I Kissed the Teacher” sets the tone well for the grin-fest to follow. (By the way, if you are a Mary Poppins fan then a bit of trivia is that Wynn is the great-granddaughter of Ed Wynn, the character who “Loved to Laugh” on the ceiling!).
In these days of drought, Trump vs the world, Brexit and universal bruhaha, this is a much-needed joyful film, and far better I would say than the original. A good story, well executed and stuffed with excellent tunes. True, apart from a number of key repeats, we are more in the territory – in CD terms – of “More Abba Gold” than “Abba Gold”, but Bjorn and Benny’s B-sides are still better than many other’s A-sides. What’s really nice is that the songs are well chosen to mesh better into the story and the lead singing of Seyfried and James is uniformly excellent. Pierce Brosnan gets to sing (no, no, come back!) but it is cleverly low-key and genuinely touching. And as for Celia Imrie, you’re a legend and we forgive you!
It’s also far better at finding both humour and pathos than the original, with the splendid Hugh Skinner exhibiting perfect comic timing and comedian Omid Djalili being very funny (stay to the end of the end-credits for a very funny monkey). National treasure Julie Walters also adds excellent comic content, particularly in a number of dance scenes.
And as for the pathos, if the duet at the finale doesn’t move you to tears you are either made of rock or are immune to being shamelessly manipulated! It’s a well-scripted convergence of grief and joy (I feel Richard Curtis‘s hand in the story here) around one of Abba’s most beautifully tear-jerking songs. I will admit to you – don’t tell anyone else – that I was left in a complete mess… another reason to sit through the end titles!
At the elderly end of the cast list Andy Garcia is magnificent as the South American hotel manager Mr Cienfuegos (you’ll NEVER guess what his first name is!) and Cher (“Moonstruck”) literally rocks up trying hard to steal the show as Sophie’s Vegas superstar grandmother.
Directed and scripted by “Best Exotic Marigold Hotel” director Ol Parker (the lucky guy who is married to Thandie Newton!) it drips with cheese again, but who cares when it is so stylishly done. Should you see this? The test is simple: if you hated “Mamma Mia” then you will hate this one; if you loved “Mamma Mia” you will simply adore this one.
Which brings us spoiler-free to the start of “Mamma Mia! Here We Go Again”, typically shortened by everyone to “Mamma Mia 2”, the sequel to the enormously successful cheese-fest (and Bros-fest) that was the first film, now – unbelievably – 10 years old.
Sophie (Amanda Seyfried) is trying to open the Bella Donna hotel on that magical Greek island separated from her husband Sky (Dominic Cooper) who is learning the tips of the hotel trade in New York. As preparations for the opening party progress we flash back to the back-story of Donna (as a post-graduate played by Lily James) as she meets Harry (Hugh Skinner, “The Windsors”, “W1A”), Bill (Josh Dylan, “Allied”) and Sam (Jeremy Irvine, “War Horse”) en route to Greece.
If you remember the first film and thought Donna (Meryl Streep) was a bit of a… erm… ‘loose woman’, then this plot point could have been amplified by seeing the “dot, dot, dot” acts in the flesh, as it were. Fortunately, in steps Lily James as the young Donna who is so mesmerisingly gorgeous and vivacious that you can forgive her just about anything. “Beguiling” was the description my better half came up with, and I couldn’t describe her better. Supporting her effectively are Alexa Davies (as the young version of Julie Walters‘ character) and Jessica Keenan Wynn (as the young version of Christine Baranski‘s character). The trio’s exuberant performance of “When I Kissed the Teacher” sets the tone well for the grin-fest to follow. (By the way, if you are a Mary Poppins fan then a bit of trivia is that Wynn is the great-granddaughter of Ed Wynn, the character who “Loved to Laugh” on the ceiling!).
In these days of drought, Trump vs the world, Brexit and universal bruhaha, this is a much-needed joyful film, and far better I would say than the original. A good story, well executed and stuffed with excellent tunes. True, apart from a number of key repeats, we are more in the territory – in CD terms – of “More Abba Gold” than “Abba Gold”, but Bjorn and Benny’s B-sides are still better than many other’s A-sides. What’s really nice is that the songs are well chosen to mesh better into the story and the lead singing of Seyfried and James is uniformly excellent. Pierce Brosnan gets to sing (no, no, come back!) but it is cleverly low-key and genuinely touching. And as for Celia Imrie, you’re a legend and we forgive you!
It’s also far better at finding both humour and pathos than the original, with the splendid Hugh Skinner exhibiting perfect comic timing and comedian Omid Djalili being very funny (stay to the end of the end-credits for a very funny monkey). National treasure Julie Walters also adds excellent comic content, particularly in a number of dance scenes.
And as for the pathos, if the duet at the finale doesn’t move you to tears you are either made of rock or are immune to being shamelessly manipulated! It’s a well-scripted convergence of grief and joy (I feel Richard Curtis‘s hand in the story here) around one of Abba’s most beautifully tear-jerking songs. I will admit to you – don’t tell anyone else – that I was left in a complete mess… another reason to sit through the end titles!
At the elderly end of the cast list Andy Garcia is magnificent as the South American hotel manager Mr Cienfuegos (you’ll NEVER guess what his first name is!) and Cher (“Moonstruck”) literally rocks up trying hard to steal the show as Sophie’s Vegas superstar grandmother.
Directed and scripted by “Best Exotic Marigold Hotel” director Ol Parker (the lucky guy who is married to Thandie Newton!) it drips with cheese again, but who cares when it is so stylishly done. Should you see this? The test is simple: if you hated “Mamma Mia” then you will hate this one; if you loved “Mamma Mia” you will simply adore this one.