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Friday the 13th: The Final Chapter (1984)
Friday the 13th: The Final Chapter (1984)
1984 | Horror
8
7.2 (21 Ratings)
Movie Rating
Sleepaway Camp 1984: Not The Final Chapter
Well its been a good Friday The 13th, i reviewed Parts 2 and 3, and to conculded Friday The 13th, I though reviewing Part IV aka The Final Chapter aka Not The Final Chapter. Siskel and Ebert said it perfectly in their review of this movie, that even though its called "The Final Chapter", it wont be the final chapter, their will be more to come, cause it gets alot of money.

Also my third favorite charcter is in this movie and that's Crispin Glover's charcter. Behind Jason and Shelby of course. I also like the kills in this movie. Axel- throat slit, and head turned around. Paul- Spear in the crotch, Jimmy- he stabbed him with a corkscrew and a meat clever.

Part IV- recaps parts 1, 2, and 3. Which is great, telling the story about Jason and showing his kills.

And of course you cant forget about Tommy Jarvis. This started, his trilogy. Tommy is my 4th favorite charcter.

The plot: A carefree lakeside vacation is interrupted by the re-emergence of killer Jason Voorhees (Ted White). After he escapes from a morgue, leaving bodies in his wake, Jason travels to Camp Crystal Lake where a group of friends is staying. The teens meet some locals: Tommy (Corey Feldman) and Trish (Kimberly Beck), as well as secretive hiker Rob (Erich Anderson). As the group of teenagers engages in drunken debauchery, their numbers begin to dwindle, and pieces of the past resurface.

See next Friday The 13th.
  
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Lee (2222 KP) rated Supernova (2020) in Movies

Oct 12, 2020  
Supernova (2020)
Supernova (2020)
2020 | Drama
7
8.0 (3 Ratings)
Movie Rating
When I first saw the trailer for Supernova, I could tell that we were in for a fairly intense depiction of dementia and its effect on loved ones, delivered by a couple of veteran actors at the top of their game. Consequently, it was one of the movies I was most looking forward to as part of this years London Film Festival, and while it wasn’t quite as full-on or emotional for me as I was expecting, that’s certainly not the fault of Colin Firth or Stanley Tucci, who are both outstanding.

“We’re not going back, you know,” Sam (Firth) says to husband Tusker (Tucci) as they head off in their campervan for a road trip. He’s referring to any items they might have needed for the trip which are left behind, but those words will prove to hold a much deeper meaning as their journey progresses. Tusker, a best-selling author, has deliberately left his medication at home, having decided that it is having no effect in his battle with dementia. When Sam leaves Tusker in the van to head into a supermarket for supplies, he returns to find Tusker missing - a frantic drive down nearby country lanes finds him standing alone, lost and confused. His mind is clearly beginning to fail him.

As they put the incident behind them and continue their journey, we get a real sense of the love and commitment they both share. As they travel through the beautiful scenery of the Lake District, they bicker and joke with each other, like a gay version of Steve Coogan and Rob Brydon series, The Trip. “It isn’t even satisfying half the time,” Tusker admits after teasing Sam. When asked why he bothers anymore, he just smiles and replies “Because of the other half.”

Tusker continues to work on a new novel, but is finding it increasingly difficult to write anymore and has instead become preoccupied with gazing at the night sky, fascinated with astronomy. Sam, a semi-retired concert pianist, has taken a break to join Tusker on one last road-trip, revisiting locations from their lives together. They stop off at the home of Sam’s sister and her family, where a surprise birthday party brings together old friends and distant family. A chance to reminisce and take stock of what the future holds as Tusker continues to deteriorate. But a discovery during the party leads to some more serious discussions between Sam and Tusker, forcing them to acknowledge and attempt to come to terms with what lies ahead for them both.

Supernova didn’t head in the direction I expected it to, or deliver it in the way I envisioned from the trailer. For the most part, it’s just simple conversations between two lovers, sometimes playful, sometimes deadly serious. But it is delivered by two incredible actors, on peak-form and with such wonderful chemistry. And while it didn’t quite leave me feeling as emotional as it did for many others who watched it as part of the festival, it certainly managed to make a lasting impact.