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Lee KM Pallatina (951 KP) rated Red Dwarf in TV
Jun 22, 2019
The boy's from the dwarf
Red Dwarf is a British science fiction comedy franchise which primarily consists of a television sitcom that aired on BBC Two between 1988 and 1999, and on Dave since 2009, gaining a cult following.
The show follows Dave Lister, a chicken-soup-machine repairman, who is the only human survivor of a radiation leak on his mining space ship and possibly the last living human. Having come out of time stasis 3,000,000 years into the future, Lister has very little company, one in the form of a hologram of his dead shipmate, Rimmer, self obsessed Cat, who has evolved from the descendants of Lister's pregnant cat, senile ship computer Holly and Kryten an Android whose sole purpose is to serve and clean.
This masterpiece was created by Rob grant & doug naylor (GrantNaylor) and has spawned 12 series (Back to Earth counted as the unofficial 9th and a 13th series heavily rumoured) multiple books, audio books, collectibles, magazines and a mobile game.
I'm still hoping for a mainstream console game, but until then, enjoy SmegHeads!
The show follows Dave Lister, a chicken-soup-machine repairman, who is the only human survivor of a radiation leak on his mining space ship and possibly the last living human. Having come out of time stasis 3,000,000 years into the future, Lister has very little company, one in the form of a hologram of his dead shipmate, Rimmer, self obsessed Cat, who has evolved from the descendants of Lister's pregnant cat, senile ship computer Holly and Kryten an Android whose sole purpose is to serve and clean.
This masterpiece was created by Rob grant & doug naylor (GrantNaylor) and has spawned 12 series (Back to Earth counted as the unofficial 9th and a 13th series heavily rumoured) multiple books, audio books, collectibles, magazines and a mobile game.
I'm still hoping for a mainstream console game, but until then, enjoy SmegHeads!
Sarah (7798 KP) rated Blinded by the Light (2019) in Movies
Apr 26, 2020
Clumsy and unoriginal
Watching this film would never be my choice, as despite my love of musicals I've never been particularly interested in the music of Bruce Springsteen. And I'm afraid to say this film hasn't changed my opinion on this either.
This film is so cheesy and cliched that I spent most of the time watching it cringing in horror. It seems to copy virtually every other type of film that has come before it that looks at coming of age in a Muslim and Pakistani background - it's like a poor version of East is East, with barely any laughs & a bit of Springsteen thrown in. The production values in this too are rather poor. You can tell it's low budget, from the dodgy dance scenes to the cinematography as a whole.
There is a decent cast thrown into this like Hayley Atwell, Rob Brydon and Dean Charles Chapman but I felt like they were sadly underused and letdown by the poor and ridiculously cheesy script. There are some likeable parts in this that makes it a little bit feel good but overall I could've quite happily turned this off and not felt like I was missing out.
This film is so cheesy and cliched that I spent most of the time watching it cringing in horror. It seems to copy virtually every other type of film that has come before it that looks at coming of age in a Muslim and Pakistani background - it's like a poor version of East is East, with barely any laughs & a bit of Springsteen thrown in. The production values in this too are rather poor. You can tell it's low budget, from the dodgy dance scenes to the cinematography as a whole.
There is a decent cast thrown into this like Hayley Atwell, Rob Brydon and Dean Charles Chapman but I felt like they were sadly underused and letdown by the poor and ridiculously cheesy script. There are some likeable parts in this that makes it a little bit feel good but overall I could've quite happily turned this off and not felt like I was missing out.
I like reading the odd court room drama but find they can be a little dry and lacking in excitement sometimes but The Trial isn't one of those books and I thoroughly enjoyed it.
In Rob Rinder's debut novel, he has created a veritable smorgasbord of excellent characters, a totally engrossing story with twists and turns and all written at a good pace. I particularly liked the chapters given over to conversations and messages between Adam and his mother, who is determined to marry him off to a good Jewish girl, which adds humour to the story.
Although a work of fiction, it is clear that Mr Rinder has put a lot of his own experiences into the book which added a level of authenticity and realism without it being dry and boring and I, for one, hope there is more to come as I want to know how Adam develops as a barrister and to make sure he is eating enough and/or whether he finds a nice Jewish girl!!!!
Many thanks to Random House UK, Cornerstone and NetGalley for enabling me to read and share my thoughts of The Trial.
In Rob Rinder's debut novel, he has created a veritable smorgasbord of excellent characters, a totally engrossing story with twists and turns and all written at a good pace. I particularly liked the chapters given over to conversations and messages between Adam and his mother, who is determined to marry him off to a good Jewish girl, which adds humour to the story.
Although a work of fiction, it is clear that Mr Rinder has put a lot of his own experiences into the book which added a level of authenticity and realism without it being dry and boring and I, for one, hope there is more to come as I want to know how Adam develops as a barrister and to make sure he is eating enough and/or whether he finds a nice Jewish girl!!!!
Many thanks to Random House UK, Cornerstone and NetGalley for enabling me to read and share my thoughts of The Trial.
Gareth von Kallenbach (965 KP) rated Grown Ups (2010) in Movies
Aug 8, 2019
After the death of the coach that inspired them in their youth a rag-tag group of grown up friends take a trip up to a cabin to reconnect with each other and their families. Adam Sandler (Lenny Feder), Chris Rock (Kurt McKenzie), Kevin James (Eric Lamonsoff), David Spade (Marcus Higgins), and Rob Schneider (Rob Hilliard) star together in this almost family friendly comedy. Furthering the densely star studded cast is Selma Hyack Pinault as Lenny’s famous clothing designer wife and Saturday Night Live alum Maya Roudolf as the wife of Kurt.
The film is surely a little vulgar for young audiences blending Adam Sandler’s adult themed comedic styling’s with a touching story about the long term bonds of families and friends. From the very start one wonders who is the intended audience of this film?
Further challenging the success of “Grown Ups” is that the film is not classic Adam Sandler, but an attempt at creating something more mature among the frequent cameos of numerous comedians. The film does, however, manage a few classically Sandler-esque comedic moments. While adults may find the blend of maturity along side slapstick antics odd, children seem to find the sophomoric physical comedy and slightly too mature moments in this film hilarious.
Yet what is most impressive about “Grown Ups” is that the characters, while overly dramatized, are believable, making this less than excellent film at least honest. This honesty combined with the strongly pushed moral theme of family togetherness results in a film that displays growth from the film star veteran and co-author, Sandler.
Further making the film bearable is the somewhat sappy yet honest plotline that keeps the audience’s attention in the frequent lulls between decent jokes. So in the end “Grown Ups” is a film about friendship and the challenges faced by those trying to connect with their families in the modern world and while it isn’t a great, it is mildly interesting.
The film is surely a little vulgar for young audiences blending Adam Sandler’s adult themed comedic styling’s with a touching story about the long term bonds of families and friends. From the very start one wonders who is the intended audience of this film?
Further challenging the success of “Grown Ups” is that the film is not classic Adam Sandler, but an attempt at creating something more mature among the frequent cameos of numerous comedians. The film does, however, manage a few classically Sandler-esque comedic moments. While adults may find the blend of maturity along side slapstick antics odd, children seem to find the sophomoric physical comedy and slightly too mature moments in this film hilarious.
Yet what is most impressive about “Grown Ups” is that the characters, while overly dramatized, are believable, making this less than excellent film at least honest. This honesty combined with the strongly pushed moral theme of family togetherness results in a film that displays growth from the film star veteran and co-author, Sandler.
Further making the film bearable is the somewhat sappy yet honest plotline that keeps the audience’s attention in the frequent lulls between decent jokes. So in the end “Grown Ups” is a film about friendship and the challenges faced by those trying to connect with their families in the modern world and while it isn’t a great, it is mildly interesting.
Lyndsey Gollogly (2893 KP) rated A Luminous Republic in Books
Jan 21, 2024
15 of 220
Book
A Luminous Rebublic
By Andres Barba
⭐️⭐️⭐️
One day, the children begin to show up in the subtropical town of San Crist�bal. Aged between nine and thirteen, the children are covered in dirt and hungry. They beg food, commit small acts of vandalism, play games that don't seem to have any rules, and communicate with each other in a strange language. No one knows where they come from or where they disappear to each night. And then, they rob a supermarket and stab two adults, bringing fear to the town. Thus begins a fearsome and thrilling modern morality tale that retraces the lines between good and evil, the civilised and the wild, and drags our assumptions about childhood and innocence out into the light.
This is a strange little story of 32 children who mystery turn up in a subtropical town in called San Cristobel. These children have come from nowhere and they disappear just as quickly. These children cause mayhem round the town. Things take a turn when In a supermarket raid people end up dead and then the “normal” children start to disappear too. I’m not sure still how I actually feel after finishing it very odd.
Book
A Luminous Rebublic
By Andres Barba
⭐️⭐️⭐️
One day, the children begin to show up in the subtropical town of San Crist�bal. Aged between nine and thirteen, the children are covered in dirt and hungry. They beg food, commit small acts of vandalism, play games that don't seem to have any rules, and communicate with each other in a strange language. No one knows where they come from or where they disappear to each night. And then, they rob a supermarket and stab two adults, bringing fear to the town. Thus begins a fearsome and thrilling modern morality tale that retraces the lines between good and evil, the civilised and the wild, and drags our assumptions about childhood and innocence out into the light.
This is a strange little story of 32 children who mystery turn up in a subtropical town in called San Cristobel. These children have come from nowhere and they disappear just as quickly. These children cause mayhem round the town. Things take a turn when In a supermarket raid people end up dead and then the “normal” children start to disappear too. I’m not sure still how I actually feel after finishing it very odd.
Andy K (10821 KP) rated Halloween (2007) in Movies
Oct 10, 2018
A successful re-imagining but turned up to 11!
When I first heard director Rob Zombie was going to have a hand at Halloween, I couldn't have been more excited. His films up to that point had been intense, scary, gruesome, gothic, sexual and down-rite awesome!
This reinvention had big shoes to fill since the original Halloween is not only a scary movie classic, but invented or perfected a lot of horror elements still used in films today.
The additions to the story proved successful seeing a lot more scenes of Michael as a child, his dysfunctional family roots (which could have been part of his inner demons) and more details around his escape from the psychiatric hospital. Then the original story plays out as you are familiar; although, more intense and evil.
The third act does seem to drag out just a bit as the movie is around 2 hours in length.
Great to see a lot of "B" movie actors appear in the film including Malcolm McDowell, Clint Howard, Brad Dourif, Dee Wallace and Richard Lynch. Also Danielle Harris who was the little girl in parts 4 & 5 is also there as another homage.
Overall, a successful reboot with enough mixture of old and new to keep me very well entertained.
This reinvention had big shoes to fill since the original Halloween is not only a scary movie classic, but invented or perfected a lot of horror elements still used in films today.
The additions to the story proved successful seeing a lot more scenes of Michael as a child, his dysfunctional family roots (which could have been part of his inner demons) and more details around his escape from the psychiatric hospital. Then the original story plays out as you are familiar; although, more intense and evil.
The third act does seem to drag out just a bit as the movie is around 2 hours in length.
Great to see a lot of "B" movie actors appear in the film including Malcolm McDowell, Clint Howard, Brad Dourif, Dee Wallace and Richard Lynch. Also Danielle Harris who was the little girl in parts 4 & 5 is also there as another homage.
Overall, a successful reboot with enough mixture of old and new to keep me very well entertained.
David Zellner recommended Robocop (1987) in Movies (curated)
Gareth von Kallenbach (965 KP) rated Extract (2009) in Movies
Aug 9, 2019
While some might argue potty mouth humor is a constant from Mike Judge, the man behind “Office Space” and “King of the Hill”, I always seem to be curious when he takes on a new project. Judge’s latest film “Extract” combines his classic comedy style with a slightly more mature kind of humor.
A small company, Reynold’s Extract, is about to be bought out much to the joy of the depressed and sexually frustrated owner, Joel Reynold (Jason Bateman). Joel, tired of working long days with disgruntled employees, would love nothing more than returning to a simpler life at home with his wife, Suzie (Kristen Wiig). When the factories irresponsible employees accidently injure long time worker, Step, the deal begins to go south.
The sudden appearance of attractive new employee, Cindy (Mila Kunis) who has the eye of both frustrated Joel and recently damaged employee, Step, further complicates the situation. As does Reynold’s best friend, Dean (Ben Affleck), the local bartender filled with creative ideas on “bettering” Joel’s situation.
As the film progressed I keep wondering is the movie really funny or is Jason Bateman just so entertaining that it doesn’t matter. The honest truth is probably a little of both. With that said I did laugh, mostly at the blatant delivery by the aforementioned Bateman and at the scattered comedic moments derived from the unexpected nature of the film, it is not everyday you encounter a movie about an flavor extract company.
The eclectic cast of actors, from various avenues of fame, works seamlessly together. The most unexpected acting choice is Ben Affleck as Dean a role that could have filled by any number of lesser celebrities, possibly Rob Schneider.
Still the plot is unique and the story varies greatly from Judge’s traditional support of the working class. In “Extract” the protagonist is the boss man, not an underpaid employee.
A delightful little flick about working, neighbors, and other relationships, “Extract” is a creative yet diluted tale
A small company, Reynold’s Extract, is about to be bought out much to the joy of the depressed and sexually frustrated owner, Joel Reynold (Jason Bateman). Joel, tired of working long days with disgruntled employees, would love nothing more than returning to a simpler life at home with his wife, Suzie (Kristen Wiig). When the factories irresponsible employees accidently injure long time worker, Step, the deal begins to go south.
The sudden appearance of attractive new employee, Cindy (Mila Kunis) who has the eye of both frustrated Joel and recently damaged employee, Step, further complicates the situation. As does Reynold’s best friend, Dean (Ben Affleck), the local bartender filled with creative ideas on “bettering” Joel’s situation.
As the film progressed I keep wondering is the movie really funny or is Jason Bateman just so entertaining that it doesn’t matter. The honest truth is probably a little of both. With that said I did laugh, mostly at the blatant delivery by the aforementioned Bateman and at the scattered comedic moments derived from the unexpected nature of the film, it is not everyday you encounter a movie about an flavor extract company.
The eclectic cast of actors, from various avenues of fame, works seamlessly together. The most unexpected acting choice is Ben Affleck as Dean a role that could have filled by any number of lesser celebrities, possibly Rob Schneider.
Still the plot is unique and the story varies greatly from Judge’s traditional support of the working class. In “Extract” the protagonist is the boss man, not an underpaid employee.
A delightful little flick about working, neighbors, and other relationships, “Extract” is a creative yet diluted tale
A bit of violence and carnage!
Once again we are treated to a great horror novel from Iain Rob Wright which isn't just full of blood and gore; it's a good story too.
This is a cross between the "escape" genre and "team building" with a bit of "Saw" thrown in for good measure. A group of work colleagues meet in the middle of nowhere to spend the day relaxing and having fun ... little do they know what's in store for them when they enter an underground set of shipping containers. The "game" revolves around the ugly secrets of those taking part with Cheryl unfortunately being in the wrong place at the wrong time. What follows is a fast paced delve into the past of the lives of Cheryl's colleagues but what are they going to have to do to escape with their lives? It's not pretty but neither are those taking part.
A well written, fast paced, intriguing story full of action and, yes, blood and although I could see the main twist coming from a mile away, it was still an enjoyable and good quick read. Recommended to those of us who don't mind a bit of violence and carnage.
My thanks to Mr Wright as I did receive an advance copy from him prior to publication in return for an honest review however, I bought a Kindle copy too as I didn't get round to reading it in time and I'm good like that ?
This is a cross between the "escape" genre and "team building" with a bit of "Saw" thrown in for good measure. A group of work colleagues meet in the middle of nowhere to spend the day relaxing and having fun ... little do they know what's in store for them when they enter an underground set of shipping containers. The "game" revolves around the ugly secrets of those taking part with Cheryl unfortunately being in the wrong place at the wrong time. What follows is a fast paced delve into the past of the lives of Cheryl's colleagues but what are they going to have to do to escape with their lives? It's not pretty but neither are those taking part.
A well written, fast paced, intriguing story full of action and, yes, blood and although I could see the main twist coming from a mile away, it was still an enjoyable and good quick read. Recommended to those of us who don't mind a bit of violence and carnage.
My thanks to Mr Wright as I did receive an advance copy from him prior to publication in return for an honest review however, I bought a Kindle copy too as I didn't get round to reading it in time and I'm good like that ?
BankofMarquis (1832 KP) rated The little mermaid (2023) in Movies
Sep 20, 2023
You Will Want To Go Under The Sea
Back in 2013, the Baltimore Ravens won the Super Bowl with a QB, Joe Flacco, who was a “game manager”. His reputation was that he was NOT spectacular and wouldn’t win a game for you, but he also wouldn’t take chances and LOSE a game for you.
Such the same can be said of newcomer Halle Bailey as Ariel in Disney’s Live Action remake of THE LITTLE MERMAID. She produces a competent, steady (but unspectacular) performance that doesn’t really add all that much to the film, but (more importantly) it doesn’t detract either.
And that is a GOOD (enough) thing as Director Rob Marshall (Chicago) populates this remake with some wonderful performers/performances to go along with better-than-average CGI and some new songs that actually work well (and don’t just seem like “add-ons”). All of this adds up to a very enjoyable family time at the movies.
Following the plot of the Disney Animated film from 1989, this Little Mermaid does not sway too far from the basic plot, though it does cut down (a bit) on the musical numbers. But when it swings big, it swings BIG and these swings connect.
Daveed Diggs (Broadway’s Hamilton) almost steals the film as the voice of Sebastian the Crab and his UNDER THE SEA number is a visual and audible delight while Awkwafina (CRAZY, RICH ASIANS) fills in very well in the Buddy Hackett role as the bird Scuttle. Surprisingly, young Jacob Trembley (ROOM) more than holds his own in this crazy trio of sidekicks as the young fish Flounder. These three work together quite a bit more in this film than in the previous, animated one and they work well together.
But, make no mistake, this film is Melissa McCarthy’s and as the evil Sea Witch Ursula, she demands you pay attention - and keep paying attention - to her. Her big number, POOR UNFORTUNATE SOULS is deep, rich and powerful while her performance throughout the film is just enough over-the-top to work. Credit needs to go to both McCarthy and Marshall to understand when enough was enough or when they went too far and reigned it in.
Javier Bardem (NO COUNTRY FOR OLD MEN) also populates this film as Ariel’s father, King Triton, and while it looks like Bardem is trying very, very hard to audition for a serious Shakespeare role, it works well here.
Finally, the biggest surprise to me in this film is Jonah Hauer-King (he played Laurie in the Saoirse Ronan/Emma Watson/Florence Pugh LITTLE WOMEN) as Prince Eric. In the animated version of this film, poor Prince Eric has very little to do, except to be Ariel’s “Prince Charming”. In this version, writer David Magee (LIFE OF PI) turns Eric into a real character with some depth - and a song! The 2nd half of this film was as much about Prince Eric as it was about Ariel.
And, that is okay, for the ending of this film needed some energy in addition to Bailey’s to make it rise above the rest of film and with the help of all those other wonderful performers, it rises well above (and not under) the sea.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such the same can be said of newcomer Halle Bailey as Ariel in Disney’s Live Action remake of THE LITTLE MERMAID. She produces a competent, steady (but unspectacular) performance that doesn’t really add all that much to the film, but (more importantly) it doesn’t detract either.
And that is a GOOD (enough) thing as Director Rob Marshall (Chicago) populates this remake with some wonderful performers/performances to go along with better-than-average CGI and some new songs that actually work well (and don’t just seem like “add-ons”). All of this adds up to a very enjoyable family time at the movies.
Following the plot of the Disney Animated film from 1989, this Little Mermaid does not sway too far from the basic plot, though it does cut down (a bit) on the musical numbers. But when it swings big, it swings BIG and these swings connect.
Daveed Diggs (Broadway’s Hamilton) almost steals the film as the voice of Sebastian the Crab and his UNDER THE SEA number is a visual and audible delight while Awkwafina (CRAZY, RICH ASIANS) fills in very well in the Buddy Hackett role as the bird Scuttle. Surprisingly, young Jacob Trembley (ROOM) more than holds his own in this crazy trio of sidekicks as the young fish Flounder. These three work together quite a bit more in this film than in the previous, animated one and they work well together.
But, make no mistake, this film is Melissa McCarthy’s and as the evil Sea Witch Ursula, she demands you pay attention - and keep paying attention - to her. Her big number, POOR UNFORTUNATE SOULS is deep, rich and powerful while her performance throughout the film is just enough over-the-top to work. Credit needs to go to both McCarthy and Marshall to understand when enough was enough or when they went too far and reigned it in.
Javier Bardem (NO COUNTRY FOR OLD MEN) also populates this film as Ariel’s father, King Triton, and while it looks like Bardem is trying very, very hard to audition for a serious Shakespeare role, it works well here.
Finally, the biggest surprise to me in this film is Jonah Hauer-King (he played Laurie in the Saoirse Ronan/Emma Watson/Florence Pugh LITTLE WOMEN) as Prince Eric. In the animated version of this film, poor Prince Eric has very little to do, except to be Ariel’s “Prince Charming”. In this version, writer David Magee (LIFE OF PI) turns Eric into a real character with some depth - and a song! The 2nd half of this film was as much about Prince Eric as it was about Ariel.
And, that is okay, for the ending of this film needed some energy in addition to Bailey’s to make it rise above the rest of film and with the help of all those other wonderful performers, it rises well above (and not under) the sea.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)