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Damien Echols recommended Halloween (1978) in Movies (curated)
Gareth von Kallenbach (965 KP) rated The Interview (2014) in Movies
Aug 6, 2019
Thanks to the negative attention that “The Interview” received, it will be viewed by many more people than it would have without the controversy. The film, which was almost never released due to a cyberattack on Sony, is now the most widely accessible of this season.
The comedy follows two average journalists, Aaron Rapoport (Seth Rogan) and David Skylark (James Franco), who become pawns in a CIA plot to assassinate the leader of North Korea.
Skylark is an overzealous news anchor who seems to have no shame in what he reports on. He hosts a celebrity talk show, where he discusses the latest gossip. Fitting perfectly into this scenario are hilarious cameo appearances by Eminem and Rob Lowe.
When Skylark discovers his show is one of Kim Jong-un’s (Randall Park) favorites, he is struck with the genius idea to ask for an interview. Amazingly that request is granted, but attracts the attention of the CIA. Once the two guys are plunged into the outrageous mission, the film carries a fast pace through to the end.
Rogan, who codirected the film with Evan Goldberg, obviously did some real research. Some details are actually based on real world observations.
North Korea is a place shrouded in mystery and little information about the odd dictatorship has surfaced in the outside world. However, there are multiple documentaries by Vice which detail very regimented and monitored trips journalist have taken inside the isolated country.
Elements appearing in the film which are similar to actual documented information about North Korea include: the placement of fake stores with fake food, the discussion of famine and labor camps, and the only pictures allowed on any wall being that of the “supreme leader” or those leaders before him.
Regardless of its very serious political undertones, the film can hardly be taken seriously.
Little touches keep the movie silly and lighthearted. There are quite a few inside jokes that develop throughout the story, cleverly pulling the audience in and making them laugh.
The use of the song “Firework” by Katy Perry is one example. It is established as Kim Jong-un’s favorite song, comedically revealing his “softer” side. It also happens to be Skylark’s favorite song, which creates a common ground between the two characters as they begin to form their own bromance. The song works its way into the plot and reappears at the most mismatched moments, making them that much more absurd.
In general, the execution of the plot and mannerisms of the characters stand out as even cheesier than the past work of Rogan and Franco. The extremely animated facial expressions of Franco in his role as the cocky and lovably stupid reporter, look almost cartoon like. Sex jokes and awkward moments abound. People who do not enjoy that type of comedy will not find much value in this film.
Despite the heavy political attention surrounding “The Interview,” it is one of the most ridiculous comedies to hit theaters. The film has all of the typical features of a Rogan – Franco comedy. It’s filled with over the top raunchy humor, graphic violence, and of course plenty of “bromance.” However this time, it is also a highly entertaining political satire.
I give “The Interview” 3.5 out of 5 stars for quality, and 5 out of 5 stars for becoming an outrageous international controversy.
The comedy follows two average journalists, Aaron Rapoport (Seth Rogan) and David Skylark (James Franco), who become pawns in a CIA plot to assassinate the leader of North Korea.
Skylark is an overzealous news anchor who seems to have no shame in what he reports on. He hosts a celebrity talk show, where he discusses the latest gossip. Fitting perfectly into this scenario are hilarious cameo appearances by Eminem and Rob Lowe.
When Skylark discovers his show is one of Kim Jong-un’s (Randall Park) favorites, he is struck with the genius idea to ask for an interview. Amazingly that request is granted, but attracts the attention of the CIA. Once the two guys are plunged into the outrageous mission, the film carries a fast pace through to the end.
Rogan, who codirected the film with Evan Goldberg, obviously did some real research. Some details are actually based on real world observations.
North Korea is a place shrouded in mystery and little information about the odd dictatorship has surfaced in the outside world. However, there are multiple documentaries by Vice which detail very regimented and monitored trips journalist have taken inside the isolated country.
Elements appearing in the film which are similar to actual documented information about North Korea include: the placement of fake stores with fake food, the discussion of famine and labor camps, and the only pictures allowed on any wall being that of the “supreme leader” or those leaders before him.
Regardless of its very serious political undertones, the film can hardly be taken seriously.
Little touches keep the movie silly and lighthearted. There are quite a few inside jokes that develop throughout the story, cleverly pulling the audience in and making them laugh.
The use of the song “Firework” by Katy Perry is one example. It is established as Kim Jong-un’s favorite song, comedically revealing his “softer” side. It also happens to be Skylark’s favorite song, which creates a common ground between the two characters as they begin to form their own bromance. The song works its way into the plot and reappears at the most mismatched moments, making them that much more absurd.
In general, the execution of the plot and mannerisms of the characters stand out as even cheesier than the past work of Rogan and Franco. The extremely animated facial expressions of Franco in his role as the cocky and lovably stupid reporter, look almost cartoon like. Sex jokes and awkward moments abound. People who do not enjoy that type of comedy will not find much value in this film.
Despite the heavy political attention surrounding “The Interview,” it is one of the most ridiculous comedies to hit theaters. The film has all of the typical features of a Rogan – Franco comedy. It’s filled with over the top raunchy humor, graphic violence, and of course plenty of “bromance.” However this time, it is also a highly entertaining political satire.
I give “The Interview” 3.5 out of 5 stars for quality, and 5 out of 5 stars for becoming an outrageous international controversy.
Sassy Brit (97 KP) rated Godsend in Books
Jun 6, 2019
Godsend, by J.A. Marley is the second Danny Felix novel, and although I have not read the first, Standstill, I read this fast and furiously, as if this was indeed a standalone novel.
Vincent Cardell has over zealous political and religious ambitions, and decides to help out the Mexican cartel with their money laundering, and skims a little bit off the top for himself, I mean the church, whilst he’s at it.
His wife, June is fed up with his ways, and suspects the cartel know what he’s done, and it won’t be long before they come for him, and perhaps her too. So what does she do? Enlists Danny, to rob Vincent’s money and give it all to her. What could possibly go wrong with a deal proposed by a Preacher’s wife?
Right from the first few pages I knew this cheeky chappy was going to be a lot of fun to read. Danny is a flawed, and somewhat vulnerable character, coping with past events that have led to panic attacks and flashbacks, yet he’s still a criminal at heart, despite being ‘retired’ and living in Florida Keys. Nothing, it seems, can keep this man down. He’s a genuine, loveable rogue. As is his mate, Ciaran.
In fact, all of the characters were really well rounded; I loved to hate Harkeness, and I kind of liked June Cardell (also a Brit), even though I probably shouldn’t have. Hell, even Slow Tina, a seventy year old stripper, had a great part to play! (Her character made me giggle).
Because Godsend was based in America, the whole story was written very much in an American style read (lots of Americanisms), with an evangelical couple, preacher Vincent and his conniving wife, June, being a central part of this theme. This was balanced out nicely by the fact that Danny himself was from the UK, with plenty of British-isms up his sleeve! Lots of ‘feckin’s’ and ‘fecks’ too! Aha!
As with this style of gritty, pulp action, there is a lot of name dropping in this book, musicians, actors, and the films, books and songs they produced. They even went to a Geekfest, which I have to mention, as I went to one last Sunday! So yeah, you could say this was my kind of read in more ways than one. Then, just when I thought it was all over the epilogue says otherwise… Nice one!
Overall this is a terrific hard-boiled crime thriller, with some great one liners and equally great, misbehaving characters. If you want to know what happens when you mess with the cartel, read this book!
Vincent Cardell has over zealous political and religious ambitions, and decides to help out the Mexican cartel with their money laundering, and skims a little bit off the top for himself, I mean the church, whilst he’s at it.
His wife, June is fed up with his ways, and suspects the cartel know what he’s done, and it won’t be long before they come for him, and perhaps her too. So what does she do? Enlists Danny, to rob Vincent’s money and give it all to her. What could possibly go wrong with a deal proposed by a Preacher’s wife?
Right from the first few pages I knew this cheeky chappy was going to be a lot of fun to read. Danny is a flawed, and somewhat vulnerable character, coping with past events that have led to panic attacks and flashbacks, yet he’s still a criminal at heart, despite being ‘retired’ and living in Florida Keys. Nothing, it seems, can keep this man down. He’s a genuine, loveable rogue. As is his mate, Ciaran.
In fact, all of the characters were really well rounded; I loved to hate Harkeness, and I kind of liked June Cardell (also a Brit), even though I probably shouldn’t have. Hell, even Slow Tina, a seventy year old stripper, had a great part to play! (Her character made me giggle).
Because Godsend was based in America, the whole story was written very much in an American style read (lots of Americanisms), with an evangelical couple, preacher Vincent and his conniving wife, June, being a central part of this theme. This was balanced out nicely by the fact that Danny himself was from the UK, with plenty of British-isms up his sleeve! Lots of ‘feckin’s’ and ‘fecks’ too! Aha!
As with this style of gritty, pulp action, there is a lot of name dropping in this book, musicians, actors, and the films, books and songs they produced. They even went to a Geekfest, which I have to mention, as I went to one last Sunday! So yeah, you could say this was my kind of read in more ways than one. Then, just when I thought it was all over the epilogue says otherwise… Nice one!
Overall this is a terrific hard-boiled crime thriller, with some great one liners and equally great, misbehaving characters. If you want to know what happens when you mess with the cartel, read this book!
Gareth von Kallenbach (965 KP) rated Hot Tub Time Machine 2 (2015) in Movies
Jun 19, 2019
When “Hot Tub Time Machine” came out almost five years ago, it took a whacky concept of four friends whisked back in time during a getaway to the 80s giving them a chance to fix aspects of their lives they wished they had done differently.
The outrageous and bawdy humor as well as strong performances from John Cusack and Crispin Glover made the film a cult hit that earned over $64 million worldwide and did well on DVD sales as well.
Naturally a sequel was planned and when I first heard it was looking to be a direct to DVD sequel sans Cusack, I had an idea that the film may be little more than an effort to cash in on the success of the first film without offering much to the continued story of the characters.
I was encouraged by the early trailers for the sequel and as such went into the screener with better expectations than I had originally had when I first heard of the projects.
The film explains that “John Cusack’s character is off on adventure of self-discovery as the friends have all become wealthy and famous after the events of the first film. Lou (Rob Corddry) has milked Motley Crue and his knowledge of pending tech to establish himself as a major player, Nick (Craig Robinson) has cashed in on a recording career by covering famous songs from his day before they were ever released and Jacob (Clark Duke) is stuck playing Butler to his father Lou.
Lou has become an example of an ego run wild and during one of his lavish parties; he is shot and left near death. In a move of desperation, Nick and Jacob whisk Lou into the Hot Tub and attempt to go back in time to stop the shooting.
Things do not go as planned as the trio end up 15 years into the future and must find a way to put things right and get home.
One would think that this premise would be able to produce some funny moments, but sadly the film is painfully slow and plodding and most shocking of all, very, very unfunny. The film tries to get some crude laughs from a gameshow of the future and a homicidal Smart Car but the film just wanders from situation to situation looking for laughs and does not setup or execute them properly.
There is a montage scene at the end of the film which sadly is the best part and shows what could have been a much better sequel with the group going through time taking the place of famous individuals and interacting with them.
As it stands, “Hot Tub Time Machine 2”, is a trip you do not want to make.
http://sknr.net/2015/02/20/hot-tub-time-machine-2/
The outrageous and bawdy humor as well as strong performances from John Cusack and Crispin Glover made the film a cult hit that earned over $64 million worldwide and did well on DVD sales as well.
Naturally a sequel was planned and when I first heard it was looking to be a direct to DVD sequel sans Cusack, I had an idea that the film may be little more than an effort to cash in on the success of the first film without offering much to the continued story of the characters.
I was encouraged by the early trailers for the sequel and as such went into the screener with better expectations than I had originally had when I first heard of the projects.
The film explains that “John Cusack’s character is off on adventure of self-discovery as the friends have all become wealthy and famous after the events of the first film. Lou (Rob Corddry) has milked Motley Crue and his knowledge of pending tech to establish himself as a major player, Nick (Craig Robinson) has cashed in on a recording career by covering famous songs from his day before they were ever released and Jacob (Clark Duke) is stuck playing Butler to his father Lou.
Lou has become an example of an ego run wild and during one of his lavish parties; he is shot and left near death. In a move of desperation, Nick and Jacob whisk Lou into the Hot Tub and attempt to go back in time to stop the shooting.
Things do not go as planned as the trio end up 15 years into the future and must find a way to put things right and get home.
One would think that this premise would be able to produce some funny moments, but sadly the film is painfully slow and plodding and most shocking of all, very, very unfunny. The film tries to get some crude laughs from a gameshow of the future and a homicidal Smart Car but the film just wanders from situation to situation looking for laughs and does not setup or execute them properly.
There is a montage scene at the end of the film which sadly is the best part and shows what could have been a much better sequel with the group going through time taking the place of famous individuals and interacting with them.
As it stands, “Hot Tub Time Machine 2”, is a trip you do not want to make.
http://sknr.net/2015/02/20/hot-tub-time-machine-2/
Gareth von Kallenbach (965 KP) rated Ocean’s 8 (2018) in Movies
Jul 8, 2019
For the last five plus years all Debbie Ocean (Sandra Bullock) has had to think about was how to steal a $150 million dollar necklace of the neck of a mark during the Met Gala. Why she had all that time to think about was because she was incarcerated. The plan is flawless on paper but it would have to be to pull off this caper at one of the most high profile events of the year. Meticulously thought out and every eventuality covered. Now all she needs is a crew to make it happen. She gets her right hand girl Lou (Cate Blanchett) and they set out to plan the heist. The start with getting down on her luck designer Rose Weil (Helena Bonham Carter), who must persuade the mark, socialite actress Daphne Kluger (Anne Hathaway), to wear her dress and the diamonds to the even. Then let add a fence, Tammy (Sarah Paulson), a pick-pocket, Constance (Awkwafina), diamond expert, Amita (Mindy Kaling), and a hacker, Nine Ball (Rihanna), everyone they need to make this plan happen. The plan is made, the crew is assembled and the Met Ball is days away and all they have to do is rob a highly protected necklace in a museum filled with people and more cameras than you can count.
David Ross (Pleasantville, Seabiscuit) wrote and directed the most recent film in the Ocean’s storyline. It definitely is in the same mold of the male dominated Ocean’s trilogy of films. There are even cameos from the old crew and the direct link of the main character being the sister of the protagonist of those films really ties them together. There are several nods to the original films and even the music and cinematography match up pretty well. At times I would say that it tries too hard to be like those films.
The cast does a great job. The character development is really good and if successful could definitely lead to follow up films. Awkwafina, who I had not heard of before going into this film, was a real bright spot and stood out in the scenes she was in. James Corden, as insurance investigator John Frazier, was also fun. The flow and pace of the film really went along well. There were definitely fun moments, also some moments that were a little cheesy, which are to be expected. Also to be expected in heist movie are some twist and turns, which this film delivers on. It keeps you guessing until the end.
Overall this was a fun movie going experience but maybe on I would be more likely to rent than see on the big screen.
David Ross (Pleasantville, Seabiscuit) wrote and directed the most recent film in the Ocean’s storyline. It definitely is in the same mold of the male dominated Ocean’s trilogy of films. There are even cameos from the old crew and the direct link of the main character being the sister of the protagonist of those films really ties them together. There are several nods to the original films and even the music and cinematography match up pretty well. At times I would say that it tries too hard to be like those films.
The cast does a great job. The character development is really good and if successful could definitely lead to follow up films. Awkwafina, who I had not heard of before going into this film, was a real bright spot and stood out in the scenes she was in. James Corden, as insurance investigator John Frazier, was also fun. The flow and pace of the film really went along well. There were definitely fun moments, also some moments that were a little cheesy, which are to be expected. Also to be expected in heist movie are some twist and turns, which this film delivers on. It keeps you guessing until the end.
Overall this was a fun movie going experience but maybe on I would be more likely to rent than see on the big screen.
Charlie Cobra Reviews (1840 KP) rated Pokémon: Detective Pikachu (2019) in Movies
Jul 7, 2020
A Really Great Video Game Movie
Pokemon: Detective Pikachu is a 2019 video game film adaptation directed by Rob Letterman with screenplay written by Letterman, Dan Hernandez, Benji Samit and Derek Connolly from a story by Hernandez, Samit, and Nicole Perlman. The movie is produced by Warner Bros. Pictures, Legendary Pictures and The Pokemon Company, in association with Toho Co., Ltd. It's based on the Pokemon franchise created by Satoshi Tajiri and the 2016 video game Detective Pikachu. The movie stars Justice Smith, Kathryn Newton, Suki Waterhouse, Ken Watanabe, and Bill Nighy.
Tim Goodman (Justice Smith) is a 21-year-old insurance salesman who gave up on training Pokemon at a young age. While hanging out with his friend Jack, he receives a call that his father Harry died while investigating a case. He travels to Ryme City, where his father was a detective and where Pokemon fighting is outlawed. It is a metropolis that pushes the bonds of humans and Pokemon by not conforming to some of the usual Pokemon world rules, such as battles or pokeballs. Tim is there to collect his father's belongings and encounters a Pikachu that can speak and he can somehow understand it. And together they try to uncover why Tim's father was killed.
This movie was lots of fun and very enjoyable, even for people that might not know anything about Pokemon. Ryan Reynolds did a great job in portraying the coffee drinking Pikachu detective. The plot was a little weak and could have been better, but I didn't hold that against it too hard since its kind of a kids movie. The CGI was beautiful in a lot of ways, somethings like the city and the skin and texture on Pokemon were phenomenal, but kinda fell short in a few scenes. Some of the human actors were definitely better than others and it shows but doesn't kill the whole movie or vibe. I really liked seeing Ryme City though, it was just so awesome to see all the Pokemon and people interacting and the world building done to make it look real, like it could exist in real life. I think they could of used Ken Watanabe more in the movie, he's a pretty good actor I feel was under utilized. This was a really great video game movie though and I think one that breaks the stigma that video game movies aren't good or successful. I give this movie a 7.
I almost gave it an 8 but I feel that it's nostalgia and my love for the Pokemon games and cartoon movies that are behind that. But I do give it my seal of approval, that you should go see this movie in theaters, especially if you are a Pokemon fan or if you have kids who are.
Tim Goodman (Justice Smith) is a 21-year-old insurance salesman who gave up on training Pokemon at a young age. While hanging out with his friend Jack, he receives a call that his father Harry died while investigating a case. He travels to Ryme City, where his father was a detective and where Pokemon fighting is outlawed. It is a metropolis that pushes the bonds of humans and Pokemon by not conforming to some of the usual Pokemon world rules, such as battles or pokeballs. Tim is there to collect his father's belongings and encounters a Pikachu that can speak and he can somehow understand it. And together they try to uncover why Tim's father was killed.
This movie was lots of fun and very enjoyable, even for people that might not know anything about Pokemon. Ryan Reynolds did a great job in portraying the coffee drinking Pikachu detective. The plot was a little weak and could have been better, but I didn't hold that against it too hard since its kind of a kids movie. The CGI was beautiful in a lot of ways, somethings like the city and the skin and texture on Pokemon were phenomenal, but kinda fell short in a few scenes. Some of the human actors were definitely better than others and it shows but doesn't kill the whole movie or vibe. I really liked seeing Ryme City though, it was just so awesome to see all the Pokemon and people interacting and the world building done to make it look real, like it could exist in real life. I think they could of used Ken Watanabe more in the movie, he's a pretty good actor I feel was under utilized. This was a really great video game movie though and I think one that breaks the stigma that video game movies aren't good or successful. I give this movie a 7.
I almost gave it an 8 but I feel that it's nostalgia and my love for the Pokemon games and cartoon movies that are behind that. But I do give it my seal of approval, that you should go see this movie in theaters, especially if you are a Pokemon fan or if you have kids who are.
Emma @ The Movies (1786 KP) rated Deadpool (2016) in Movies
Sep 25, 2019
Before seeing the movie I had never come across Deadpool. He was sneakily hiding behind the other characters flipping bunny ears and running away giggling. We of course saw Wade Wilson in the Wolverine origin film but in a more serious (yet still with a tinge of humour) role. He was no indication of what to expect.
Created by Rob Liefeld and Fabian Nicieza, Wade Winston Wilson AKA Deadpool started life as a supervillain before the unstable mercenary became firmly set as everyone's favourite anti-hero.
Name: Wade Winston Wilson [possibly?].
AKA: Deadpool, Merc with a Mouth.
Alliances: Pretty much anyone.
Abilities: Healing, master of martial arts, swordsmanship and marksmanship, extended lifespan, a way with words, destroyer of the fourth wall, advanced distraction techniques.
There was the distinct worry that the film would be awful. An entertaining trailer has been known to turn to disappointment when you suddenly realise... that was all the good bits.
On my way to the screening I stopped at my comic book store and someone had just been in who'd already brought tickets to two showings... that seemed a bit dangerous.
The queue was much as I expected, headed up by a devout geek who had clearly been waiting a long time in position, groups of lads exchanging comic book and film trivia. I overheard a rather in depth Star Wars talk that went straight over my head. More couples than I expected were queueing, and I still think that some of the women heard "Ryan Reynolds film" and misunderstood... I'm sure that's not the reason all of them were there or course. But as it goes, I was definitely the only unaccompanied woman there.
A woman seeing a superhero movie on her own... hell yes!
There's action, there's comedy, there's romance and there's sex. Something for everyone as they say. Unless you're easily offended... in which case it's probably best to stay at home and watch something on the Food Network.
I love the fact that they kept in the bits that other films would have cut out. All the daft bits that really capture the Deadpool humour. That cab ride was ridiculous... and totally what lone travellers do in a cab on their own... well apart from climbing into the front seat. But if I kept telling you what I loved we'd be here for hours.
My main pressing concern is how am I going to cope with superhero movies after this? Yeah you get the little "in" jokes, and of course the Stan Lee cameos make me smile every time, but that fourth wall is going to be there, and it's going to be made of vibranium. All future films are going to be haunted by the cinematic ghost of Deadpool.
Created by Rob Liefeld and Fabian Nicieza, Wade Winston Wilson AKA Deadpool started life as a supervillain before the unstable mercenary became firmly set as everyone's favourite anti-hero.
Name: Wade Winston Wilson [possibly?].
AKA: Deadpool, Merc with a Mouth.
Alliances: Pretty much anyone.
Abilities: Healing, master of martial arts, swordsmanship and marksmanship, extended lifespan, a way with words, destroyer of the fourth wall, advanced distraction techniques.
There was the distinct worry that the film would be awful. An entertaining trailer has been known to turn to disappointment when you suddenly realise... that was all the good bits.
On my way to the screening I stopped at my comic book store and someone had just been in who'd already brought tickets to two showings... that seemed a bit dangerous.
The queue was much as I expected, headed up by a devout geek who had clearly been waiting a long time in position, groups of lads exchanging comic book and film trivia. I overheard a rather in depth Star Wars talk that went straight over my head. More couples than I expected were queueing, and I still think that some of the women heard "Ryan Reynolds film" and misunderstood... I'm sure that's not the reason all of them were there or course. But as it goes, I was definitely the only unaccompanied woman there.
A woman seeing a superhero movie on her own... hell yes!
There's action, there's comedy, there's romance and there's sex. Something for everyone as they say. Unless you're easily offended... in which case it's probably best to stay at home and watch something on the Food Network.
I love the fact that they kept in the bits that other films would have cut out. All the daft bits that really capture the Deadpool humour. That cab ride was ridiculous... and totally what lone travellers do in a cab on their own... well apart from climbing into the front seat. But if I kept telling you what I loved we'd be here for hours.
My main pressing concern is how am I going to cope with superhero movies after this? Yeah you get the little "in" jokes, and of course the Stan Lee cameos make me smile every time, but that fourth wall is going to be there, and it's going to be made of vibranium. All future films are going to be haunted by the cinematic ghost of Deadpool.
Movie Metropolis (309 KP) rated Everest (2015) in Movies
Jun 11, 2019
A by the numbers adventure
The 1996 Everest disaster remains one of the greatest true stories to have ever been told. From made-for-TV movies to award-winning documentaries, it appears that audiences simply cannot get enough of this tale of survival.
Now, Universal Pictures ends its record-breaking summer campaign with Everest, a high-budget thriller based on those events in 1996. But does it get the balance between all-out spectacle and human characterisation spot on?
Everest follows the fortunes of two climbing teams planning on making it to the top of the deadly mountain. The Adventure Consultants, led by Rob Hall, and Mountain Madness, guided by Scott Fischer, all make their way to the summit of Everest, battling against horrific storms, avalanches and the mountain itself along the way.
The film features an all-star cast, something not forgotten in its marketing campaign, with the likes of Jason Clarke as Hall, Jake Gyllenhaal as Fischer, Josh Brolin, Keira Knightley, Emily Watson and Sam Worthington all making an appearance as climbers and base-camp attendees.
There’s some great talent here but Everest simply cannot cope with that many characters jostling for screen time and the majority of the cast, bar Clarke, feel like cardboard cut-outs – this is a real shame given the true-story that the writers had to work with.
Knightley in particular is wasted with only ten minutes of screen time and Brolin’s side story is never fully explored to make you remember his character – especially when the onslaught of stormy weather makes it difficult to pick out each person at a glance.
Effects-wise, this is a huge spectacle. The cinematography is absolutely astounding and every shot is filled to the brim with colours, sounds and ragged landscapes – it’s absolutely stunning.
The scenes before the mountaineers start their final climb are particularly beautiful and the summit sequences themselves feel ridiculously real, all culminating in a film that looks and sounds spectacular, but just lacks that human touch needed to make it matter.
Unfortunately, there are no risks here, despite the ones being taken by our intrepid explorers and whilst the true-story elements lend the film some gravitas, everything else feels a little clichéd with a been there, done that attitude.
Naturally, the finale is when the emotional side comes into play with a selection of real video footage and photographs. This ensures that Everest finishes on a thought-provoking and intentionally sombre note. Yes, this is Hollywood at work, but this is not a film to be ‘enjoyed’ in the traditional sense.
Overall, Everest is a fine film with some breath-taking action sequences and top-notch special effects. Unfortunately, despite the fascinating true-story, the human characters don’t register until the final act and this stops it from being as memorable as it should be.
https://moviemetropolis.net/2015/09/27/a-by-the-numbers-adventure-everest-review/
Now, Universal Pictures ends its record-breaking summer campaign with Everest, a high-budget thriller based on those events in 1996. But does it get the balance between all-out spectacle and human characterisation spot on?
Everest follows the fortunes of two climbing teams planning on making it to the top of the deadly mountain. The Adventure Consultants, led by Rob Hall, and Mountain Madness, guided by Scott Fischer, all make their way to the summit of Everest, battling against horrific storms, avalanches and the mountain itself along the way.
The film features an all-star cast, something not forgotten in its marketing campaign, with the likes of Jason Clarke as Hall, Jake Gyllenhaal as Fischer, Josh Brolin, Keira Knightley, Emily Watson and Sam Worthington all making an appearance as climbers and base-camp attendees.
There’s some great talent here but Everest simply cannot cope with that many characters jostling for screen time and the majority of the cast, bar Clarke, feel like cardboard cut-outs – this is a real shame given the true-story that the writers had to work with.
Knightley in particular is wasted with only ten minutes of screen time and Brolin’s side story is never fully explored to make you remember his character – especially when the onslaught of stormy weather makes it difficult to pick out each person at a glance.
Effects-wise, this is a huge spectacle. The cinematography is absolutely astounding and every shot is filled to the brim with colours, sounds and ragged landscapes – it’s absolutely stunning.
The scenes before the mountaineers start their final climb are particularly beautiful and the summit sequences themselves feel ridiculously real, all culminating in a film that looks and sounds spectacular, but just lacks that human touch needed to make it matter.
Unfortunately, there are no risks here, despite the ones being taken by our intrepid explorers and whilst the true-story elements lend the film some gravitas, everything else feels a little clichéd with a been there, done that attitude.
Naturally, the finale is when the emotional side comes into play with a selection of real video footage and photographs. This ensures that Everest finishes on a thought-provoking and intentionally sombre note. Yes, this is Hollywood at work, but this is not a film to be ‘enjoyed’ in the traditional sense.
Overall, Everest is a fine film with some breath-taking action sequences and top-notch special effects. Unfortunately, despite the fascinating true-story, the human characters don’t register until the final act and this stops it from being as memorable as it should be.
https://moviemetropolis.net/2015/09/27/a-by-the-numbers-adventure-everest-review/
Scott Tostik (389 KP) rated 3 From Hell (2019) in Movies
Oct 21, 2019
Some things are better left alone.
Contains spoilers, click to show
I'm gonna go on record and say this first...
The movie business lost one of the greatest talents it had ever seen when Sid Haig passed away. I just wanted to say thank you to him for, not only the horror nemories, but for all the amazing characters he played over the past 60 years. Now, let the final curtain close on a phenomenal career.
Okay, now that thats over, lets review this shit show.
Rob fucking Zombie... Have I got a bone to pick with you.
Have you ever heard the saying "he went to the well too many times,"?
Such as the case woth this final installment of the Firefly films.
There was no chemisty between Bill Moseley and Richard Brake... Maybe a little... It flashed through here and there, but it never came to pass.
Sherri Moon Zombie floats along as a calmer more....medicated Baby. But she just doesnt seem to be in to it like she was previously.
Before people get on me about Zombie, I am a fan. I love his music, movies and artwork. I have always been oneof his biggest supporters. When he "destroyed" Halloween. I was there, sticking up for him until my ears bled. When people said Lords of Salem was a shitty art house movie... I was there... Holding my banner high saying "Everyone makes an art flick once in a while... Hell, Argento made a career of it. When 31 came a long... I painted my face white and punched myself til i bled out my nose and mouth... Metaphorically of course... Im not certifiable...
My point is I have stuck up for R0b Zombie for most of his directing and writing lifetime... But I can no longer do so.
This movie fell a part not too long after it started. From Otis walking the ramps of courthouses and jails spouting off lime Manson... Too Baby appearing to be more off her rocker than usual, reminding me of Aileen Wournos...
Seeing Captain Spaulding for the brief few minutes made the film worth it for me. Listening to Baby and Otis talk about him in the 2nd act nearly brought the waterfalls from the eyes... But i refrained.
Here we have a movie that could've been something special had it been made 10 years ago.
I am saddened not only by the passing of Mr. Haig, but that this movie was a let down... It had its moments of over the top gore and killer dialogue. And it has a scene that will forever be engrained in my brain. But I just can't give it apassing grade.
Never fear Mr. Zombie, I still have your back... Abd I always will. But this time I'm standing in front of you... Telling you, honestly, I didn't like it.
The movie business lost one of the greatest talents it had ever seen when Sid Haig passed away. I just wanted to say thank you to him for, not only the horror nemories, but for all the amazing characters he played over the past 60 years. Now, let the final curtain close on a phenomenal career.
Okay, now that thats over, lets review this shit show.
Rob fucking Zombie... Have I got a bone to pick with you.
Have you ever heard the saying "he went to the well too many times,"?
Such as the case woth this final installment of the Firefly films.
There was no chemisty between Bill Moseley and Richard Brake... Maybe a little... It flashed through here and there, but it never came to pass.
Sherri Moon Zombie floats along as a calmer more....medicated Baby. But she just doesnt seem to be in to it like she was previously.
Before people get on me about Zombie, I am a fan. I love his music, movies and artwork. I have always been oneof his biggest supporters. When he "destroyed" Halloween. I was there, sticking up for him until my ears bled. When people said Lords of Salem was a shitty art house movie... I was there... Holding my banner high saying "Everyone makes an art flick once in a while... Hell, Argento made a career of it. When 31 came a long... I painted my face white and punched myself til i bled out my nose and mouth... Metaphorically of course... Im not certifiable...
My point is I have stuck up for R0b Zombie for most of his directing and writing lifetime... But I can no longer do so.
This movie fell a part not too long after it started. From Otis walking the ramps of courthouses and jails spouting off lime Manson... Too Baby appearing to be more off her rocker than usual, reminding me of Aileen Wournos...
Seeing Captain Spaulding for the brief few minutes made the film worth it for me. Listening to Baby and Otis talk about him in the 2nd act nearly brought the waterfalls from the eyes... But i refrained.
Here we have a movie that could've been something special had it been made 10 years ago.
I am saddened not only by the passing of Mr. Haig, but that this movie was a let down... It had its moments of over the top gore and killer dialogue. And it has a scene that will forever be engrained in my brain. But I just can't give it apassing grade.
Never fear Mr. Zombie, I still have your back... Abd I always will. But this time I'm standing in front of you... Telling you, honestly, I didn't like it.
Phillip McSween (751 KP) rated Pokémon: Detective Pikachu (2019) in Movies
Jul 27, 2019
Don't Try and Make Sense of it and You'll be Just Fine
With the aid of Detective Pikachu (Ryan Reynolds), Tim Goodman (Justice Smith) is on a mission to find out what happened to his missing father.
Acting: 10
Beginning: 6
Characters: 10
You can’t have a movie centered around Pokemon and not have a bevy of characters to behold. Detective Pikachu does not disappoint pushing the envelope of creativity with the number of characters involved. Every Pokemon you can think of shows up in some form or fashion. I was just happy seeing Jiggly Puff get a small bit of shine. Outside of Pikachu himself, I thought the mime Pokemon was a riot. Seeing him and Pikachu together was probably one of my favorite scenes.
Cinematography/Visuals: 9
I was actually pretty impressed with the visuals here. The film takes place over a number of cool settings, including an MMA-style ring with a raging dragon. The colors are vibrant and help bring each Pokemon to life. I appreciate the attention to detail with this movie trying to incorporate as many characters from the game as possible. No corners were cut here as the characters seem to look true to form.
Conflict: 9
Entertainment Value: 8
I dare you to watch this movie and not at least be entertained by some of the parts. Maybe the action could have been spaced out better to prevent lagging, but there was enough there to keep my attention. Between that and Pikachu cracking me up every few minutes, I was surprised by how little of an effort it was to watch this movie.
Memorability: 7
There are a few scenes that are done extremely well while others could have been left out. Probably what stands out the most to me in terms of memorability is here is a movie that was most likely supposed to fail. Yet, director Rob Letterman managed to prove over and over again that the project had legs. It’s not a movie that over saturates you with great moments, but there is enough of a framework to keep you happy.
Pace: 8
Plot: 1
If they had gotten this part right, I’m looking at the movie in a whole different light. The story was all over the place. It was way too jumbled, a hot mess. There is an objective, then there’s a side objective with all these cheats along the way. I finally just said, “Screw it, I’ll enjoy it for what it is. Not going to try and make sense of it.”
Resolution: 10
The ending almost made up for the shoddy plot. It’s cute and touching, very fitting considering the craziness Pikachu and Tim went through for the duration of the story. Happy with how things shook out.
Overall: 78
Sometimes it only takes one thing to keep a movie from greatness. In this case Pokemon: Detective Pikachu couldn’t stop tripping over itself with its awkward storyline. I still recommend it for one good watch.
Acting: 10
Beginning: 6
Characters: 10
You can’t have a movie centered around Pokemon and not have a bevy of characters to behold. Detective Pikachu does not disappoint pushing the envelope of creativity with the number of characters involved. Every Pokemon you can think of shows up in some form or fashion. I was just happy seeing Jiggly Puff get a small bit of shine. Outside of Pikachu himself, I thought the mime Pokemon was a riot. Seeing him and Pikachu together was probably one of my favorite scenes.
Cinematography/Visuals: 9
I was actually pretty impressed with the visuals here. The film takes place over a number of cool settings, including an MMA-style ring with a raging dragon. The colors are vibrant and help bring each Pokemon to life. I appreciate the attention to detail with this movie trying to incorporate as many characters from the game as possible. No corners were cut here as the characters seem to look true to form.
Conflict: 9
Entertainment Value: 8
I dare you to watch this movie and not at least be entertained by some of the parts. Maybe the action could have been spaced out better to prevent lagging, but there was enough there to keep my attention. Between that and Pikachu cracking me up every few minutes, I was surprised by how little of an effort it was to watch this movie.
Memorability: 7
There are a few scenes that are done extremely well while others could have been left out. Probably what stands out the most to me in terms of memorability is here is a movie that was most likely supposed to fail. Yet, director Rob Letterman managed to prove over and over again that the project had legs. It’s not a movie that over saturates you with great moments, but there is enough of a framework to keep you happy.
Pace: 8
Plot: 1
If they had gotten this part right, I’m looking at the movie in a whole different light. The story was all over the place. It was way too jumbled, a hot mess. There is an objective, then there’s a side objective with all these cheats along the way. I finally just said, “Screw it, I’ll enjoy it for what it is. Not going to try and make sense of it.”
Resolution: 10
The ending almost made up for the shoddy plot. It’s cute and touching, very fitting considering the craziness Pikachu and Tim went through for the duration of the story. Happy with how things shook out.
Overall: 78
Sometimes it only takes one thing to keep a movie from greatness. In this case Pokemon: Detective Pikachu couldn’t stop tripping over itself with its awkward storyline. I still recommend it for one good watch.