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Alec Baldwin recommended The Royal Tenenbaums (2001) in Movies (curated)
Awix (3310 KP) rated They Came from Beyond Space (1967) in Movies
Jan 8, 2020
No they didn't, and don't be silly. Hugely derivative British pulp SF movie is unsuccessful in hiding any of its influences and just ends up looking like a random slap-together of bits from Gerry Anderson, Quatermass, Dr Who, The Avengers (the TV show), and much more. Aliens stage a stealthy (and cheap) invasion of England via meteorite, possess the boffins sent to investigate, and cause all sorts of trouble. Imported American boffin Robert Hutton proves immune due to the metal plate in his head and fights back. Michael Gough turns up briefly to chew the scenery as the Master of the Moon.
Almost entirely absurd, but rattles along and never actually gets dull. Performances are mostly lousy with the exception of Bernard Kay, who is actually not bad. Fun can always be had spotting the influences, the props recycled from Daleks: Invasion Earth 2150 AD, and the sight of Zia Mohyeddin with an anti-mind control colander on his head. Daft, but fun, and certainly more entertaining than The Terrornauts (but then so is giving yourself a tonsilectomy).
Almost entirely absurd, but rattles along and never actually gets dull. Performances are mostly lousy with the exception of Bernard Kay, who is actually not bad. Fun can always be had spotting the influences, the props recycled from Daleks: Invasion Earth 2150 AD, and the sight of Zia Mohyeddin with an anti-mind control colander on his head. Daft, but fun, and certainly more entertaining than The Terrornauts (but then so is giving yourself a tonsilectomy).
Darren (1599 KP) rated 2001 Maniacs (2005) in Movies
Jun 20, 2019
Story: 2001 Maniacs starts as three history students Anderson (Gillespie), Nelson (Edrington) and Cory (Carey) failing through college before spring breaks gives them a chance to party some more. When the three friends meet fellow travellers including two hot girls Joey (Malcolm), Kat (Heekin) and Ricky (Gross) they arrange to meet back up on the beach and we continue our adventure with our three friends who find Pleasant Valley.
When the six find themselves being welcomed by the Mayor Buckman (Englund) for a celebration they decide to stay. As the strangers spend more time in the town they start to go missing before learning the truth about the people in the town. Who will make it out alive.
2001 Maniacs is one of those horrors that came out at the perfect time, it was the time when gore and nudity were big in the industry and this does everything needed. The story is pretty simple, strangers arrive in town and welcomed only to learn not everything is as it seems. Sure this is easy to watch but it is also important that nothing becomes over-complicated too.
Actor Review
Robert Englund: Mayor Buckman is the man running Pleasant Valley, he is from a time where the south was still in control meaning he only accepts white people in his town. It isn’t long till we learn his motives as the man who welcomes guests with arms wide open. Robert is always going to be a good lead for a film like this.mayr
Lin Shaye: Granny Boone is the host where the guests are staying. She is welcoming throughout the stay trying to make sure all the women look extra pretty. Lin is good in this role where we get to see the added quirky character.
Giuseppe Andrews: Harper is the charming man of the local town that seduces the women who come to town before finding his own way to kill them. Giuseppe is good in this role as you believe he will be calm and crazy in the same side.
Jay Gillespie: Anderson is the nice guy of the three friends travelling who meets the beautiful Joey where he sees a potential new girlfriend, when he learns what is going on he must try to survive. Jay is solid in this role but it could easily be any of the friends.
Support Cast: 2001 Maniacs has a supporting cast which is mostly the victims but also most of the women end up having to do some sort of nudity.
Director Review: Tim Sullivan – Tim gives us a film that reaches all the special effects levels and is filled with all the gore and nudity fitting the genre.
Comedy: 2001 Maniacs has a few good one liners when it comes to the kills.
Horror: 2001 Maniacs is gored filled for all of the kills but isn’t suspense filled.
Settings: 2001 Maniacs keeps most of the film in this small town showing how this is more of a tradition rather than mistake.
Special Effects: 2001 Maniacs has great effects when it comes to the kills which is important for the film.
Suggestion: 2001 Maniacs is one for the horror fans out there to sit down and watch. (Horror Fans Watch)
Best Part: The kills.
Worst Part: No suspense.
Kill Of The Film: Got Milk.
Believability: No
Chances of Tears: No
Chances of Sequel: Has one.
Post Credits Scene: No
Oscar Chances: No
Budget: $3 Million
Runtime: 1 Hour 27 Minutes
Tagline: The south will rise again!
Overall: Enjoyable horror that pushes the boundaries on kills.
https://moviesreview101.com/2016/10/08/movie-reviews-101-midnight-halloween-horror-2001-maniacs-2005/
When the six find themselves being welcomed by the Mayor Buckman (Englund) for a celebration they decide to stay. As the strangers spend more time in the town they start to go missing before learning the truth about the people in the town. Who will make it out alive.
2001 Maniacs is one of those horrors that came out at the perfect time, it was the time when gore and nudity were big in the industry and this does everything needed. The story is pretty simple, strangers arrive in town and welcomed only to learn not everything is as it seems. Sure this is easy to watch but it is also important that nothing becomes over-complicated too.
Actor Review
Robert Englund: Mayor Buckman is the man running Pleasant Valley, he is from a time where the south was still in control meaning he only accepts white people in his town. It isn’t long till we learn his motives as the man who welcomes guests with arms wide open. Robert is always going to be a good lead for a film like this.mayr
Lin Shaye: Granny Boone is the host where the guests are staying. She is welcoming throughout the stay trying to make sure all the women look extra pretty. Lin is good in this role where we get to see the added quirky character.
Giuseppe Andrews: Harper is the charming man of the local town that seduces the women who come to town before finding his own way to kill them. Giuseppe is good in this role as you believe he will be calm and crazy in the same side.
Jay Gillespie: Anderson is the nice guy of the three friends travelling who meets the beautiful Joey where he sees a potential new girlfriend, when he learns what is going on he must try to survive. Jay is solid in this role but it could easily be any of the friends.
Support Cast: 2001 Maniacs has a supporting cast which is mostly the victims but also most of the women end up having to do some sort of nudity.
Director Review: Tim Sullivan – Tim gives us a film that reaches all the special effects levels and is filled with all the gore and nudity fitting the genre.
Comedy: 2001 Maniacs has a few good one liners when it comes to the kills.
Horror: 2001 Maniacs is gored filled for all of the kills but isn’t suspense filled.
Settings: 2001 Maniacs keeps most of the film in this small town showing how this is more of a tradition rather than mistake.
Special Effects: 2001 Maniacs has great effects when it comes to the kills which is important for the film.
Suggestion: 2001 Maniacs is one for the horror fans out there to sit down and watch. (Horror Fans Watch)
Best Part: The kills.
Worst Part: No suspense.
Kill Of The Film: Got Milk.
Believability: No
Chances of Tears: No
Chances of Sequel: Has one.
Post Credits Scene: No
Oscar Chances: No
Budget: $3 Million
Runtime: 1 Hour 27 Minutes
Tagline: The south will rise again!
Overall: Enjoyable horror that pushes the boundaries on kills.
https://moviesreview101.com/2016/10/08/movie-reviews-101-midnight-halloween-horror-2001-maniacs-2005/
Gareth von Kallenbach (965 KP) rated Journey 2: The Mysterious Island (2012) in Movies
Aug 7, 2019
A follow up to the 2008, “Journey to the Center of the Earth,” here is another modern take on those beloved classic stories of the 19th century. “Journey 2: The Mysterious Island” is based on the idea that Jules Verne’s Mysterious Island, Jonathan Swift’s Gulliver’s Travels and Robert Louis Stevenson’s Treasure Island, are in fact the same island which really does exist.
The movie opens up with the return of Sean Anderson (Josh Hutcherson) getting caught by the police for climbing a satellite tower. To his chagrin, Josh is released into the custody of his stepfather Hank (Dwayne ‘The Rock’ Johnson), a former Navy man who wants nothing more than to be friends with his stepson. Sean’s reason for climbing the satellite tower was to get a hold of a satellite transmission code that he believes is the key to a message from his long-lost grandfather Alexander(Michael Caine).
Sean, with the help of Hank’s Navy expertise, attempts to decode the message which eventually leads them to the Mysterious Island. Along the way, the two hire a helicopter pilot Gabato (Luis Guzman), who provides the comedic relief and his daughter Kailani (Vanessa Hudgens) who, of course, is the eye candy and the romantic interest for Sean.
Upon arrival at the Mysterious Island, they locate Sean’s grandfather Alexander and they discover they must trek across the island, past a volcano that erupts gold leaves and run from dangerous creatures to find Captain Nemo’s ship. All before the island sinks!
You don’t have to be a “Vernian” to know what’s going on here. This movie was definitely geared toward a younger audience. The idea behind recreating Verne’s novels with a modern day twist was clever, however the execution was poor as the sequence of events didn’t flow from one scene to the next and the character relationships were not genuine at all. I must say, however the visual effects were stunning. as well as some of the action scenes which could have rivaled “Indiana Jones” or even “The Goonies” with just a bit more care and attention to detail.
The movie opens up with the return of Sean Anderson (Josh Hutcherson) getting caught by the police for climbing a satellite tower. To his chagrin, Josh is released into the custody of his stepfather Hank (Dwayne ‘The Rock’ Johnson), a former Navy man who wants nothing more than to be friends with his stepson. Sean’s reason for climbing the satellite tower was to get a hold of a satellite transmission code that he believes is the key to a message from his long-lost grandfather Alexander(Michael Caine).
Sean, with the help of Hank’s Navy expertise, attempts to decode the message which eventually leads them to the Mysterious Island. Along the way, the two hire a helicopter pilot Gabato (Luis Guzman), who provides the comedic relief and his daughter Kailani (Vanessa Hudgens) who, of course, is the eye candy and the romantic interest for Sean.
Upon arrival at the Mysterious Island, they locate Sean’s grandfather Alexander and they discover they must trek across the island, past a volcano that erupts gold leaves and run from dangerous creatures to find Captain Nemo’s ship. All before the island sinks!
You don’t have to be a “Vernian” to know what’s going on here. This movie was definitely geared toward a younger audience. The idea behind recreating Verne’s novels with a modern day twist was clever, however the execution was poor as the sequence of events didn’t flow from one scene to the next and the character relationships were not genuine at all. I must say, however the visual effects were stunning. as well as some of the action scenes which could have rivaled “Indiana Jones” or even “The Goonies” with just a bit more care and attention to detail.
Darren (1599 KP) rated Nightworld (2017) in Movies
Sep 16, 2019
Characters – Brett Anderson is a grief stricken for police officer, he retired from the force after his wife’s death, he takes a job as a security guard in an apartment in Bulgaria which leads him to get caught up in a mystery about the apartment which brings him past back to haunt him. Jacob is a former guard that lost his eye sight, he knows the mystery about the apartment and helps guide Brett through the strange events. Martin is the apartment manager and needs to find a new guard to watch over any problems in the apartment when he is away. Zara is the waitress at the local café that offer a romantic angle for Brett, while filling in the blanks about the history of the apartment.
Performances – Jason London is solid enough in the leading role, most of what he does is ask questions which is how the audience must learn what is going on. Robert Englund as the elderly figure that is trying to help works well because he is the biggest draw for the film. Gianna Capaldi and Lorina Kamburova are both fine they never get out of first gear for their performances though.
Story – The story here follows a man that needs to rebuild his life, get given a job as a security guard for an apartment building that has secrets he can’t even imagine. The pace of the story is slow, because we have a lot of building up with little to no hints to what the big conclusion will be, the final third of the film lets everything go, making the early parts of the story more interesting, the time loss angle does feel tagged in for no reason and by the end you still won’t completely understand what just happened. The reveals in the film are big, though they could be considered overkill for what could have be a much more subtle story.
Horror – The horror comes from the nightmares Brett suffers before the big reveal in the final act which shows us just what has been going on.
Settings – The whole film is set in one building, it shows how the layers can hold secrets and the mystery about the building is key t the story being told.
Special Effects – The effects in the film are used well when needed, we don’t go over the top with them and the best one are used for the final act.
Scene of the Movie – Behind the door.
That Moment That Annoyed Me – Starts too slow for the ending.
Final Thoughts – This is a slow burning horror thriller, it does reward us with a manic ending which is worth the wait for, only it does take too long to get there with little hints to help us understand the ending.
Overall: Slow though rewarding.
Performances – Jason London is solid enough in the leading role, most of what he does is ask questions which is how the audience must learn what is going on. Robert Englund as the elderly figure that is trying to help works well because he is the biggest draw for the film. Gianna Capaldi and Lorina Kamburova are both fine they never get out of first gear for their performances though.
Story – The story here follows a man that needs to rebuild his life, get given a job as a security guard for an apartment building that has secrets he can’t even imagine. The pace of the story is slow, because we have a lot of building up with little to no hints to what the big conclusion will be, the final third of the film lets everything go, making the early parts of the story more interesting, the time loss angle does feel tagged in for no reason and by the end you still won’t completely understand what just happened. The reveals in the film are big, though they could be considered overkill for what could have be a much more subtle story.
Horror – The horror comes from the nightmares Brett suffers before the big reveal in the final act which shows us just what has been going on.
Settings – The whole film is set in one building, it shows how the layers can hold secrets and the mystery about the building is key t the story being told.
Special Effects – The effects in the film are used well when needed, we don’t go over the top with them and the best one are used for the final act.
Scene of the Movie – Behind the door.
That Moment That Annoyed Me – Starts too slow for the ending.
Final Thoughts – This is a slow burning horror thriller, it does reward us with a manic ending which is worth the wait for, only it does take too long to get there with little hints to help us understand the ending.
Overall: Slow though rewarding.
<i>I received this book for free through Goodreads First Reads.</i>
“Dreams come true. So do nightmares.” Dea Donahue has spent her entire life travelling from one state to another, starting school after school… and walking other people’s dreams in order to survive. Dea, like her mother, is a dream walker, but she must keep this a secret from everyone else. She must follow the rules: don’t walk a person’s dream more than once, don’t let the dreamer see you; otherwise the monsters will find you. Or so Dea’s eccentric mother says.
Dea’s mother is a very paranoid person, afraid of many things particularly mirrors, and has a strange obsession for clocks. At any moment she may decide they need to pack up and leave, but Dea has had enough. Especially now that she has met Connor, the first boy to ever treat her nicely, the first boy she could call a friend. But when Dea’s mother goes missing, Dea needs to take a closer look at her mother’s obscure fears in order to track her down. At the same time there are rumours going around suggesting that Connor may not be the nice guy Dea thinks he is.
<i>Dreamland</i> is both a fantasy novel and murder mystery. It is as though Robert L. Anderson has written two different stories and then seamlessly merged them together. The main narrative focuses on Dea’s predicament but Connor’s life is constantly present underneath it. The real life quality to the story line makes the incidents Dea experiences all the more creepy.
Part three of the book becomes more fantasy-like which is a little confusing and difficult to see the setting in the way the author perceives it, however the narrative soon returns to the real world and progresses on with Connor’s story. It is not until this point that the reader realizes that <i>Dreamland</i> is part murder mystery.
As a whole, <i>Dreamland</i> is a gripping read that is difficult to put down. Readers are plagued with questions and anticipations as they wait to find out why Dea can dream walk, what the significance of the mirrors and clocks are, and what happened to Dea’s mother. Once these are resolved a whole bunch of new questions crop up.
The ending is mostly satisfying although it is not completely clear what happens next. Although the reader knows where Dea and Connor both end up, it is largely up to our own interpretation as to what their lives are like once the story ends.
<i>Dreamland</i> is definitely a worthy young adult book to read. It is different to other novels in the genre and brings a whole new concept to the table. I expect this book to rise in popularity rather quickly – and if it does not? Well, lots of people are missing out!
“Dreams come true. So do nightmares.” Dea Donahue has spent her entire life travelling from one state to another, starting school after school… and walking other people’s dreams in order to survive. Dea, like her mother, is a dream walker, but she must keep this a secret from everyone else. She must follow the rules: don’t walk a person’s dream more than once, don’t let the dreamer see you; otherwise the monsters will find you. Or so Dea’s eccentric mother says.
Dea’s mother is a very paranoid person, afraid of many things particularly mirrors, and has a strange obsession for clocks. At any moment she may decide they need to pack up and leave, but Dea has had enough. Especially now that she has met Connor, the first boy to ever treat her nicely, the first boy she could call a friend. But when Dea’s mother goes missing, Dea needs to take a closer look at her mother’s obscure fears in order to track her down. At the same time there are rumours going around suggesting that Connor may not be the nice guy Dea thinks he is.
<i>Dreamland</i> is both a fantasy novel and murder mystery. It is as though Robert L. Anderson has written two different stories and then seamlessly merged them together. The main narrative focuses on Dea’s predicament but Connor’s life is constantly present underneath it. The real life quality to the story line makes the incidents Dea experiences all the more creepy.
Part three of the book becomes more fantasy-like which is a little confusing and difficult to see the setting in the way the author perceives it, however the narrative soon returns to the real world and progresses on with Connor’s story. It is not until this point that the reader realizes that <i>Dreamland</i> is part murder mystery.
As a whole, <i>Dreamland</i> is a gripping read that is difficult to put down. Readers are plagued with questions and anticipations as they wait to find out why Dea can dream walk, what the significance of the mirrors and clocks are, and what happened to Dea’s mother. Once these are resolved a whole bunch of new questions crop up.
The ending is mostly satisfying although it is not completely clear what happens next. Although the reader knows where Dea and Connor both end up, it is largely up to our own interpretation as to what their lives are like once the story ends.
<i>Dreamland</i> is definitely a worthy young adult book to read. It is different to other novels in the genre and brings a whole new concept to the table. I expect this book to rise in popularity rather quickly – and if it does not? Well, lots of people are missing out!
BankofMarquis (1832 KP) rated Frozen II (2019) in Movies
Mar 23, 2020
Better Than The Original
I never really had much desire/interest in revisiting the sisters from Arendelle and thought the much-hyped sequel to the 2013 mega-hit, FROZEN, was nothing more than a cash grab. But...my daughter talked me into checking it out, so it was with much harumphing that I sat down for a viewing of FROZEN 2.
I loved it.
Loved it, so much so, that I have since watched it a 2nd time - and liked it even more.
Set 6 years after the events in the first film, life in Arendelle has settled down for Queen Elsa, her sister Anna, Anna's boyfriend Kristoff, his reindeer Sven and good ol' Olaf the Snowman (who still likes warm hugs). But something is stirring inside Elsa. Is it a longing for more? Is it a calling from outside? Is it something more? I won't spoil it, but the journey/adventure that this stirring from Elsa begets is a welcome "road trip" for some old friends. It lets us, the audience, spend some more quality time with these characters - with some wonderful music, to boot.
All voice actors from the first film are back (why wouldn't they be) and their voice performances are stronger and more self-assured than in the first film. Idina Menzel, Jonathan Groff, Josh Gad and the under-rated Kristin Bell all "bring-it" to this adventure while newcomers like Sterling K. Brown, Evan Rachel Wood and Martha Plimpton all join in with aplomb making a very appealing film with an fun adventure that has, at it's core, heart. Which, I think, is what makes both of the Frozen films work. The deep heart at the core of these films, and their underlying theme of familial love will win out against all odds.
Add to that the FANTASTIC songs written, yet again, by Robert Lopez and Kristen Anderson-Lopez. They are catchy, fun, hummable and TERRIFIC. It was worth the 2nd viewing just to hear the songs again.
The direction by Chris Buck and Jennifer Lee (the Directors of the first FROZEN) is just as self-assured and strong. They "up" the precedings by picking up the pace and adding to the "difficulty" level (shooting much of this film on water) and they succeed mostly throughout the film.
It is always fun for me to be surprised by a film - and I was most definitely surpised by Frozen 2 - and I would venture to guess that you will be too, especially if you drop any "attitude" you have about this sequel existing and just sit back and enjoy the ride that you are going to be on.
Letter Grade: A
9 stars (out of 10) and you can take that to the BankofMarquis
FROZEN 2 is free to stream for subscribers of DISNEY+ or can be streamed for a fee (to rent or own) on most major platforms like YouTube, GooglePlay, Vudu and Amazon.
I loved it.
Loved it, so much so, that I have since watched it a 2nd time - and liked it even more.
Set 6 years after the events in the first film, life in Arendelle has settled down for Queen Elsa, her sister Anna, Anna's boyfriend Kristoff, his reindeer Sven and good ol' Olaf the Snowman (who still likes warm hugs). But something is stirring inside Elsa. Is it a longing for more? Is it a calling from outside? Is it something more? I won't spoil it, but the journey/adventure that this stirring from Elsa begets is a welcome "road trip" for some old friends. It lets us, the audience, spend some more quality time with these characters - with some wonderful music, to boot.
All voice actors from the first film are back (why wouldn't they be) and their voice performances are stronger and more self-assured than in the first film. Idina Menzel, Jonathan Groff, Josh Gad and the under-rated Kristin Bell all "bring-it" to this adventure while newcomers like Sterling K. Brown, Evan Rachel Wood and Martha Plimpton all join in with aplomb making a very appealing film with an fun adventure that has, at it's core, heart. Which, I think, is what makes both of the Frozen films work. The deep heart at the core of these films, and their underlying theme of familial love will win out against all odds.
Add to that the FANTASTIC songs written, yet again, by Robert Lopez and Kristen Anderson-Lopez. They are catchy, fun, hummable and TERRIFIC. It was worth the 2nd viewing just to hear the songs again.
The direction by Chris Buck and Jennifer Lee (the Directors of the first FROZEN) is just as self-assured and strong. They "up" the precedings by picking up the pace and adding to the "difficulty" level (shooting much of this film on water) and they succeed mostly throughout the film.
It is always fun for me to be surprised by a film - and I was most definitely surpised by Frozen 2 - and I would venture to guess that you will be too, especially if you drop any "attitude" you have about this sequel existing and just sit back and enjoy the ride that you are going to be on.
Letter Grade: A
9 stars (out of 10) and you can take that to the BankofMarquis
FROZEN 2 is free to stream for subscribers of DISNEY+ or can be streamed for a fee (to rent or own) on most major platforms like YouTube, GooglePlay, Vudu and Amazon.
BankofMarquis (1832 KP) rated Amsterdam (2022) in Movies
Nov 21, 2022
Weak First Half Gives Way To Strong Second Half
There are certain Directors working today that gain such a reputation that most Major Movie Stars clamor to be in their films - no matter how big (or small) their part is. Quentin Tarantino, Wes Anderson and Christopher Nolan all come to mind. And, for some reason, David O. Russell is in that camp as well.
The latest film from this cinematic auteur, AMSTERDAM, is jam-packed with stars from Christian Bale to John David Washington to Margot Robbie, Robert DeNiro, Zoe Saldana, Rami Malek, Andrea Riseborough, Chris Rock, Michael Shannon, Michael Myers, Timothy Olyphant, Any-Taylor Joy and even Taylor Swift show up to play part in this drama/thriller/comedy that takes a real life event and gives it the David O. Russell touch.
And…what is the David O. Russell touch? It is - for better or for worse - a skewed perspective of the goings-on in the film, commenting on the action while driving a narrative forward. On the one hand, he is liked by many actors for he let’s them improvise and work through their performances. However, on the other hand, if he is not getting what he wants, he is also known as a antagonistic Director as he has had on-set feuds with George Clooney, Lilly Tomlin and Amy Adams. But…on the other hand…he has been nominated for Best Director 3x and quite a few of his actors (Bale, Adams, Cooper, Jennifer Lawrence, etc.) have been nominated for an Oscar.
For AMSTERDAM the film’s tone and intention meander for the 1st half of the movie - as do the performances - before settling into a crackerjack thriller/murder-mystery/espionage film.
And that’s too bad for many will be turned off by the 1st half - the meandering is detrimental to the audience’s enjoyment - it feels like a series of “acting scenes” and not a coherent grouping of scenarios leading to a plot. This will turn many off - and will have them turning off the film - before it settles down and becomes good.
As is often the case with Russell’s films, the performances are good (Washington), better (Robbie) and best (Bale, channelling his inner Peter Faulk) while the other actors support the 3 leads in surprising ways. If nothing else, see this movie to watch all of these wonderful performers plying their craft. Of course, you’ll be saying to yourself “that’s wonderfully acted” for you won’t be immersed into the people, emotions or the plot at the beginning.
And that is Russell’s issue. If he could have settled on the tone and focus of the 2nd half of the film in the first half, he’d have himself another Oscar contending film. But, as it were, it’s an interesting curiosity - one that will have you entertained for a few hours, but will leave you scratching your head longing for “what could have been”.
Letter Grade: B (“C” for the first half, “A” for the 2nd half)
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
The latest film from this cinematic auteur, AMSTERDAM, is jam-packed with stars from Christian Bale to John David Washington to Margot Robbie, Robert DeNiro, Zoe Saldana, Rami Malek, Andrea Riseborough, Chris Rock, Michael Shannon, Michael Myers, Timothy Olyphant, Any-Taylor Joy and even Taylor Swift show up to play part in this drama/thriller/comedy that takes a real life event and gives it the David O. Russell touch.
And…what is the David O. Russell touch? It is - for better or for worse - a skewed perspective of the goings-on in the film, commenting on the action while driving a narrative forward. On the one hand, he is liked by many actors for he let’s them improvise and work through their performances. However, on the other hand, if he is not getting what he wants, he is also known as a antagonistic Director as he has had on-set feuds with George Clooney, Lilly Tomlin and Amy Adams. But…on the other hand…he has been nominated for Best Director 3x and quite a few of his actors (Bale, Adams, Cooper, Jennifer Lawrence, etc.) have been nominated for an Oscar.
For AMSTERDAM the film’s tone and intention meander for the 1st half of the movie - as do the performances - before settling into a crackerjack thriller/murder-mystery/espionage film.
And that’s too bad for many will be turned off by the 1st half - the meandering is detrimental to the audience’s enjoyment - it feels like a series of “acting scenes” and not a coherent grouping of scenarios leading to a plot. This will turn many off - and will have them turning off the film - before it settles down and becomes good.
As is often the case with Russell’s films, the performances are good (Washington), better (Robbie) and best (Bale, channelling his inner Peter Faulk) while the other actors support the 3 leads in surprising ways. If nothing else, see this movie to watch all of these wonderful performers plying their craft. Of course, you’ll be saying to yourself “that’s wonderfully acted” for you won’t be immersed into the people, emotions or the plot at the beginning.
And that is Russell’s issue. If he could have settled on the tone and focus of the 2nd half of the film in the first half, he’d have himself another Oscar contending film. But, as it were, it’s an interesting curiosity - one that will have you entertained for a few hours, but will leave you scratching your head longing for “what could have been”.
Letter Grade: B (“C” for the first half, “A” for the 2nd half)
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated The Pale Blue Eye (2022) in Movies
Jan 15, 2023
Haunting and Intriguing
An eerie, gothic murder mystery pairing an ingenious Detective with a young Edgar Allan Poe is now streaming on Netflix and is the perfect way to shut out the January winds and hibernate on your couch and get involved in the mystery while sitting in front of a warm, roaring fire (or heat lamp) and your favorite warm (possibly adult) beverage).
Written for the screen (from book by Louis Bayard) and Directed by Scott Cooper (OUT OF THE FURNACE), THE PALE BLUE EYE stars the always good Christian Bale (probably my favorite actor working today) as Civilian Detective Augustus Landor who is summoned to 1830’s West Point Military Academy to solve a murder. He is aided by a young cadet played by Harry Melling (Dudley Dursley in the HARRY POTTER FILMS) who turns out to be none other than Edgar Allan Poe.
Cooper films this movie in shadow and dark brown and yellow tones, giving the 1830’s setting a certain dream-like, dreary quality that underscores the gruesome goings-on happening behind the scenes at the fledgling United States Military Academy. These types of films - and the mood that is permeated throughout - can often be slow slogs and often times bogs down under the weight of it’s own pretentiousness - but Cooper keeps the action moving forward (though at a deliberate pace) often-times mimicking the piecing together of the circumstances that Bale’s character is doing.
Thank goodness Cooper had the good sense to reunite with his OUT OF THE FURNACE star and cast Bale in the lead role. The character of Detective Augustus Landor is dark and brooding - himself still working through the emotions of a tragedy from his past. But he is also thoughtful and deliberate in his detective work and Bale handles these moods…and the pacing of the film…like the pro that he is. If for no other reason, check out THE PALE BLUE EYE (a reference to Poe’s TELL TALE HEART) for Bale’s performance at the center of things.
Fortunately, Bale is aided in this film by a strong ensemble of (mostly) British actors from Toby Jones to Gillian Anderson to Simon McBurney and Timothy Spall - they all bring their considerable talents to lesser roles as suspects and/or witnesses in this “whodunnit”. Cooper also trots out good ol’ (and I do mean old) Robert Duvall for a “blink or you’ll miss it” cameo. The casting works well for this gothic murder mystery.
And then there is Melling as Edgar Allan Poe. He plays Poe as you might expect one to play a young Edgar Allan Poe - as an “odd duck” who is fascinated by macabre scenarios (which would be later found in his storytelling), but Melling gives him an intelligence and gentleness of soul that really works in this case.
The Cinematography of this movie is bleak and dark - as befits a gothic murder mystery - and the pacing is not fast in any sense of the word, but if you click into this world, you’ll be rewarding by an interesting murder mystery that resolves itself in a surprising - and satisfactory - way.
Letter Grade: B+
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Written for the screen (from book by Louis Bayard) and Directed by Scott Cooper (OUT OF THE FURNACE), THE PALE BLUE EYE stars the always good Christian Bale (probably my favorite actor working today) as Civilian Detective Augustus Landor who is summoned to 1830’s West Point Military Academy to solve a murder. He is aided by a young cadet played by Harry Melling (Dudley Dursley in the HARRY POTTER FILMS) who turns out to be none other than Edgar Allan Poe.
Cooper films this movie in shadow and dark brown and yellow tones, giving the 1830’s setting a certain dream-like, dreary quality that underscores the gruesome goings-on happening behind the scenes at the fledgling United States Military Academy. These types of films - and the mood that is permeated throughout - can often be slow slogs and often times bogs down under the weight of it’s own pretentiousness - but Cooper keeps the action moving forward (though at a deliberate pace) often-times mimicking the piecing together of the circumstances that Bale’s character is doing.
Thank goodness Cooper had the good sense to reunite with his OUT OF THE FURNACE star and cast Bale in the lead role. The character of Detective Augustus Landor is dark and brooding - himself still working through the emotions of a tragedy from his past. But he is also thoughtful and deliberate in his detective work and Bale handles these moods…and the pacing of the film…like the pro that he is. If for no other reason, check out THE PALE BLUE EYE (a reference to Poe’s TELL TALE HEART) for Bale’s performance at the center of things.
Fortunately, Bale is aided in this film by a strong ensemble of (mostly) British actors from Toby Jones to Gillian Anderson to Simon McBurney and Timothy Spall - they all bring their considerable talents to lesser roles as suspects and/or witnesses in this “whodunnit”. Cooper also trots out good ol’ (and I do mean old) Robert Duvall for a “blink or you’ll miss it” cameo. The casting works well for this gothic murder mystery.
And then there is Melling as Edgar Allan Poe. He plays Poe as you might expect one to play a young Edgar Allan Poe - as an “odd duck” who is fascinated by macabre scenarios (which would be later found in his storytelling), but Melling gives him an intelligence and gentleness of soul that really works in this case.
The Cinematography of this movie is bleak and dark - as befits a gothic murder mystery - and the pacing is not fast in any sense of the word, but if you click into this world, you’ll be rewarding by an interesting murder mystery that resolves itself in a surprising - and satisfactory - way.
Letter Grade: B+
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (965 KP) rated The Comedian (2017) in Movies
Jul 12, 2019
Welcome to the year 2017 …. Another year which promises to bring you HUGE blockbuster theatrical releases including long awaited sequels, groundbreaking independent films, and breakout performances from some of cinemas great veterans as well as its rookie newcomers!
Alright … alright … that’s your standard P.R. HYPE. Not that it’s entirely untrue but let’s face it, we all have a pretty good idea as to what’s in store for us this year am I right?
Today’s film is amongst 2016s ‘leftovers’ if you will. No that that’s a bad thing. Example … leftover pizza. I don’t know one individual who doesn’t like leftover pizza. You can think of this film as such.
The selection we present to you is the dramatic comedy ‘The Comedians’. The latest from film legend Robert De Niro. The film premiered at the AFI Fest on November 11th and will be released in theaters on February 3rd. Directed by Taylor Hackford (An Officer And A Gentleman, RAY) and written by Lewis Friedman, comedian Jeff Ross, Art Linson, and Richard LaGravenese (The Fisher King) the film features an all star cast including Robert DeNiro, Leslie Mann, Harvey Keitel, Danny DeVito, Veronica Ferres, Patti LuPone, Edie Falco, Cloris Leachman, Charles Gordin, Jim Norton, Gilbert Gottfried, Jimmie Walker, Brett Butler, Lois Smith, Happy Anderson, Hannibal Buress, and an appearance by Billy Crystal.
DeNiro is Jack ‘Jackie’ Burke. A comedic legend best known for his iconic T.V. role decades before who has spent the years since then attempting to reinvent himself as an ‘insult’ comic. Despite rave performances and praise from fans and his fellow comedians, he is still frustrated that he cannot escape from the shadow of his television career and the mistakes he made during those years as a husband, father, and brother. During a performance at a comedy club on the outskirts of New York City he berates a husband and wife in the audience who are filming him for their internet show without his permission and later attacks the husband. At his court hearing, he is offered a plea deal but upon learning that part of the plea involves apologizing to the husband and wife he openly berates them in the courtroom and is sentenced to 30 days in jail plus community service. Once out of jail, Jackie begins his community service serving meals to the homeless while fine tuning his act at a local church. However, since he has not worked and has no money he pays a call upon his estranged brother whom he has not visited in ages to ask for a loan.
Jackie’s brother agrees but only if Jackie will appear at his niece’s wedding. Late one evening at the church he meets Harmony (Mann) whom is also serving community service for assault and battery. Shortly after, Harmony and Jackie make the rounds at some of the New York comedy clubs where Jackie is still ‘welcome’ after which Jackie proposes a trade of sorts, Harmony will be Jackie’s date to his niece’s wedding if Jackie will appear at the dinner to celebrate the birthday of Harmony’s father (Keitel) who is a huge fan of Jackie’s television persona. At the wedding, Jackie performed a variation of his stand-up act to the delight of his niece and her fiancé while simultaneously offending the majority of the other family members. A few days later, Jackie accompanies Harmony to her father’s birthday dinner only to become aggravated when Harmony’s father insists Jackie reenact his T.V. character’s. Jackie responds by sarcastically professing his intentions to sleep with Harmony. Without giving everything away, what follows is a re-awakening of sorts in which Jackie comes to terms with the inevitability that he will always be known for the one role he tries so desperately to get away from and realizes that if he wants to distances himself from it, he’s going to have to embrace the character.
Despite the all star cast and the fact there were indeed many laughs in the film, it was honestly a waste at the end. This could’ve been an amazing film but it was lacking in its story. The script just didn’t have the ‘heart’ to combine with the premise and the great performances given by the actors. It’s not that they didn’t try, the film just failed to measure up. The acting was great, the directing was good, and there were indeed a few laughs here and there …. it just didn’t have any life to it. Heaven forbid I criticize a DeNiro film, but I can’t give this one more than two out of five stars. I REALLY wanted to like the film, I just didn’t. If it shows up in your digital cable package, go ahead and give it a try. Rent it on iTunes even. Honestly though, I can’t see myself buying the movie.
Alright … alright … that’s your standard P.R. HYPE. Not that it’s entirely untrue but let’s face it, we all have a pretty good idea as to what’s in store for us this year am I right?
Today’s film is amongst 2016s ‘leftovers’ if you will. No that that’s a bad thing. Example … leftover pizza. I don’t know one individual who doesn’t like leftover pizza. You can think of this film as such.
The selection we present to you is the dramatic comedy ‘The Comedians’. The latest from film legend Robert De Niro. The film premiered at the AFI Fest on November 11th and will be released in theaters on February 3rd. Directed by Taylor Hackford (An Officer And A Gentleman, RAY) and written by Lewis Friedman, comedian Jeff Ross, Art Linson, and Richard LaGravenese (The Fisher King) the film features an all star cast including Robert DeNiro, Leslie Mann, Harvey Keitel, Danny DeVito, Veronica Ferres, Patti LuPone, Edie Falco, Cloris Leachman, Charles Gordin, Jim Norton, Gilbert Gottfried, Jimmie Walker, Brett Butler, Lois Smith, Happy Anderson, Hannibal Buress, and an appearance by Billy Crystal.
DeNiro is Jack ‘Jackie’ Burke. A comedic legend best known for his iconic T.V. role decades before who has spent the years since then attempting to reinvent himself as an ‘insult’ comic. Despite rave performances and praise from fans and his fellow comedians, he is still frustrated that he cannot escape from the shadow of his television career and the mistakes he made during those years as a husband, father, and brother. During a performance at a comedy club on the outskirts of New York City he berates a husband and wife in the audience who are filming him for their internet show without his permission and later attacks the husband. At his court hearing, he is offered a plea deal but upon learning that part of the plea involves apologizing to the husband and wife he openly berates them in the courtroom and is sentenced to 30 days in jail plus community service. Once out of jail, Jackie begins his community service serving meals to the homeless while fine tuning his act at a local church. However, since he has not worked and has no money he pays a call upon his estranged brother whom he has not visited in ages to ask for a loan.
Jackie’s brother agrees but only if Jackie will appear at his niece’s wedding. Late one evening at the church he meets Harmony (Mann) whom is also serving community service for assault and battery. Shortly after, Harmony and Jackie make the rounds at some of the New York comedy clubs where Jackie is still ‘welcome’ after which Jackie proposes a trade of sorts, Harmony will be Jackie’s date to his niece’s wedding if Jackie will appear at the dinner to celebrate the birthday of Harmony’s father (Keitel) who is a huge fan of Jackie’s television persona. At the wedding, Jackie performed a variation of his stand-up act to the delight of his niece and her fiancé while simultaneously offending the majority of the other family members. A few days later, Jackie accompanies Harmony to her father’s birthday dinner only to become aggravated when Harmony’s father insists Jackie reenact his T.V. character’s. Jackie responds by sarcastically professing his intentions to sleep with Harmony. Without giving everything away, what follows is a re-awakening of sorts in which Jackie comes to terms with the inevitability that he will always be known for the one role he tries so desperately to get away from and realizes that if he wants to distances himself from it, he’s going to have to embrace the character.
Despite the all star cast and the fact there were indeed many laughs in the film, it was honestly a waste at the end. This could’ve been an amazing film but it was lacking in its story. The script just didn’t have the ‘heart’ to combine with the premise and the great performances given by the actors. It’s not that they didn’t try, the film just failed to measure up. The acting was great, the directing was good, and there were indeed a few laughs here and there …. it just didn’t have any life to it. Heaven forbid I criticize a DeNiro film, but I can’t give this one more than two out of five stars. I REALLY wanted to like the film, I just didn’t. If it shows up in your digital cable package, go ahead and give it a try. Rent it on iTunes even. Honestly though, I can’t see myself buying the movie.