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Sarah (7798 KP) rated Flight (2012) in Movies
Oct 13, 2018
Watchable but very lacking
For a film by Robert Zemeckis, I was expecting something with a lot more heart and a little less predictable.
The problem with this film is that the main character Whip isn’t particularly likeable. Whilst Denzel Washington does his best and does bring some odd moments of likeability, it’s very difficult to connect with this film when Whip is not a very good person. Of course everything turns out the way you’d expect from the outset but this just makes for a bit of a dull watch. Kelly Reilly is sorely underused and her character just seems to have been thrown in a little haphazardly, making little of her and her journey. The visual effects of the crash itself are very good and the soundtrack is great, although it does throw back a little too much to Forrest Gump. The whole film drags and does get a little talky and dull. It also seems to be putting out a strange message about the effects of alcoholism, and yet how a pilot saved a flight whilst he was drunk and high.... very odd.
It’s the type of film you’d watch once and it’s bearable enough to watch to the end, but not one you’d go out of your way to watch again.
The problem with this film is that the main character Whip isn’t particularly likeable. Whilst Denzel Washington does his best and does bring some odd moments of likeability, it’s very difficult to connect with this film when Whip is not a very good person. Of course everything turns out the way you’d expect from the outset but this just makes for a bit of a dull watch. Kelly Reilly is sorely underused and her character just seems to have been thrown in a little haphazardly, making little of her and her journey. The visual effects of the crash itself are very good and the soundtrack is great, although it does throw back a little too much to Forrest Gump. The whole film drags and does get a little talky and dull. It also seems to be putting out a strange message about the effects of alcoholism, and yet how a pilot saved a flight whilst he was drunk and high.... very odd.
It’s the type of film you’d watch once and it’s bearable enough to watch to the end, but not one you’d go out of your way to watch again.
Chris Sawin (602 KP) rated Sherlock Holmes (2009) in Movies
Jun 22, 2019
Sherlock Holmes (Robert Downey Jr) has developed a reputation for having one of the most brilliant crime solving minds of his time. Along with his partner, Dr. John Watson (Jude Law), there is rarely ever a time when a case goes unsolved or a suspect is able to get the best of the two of them. However, that very well may be the case this time around. Holmes and Watson were able to apprehend Lord Blackwood (Mark Strong), who is believed to be a master of black magic. Blackwood is hanged and that is thought to be the end of it until he returns from the grave. Somehow Irene Adler (Rachel McAdams), an adversary of Holmes who he not only has feelings for but has gotten the best of him on more than one occasion, is wrapped up in all of this. Not to mention that the Blackwood case was supposed to be Watson's last as he settles down to get married. So Holmes takes the case to try and solve Blackwood's resurrection, figure out how Irene is involved, and convince Watson to stay on as his partner. What he doesn't count on is walking away from this case with an adversary that's just as cunning and brilliant as he is.
As a fan of the majority of Guy Ritchie's previous works (Lock, Stock, and Two Smoking Barrels, Snatch, Revolver, RocknRolla) and the incredible streak Robert Downey Jr has of impressive performances that have turned him into one of the most entertaining and profitable leading actors of today, you could say the anticipation and expectations for this film were fairly high. Other reviews for the film seemed to be mixed as a lot of them mentioned the writing for the film being lackluster and most complained that Sherlock Holmes wasn't an action star, but the film still brought in around $65 million its opening weekend. So is Ritchie's version of Sherlock Holmes worth seeing? If you're looking for one final film to make you laugh, have hard-hitting action, have a great cast, and have a fairly well-written story, then look no further than Sherlock Holmes.
The chemistry between Robert Downey Jr and Jude Law is the main reason to see this film. Robert Downey Jr puts in another top notch performance as Sherlock Holmes. Despite Holmes being a rather selfish individual, you can't help but find his antics entertaining. It became easier to sympathize with him as the film went on since how much Watson means to him as a friend and as his partner is revealed in the latter half of the film. As impressive as Robert Downey Jr was, Jude Law as just as entertaining. The way Holmes and Watson argue with each other and the way Watson thinks Holmes guilts him into coming along on each case is pure delight to the audience. That's partially due to the impeccable comedic timing the two have, but also due to the fact that they're both extremely talented actors at the top of their game in this film.
One of the most interesting aspects of the film is the way the film seemed to allow its viewers inside the mind of Sherlock Holmes at times. There's two occasions where Holmes is dissecting the moves he's about to make in a fight before he makes them as he announces each blow and the damage each blow does to his opponent. As he's narrating, the film plays in slow motion. When he's done, we jump back to the moment before he started narrating and see the entire situation play out in real time. There were other times, like the time in the restaurant when he's waiting to meet Watson's fiancé, Mary Morstan (Kelly Reilly), and when he's sitting in Blackwood's jail cell where it seemed like Holmes heard absolutely everything that was going on. It was as if he was aware of everything that was going on around him. Those parts of the film established just how adept Holmes really was.
The one flaw the film may have may be tucked away in the storyline somewhere. It felt convoluted at times. It may just need a repeat viewing or two to process everything rationally. So while just about everything is explained in full by Sherlock Holmes and everything is wrapped up by the time the credits roll (other than the open-ended finale that leaves it wide open for a sequel), it did seem like the writers were trying too hard or that they were reaching out too far for explanations or something.
Sherlock Holmes is Guy Ritchie's biggest box office success to date and it's safe to say that Robert Downey Jr has jumpstarted another successful and entertaining franchise. If you're familiar with Ritchie's previous works, then this film almost feels like the Sherlock Holmes character being thrown into the same world Ritchie established in Lock, Stock, and Two Smoking Barrels and Snatch if they took place in the late nineteenth century. The film centers on Holmes' anti-social behavior, is inspired heavily by the martial art Bartitsu mentioned in the Sherlock Holmes story from 1901 entitled The Adventure of the Empty House, and focuses on Holmes' brilliant analytical mind. Sherlock Holmes is full of high octane-fueled action, entertaining comedy, and witty dialogue.
As a fan of the majority of Guy Ritchie's previous works (Lock, Stock, and Two Smoking Barrels, Snatch, Revolver, RocknRolla) and the incredible streak Robert Downey Jr has of impressive performances that have turned him into one of the most entertaining and profitable leading actors of today, you could say the anticipation and expectations for this film were fairly high. Other reviews for the film seemed to be mixed as a lot of them mentioned the writing for the film being lackluster and most complained that Sherlock Holmes wasn't an action star, but the film still brought in around $65 million its opening weekend. So is Ritchie's version of Sherlock Holmes worth seeing? If you're looking for one final film to make you laugh, have hard-hitting action, have a great cast, and have a fairly well-written story, then look no further than Sherlock Holmes.
The chemistry between Robert Downey Jr and Jude Law is the main reason to see this film. Robert Downey Jr puts in another top notch performance as Sherlock Holmes. Despite Holmes being a rather selfish individual, you can't help but find his antics entertaining. It became easier to sympathize with him as the film went on since how much Watson means to him as a friend and as his partner is revealed in the latter half of the film. As impressive as Robert Downey Jr was, Jude Law as just as entertaining. The way Holmes and Watson argue with each other and the way Watson thinks Holmes guilts him into coming along on each case is pure delight to the audience. That's partially due to the impeccable comedic timing the two have, but also due to the fact that they're both extremely talented actors at the top of their game in this film.
One of the most interesting aspects of the film is the way the film seemed to allow its viewers inside the mind of Sherlock Holmes at times. There's two occasions where Holmes is dissecting the moves he's about to make in a fight before he makes them as he announces each blow and the damage each blow does to his opponent. As he's narrating, the film plays in slow motion. When he's done, we jump back to the moment before he started narrating and see the entire situation play out in real time. There were other times, like the time in the restaurant when he's waiting to meet Watson's fiancé, Mary Morstan (Kelly Reilly), and when he's sitting in Blackwood's jail cell where it seemed like Holmes heard absolutely everything that was going on. It was as if he was aware of everything that was going on around him. Those parts of the film established just how adept Holmes really was.
The one flaw the film may have may be tucked away in the storyline somewhere. It felt convoluted at times. It may just need a repeat viewing or two to process everything rationally. So while just about everything is explained in full by Sherlock Holmes and everything is wrapped up by the time the credits roll (other than the open-ended finale that leaves it wide open for a sequel), it did seem like the writers were trying too hard or that they were reaching out too far for explanations or something.
Sherlock Holmes is Guy Ritchie's biggest box office success to date and it's safe to say that Robert Downey Jr has jumpstarted another successful and entertaining franchise. If you're familiar with Ritchie's previous works, then this film almost feels like the Sherlock Holmes character being thrown into the same world Ritchie established in Lock, Stock, and Two Smoking Barrels and Snatch if they took place in the late nineteenth century. The film centers on Holmes' anti-social behavior, is inspired heavily by the martial art Bartitsu mentioned in the Sherlock Holmes story from 1901 entitled The Adventure of the Empty House, and focuses on Holmes' brilliant analytical mind. Sherlock Holmes is full of high octane-fueled action, entertaining comedy, and witty dialogue.
Movie Metropolis (309 KP) rated Dirty Grandpa (2016) in Movies
Jun 11, 2019
Dirty De Niro
It’s hard to imagine an acting career that has continuously impressed as much as that of Robert De Niro. The two-time Academy Award-winner has also racked up an incredible five further nominations at the Oscars, cementing him as a Hollywood great.
However, over the last few years, this acting veteran has spiralled into rather dangerous territory. Taking on thankless role after thankless role with terrible romantic comedies, his filmography makes for grim reading these days.
His latest movie sees him star alongside the hunky Zac Efron in Dirty Grandpa, a gross-out comedy following the pair on a road trip from Atlanta to Florida, but does it do enough to restore some sheen to De Niro’s CV?
De Niro stars as Richard ‘Dick’ Kelly, an army veteran mourning the loss of his late wife. To ease his grief, he and his uptight lawyer grandson Jason (Efron) take a trip together as a way of catching up. Though for Dick, there’s more than scenery on his mind.
I’ll get this off my chest before we go any further. The script is absolutely atrocious and one of the worst I have ever come across in the genre, and Dan Mazer’s inconsistent direction only highlights these major flaws.
Both Efron and De Niro look uncomfortable with the overly offensive dialogue that targets homosexuals and ethnic minorities just to try and raise a laugh. This is comedy at its laziest and Dirty Grandpa is more than happy to admit that to you – it’s definitely not ashamed of what it is.
Nevertheless, it’s such a shame to see a former Oscar winner taking on the role of a borderline perverted grandparent. The constant leering at college girls and the cringe-worthy talk of sex just don’t sit well with those who know of De Niro’s once unrivalled talent and this is why he feels sorely miscast.
Efron too starts off incredibly poorly. As the uptight lawyer, he spouts legalese that you know he doesn’t truly understand, though once he starts to unwind we see him at his best. The actor knows that he works well in films where he can use his cracking smile and body to full effect and it’s certainly out in force here.
Elsewhere, a supporting cast that includes Parks and Recreation’s Aubrey Plaza fares much better with Plaza being the film’s standout character. Her sex-obsessed Lenore is actually very funny indeed and provides Dirty Grandpa with what it sorely needs – genuine comedy.
Unfortunately, despite a few laughs, the film tries too hard with the tired old clichés. From fart jokes to racism and sexism, it’s all there – all the while unaware it’s adding another nail in the coffin of Robert De Niro’s acting career.
https://moviemetropolis.net/2016/02/05/dire-de-niro-dirty-grandpa-review/
However, over the last few years, this acting veteran has spiralled into rather dangerous territory. Taking on thankless role after thankless role with terrible romantic comedies, his filmography makes for grim reading these days.
His latest movie sees him star alongside the hunky Zac Efron in Dirty Grandpa, a gross-out comedy following the pair on a road trip from Atlanta to Florida, but does it do enough to restore some sheen to De Niro’s CV?
De Niro stars as Richard ‘Dick’ Kelly, an army veteran mourning the loss of his late wife. To ease his grief, he and his uptight lawyer grandson Jason (Efron) take a trip together as a way of catching up. Though for Dick, there’s more than scenery on his mind.
I’ll get this off my chest before we go any further. The script is absolutely atrocious and one of the worst I have ever come across in the genre, and Dan Mazer’s inconsistent direction only highlights these major flaws.
Both Efron and De Niro look uncomfortable with the overly offensive dialogue that targets homosexuals and ethnic minorities just to try and raise a laugh. This is comedy at its laziest and Dirty Grandpa is more than happy to admit that to you – it’s definitely not ashamed of what it is.
Nevertheless, it’s such a shame to see a former Oscar winner taking on the role of a borderline perverted grandparent. The constant leering at college girls and the cringe-worthy talk of sex just don’t sit well with those who know of De Niro’s once unrivalled talent and this is why he feels sorely miscast.
Efron too starts off incredibly poorly. As the uptight lawyer, he spouts legalese that you know he doesn’t truly understand, though once he starts to unwind we see him at his best. The actor knows that he works well in films where he can use his cracking smile and body to full effect and it’s certainly out in force here.
Elsewhere, a supporting cast that includes Parks and Recreation’s Aubrey Plaza fares much better with Plaza being the film’s standout character. Her sex-obsessed Lenore is actually very funny indeed and provides Dirty Grandpa with what it sorely needs – genuine comedy.
Unfortunately, despite a few laughs, the film tries too hard with the tired old clichés. From fart jokes to racism and sexism, it’s all there – all the while unaware it’s adding another nail in the coffin of Robert De Niro’s acting career.
https://moviemetropolis.net/2016/02/05/dire-de-niro-dirty-grandpa-review/
BankofMarquis (1832 KP) rated Gosford Park (2001) in Movies
Mar 24, 2020
Underneath it all...and Altman film
Do you like DOWNTON ABBEY? Do you like Agatha Christie Murder Mysteries? Do you like the 1970's British television series UPSTAIRS DOWNSTAIRS? If your answer to any of these questions is yes, then do I have a film for you.
GOSFORD PARK is an English Murder Mystery, set in the 1920's, featuring an All Star Cast, Directed by a 7 time Oscar nominee. It received critical acclaim in the year it was released (2001), earned 7 Oscar nominations (including Best Picture) and won the Oscar for Best Original Screenplay (Julian Fellowes...who would go on to create/write DOWNTON ABBEY).
Set in an English Country Manor, overseen by overbearing Lord William McCordle (Michael Gambon, the 2nd Albus Dumbledore in the Harry Potter films), GOSFORD PARK tells of the trials, tribulations, loves and death (yes, there's a murder) of a host of characters both Upstairs (the wealthy) and Downstairs (the servants).
And what a cast it is! Kristin Scott Thomas, Maggie Smith, Charles Dance, Jeremy Northam, Tom Hollander and Bob Balaban lead the group of the wealthy, while Helen Mirren, Alan Bates, Clive Owen, Kelly MacDonald, Eileen Atkins and Emily Watson head up the cast of servants below the stairs.
Both Maggie Smith and Helen Mirren were nominated for an Oscar for Best Supporting Actress for their work in this film (both losing to Jennifer Connelly for A BEAUTIFUL MIND).
Directed by Robert Altman (M*A*S*H, NASHVILLE), GOSFORD PARK is much of what you would expect from an Altman film...many, many people living their lives, sometimes intersecting with others, often times just going off on their own, tied together by the circumstances of being in this giant manor house on a weekend of a murder.
It is an ambitious, "Oscar bait" film that succeeds for the most part. And, if you are into the costumes, sets, Interior Design and intimate scenes of people talking, then you will be richly rewarded by this film.
I loved this film when it first came out and was anxiously looking forward to re-visiting it.
While I still liked it during this viewing, I did find the pacing to be languid and I started finding myself being frustrated by threads and character direction that just sort of petered out or ended all together with no real resolution. I know this was on purpose, for Altman would argue that this is what happens in real life, but I found this frustrating.
But this film has much, much going for it and if you haven't seen this - or haven't seen this in awhile - and are a fan of these types of films, then GOSFORD PARK will be a very rewarding 2 hours and 11 minutes of a movie going experience.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank (ofMarquis)
GOSFORD PARK is an English Murder Mystery, set in the 1920's, featuring an All Star Cast, Directed by a 7 time Oscar nominee. It received critical acclaim in the year it was released (2001), earned 7 Oscar nominations (including Best Picture) and won the Oscar for Best Original Screenplay (Julian Fellowes...who would go on to create/write DOWNTON ABBEY).
Set in an English Country Manor, overseen by overbearing Lord William McCordle (Michael Gambon, the 2nd Albus Dumbledore in the Harry Potter films), GOSFORD PARK tells of the trials, tribulations, loves and death (yes, there's a murder) of a host of characters both Upstairs (the wealthy) and Downstairs (the servants).
And what a cast it is! Kristin Scott Thomas, Maggie Smith, Charles Dance, Jeremy Northam, Tom Hollander and Bob Balaban lead the group of the wealthy, while Helen Mirren, Alan Bates, Clive Owen, Kelly MacDonald, Eileen Atkins and Emily Watson head up the cast of servants below the stairs.
Both Maggie Smith and Helen Mirren were nominated for an Oscar for Best Supporting Actress for their work in this film (both losing to Jennifer Connelly for A BEAUTIFUL MIND).
Directed by Robert Altman (M*A*S*H, NASHVILLE), GOSFORD PARK is much of what you would expect from an Altman film...many, many people living their lives, sometimes intersecting with others, often times just going off on their own, tied together by the circumstances of being in this giant manor house on a weekend of a murder.
It is an ambitious, "Oscar bait" film that succeeds for the most part. And, if you are into the costumes, sets, Interior Design and intimate scenes of people talking, then you will be richly rewarded by this film.
I loved this film when it first came out and was anxiously looking forward to re-visiting it.
While I still liked it during this viewing, I did find the pacing to be languid and I started finding myself being frustrated by threads and character direction that just sort of petered out or ended all together with no real resolution. I know this was on purpose, for Altman would argue that this is what happens in real life, but I found this frustrating.
But this film has much, much going for it and if you haven't seen this - or haven't seen this in awhile - and are a fan of these types of films, then GOSFORD PARK will be a very rewarding 2 hours and 11 minutes of a movie going experience.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank (ofMarquis)
Gareth von Kallenbach (965 KP) rated T2 Trainspotting (2017) in Movies
Jul 12, 2019
The first time I saw Trainspotting was my senior year of high school. At the time, I knew that I wanted to get involved in film, and I really did for about ¾ of a year after I graduated. I looked at movies for their artistry and cinematography even at a young age. I was a band geek, so music was also things I would love about movies. I was deep for a 17-year-old, or so I thought any way. But I explain this to you so you don’t think that I loved this movie simply because of the drug use or humor it presented. I have always been of the mind to find something I like about a movie, watch it for what it is, and try to just find the enjoyment value (I know, weird coming from a film reviewer). I didn’t even have to try for Trainspotting. It was the complete package, and ground breaking. It also introduced me to Ewan McGregor, who is one of my favorite actors. I loved the movie so much, I bought Irvine Welsh’s book that the movie was based on of the same title, Trainspotting, which I highly recommend simply for the fact that it’s written in phonetic Scottish. I never picked up Porno, the literary sequel to Trainspotting, but I hear it is bizarre and will need to pick it up, but not because of this movie. I’ll explain in a moment.
Naturally, when the announcement was made for a second Trainspotting movie, I was both excited and terrified at the same time. The first was so good, why did Hollywood need to ruin it with a sequel that has a bigger budget. What was promising was that it was announced that the entire cast of characters (that survived from the first film) would be back, including Diane (Kelly MacDonald). But it’s been 20 years. Typically, when you see sequels come out even after only 10 years, the whole film seems a contrite, forced replication of the first. Hell, look at all the criticism for the Hangover films being exactly that, and they were only a few years apart. Whether the script feels forced just for the sake of a sequel, or the actors are trying too hard to be the character they played many years prior, it never quite works. So, as we neared the release date, I was getting more and more weary of seeing the film. Then, the trailer dropped.
Damn the trailer looked good. And I will tell you, the movie did not fall into the trap of forced sequels. The main cast came back and played the characters perfectly. Not as they were, but as the people they grew to be over the 20-year period. The plot was fun and pointless, with all of the same charm as its predecessor. I saw the movie with fellow SKNR staffer Joshua Aja, and we had a pretty good conversation following the film. We both came to the same conclusion, that neither of us could remember the last time we saw a film that just that good.
So now to the actual meat of the review itself. What was the movie about? Well, I won’t give away too much, but I will give you a quick recap of the events leading up to this film. Basically, do you remember the end of Trainspotting? Renton (Ewan McGregor), Spud (Ewen Bremner), Sick Boy (Jonny Lee Miller), and Begbie (Robert Carlyle) had successfully pulled off a heist, and Renton was making off with the money while everyone slept, except Spud of course who saw Renton leaving but didn’t say anything. As a result, Renton left Spud’s share of the cash for him in a locker. Okay; all caught up.
T2 Trainspotting picks up 20 years later. Renton comes back to Scotland because his mother passed away, he ends up reuniting with Spud, and eventually Sick Boy, who we now know by his real name, Simon. Begbie is in prison because, well… he’s Begbie, but he doesn’t stay there long. Tempers fly, old feelings flare, and not every reunited moment is met with glee. But soon enough, Renton, Simon and Spud are drawn into old habits, though not old drugs, and start to build money up to open a ‘sauna’ (read: undercover brothel) for Simon’s girlfriend, Veronika (Angela Nedyalkova). It’s not long before Begbie shows up and starts mucking things up leading to a suspenseful conclusion between Renton, Simon and Begbie.
That’s all I can say. There was an excellent use of the history from the first film, and of course we get another fantastic ‘Choose Life’ speech from Renton. The soundtrack, while not quite as good as the first, still holds its own very well. And be sure to look for the Bowie tribute, since it was he who helped Danny Boyle obtain a lot of music rights on the cheap for the first film. And, you will find Spud’s writings throughout the movie to be lifted, verbatim, from the Trainspotting by Irvine Welsh. But what’s interesting, is that there is not a lot that relates this film to the literary sequel, Porno. Much of the plot of this film is taken from, or at least inspired by, parts of the book that were not used in the first film. That combined with some new writing and storytelling from Irvine Welsh and John Hodge.
Bottom line: if you liked the Trainspotting even in the slightest, you will absolutely enjoy T2 Trainspotting. A phenomenal job by cast, crew, and writers, and an excellent soundtrack will leave you wanting a trilogy. This is only the third film I have given a perfect score to in my 7 years of reviewing films, and it is well deserved. Go see this movie.
Naturally, when the announcement was made for a second Trainspotting movie, I was both excited and terrified at the same time. The first was so good, why did Hollywood need to ruin it with a sequel that has a bigger budget. What was promising was that it was announced that the entire cast of characters (that survived from the first film) would be back, including Diane (Kelly MacDonald). But it’s been 20 years. Typically, when you see sequels come out even after only 10 years, the whole film seems a contrite, forced replication of the first. Hell, look at all the criticism for the Hangover films being exactly that, and they were only a few years apart. Whether the script feels forced just for the sake of a sequel, or the actors are trying too hard to be the character they played many years prior, it never quite works. So, as we neared the release date, I was getting more and more weary of seeing the film. Then, the trailer dropped.
Damn the trailer looked good. And I will tell you, the movie did not fall into the trap of forced sequels. The main cast came back and played the characters perfectly. Not as they were, but as the people they grew to be over the 20-year period. The plot was fun and pointless, with all of the same charm as its predecessor. I saw the movie with fellow SKNR staffer Joshua Aja, and we had a pretty good conversation following the film. We both came to the same conclusion, that neither of us could remember the last time we saw a film that just that good.
So now to the actual meat of the review itself. What was the movie about? Well, I won’t give away too much, but I will give you a quick recap of the events leading up to this film. Basically, do you remember the end of Trainspotting? Renton (Ewan McGregor), Spud (Ewen Bremner), Sick Boy (Jonny Lee Miller), and Begbie (Robert Carlyle) had successfully pulled off a heist, and Renton was making off with the money while everyone slept, except Spud of course who saw Renton leaving but didn’t say anything. As a result, Renton left Spud’s share of the cash for him in a locker. Okay; all caught up.
T2 Trainspotting picks up 20 years later. Renton comes back to Scotland because his mother passed away, he ends up reuniting with Spud, and eventually Sick Boy, who we now know by his real name, Simon. Begbie is in prison because, well… he’s Begbie, but he doesn’t stay there long. Tempers fly, old feelings flare, and not every reunited moment is met with glee. But soon enough, Renton, Simon and Spud are drawn into old habits, though not old drugs, and start to build money up to open a ‘sauna’ (read: undercover brothel) for Simon’s girlfriend, Veronika (Angela Nedyalkova). It’s not long before Begbie shows up and starts mucking things up leading to a suspenseful conclusion between Renton, Simon and Begbie.
That’s all I can say. There was an excellent use of the history from the first film, and of course we get another fantastic ‘Choose Life’ speech from Renton. The soundtrack, while not quite as good as the first, still holds its own very well. And be sure to look for the Bowie tribute, since it was he who helped Danny Boyle obtain a lot of music rights on the cheap for the first film. And, you will find Spud’s writings throughout the movie to be lifted, verbatim, from the Trainspotting by Irvine Welsh. But what’s interesting, is that there is not a lot that relates this film to the literary sequel, Porno. Much of the plot of this film is taken from, or at least inspired by, parts of the book that were not used in the first film. That combined with some new writing and storytelling from Irvine Welsh and John Hodge.
Bottom line: if you liked the Trainspotting even in the slightest, you will absolutely enjoy T2 Trainspotting. A phenomenal job by cast, crew, and writers, and an excellent soundtrack will leave you wanting a trilogy. This is only the third film I have given a perfect score to in my 7 years of reviewing films, and it is well deserved. Go see this movie.