"Sirk’s assembled team of actors and craftspeople has never been better! Frank Skinner’s underrated score really carries this hurtling narrative from its first insane notes, dialing up the Euripidean melodramatics to levels worthy of the luridly saturated Technicolors lensed by Russell Metty. Rock Hudson, Robert Stack, Lauren Bacall (of that certain age long before any other Sirk heroine), and the impossible-to-carbon-date Dorothy Malone, in a helmet of dead hair, whirl around each other like a mobile in a gale, all the while perfectly delivering dialogue as confected as Alexander Golitzen’s decors. Hard to believe Rock’s muse, Ross Hunter, didn’t produce this one!"

"I’ve been directing television for almost twenty-five years. In that time, one thing that I have learned for sure is that Douglas Sirk is the godfather of all dramatic television. It all comes from him. The best of television is redolent with his sense of ironic and knowing melodrama. He piles on the conflict in each and every scene. Bad things and disappointment stalk his characters, but always with style. The first ten minutes of Written on the Wind are literally drunk with this style. Robert Stack drinking from the bottle in an intensely yellow sports car, hundreds of leaves that blow through a Texas mansion, pages of a calendar that flip through time, and, above all else, Dorothy Malone. Nobody mambos like Malone: the sequence where she drunkenly mambos in her room while her father dies of a heart attack is choreographed for the camera like a Minnelli musical. Sirk blocks a scene with such dynamism and artfulness you can turn off the sound and know exactly what’s going on. All That Heaven Allows got me into Sirk, but Written on the Wind is the poster on my office wall—it’s a touchstone, a timeless piece of popular art."