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Matthew Krueger (10051 KP) rated Machete (2010) in Movies
Jul 27, 2020
B-Movie Exploitation Film
Machete- is a intresting B-Movie Exploitation action film. I like how Machete was in Spy Kids and that film was PG and now this film is R. Just like how he want easy and really did no killing in spy kids and in this one is full blooded revenge person.
Instead, during the filming of Rodriguez and Quentin Tarantino's Grindhouse, Rodriguez shot lobby cards and sequences from parts of the original script in 2006 for a fake trailer featuring Danny Trejo, Cheech Marin, and Jeff Fahey.
Jessica Alba won a Razzie Award for Worst Supporting Actress, along with her other roles in The Killer Inside Me, Little Fockers and Valentine's Day.
The plot: After nearly being killed during a violent fight with a powerful drug lord, a former Mexican Federale known as Machete (Danny Trejo) roams Texas streets as a vigilante and sometime day-laborer. Hired to perform a covert hit, he is double-crossed and forced to go on the run. Machete may be down, but not out, and he carves a path of blood, bullets and broken hearts in his quest to settle the score.
The supporting cast is intresting and never thought that this people would work together. For Example Steven Seagal, Linsday Lohan, Don Johnson and Robert De Niro all working together. Never thought that any of these people would work together. Well i could see Don Johnson and Robert De Niro working together. But the rest, nope. But it did and it actually worked really well.
Its a fun action B-Movie exploitation film.
Instead, during the filming of Rodriguez and Quentin Tarantino's Grindhouse, Rodriguez shot lobby cards and sequences from parts of the original script in 2006 for a fake trailer featuring Danny Trejo, Cheech Marin, and Jeff Fahey.
Jessica Alba won a Razzie Award for Worst Supporting Actress, along with her other roles in The Killer Inside Me, Little Fockers and Valentine's Day.
The plot: After nearly being killed during a violent fight with a powerful drug lord, a former Mexican Federale known as Machete (Danny Trejo) roams Texas streets as a vigilante and sometime day-laborer. Hired to perform a covert hit, he is double-crossed and forced to go on the run. Machete may be down, but not out, and he carves a path of blood, bullets and broken hearts in his quest to settle the score.
The supporting cast is intresting and never thought that this people would work together. For Example Steven Seagal, Linsday Lohan, Don Johnson and Robert De Niro all working together. Never thought that any of these people would work together. Well i could see Don Johnson and Robert De Niro working together. But the rest, nope. But it did and it actually worked really well.
Its a fun action B-Movie exploitation film.
Gareth von Kallenbach (980 KP) rated Machete (2010) in Movies
Aug 8, 2019
This is the film your parents did not want you to see as a child. Violent, vulgar, and more than a little offensive Machete is shocking, not just for the eyes but also to moral sensibilities. Yet, it is also undeniably funny.
This make believe movie trailer highlighted in the movie Grindhouse was, due to its popularity, turned into a full length feature packed with ridiculous fight scenes and some of the most simplistic dialogue of any modern action film. The visuals stay with you. The action is impressive. This is not just another trip to the movies but a wild chaotic journey at the end of a giant blade.
Director and co-author, Robert Rodriguez, has mixed classic Tarantino styling, the wild world of B movies, and his own flair for dramatic character creation to create a film that is violently astonishing. The fight scenes are engaging from weapon selection all the way to last man standing, and do I really need to tell you who that man is? Of, course not.
Machete is not just your typical anti-hero, he is the vision of an anti-hero with ladies and one-liners in tow. While Danny Trejo (Machete) steals the show he is not the only big name appearing on this cast list. The film is packed with stars such as Jessica Alba (Sartana), Michelle Rodriguez (Luz), and Lindsey Lohan (April), who all play critical characters in this bizarre tale. And so far as the men go, there are also quality performances from Robert De Niro (Senator McLaughlin), Don Johnson (Lt. Stillman), Steven Segal (Torrez) and Cheech Marin (Padre).
Moreover, it is not a stretch to say that this film abruptly addresses some significant stereotypes. In fact Machete doesn’t just confront these issues, it wields a large blade of sarcasm in their direction. Giving a new base line for “over the top,” Machete is sure to be a hit with anyone who is not easily offended.
This make believe movie trailer highlighted in the movie Grindhouse was, due to its popularity, turned into a full length feature packed with ridiculous fight scenes and some of the most simplistic dialogue of any modern action film. The visuals stay with you. The action is impressive. This is not just another trip to the movies but a wild chaotic journey at the end of a giant blade.
Director and co-author, Robert Rodriguez, has mixed classic Tarantino styling, the wild world of B movies, and his own flair for dramatic character creation to create a film that is violently astonishing. The fight scenes are engaging from weapon selection all the way to last man standing, and do I really need to tell you who that man is? Of, course not.
Machete is not just your typical anti-hero, he is the vision of an anti-hero with ladies and one-liners in tow. While Danny Trejo (Machete) steals the show he is not the only big name appearing on this cast list. The film is packed with stars such as Jessica Alba (Sartana), Michelle Rodriguez (Luz), and Lindsey Lohan (April), who all play critical characters in this bizarre tale. And so far as the men go, there are also quality performances from Robert De Niro (Senator McLaughlin), Don Johnson (Lt. Stillman), Steven Segal (Torrez) and Cheech Marin (Padre).
Moreover, it is not a stretch to say that this film abruptly addresses some significant stereotypes. In fact Machete doesn’t just confront these issues, it wields a large blade of sarcasm in their direction. Giving a new base line for “over the top,” Machete is sure to be a hit with anyone who is not easily offended.
Erika (17788 KP) rated Alita: Battle Angel (2019) in Movies
Feb 18, 2019 (Updated Feb 18, 2019)
This movie was on the borderline between good and just ok, I rounded up. I was irritated because the theater where I have the subscription with was only showing the film in 3D. I'm not a huge 3D fan, and don't think anything is really added by it.
I know James Cameron was supposed to be the main draw, but I think he's pompous, and Avatar is not a good movie (IMO/it's lame and a snore). I was there mainly for Robert Rodriguez, he's a BFD here.
Essentially, it's Ghost in the Shell with a different story around it. I loved the fight/actions scenes, I was riveted by those. But, everything around it was kind of lame with bad dialogue and an unnecessary love story.
I also hated that it left on a cliffhanger. The movie drastically under-performed, leading to the worst Presidents' Day box office in the US since 2004. Likelihood of a sequel? Slim to none.
I know James Cameron was supposed to be the main draw, but I think he's pompous, and Avatar is not a good movie (IMO/it's lame and a snore). I was there mainly for Robert Rodriguez, he's a BFD here.
Essentially, it's Ghost in the Shell with a different story around it. I loved the fight/actions scenes, I was riveted by those. But, everything around it was kind of lame with bad dialogue and an unnecessary love story.
I also hated that it left on a cliffhanger. The movie drastically under-performed, leading to the worst Presidents' Day box office in the US since 2004. Likelihood of a sequel? Slim to none.
Phillip McSween (751 KP) rated Machete (2010) in Movies
Jan 19, 2018
Fun Watch
Machete was a bit of a miss for me. I understood the direction that directors Ethan Maniquis and Robert Rodriguez were heading for. I just didn't quite...get it. As a salesperson, I'm taught to push the "why", not the "how". For me, the "why" of this film left a lot to be desired.
It's not that I didn't like Machete, rather it didn't hook me. Half cheesy action film, half telenovela, it definitely has some shining moments. Danny Trejo (Machete) plays a tough badass as he does in most films. His hardcore attitude makes him instantly lovable and they give him more attitude than ever in this role. Not only does he destroy a lot of tough guys, he manages to find time to slay the ladies as well. Oh yes, the ladies love Machete and Machete loves the ladies.
Props to Robert De Niro as well in his role as The Senator. Hearing his country accent makes you almost forgot this was the same guy that said, "You talkin' to me?" (Taxi Driver is on my list for this October!). You're supposed to hate him as he plays a villain, but you can't help but love him at the same time.
A handful of action sequences left me with raised eyebrows. My favorite in particular was Cheech Marin in the church with the double shotgun action. Talk about money!
Fun movie and worth at least one watch. Seeing Machete seek revenge on The Senator after being double-crossed (the plot) managed to keep me entertained but not quite jumping-for-joy excited. I give it a solid 76.
It's not that I didn't like Machete, rather it didn't hook me. Half cheesy action film, half telenovela, it definitely has some shining moments. Danny Trejo (Machete) plays a tough badass as he does in most films. His hardcore attitude makes him instantly lovable and they give him more attitude than ever in this role. Not only does he destroy a lot of tough guys, he manages to find time to slay the ladies as well. Oh yes, the ladies love Machete and Machete loves the ladies.
Props to Robert De Niro as well in his role as The Senator. Hearing his country accent makes you almost forgot this was the same guy that said, "You talkin' to me?" (Taxi Driver is on my list for this October!). You're supposed to hate him as he plays a villain, but you can't help but love him at the same time.
A handful of action sequences left me with raised eyebrows. My favorite in particular was Cheech Marin in the church with the double shotgun action. Talk about money!
Fun movie and worth at least one watch. Seeing Machete seek revenge on The Senator after being double-crossed (the plot) managed to keep me entertained but not quite jumping-for-joy excited. I give it a solid 76.
LeftSideCut (3778 KP) rated Inmate #1: The Rise of Danny Trejo (2020) in Movies
Sep 6, 2020
Danny Trejo is a man with the most terrifying voice I've ever heard, but after watching this, I just really really really want to be his friend.
I remember being completely drawn in by his silent character in Desperado, and then shortly after, recognising him in From Dusk Till Dawn. He's a guy who always manages to cut an intriguing and intimidating figure whatever movie he has been in.
His backstory has become just as famous, his incarceration at San Quentin in particular being pretty common knowledge.
This documentary really dives into his life story, starting with his childhood years, through his time in multie prisons, and then through his acting career and life as a changed man, and a genuinely good person. Watching Trejo speak about his life is just wonderful. The details he recalls are hugely interesting and the way he speaks about everyone he has come across through his life is respectful. He acknowledges that his life these days is a good one, and he can look back on his tougher years and find the humour in some of the shit that he endured.
All of the guests on this documentary, from fellow actors like Donal Logue and Michelle Rodriguez, to director Robert Rodriguez, to fellow inmates, to family members, all speak of him with a lot of warmth.
While Inmate #1 (a reference to some of his early acting credits) does indeed chronicle all of his misdemeanors, his difficult upbringing, his criminal life, it also shines a light on all of the good he has done since leaving prison in 1969. The amount of work he has done for his community is tremendous, and he still gives talks and lectures today, trying to help people who need it. It's an important balance in the way the narrative is told and reveals Trejo to be a pretty down to earth guy.
Its a super interesting story that's worth checking out. Long Live Dany Trejo.
I remember being completely drawn in by his silent character in Desperado, and then shortly after, recognising him in From Dusk Till Dawn. He's a guy who always manages to cut an intriguing and intimidating figure whatever movie he has been in.
His backstory has become just as famous, his incarceration at San Quentin in particular being pretty common knowledge.
This documentary really dives into his life story, starting with his childhood years, through his time in multie prisons, and then through his acting career and life as a changed man, and a genuinely good person. Watching Trejo speak about his life is just wonderful. The details he recalls are hugely interesting and the way he speaks about everyone he has come across through his life is respectful. He acknowledges that his life these days is a good one, and he can look back on his tougher years and find the humour in some of the shit that he endured.
All of the guests on this documentary, from fellow actors like Donal Logue and Michelle Rodriguez, to director Robert Rodriguez, to fellow inmates, to family members, all speak of him with a lot of warmth.
While Inmate #1 (a reference to some of his early acting credits) does indeed chronicle all of his misdemeanors, his difficult upbringing, his criminal life, it also shines a light on all of the good he has done since leaving prison in 1969. The amount of work he has done for his community is tremendous, and he still gives talks and lectures today, trying to help people who need it. It's an important balance in the way the narrative is told and reveals Trejo to be a pretty down to earth guy.
Its a super interesting story that's worth checking out. Long Live Dany Trejo.
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Digital media delivers movies, music, and archives of information to our fingertips but not long ago...
LeftSideCut (3778 KP) rated From Dusk Till Dawn (1996) in Movies
Jan 23, 2021
From Dusk Till Dawn is a good enough Tarantino/Rodriguez style crime caper for the first hour, carried by its cast and polar opposite characters. On one side of the coin, there's the wholesome Fuller family, played by Harvey Keitel, Juliette Lewis, and Ernest Liu. These characters are the good guys if you will, with just enough development given to be on their team. The other side of the coin serves us the Gecko brothers, played by George Clooney and Quentin Tarantino, two criminals who take the Fullers hostage on their way to Mexico. These two are fucking deplorable, Richie (Tarantino) being a dangerous psychopath with no regard for human life, and Seth (Clooney) just being an arrogant asshat who flits between condemning his brothers behaviour and encouraging it. They're so damn unlikable, but when the five characters are together, it provides us with an electric dynamic, one where they end up depending on eachother to survive.
Other than that, it's good enough. Sure it's stylish, but it's not a scratch on Pulp Fiction or Desperado in what's it's trying to be.
But then the twist kicks in, and Christ does this movie ascend to near greatness. When the Fullers and Geckos arrive in Mexico and head to The Titty Twister bar, shit hits the fan pretty quick, and it goes from good enough crime movie, to all out sticky gross gore filled vampire horror show in seconds. The mix of practical effects and CG is wonderfully balanced, and the aesthetic is hugely reminiscent of Evil Dead II. It's no surprise to see Greg Nicotero among the credits.
This second half is just a whole boat of fun, and is the reason why FDTD is rightly considered a cult classic. Tarantinos screenplay is great (casually ignoring the fact he wrote himself into a scene where he could have Salma Hayeks toes in his mouth) and the addition of actors such as Hayek, Danny Trejo, Cheech Marin, Tom Savini, and Fred Williamson for this tongue-in-cheek, splatter fest of a third act is the cherry on top.
From Dusk Till Dawn is a blast for sure. Its stumbles here and there, but is another fine entry in the Robert Rodriguez catalogue.
Other than that, it's good enough. Sure it's stylish, but it's not a scratch on Pulp Fiction or Desperado in what's it's trying to be.
But then the twist kicks in, and Christ does this movie ascend to near greatness. When the Fullers and Geckos arrive in Mexico and head to The Titty Twister bar, shit hits the fan pretty quick, and it goes from good enough crime movie, to all out sticky gross gore filled vampire horror show in seconds. The mix of practical effects and CG is wonderfully balanced, and the aesthetic is hugely reminiscent of Evil Dead II. It's no surprise to see Greg Nicotero among the credits.
This second half is just a whole boat of fun, and is the reason why FDTD is rightly considered a cult classic. Tarantinos screenplay is great (casually ignoring the fact he wrote himself into a scene where he could have Salma Hayeks toes in his mouth) and the addition of actors such as Hayek, Danny Trejo, Cheech Marin, Tom Savini, and Fred Williamson for this tongue-in-cheek, splatter fest of a third act is the cherry on top.
From Dusk Till Dawn is a blast for sure. Its stumbles here and there, but is another fine entry in the Robert Rodriguez catalogue.
Kirk Bage (1775 KP) rated Alita: Battle Angel (2019) in Movies
Jan 22, 2021
Robert Rodriguez is not a good director. He isn’t an especially good writer or producer either. This is the guy responsible for four Spy Kids films, that start below average and downgrade exponentially into excruciatingly awful. What he is pretty good at is ideas, and seeing the potential of something visually arresting and exciting. That is what led to the success of Sin City, arguably his best effort to date, because he saw how the comic book creations of Frank Miller could become live action and he made it happen.
Alita: Battle Angel is a similar deal. This time Yukito Kishiro’s early 90s manga creation is the inspiration. With James Cameron as producer, and the considerable talents of Christoph Waltz, Jennifer Connelly and Mahershala Ali onboard, it would have been pretty hard for even Rodriguez to mess this up entirely. Although at times he does seem to try, mostly by doing too much and making certain sections too busy and too confusingly cross-genre, like he is frantically trying to colour within the lines whilst using every felt-tip in the pack. A habit that means every now and again something great happens, but you may have missed it in all the background noise.
Compare this film, that just falls short of qualifying for my Bad Movie Triple Bill list, to Spielberg’s superior yet similarly busy Ready Player One. Both involve high concept future realities that are very tech and AI driven. Both make extensive use of CGI and vivid colour palettes. Both are frenetic and demand an audience pays attention in order to fully appreciate the storyline. The difference is that one zig-zags back and forth in tone and momentum, and one is razor sharp in moving us from one idea to the next on a perfect learning curve towards a satisfying climax and conclusion. Guess which one is which? This is why Spielberg is Spielberg and Rodriguez is… a hack.
That said, Alita as a character and concept is charming, and you do therefore find yourself at least wanting to discover her story. The action scenes are also quite electric, and the visuals are often breath-taking. But the whole is less than the sum of the parts here, and we are left with something that can only really exist in the same box as dozens of admirable sci-fi B-movies aimed at teenagers, such as The Maze Runner, Mortal Engines and The City of Ember. It also continues to prove the point alongside Ghost in the Shell and Speed Racer that Anime / Manga into live action is a very tricky business.
There is definitely an audience out there for this movie, and I dare say at some point I will be tempted to give it another watch. What is definitely worth watching however, is how James Cameron uses this as a stepping stone to perfecting virtual humans on the big screen. I am sure everyone involved learned a lot in that respect, so all is far from lost.
Alita: Battle Angel is a similar deal. This time Yukito Kishiro’s early 90s manga creation is the inspiration. With James Cameron as producer, and the considerable talents of Christoph Waltz, Jennifer Connelly and Mahershala Ali onboard, it would have been pretty hard for even Rodriguez to mess this up entirely. Although at times he does seem to try, mostly by doing too much and making certain sections too busy and too confusingly cross-genre, like he is frantically trying to colour within the lines whilst using every felt-tip in the pack. A habit that means every now and again something great happens, but you may have missed it in all the background noise.
Compare this film, that just falls short of qualifying for my Bad Movie Triple Bill list, to Spielberg’s superior yet similarly busy Ready Player One. Both involve high concept future realities that are very tech and AI driven. Both make extensive use of CGI and vivid colour palettes. Both are frenetic and demand an audience pays attention in order to fully appreciate the storyline. The difference is that one zig-zags back and forth in tone and momentum, and one is razor sharp in moving us from one idea to the next on a perfect learning curve towards a satisfying climax and conclusion. Guess which one is which? This is why Spielberg is Spielberg and Rodriguez is… a hack.
That said, Alita as a character and concept is charming, and you do therefore find yourself at least wanting to discover her story. The action scenes are also quite electric, and the visuals are often breath-taking. But the whole is less than the sum of the parts here, and we are left with something that can only really exist in the same box as dozens of admirable sci-fi B-movies aimed at teenagers, such as The Maze Runner, Mortal Engines and The City of Ember. It also continues to prove the point alongside Ghost in the Shell and Speed Racer that Anime / Manga into live action is a very tricky business.
There is definitely an audience out there for this movie, and I dare say at some point I will be tempted to give it another watch. What is definitely worth watching however, is how James Cameron uses this as a stepping stone to perfecting virtual humans on the big screen. I am sure everyone involved learned a lot in that respect, so all is far from lost.
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Team RWBY (Ruby, Weiss, Belladonna and Yang) trains at Beacon Academy, to fight crime and monsters...
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BankofMarquis (1832 KP) rated Alita: Battle Angel (2019) in Movies
Feb 20, 2019
Good visuals, not much else to recommend it
A few of my loyal readers recommended that I check out ALITA: BATTLE ANGEL in the biggest screen I could find, and in 3D. And...I'm glad I did for this film is a visual feast for the eyes, filled with eye-popping CGI and an interesting futuristic world on which the events of the film take place.
Unfortunately...that is all that there is to this film, for the rest of the movie does not live up to the fantastical elements laid forth visually.
Adapted to the screen from filmmakers James Cameron and Robert Rodriguez, ALITA: BATTLE ANGEL is a combination of the first 4 of Yukito Kishiro's series of 9 manga books, and (hopefully) the first in a trilogy of films that follows a robot, Alita, who is put back together by the mysterious Dr. Ido. When she awakens, she does not know what her past was, but as events transpire, it soon becomes apparent that Alita is much more than the sweet, young girl robot that her outward appearance would suggest.
Rosa Salazar is winning enough as the completely CGI creation of Alita, but no so charismatic that she can carry the film on her own, she will need help - and that's where this film falls down. Christoph Waltz is mediocre in the underwritten part of Dr. Ido. Instead of being interesting and mysterious, he is bland and boring. I'm beginning to think that Waltz needs the words of Quentin Tarantino to shine (because he does shine in Tarantino films) but is just so-so when speaking someone else's lines. Jennifer Connelly is wasted as Ido's ex-wife, somehow connected to the power elite of the Universe and Marashala Ali (who will soon win his 2nd Oscar) is completely shutdown and "one-note" as the big bad guy. Ed Skrein, Jackie Earle Haley (completely unrecognizable in voice or character as the CGI bad guy Grewishka) and Keean Johnson are all very forgettable as others in this world. Only Jeff Fahey (as a robot-Cowboy bounty hunter) is able to jump off the screen with what is the beginnings of an interesting character.
The battles, races, action and plot twists and turns are all "standard issue", pretty predictable and unsurprising. It is clear that Cameron and Rodriguez were so focused on the CGI and world building that they did not spend enough time on the plot, dialogue or pacing. And that's too bad, for besides the impressive visuals and graphics (and they are impressive), there is not much else to recommend from this film.
Letter Grade: B- (for the visuals)
6 (out of 10) stars and you can take that to the Bank(ofMarquis)
Unfortunately...that is all that there is to this film, for the rest of the movie does not live up to the fantastical elements laid forth visually.
Adapted to the screen from filmmakers James Cameron and Robert Rodriguez, ALITA: BATTLE ANGEL is a combination of the first 4 of Yukito Kishiro's series of 9 manga books, and (hopefully) the first in a trilogy of films that follows a robot, Alita, who is put back together by the mysterious Dr. Ido. When she awakens, she does not know what her past was, but as events transpire, it soon becomes apparent that Alita is much more than the sweet, young girl robot that her outward appearance would suggest.
Rosa Salazar is winning enough as the completely CGI creation of Alita, but no so charismatic that she can carry the film on her own, she will need help - and that's where this film falls down. Christoph Waltz is mediocre in the underwritten part of Dr. Ido. Instead of being interesting and mysterious, he is bland and boring. I'm beginning to think that Waltz needs the words of Quentin Tarantino to shine (because he does shine in Tarantino films) but is just so-so when speaking someone else's lines. Jennifer Connelly is wasted as Ido's ex-wife, somehow connected to the power elite of the Universe and Marashala Ali (who will soon win his 2nd Oscar) is completely shutdown and "one-note" as the big bad guy. Ed Skrein, Jackie Earle Haley (completely unrecognizable in voice or character as the CGI bad guy Grewishka) and Keean Johnson are all very forgettable as others in this world. Only Jeff Fahey (as a robot-Cowboy bounty hunter) is able to jump off the screen with what is the beginnings of an interesting character.
The battles, races, action and plot twists and turns are all "standard issue", pretty predictable and unsurprising. It is clear that Cameron and Rodriguez were so focused on the CGI and world building that they did not spend enough time on the plot, dialogue or pacing. And that's too bad, for besides the impressive visuals and graphics (and they are impressive), there is not much else to recommend from this film.
Letter Grade: B- (for the visuals)
6 (out of 10) stars and you can take that to the Bank(ofMarquis)